Christopher Bernard’s Ghost Trolley chapters

The Ghost Trolley: A Tale for Children and Their Adults

By Christopher Bernard

Chapters 14 and 15

Chapter 14. Conflagration

         The fire had spread like an angry flood while they were trapped in the shed. It was now a tempest of flames, the sky above it darkening into a forest-green twilight. The guards had escaped. A gale of scorching wind tore through the camp, picking the children up and pushing them over the ground as though they were no more than rag dolls. Flames shot above them high as church spires. The fire was like a living thing grabbing, devouring, crushing as it marched through the camp, stepping from tent to shack to barrack. This part of the camp was like a city under siege. The smoke billowed into a towering black cloud that turned half the sky into night.

         They stopped and stared at the fire in awe. The intensity of the heat was turning their faces red. Then, seeing a break between two arms of the fire, they made a dash for it, Sharlotta grabbing Beely and little Johja by the hand.

         Little Johja stumbled and fell and Sharlotta and the others had to stop.

         “Where Mummy?” shouted little Johja.. “I want Mummy!”

         “Crying stop!” Sharlotta shouted back.

         But it wasn’t little Johja who was crying. It was Sharlotta, the tears falling uncontrollably down her face. Her sister had only said what she, too, was bursting with inside. And the enormity of the fire made the unthinkable possible.

         What if their parents were already dead?

         But she mustn’t break down now. Now she had to hold on to herself, not let herself go to the emotions going on in full tantrum inside her, or they might never get out of here. She felt as though she were being wrenched in two; she was leaving her childhood behind, it was disappearing down the wells of her little sister’s eyes. “Mommy we find! Promise I! Promise I! But we no can stay here. To where Mommy is, we must go . . .”

         Little Johja stopped wailing and stared up at her sister with a look that said it wanted to believe her but wasn’t sure it could. Petey and Beely stood waiting. The younger boy looked like he was waiting to see if Sharlotta had stopped her tears before starting a crying jag of his own. At least that was Petey’s thought.

         “We’ll be burned to a crisp if we don’t get going!” he said, truly enough.

         Then Sharlotta heard in the distance behind them a small voice crying out.

         “Wait! . . . Wait! . . .”

         They turned and peered through the smoke blowing in waves between them and the distant shed.

         The owner of the voice appeared as abruptly as an apparition out of the smoke.

         It was Blue Moon, bruised from her struggle with One Eye and limping on one leg.

         “Are you all right?” she demanded, in her froggy voice.

         They nodded bedraggledly.

         “Whatever happened to . . .?” Petey asked.

         Blue Moon shook her head impatiently.

         Sharlotta, feeling grateful but confused, wanted to ask the Korgan girl why she had rescued them, but there was no time.

         “I know a way out of here,” said Blue Moon. “But you have to follow me. We have to move fast. The fire’s burning the whole camp.”

         And she dashed off, limping, without waiting for their response.

         The four glanced at one another, but there seemed to be no alternative. Blue Moon was unaware of the need to find and rescue the children’s parents.

         “What are you waiting for!” Blue Moon cried out, looking back at them, then hurrying on.

         “But we have to . . . !” Sharlotta was beginning to call out to Blue Moon when there was a hollow whoomp! The four looked behind them to see the shed collapse in a fiery ball.
         They instinctively dashed after the Korgan girl as she ran down a row of burning tents toward an iron tower they could make out in the distance.

            Korgans roamed about, dazed and frightened; too absorbed in fighting an arm of the fire thrusting deep into the camp and destroying a home tent or some part of the Korgan military machine, or just trying to escape, to even notice the fleeing children.

         The children passed the charred remains of tents and shacks, overturned carts and trucks, even something that looked like a tank, gutted from the fire and with its gun askew, looking surprised.

         Lying abandoned along the roads were dead draft animals – an armadillo-like creature the size of an SUV (Petey thought), and the flattened hippopotamus-like creature with the howitzer on its back, which they had seen before, and a magnificent-looking beast, a sort of camelion, part camel, part lion, probably used for display by generals and kings in parades.

