Poetry from Stephen Jarrell Williams

Wrath Into Peace

Wrath igniting.

Twigs snapping into sparks.

Quick as the dead

leaping and falling from life.

Flames from forests.

Fire upon cites.

Souls running into the streets

nowhere safe.

Power points

thinking they control land and sky.

Their wealth overblown

mere dots in the sand.

The seas churning

toasting

smoke to the stars.

Wrath easing

into songs of remorse.

Another lot of seeds coming forth.

So many swaying in the sun

flowering

and giving in love.

Green fields stretching

horizon to horizon.

Earth changing

back to the beginning.

Poetry from Philip Butera

The Emptiness That Never Goes Away

There is no mystery

just the crushing blow of living

never interfering with life.

Arrogance pleads for justification

but remorse is often the gift.

We ask questions,

they are unsettling,

unanswerable.

There are no reasons, just observations,

a seagull, the smell of a white peach,

a begging dog waiting to be adopted.

There is only the concrete of the street, 

of the sidewalk

of the knock to the head

to what once could have been

now just spilled milk on a dirty floor.

Most of us are cowards, not fools. 

Yet we dance to the same intentions and doubts

and fall from pantomime heights 

only to bounce from insignificance to indifference.

Then there is that laughter.

That laughter that never leaves the head.

The rotting but never dying words that paralyze 

because the gentleness on the landscape

is violated with either expectation or regret.

There is that gloomy, ragged carnival

that travels the mind where amusements are not amusing.

They are perilous, broken or still.

Gamblers with a fear of value

with a fear of shadows

ignore invitations and despise appeals 

and the rejection from the mirror’s reflection is agonizing.

But what is worse is the truth it exposes.

The wind hisses when moving up a mournful stream.

The smell of adaptation never generates into translation,

and what is sought lies in a casket cascading over a waterfall.

Revel in absurdity, 

the reality that holds existence a thought above quicksand.

Once I whirled on saffron and evening primrose 

not believing that self-destruction is outwitted by distance.

How absurd that the deadliest of all serpents claws within us.

It thickens from the wealth of realism consumed from absent encounters.

The rendering becomes not a warning but a persistent signal 

from a lighthouse on trial for the emptiness that never goes away. 

Life denies its oppressiveness,

while living lies open to misfortune.

There are roads,

paths can never discover.

The relentless insistence to possess comfort,

and the noose attached that scars with hooks. 

When venturing blindly, 

any misshapen key to heartbreak becomes heartbreak itself.

The faucet drips, another birth, summing up nothing. 

Nothing, without boundaries.

Modeled with proper etiquette and a maze of identical circumstances.

You see there is no mystery,

Yet,

yet

a mask is worn to unveil the self 

seeking what is fortunate, never believing in the curse of wide-eyed sadness.

Then what is identity? 

A third-rate character in a dimly lit discussion of future tragedies.

Remember there are no mysteries.

Only thoughts.

Only thoughts on why pure imagination through a sieve 

produces

something as incomplete

as life.

Philip received his Master of Arts in Psychology from Simon Fraser University, Vancouver, Canada. He has published six poetry books, with another forthcoming. Three novels and two plays. He has a column in the magazine Per Niente. He enjoys all things artistic.

Essay from Egor Cherkasov (one of three)

Luke Howard, you were right!

Luke Howard, you were right! We’ve lost a big God- the Messiah, the one who led us along the way. He disappeared in front of us like an absurdity or our invention, like an illusion. Not daring to control us He left us, pure and free. Only a little God remained, the God of each of us. He’s simple and clear, but small and invisible, like the truth in your musical works, Luke. People want another God who will match their vanity and wealth. But they do not find Him. And the little god laughs at them and points to a simple essence of things. He is quiet and wise.

I got up in the morning and wished with all my heart not to lose the little god, who curled up in a fluffy lump under the heart of mine. I suddenly remembered that I had finally heard Him … After all, even stones can hear! It’s like hearing your small, limpid and clear motives, Luke. 

I blessed the sunrise and the new day to enter me with the truth. Then I made and hung up a new birdhouse, and put some grain into it. And right then the birds from all over the world came and sat down onto my arms. They sang their psalms for me until the lunchtime.

I melted the stove and saw my reflection and the mission of mine in a piece of simple birch bark. The fire rose up with thousands of sparks of desires and hopes. Yesterday’s newspaper burned well. The fire consumed it at once and did not leave any opportunity to it to go down in history as something eternal. So it is. Then I hit the road and met a wanderer who gave me a new sense when I handed him a piece of bread, that was better than building temples in which no one comes for praying.

I’ll be back at sunset. I left here to find the small meanings of little and joyful gods. You were right, Luke. I tell you that again and again. A little God … don’t scare him away! He does not need rending ideas and global upheavals. You know it is not necessary even the lilacs under your window and the birds that’s sitting on your hands, Luke, while you’re playing for them.

