Poetry from Nathan Anderson

Bodhisattva Projecting 


                                            
                                             Orgone


=====LESS=====
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tempest


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the spring has (rung (in the dietary removing (a cause and 
not a grown thing (left-most removing (rightmost rightmost
rightmost (lapping at the silk (an order and order an order (
faster through the thread and colour (reacted in synthetic (
a hammer guide (a metal armament (less speaking and more
spoken (****************(outside in the distance (cold
cold cold (foundational without sighting (the spring on the
tongue (99999999999999999999999999999999999999999
9999999999999999999999999 (alphabetical conniption (
less tragic than the one before (_________________(outside
and out of order (stupefaction to the modal interview (a clap
and the thunder has arrived (god and god and god (0000000
000000000000000000000000000000000000000000000000
000000000000000000000000000000000000000000000000
00000000000000 (000000000000000000000000 (00000000
0000000 (except you are the same (a static and a deep hum (
found connection (found extraction (found reduction (growing
growing (growing (growing (sight gone (sight come (asterisks
against the climbing side (northern facing (eastern facing (.....
...................(it's good to be back (modular and entrapment (
floor design (wall hanging (get out of the town (sweet sweet (
tweeeeeeeeeeeeeeeeeetttttttttttttttttttttttttt (tweeeeeeeeeeeeeeee
eeeeeeeeeeeeeeeeeettttttttttttttttttttttttt (ah)))))))))))))))))))))))))
)))))))))))))))))))))))))))  

                                             Orgone


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tempest


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Carry (over_under) Carry


velocity speaking after tone removed and impulsed through the cataleptic normalised without synthetic movements and interrogation as scientific impulse drivers conscript and writhe in torpor now removed and collated into breakage and anticipation cast out and found without the forming and selective tired flashes of liability 


this = skull


magnetic in the skyfall betterment longitudinal as ascetic entertainments re-modify entrapments known to fakir tempestuous and lotus shunting a speed so formal not antiseptic and renowned in thought and name so juxtaposed    




+++++++++++++++++++++++++++++++++++++
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+++++++++++++++++
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+++++++++
++++++
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++
+





solution breathes itself to life with transcendental 
longing at magnetic height and muscle complexity 
as selfsame as the honorifics embellishing through 
mud brick anti-natal concluding only wake and 
enterprising 

Oratory Illumination (fracture)



illegitimate                        [phone as rung]




promulgated over this                               +
                                                  


                              
                               a shell to crack and take
abandonment so well



[phone ringing]
[phone ringing]
[phone ringing]




this colour comes in articulation writing sound through 
causations known and unknown a crown atop the head 
and breakneck pace



+running+
+running+
+running+




[the bell [phone]] has... 


Oyster as Baptismal



explain
         (explanation)
explain
       (explanation)


+
+
+



vulnerable to this reciting 
notation is the key



vouchsafed as
vouchsafed as




hmmmmmmmmmmmmmmmmm



now the number is...


(,,,,,)

 

Bio: Nathan Anderson is a poet from Mongarlowe, Australia. He is the author of Mexico Honey, The Mountain + The Cave and Deconstruction of a Symptom. His work has appeared in BlazeVox, Otoliths, Selcouth Station and elsewhere. You can find him at nathanandersonwriting.home.blog or on Twitter @NJApoetry.

One thought on “Poetry from Nathan Anderson

  1. Wonderful, Nathan. “vulnerable to this reciting/notation is the key” mattered as I read them out-loud, over.

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