         There were swarms of rat-like creatures with two heads, dashing in mobs from commissaries and food depots where they had lived in relative safety, and the children stopped briefly, clinging to each other (except for Blue Moon, who stayed ahead and watched them with impatience) to let them pass, the rats squealing frantically. Every so often, in the distance there was the sound of a massive explosion as another ammunition or fuel dump blew up.

          Petey was a little frightened by what his little match had made happen. Though it was helping them escape a fate worse than burning, he promised himself he would never, ever, play with matches, not ever again, no sir, no ma’am, if he ever got out this alive, that is. Not ever! Cross his heart and hope to die if he ever says a lie! Well, ever says a lie again.

         Blue Moon pointed toward the iron tower, which they could see through breaks in the blowing smoke.

         “I know a way out near there!” she shouted.

         “But without our parents we not leave!” Sharlotta finally got out. She had been waiting to say this until she was sure they had an escape route.

         “Your parents?” Blue Moon asked in astonishment. “But where are they?”

         “They be behind a wall in the trash dump,” Sharlotta’s voice seemed to dip, remorsefully. “Where the fire start.” Then she continued, more assertively, “You remember! With your brother you be there, shouting at me two hours ago! We might be then again captured! Did you see what they do to me father?!”

         “He’s not my brother!” Blue Moon said, petulantly. Her tone was immediately apologetic. “I’m sorry we nearly got you captured, that was before I knew it was Orgun Ramora who was after you.” She paused, her eyes veiled with anger. “I would do anything anything to stop him.”

         “But we must save me parents,” Sharlotta insisted.

         Blue Moon considered for a moment.

         “All right, there’s no time to argue,” she said. “I take the others to the tower, and we can all meet there. You have to be careful, because it’s at the edge of the military parade ground, and there are likely to still be lots of soldiers around there. The trash dump is over there.” She gestured toward the east, where a dauntingly high wall of flames loomed, belching smoke across the afternoon sun. “They may not even be alive.”

         “Not say that!” Sharlotta shouted.

         “I’ll go with you,” Petey said suddenly.

         The two girls looked at him, as though only now realizing he was standing there, right next to them.

         “Okay,” Sharlotta said.

         She gave Blue Moon a doubtful look before kneeling down to Beely and little Johja, who, their faces smeared with a paste of mud and ashes, stared gravely at her.

         “I go to get Mummy and Deddy and bring them back here, so you must to go with . . .” She looked up at the girl. “I not know your name. I think of you,” she said, ingenuously, “as Blue Moon.”

         Blue Moon looked at Sharlotta a little shyly, she thought.

         “My name is Miua. But you can call me Blue Moon if you want.”

         “All right.” And Sharlotta turned back to her brother and sister. “Follow Miua . . . Blue Moon . . . to that tower,” pointing toward it, “and to meet you there I bring Mummy and Deddy.”

         “Promise you?” demanded Beely, looking at Blue Moon with a deep frown and a suspicious stare.

         “Promise I,” Sharlotta said solemnly, crossing her heart in the supreme gesture of honor, more powerful in the nation of childhood than a hand on a Bible in adulthood’s court.

         Little Johja put her fingers into her mouth dubiously, but seemed to know there wasn’t much she could do: she had tried bawling once, but it had had no appreciable effect. So maybe silent compliance would make Mummy reappear.

         Sharlotta hugged each of them. She might not find their parents, they might be dead, she might not see her siblings again. Fire, she knew, was soulless as the wind, ruthless as a cornered animal, unforgiving as an offended god. She forced her mind to focus on finding her parents and bringing them to the tower and escaping with them all from the camp: nothing else mattered, nothing else existed. Anything after that was a blank.

         “Good be. What Auntie Blue Moon say, do.”

         “She not my auntie!” protested Beely.