Every creation is looking for a little god now, Luke. For a simple god that’s nestled close to us and is so warm and kind, like a memory of Mom, her arms and hugs, and a woolen shawl of hers…

2023, 2024, 2025 — participant and speaker at the International Gorky Literary Festival. 2025 — speaker at the first conference of literary cities of Russia within the framework of the International exhibition‑forum of regional hospitality “Intourmarket” (Nizhny Novgorod). 2025 — recipient of honorary diplomas from Serbia and Indonesia for achievements in art and pedagogy and for work on the project “Third International Poetic Competition: V. M. Terekhov Memorial‑2024”. 2025 — Coordinator from Russia for the literary and pedagogical project “Balakavi Poets” (India. Kerala). 2025. Author of the scientific article “The V. M. Terekhov Memorial in India.” The academic supervisor was Jerneil Singh Anand, President of the International Academy of Ethics and Professor at the Institute of European Studies. 2025 – Member of the jury of the International Awards “Arina gold-2025” and “Arina silver- 2025” 2026 -Deputy Editor-in-Chief for External and internal Communications of the literary magazine “Arina –NN”.

2026 — Winner of the “Art Expo‑2026” competition (vocal), (creative project) — in Abu Dhabi.

2026 — Winner of the World Expo‑2026 within the framework of intercultural exchange and gaining knowledge in the field of education and creativity.

2026 — Received a certificate confirming the highest qualification of a teacher at the Congress of Progressive Sciences and Creative Initiatives (UAE) from the European Association of Culture.

2026 – Special Diploma “For Preserving Women’s Folk Wisdom” in the “Short Prose” category of the International Literary Competition “Slavic Word‑2026” (Bulgaria)

Poetry from Isaac Aju

Bodies Not Out Our Own

Just like God came down and clad himself in flesh,

That is how storytellers wear bodies not their own,

That is how they shift their own pain to take up the pain of another person.

Sometimes storytelling can be painful,

Just like it was painful for the Almighty when he wore the flesh.

He cried.

He wept.

He was hated.

He was persecuted.

He was crucified.

Storytelling on the other hand, is a calling one cannot run from.

It is impossible.

At the time of maturity, the stories you are meant to tell start looking for you,

Whispering into your ears.

It gives you access into its mysteries,

Into its different realms.

It draws you into solitude,

To tell a story.

To reveal a secret.

You wear other people’s bodies to tell some of these stories,

And it’s not often an easy process,

But you do it.

You have to do it.

You have to take off the burden.

So when we write, we are not only writing about ourselves.

We are wearing the bodies of millions of other people, born and yet unborn.

We are conversing with the universe.

We are talking to the universe.

We are writing about different worlds.

We are restoring dignity to places.

We are giving voices to the voiceless.

We are treading upon the serpents and scorpions of this world.

Art And Pain

Pain is the bedrock on which an artist sits to work.

Art is the artist’s response to pain.

When he’s assailed by pain

He sits down to make something out of it.

He sits down to talk back to pain,

To hold a conversation with pain.

He sits down to give pain his own blows,

The blows do not have to come from pain alone.

The artist wants to fight back.

He wants to give out his own punches,

Blows…

He wants to pummel pain.

Give pain some slaps.

Give pain his own ‘I dare you’ responses.

He wants pain to know there’s still a long way to go.

He wants to shame pain.

Belittle pain.

You think you are going to harm me?

But you are actually exalting me

Dear pain,

Thou exalts me!

You think you will make me cry.

But I’m carving beauty out of my scars.

I’m carving beauty out of my bruises.

I’m carving beauty out of the lashes you gave me.

You gave me a ladder to climb into creativity.

What else could the artist have done?

How else could he have coped?

How else could he have understood what was happening to him?

What was happening around him?

How else could he navigate through the myriad of questions?

He simply turns to art

He starts to paint.

He starts to design.

He starts to write.

He starts to create.

He starts to carve.

He starts to raise the dead in him.

To heal the blind in him.

He starts to rise,

Like Maya Angelou.

He starts to sing.

He starts to dance.

Where is thy sting, O pain?

Where are the chains you brandished?

Because they didn’t get me.

Your chains did not see me.

Because I leaped

Dear pain,

I jumped.

I transcended thy limitations

I have flown into the skies

I have spoken to the world

Where is thy sting, O pain?

Because I will continue to sing and fly into the heavens.

Isaac Dominion Aju is a Nigerian Pushcart Prize nominee. He’s appeared on Poetry X Hunger, Flapper Press, Asemana Magazine, Cajun Mutt Press, All Your Poems Anthology and The Kalahari Review. He’s the editor at Words Not Yet Spoken literary publication.

