Poetry from Wanchen Cao

That Fire

Someone who has been burned

learns to run very fast

She learned to be brave

learned to run

learned to find the window

before the door was locked

but never learned to obey

“That fire was for your own good”

She learned that love

first pours oil over you

then praises you for finally learning to shine

but she cannot learn to love

only to flee by instinct

she no longer explains her wounds

nor gives thanks for pain

She only runs

past ashes

past smiling faces

past those hands

cloaked in kindness

Later she stops,

looks back and sees the fire still burning—

not burning her

but the words:

“Everything I do is for your own good”

When a Petal Decides to Breathe

A petal pressed between the pages of a book

held by chapters, by intricate, heavy words

so flat  so thin

creased, hurt, holding on—

but never broken

away from light and sound for so long

that even the wind has withdrawn its memory

no longer remembering her scent

So long

that she, too, begins to believe

she is part of this page

that this flat shape is her own, docilely

pressed between the disciplined lines

“Am I still breathing”

Back then, a kind traveller

could not bear to let a flower wither

and so pressed her between

“should”  “future”

“be sensible”  “stability”

these thick and cold pages

to protect her fragile body

in this safe darkness

Suddenly, the pages turn

a gust of wind carrying the light of freedom

makes her tremble slightly

like someone suffocating who suddenly breaks the surface

and the whole book hears it—

she is still here, she wants to bloom again

the wind, carrying her almost imperceptible scent

has barely moved her rigid body

—“Snap”

a sudden crash

everything returns to dead silence

before her fragile dream can wake

the book closes again

leaving only a petal

thinner, more obedient,

slowly waiting to rot,

no longer breathing

Wanchen Cao is a Chinese poet and creative writing researcher. She is the author of Seven O’Clock (Anhui Literature and Art Publishing House, 2018). Her work explores dreams, memory, embodied experience and self-writing. She holds an MA in Creative Writing from the University of Southampton.

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