         “Argue not! Now go.”

         Blue Moon awkwardly took the little ones by the hand (something she had never done before; her hands were more used to being used as fists) and, when the result was not an instant explosion or a lighting bolt from the sky, the three gave each other abashed looks.

         “We be going,” said Sharlotta.

         “Good luck,” said Blue Moon, in her froggiest voice.

         And Sharlotta and Petey started running toward the east; the girl looked back only once, to see Blue Moon, with her little limp, carefully leading Beely and little Johja, who was looking back resignedly at her older sister, toward the skeletal silhouette of the tower.

       Chapter 15. The Spell

         The two ran straight ahead, then around what looked to Petey like a collapsed clam bar surrounded by shattered oyster shells, then zig-zagged through a series of little baby fires, then all the way around a great burning army barracks, all the time slipping like a thread through the last fearful remnants of Korgans still in that part of the encampment, many wandering aimlessly as if in shock: a young Korgan woman stumbled by, crying out the names of her lost children; an old Korgan man with a mustache hobbled on a cane across their path, trying to decide what direction was safe, tears of bewilderment streaming down his face; a young soldier stalked past in an awkward marching step, clutching his weapon as though it would have any effect against an enemy as ruthless, cunning and pitiless as fire.

         Sharlotta felt twinges of pity for the Korgans as she and Petey ran past them. Yes, they had long been her enemies, and had done her people much harm, and they would kill her if they knew who she was, but, after all, they were subject, just as she was, to suffering and joy; they were vulnerable, living creatures – vulnerable (she suddenly realized) because they lived.

         But she had no time to consider this just now, so she tucked the thought away in the back of her mind, to brood over once she and her family were safe.

         At one point she and Petey met a fork between two lanes; the one on the right narrow and twisting, the one on the left straight and broad. A public clock stood above the fork, still functioning amidst the mayhem. Petey looked up at the clock (he had always been fascinated by clocks of all kinds): its curious face had four hands and was divided into 22 units, rather than the 12 he was used to. Petey peered wonderingly at it, and finally figured out what time it was: 15:73. Which was certainly an odd time for a clock to read.

         “Come!” Sharlotta said impatiently. “We no can wait here!”

         “But which way should we go?” asked Petey, gaping indecisively between the two paths.

         Sharlotta stared at the paths for a moment, then up at the clock, then, despairingly, made a decision and led the way left.

         But after a hundred feet of smooth broad lane, it suddenly turned into a warren of dead-ends they were lost in for long minutes before they finally clambered out at the edge of the trash dump. It was barely recognizable, most of it burnt out, charred black and still smoking.

         A heavy silence lay across it like a sleeping animal.

         Twenty feet away from them, they saw the collapsed wall where they had left Sharlotta’s parents.

         The children stopped.

         Petey was the first to move. He crept up to the wall and slowly peered around it. He glanced back at Sharlotta with a frightened look in his eyes.

         “No!” Sharlotta cried out, running up.

         There, huddled up at the base of the wall were two bodies, miraculously untouched by the flames. Sharlotta’s mother lay on top of her father, as though sheltering him from the smoke and fire.

         “No!” Sharlotta cried again, kneeling by them, then throwing herself over them. She buried her face in her mother’s shoulder. “She still warm!” She felt for her mother’s pulse, then the pulse of her father, whose eyes were still open, staring up toward the green sky. “They still alive ago few minutes. They just died! They just died!” the young girl yelled hysterically.

         “If only we had taken the other path, we might have gotten here before  . . . !”

         She let out a wail of despair.

         Suddenly she stopped. Petey stood near her, staring at her in a kind of reverence at the intensity of her grief. He felt helpless, wanting to help and not knowing how.

         She looked up at him. The girl’s tear-stained face held a question in it. And in the question was a hope.

         “You see time on the clock?” she asked, in a trembling voice.

         “Yes,” said Petey. “It said 15:73.”

         “And you see seconds?”

         “No.”

         “You can guess?” Her face was pleading.

         “Um – how about 15:73 – um – 28?”

         “You think you guess how far from here the clock is exactly? I mean, exactly?”

         “No,” said Petey, “not exactly.”

         “You might guess?” she asked, even more desperately.

         Petey was at a loss, then said the first thing that came to mind.

         “A hundred sixty-seven feet and three-and-a-half inches!”

         “What are ‘feet’ and ‘inches’?” Sharlotta asked.

         Petey gaped at her. How was he going to explain that?

         “Never mind!” she said, muttering to herself afterward, “Maybe it work.” She turned back to Petey. “And direction exact?”

         Exact this, exact that! Is the girl crazy? Petey thought, irrelevantly. Well, all girls are crazy.

         He looked behind him with a shrug, in the direction they had come from, and saw the iron tower in the distance. It was as good a guess as any.

         “There!” he said, pointing.

         “And what you thinking at that moment exact?”

         “I was thinking,” Petey said, bewilderedly, “what a strange time the clock read . . .”

         “Okay,” said Sharlotta. There was a tone, half of hope, half of despair, in her voice. “Now, that thought think right now.”

         She grabbed Petey by the hand, closed her eyes, seemed to think hard, then muttered a long string of words under her breath, opened her eyes again, pointed toward the tower, and shouted, “Shantih otherwise there!”

         And a moment later, Sharlotta and Petey were back at the fork between the two lanes, and the clock face above them read 15:73, and the second hand was just passing 28.

         “How did you do that?” cried Petey.

         “No time! Quick!” And Sharlotta dashed off into the twisting paths to the right, with Petey right behind her.

         The paths immediately turned into a labyrinth, and Sharlotta was for a moment certain this had been a mistake, when without warning the maze opened out into a small, shadowy space, and Sharlotta, to her amazement, saw she was standing behind the far end of the collapsed wall: her parents lay, not a dozen feet away from her, in a faint on the ground.

         The children ran up to them, Sharlotta grappling her mother and pulling her off her father, and her father started to cough uncontrollably. Sharlotta violently shook her mother, whose head wobbled groggily.

         “Mummy!” Sharlotta shouted. “Mummy!”

         Her mother moaned, her eyes flickering open. “Sharlotta?”

         “You suffocating each other! Just in time we get here. You . . . die! You die!” Sharlotta began crying hysterically.

         “Sharlotta, sweetheart. I here, not dead, I . . . be fine . . .”

         But all Sharlotta could say was “You die, you die!” as she wept in her mother’s arms. Her mother embraced her, kissing her on the head.

          “But where be your father?” her mother asked.

         The father had stopped coughing and pulled himself up against the wall.

         “All right I be, love,” he said. “Sharlotta, darling, you all right be?”

         But Sharlotta could not stop crying.

         Crying (Petey suddenly realized) with joy.

Performance Art from Mark Blickley

Mark Blickley grew up within walking distance of the Bronx Zoo. He is a proud member of the Dramatists Guild and PEN American Center and recipient of a MacArthur Foundation Scholarship Award for Drama. His latest book is the text-based art collaboration with fine arts photographer Amy Bassin, Dream Streams.

Robert Funaro is a New York-based actor best known for his work as a regular in The Sopranos where he created the role of Eugene Pontecorvo. Recent credits include The Irishman directed by Martin Scorsese and a recurring role as Lt. Bricker on the hit Showtime series Ray Donovan.  Film credits include American Gangster directed by Ridley Scott and Not Fade Away directed by David Chase

 Joe John Battista has been involved in over 100 plays and musicals as an actor, musician, songwriter, and director. As a professional photographer, he covered the United States Wheel Chair Team at the Special Olympics in Korea. For six years he was Artistic Director at New York City’s 13th Street Repertory Theater. Since the recent closing of that historic theater, Joe has assumed leadership of the 13th Street Repertory Company.

Poetry from Charlie Robert

 
  
 THE BOMBING OF THE BERLIN ZOO
 A SUITE IN EIGHT PARTS
  
 PRELUDE
 1948
  
 Lion tails cartwheel through the smoke.
 Landing softly on the Screaming Platz.
 Zebras.
 Black White.
 Red.
 The earth vomits its crust and 
 Yes.
 There are secrets to be kept so open wide.
 Such Beauty.
 Eyes clouded glass like watered milk.
 When it was over the sky wiped its chin.
  
 Everyone Loves The Zoo
 A Poem by Mila Roth
 Survivor and Witness of
 The Bombing of the Berlin Zoo
  
  
  
 BERLIN ZOOLOGISCHER GARTEN
 November 22, 1943
  
 Father Ernst Mueller
 Mitte Borough, Berlin
 Sunday Morning
 The 22nd
 **********
 See them kneeling.
 Kneeling before The Altar.
 Kneeling like those they have shot.
 They take their Christ on crackers.
 Their Wehrmacht lips opening as one and
 I can see Hell in their mouths.
 Bless you my Child.
 I say.
  
 Let us Prey.
  
 Joram Fuhrmann
 A Jewish Boy of Nine
 The Tiergarten
 Sunday Afternoon
 ***************
  
 Halten.
 Don’t move.
 They will not see you.
 You will not see them.
 Slapping and screaming.
 Lightning and Skulls.
 Mama.
 Papa.
 We will love you forever the Zoo Joram the Zoo.
 Run run soil your pants.
 The sky is full of veins.
 Rank with animal fear.
 Joram falls to his knees and cries.
 Cries for the life he knew.
 God delivered the Torah.
 And went back to a world of sleep.
  
  
  
 Mila Roth and Anna Berg
 Animal Attendants
 Berlin Zoologischer Garten
 Sunday Afternoon
 ***************
  
 Hunger.
 The Great Beast.
 Meat.
 Only squirrels.
 Mila: “Adept with the stone we have killed them all!”
 Anna: “No. They have gone to the East. They will return when it is over.”
  
  
  
  
  
  
  
  
  
 Cameroon
 Male Black Leopard
 Cage 159
 Berlin Zoologischer Garten
 Sunday Afternoon
 ***************
  
 The concrete is cold.
 Unyielding.
 Gone the touch of earth.
 Propelling him across the Savanna.
 He had killed at will.
 Carcasses.
 Mapping his journey of pain.
 Thirty steps to the left.
 I am Iron.
 Thirty steps to the right.
 I am Death.
 I will break free.
 I will kill everything in my path.
  
  
  
  
 Father Ernst Mueller
 The Blessing of the Animals
 Sunday Evening
 *************
  
 All the pets have been eaten.
 Fat Goering.
 Full of Spaniel.
 Only the Zoo makes sense.
 Holy Water for Hippos.
 Wafers for Wolves.
 Praise God from Whom all Blessings Flow.
 A Droning of Bees.
 High in the Sky.
 Praise Him all Creatures Here Below.
 Flesh.
 Grays and Reds.
 Claws.
 Hooves and Heads.
  
  
  
 Joram Fuhrmann
 Sunday Evening
 *************
  
 Shock.
 Screaming Metal.
 Earth Rock Iron Wood.
 Joram.
 You have blood in your ears.
 Your legs.
 Bone and gristle.
 Something is wrong.
 Deep in the chest.
 Close your sweet eyes.
 It’s just a brief rest.
 I shall go to the East and will return.
 When it is over.
  
  
  
  
 Mila Roth and Anna Berg
 Sunday Evening
 *************
  
 Shock.
 Screaming metal.
 A troop of monkeys fall shredded.
 The bombs no interest in Who.
 Anna staggers to the nearest cage.
 Flames.
 Coils of smoke.
 Feeling her way she opens the gate.
 And now it’s Too Late.
 Now it’s Too Late.
 Cameroon.
 Leaping to freedom.
 Pausing to rip out her throat.
  
 Such Beauty.
 Eyes.
 Clouded glass.
 Like watered milk.
  
  
  
  
 The Living and the Dead
 ********************
  
 Shock.
 Screaming metal.
 The earth buckles.
 Vomiting her crust white hot.
 A cage blows open sucking Mila inside.
 A pair of dead Zebras.
 Breaking her fall.
 Black White.
 Red.
  
  
 The ground is littered with animal dead.
 Mila.
 Peering through the bars.
 One of the bodies is moving.
 She sees the Collar white as his face and she cries.
 Pray for us Father.
 Now and at the Hour of our Death.
 The Priest lifts his head.
 His eyes are huge and see nothing.
  
  
 The Jackals are first.
 Blue meat in their jaws.
 Mila.
 Hearing the tearing of flesh.
 Knowing it’s part of the deal.
 The Priest at the end of the meal.
  
 Everyone loves the Zoo.
 That will never change.
   

Poetry from Raquel Silberman

 Post Calamity
 By Raquel Silberman


 What lurks behind the spine of disaster?
 stiff standing behind a
 vertebrae tree
 blinks in the dark of it’s
 shadows,
 apparitions of its grief
 when disaster walks away
 watch the darkness shrink.
 glimpses of bone in a flock of silk
 flip a penny and watch it
 sink
 when koi swims by,
 it feasts
 becoming just another shiny scale
 plotting by my feet
 A mess to clean.
 drapes strewn across power line
 sputtered with forgetful ink
 dense is the mind by virtue of
 limit
 What is disaster if not
 a moment to
 think

Story from Robert Thomas

When She’s Gone

 When she’s gone;
 No more endearing smile to greet my return
 or laugh at wry and corny puns.
 No caress of the neck or tender rub of the arm. 
 An absence of affection even in inconsequential moments.
 When she’s gone;
 A silence in place of wistful songs of love.
 No more care in moments of need.
 An absence of knowing she will be there, always, but then not 
 there.
 When she’s gone;
 A longing for words that admonished when things went wrong, 
 and yet its demand required.
 A hole of improvement to be filled, but left undone.
 When she’s gone;
 No pride in watching her dance, a beautiful Golden Follies 
 Bergere, feathers o’er her smiling face.
 When she’s gone; 
 No reassuring clack of her loom in distant room.
 The joy of accomplishment left behind, as costumes hang 
 lifeless, and woven towels and scarves lay hidden in drawers, no 
 longer given.
 When she’s gone;
 No feeling of wanting, of sexual yearn.
 A reassurance of manhood, as this figure waned.
 Her body still haunting after years of toil and age.
 When she’s gone;
 A lack of anticipation for things to come.
 No crazy impulses to thrill the hour. 
 A day at the ocean, now only nostalgic, as waves wash over the 
 the memories of the water sign that was her.
 When she’s gone;
 A hush reigns where voices rang out in congenial times. Her gregariousness no longer dampening my loneliness.
 She was best for me in many ways. 
 Now I am left once again on my own, to muse and remember, for 
 she is gone

Poetry from Mark Young

 
 Bricolage
  
 We add
 some
 element; &
  
 what we
 put together 
 from what-
 ever is
  
 conveniently
 at hand 
  
 lingers, some-
 times
 lasts.
  
  
  
 telemetry
  
 science ≠ silence : ephemeral ≠ femoral : dispute ≠ despite : 
 intuition ≠ retribution : precursor ≠ intercourse : 
 sigh ≠ scythe : ordain ≠ ordinary : trope ≠ tranquility : 
 roadkill ≠ homecoming : intend ≠ intense : 
 epiphany ≠ litany : behind ≠ remind : literal ≠ literary : 
 kind ≠ consign : sure ≠ waterfront : behavior ≠ asteroid.
  
 
   
 A fitted petulance
  
 Exponential 
 time decay 
  
 constants are
 truly under-
  
 stood only 
 by a mere 
  
 handful of 
 multimedia 
  
 puppet show
 performers.
  
  
  
  
 Mercury, when occluded
  
 Add a new page. Edit 
 the panel. Sign up to
  
 receive special offers.
 Just the motivation 
  
 I need to shorten the 
 story. What's with the 
  
 winged sandals, dude?
 
  
 One / less color / in the day
  
 The bird
 with the red
 around its
 eye eats
 the red bird's
 eye chillies
 off the
 bush then
  
 flies away,
 doubly
 diminishing
 the amount
 of color
 in the day.
  
  
 Street seen
  
 The lawyers, on
 their way back
 to Court after
 lunch at a 
 nearby pub, are 
 all dressed like
 undertakers. What
 hope then of a 
 not guilty verdict?
   

Poetry from Hongri Yuan, translated from Mandarin to English by Manu Mangattu

Middle aged Asian man standing in front of a red sculpture on concrete, with trees in the background
Hongri Yuan
Three Poems
By Chinese Poet Yuan Hongri
Translated by Manu Mangattu
 
The Song of the Universe – Thy Song
 
Sweet soul,
Let thy breath be sweet
Let thine eyes shine as the stars
Reflect about what thou shalt see!
Thou shalt forget the words
The song of the universe is thy song
The peace of the universe is thy peace
If thou shall speak
It is almost like God
Let there be light! And there was light.
 
宇宙的歌声是你的歌声
 
甜美的灵魂
让你的呼吸甜美
让你的眼晴多如星辰
想想吧  那时你将看到什么
你将忘了词语
宇宙的歌声是你的歌声
宇宙的宁静是你的宁静
如果你说话
那就如同上帝
要有光  于是就有了光
 
On Angel Wings Heaven-Bound
 
Pluck out a star from the night sky above
And let it sing to you within your cranium
It shall bring to you the interplanetary song.
Let thine eyes reach the edge of the Milky Way
The earth is just a small stone;
Yesterday is just a butterfly.
When the angel wings conduct you to the Kingdom of Heaven
Ah! That sweet lightning will indeed make you forget the world.
 
当天使的翅翼驮来了天国
 
摘一颗星辰在夜空之上
让它在你的头颅里歌唱
它将带给你星际的乐曲
让你的目光抵达  末来的银河之城
地球只是一枚小小的石头
昨日只是一只蝴蝶
当天使的翅翼驮来了天国
哦  那甜蜜的闪电让你把世界遗忘
 
Home Sweet Home beyond Milky Way
 
Nestled in the wings of night
After the pearl gem sets in heaven
I climb to the roof of the earth
To gaze at the star.
Gazing at the star,
To witness the coming century, the city of the giant
Blossom like a silver Garden.
The Music from that mysterious Galaxy
Soothes my soul like the rain.
In the light, let my form alight
Back to my home, beyond the Milky Way.
2015.9.9
 
银河之外的家园
 
黑夜的翅翼
镶嵌了天堂的珍珠宝石
我在地球的屋顶之上
向星际凝望
仿佛看见未来世纪的巨城
绽放如白银的花园
 
 
来自神秘星系的乐曲
是一阵阵灵魂的甘雨
让我的身体乘光而行
回到了那银河之外的家园
 
Bio: Hongri Yuan, born in China in 1962, is a poet and philosopher interested particularly in creation. Representative works include Platinum City, The City of Gold Golden Paradise , Gold Sun and Golden Giant. His poetry has been more widely published in the UK, USA ,India ,New Zealand, Canada and Nigeria.
 
Phone:+86 15263747339 ZIP cod 272100  Email:3112362909@qq.com
Address:No.18 middle school Yanzhou District ,Jining City, Shandong Province, China
South Asian middle aged man with brown hair and a small beard. Blue collared shirt.
Manu Mangattu