Poetry from J.J. Campbell

————————————————————

the urge to start smoking again

its the hum of the factories

at three a.m. while i’m on

the back porch fighting the

urge to start smoking again

half this country is stupid

and half of that is on fire

cancer took another

sweetheart

but to be honest,

all of us are just

biding our time

another scam phone call

go find a job just to keep

the cheapest insurance

possible

of course, you need a

master’s degree to work

a broom

walk the earth

find a cemetery in

new orleans

watch the rain bring

out your favorite

demons

spend the night dancing

with a man in a dress

who knows what will

be slipped into your

drink

—————————————————

true love

i got the alert on my phone

another murder/suicide

i clicked the link

87 year old man shot his 85

year old wife, suffering from

dementia, then shot himself

in the head

in the process he called his

daughter and told her what

he had done

she called 911

as i read the story, i told

my mother this was an

act of love

not allowing his wife to

suffer anymore, true love

most people don’t understand

or ever experience it

but when someone you deeply

care for and love are struggling

to survive…

if death doesn’t cross your

mind you are not human

the cops called today

a tragedy

i figure they are pissed they

now have paperwork to do

—————————————————–

emoji

i get the random

email from an old

girlfriend every

blue moon or so

not sure if she

wants to get

back together

or brag about

how good her

life is now

without me

i don’t speak

emoji

too old for that

shit

i do understand

middle fingers

and tires peeling

out after an

argument

no chance any

of that shit gets

misunderstood

———————————————

storm clouds

she was a mystery,

a riddle, a ray of

sunshine in a world

of storm clouds

an empty glass

falling from the

kitchen table

a plate of pasta

hitting the wall

no love without

anger

no peace without

war

she once told me

she would love me

forever right before

she married someone

else

i guess the letters

have been lost

in the mail

—————————————————–

more pain and certainty

woke the other morning

to charlie parker

it quickly reminded me

of my twenties,

just less women and drugs

and more pain and certainty

a young beauty dies at just 36

and the world keeps on turning

into an endless death spiral

of shit

no one wants to love anymore

and my friends think i should

start writing romance novels

i’m more likely to buy a gun

and start writing a different

kind of romance novel

not sure anyone actually

wants that

run out the clock

make something

for dinner

all the important people

are in your head

listen to the laughter

and get some fucking

sleep


J.J. Campbell (1976 – ?) is a 3 time Best of the Net nominee and a two-time Pushcart Prize nominee. He’s been widely published over the last 30 plus years, most recently at The Beatnik Cowboy, Drinkers Only, Mad Swirl, The Rye Whiskey Review and Yellow Mama. His most recent book, to live your dreams, published by Whiskey City Press, is available at Amazon by going here: https://a.co/d/093fvaAO

J.J. Campbell

https://evildelights.blogspot.com

https://goodreads.com/jjthepoet

Poetry from Olive Springman

Unmoving creatures

Is famous to bosom 

As poet is to illiterate 

Opposite and therefore unimportant? 

Tethered and territorial 

Unwavering appendages 

Unmoving creatures

Are we these bright dead things? 

You can find us among these bright dead things.

You can find me under the shade of a weeping willow contemplating the radical nature of life 

And floating through a checkerboard wormhole 

You can find me in surrealist wonderland 

Reading these melting clocks and floating apples

You can find me where the wild things are 

I am militant 

I am militantly insane 

I am responsible in preserving the insanity and not letting it slip into deadbeat normalcy 

Even when I can feel myself 

Inching closer

To that not so distant beige and fluorescent world 

Made in the USA 

Oh say can you see 

Me 

Surrendering myself to the wrath of the media 

The land of the 

Control 

Alt 

Delete 

The mind 

Copy paste 

Duplicate 

Patriotic clones

And the home of the free

From the burden of having a vibrant imagination 

God bless America

God bless poets

We are these unmoving creatures 

Essay from Suleiman Mansir Gado

PIAGET’S STAGES OF COGNITIVE DEVELOPMENT AND EVERYDAY LEARNING: CONNECTING DEVELOPMENTAL THEORY WITH PRACTICAL CHILDHOOD EXPERIENCES

Suleiman Mansir Gado

Email: elmensut77@gmail.com

Abstract

Children do not learn in exactly the same way throughout childhood. The ways in which young learners understand objects, people, language and events change as cognitive development progresses. Jean Piaget’s theory of cognitive development remains an influential framework for understanding these changes, although contemporary developmental scholarship has challenged rigid interpretations of its stages. This paper examines Piaget’s four major stages—sensorimotor, preoperational, concrete operational and formal operational—and connects them with practical examples of everyday learning. Examples include children observing adults combing their hair and attempting to reproduce the action, learning the meaning of words through repeated interaction, imitating greetings, using sticks as imaginary horses, using tyres as imaginary vehicles, distinguishing representations from physical objects, and classifying goats as animals. The discussion places these illustrations within Piaget’s concepts of active knowledge construction, assimilation and accommodation and considers contemporary scholarship on the strengths and limitations of stage-based explanations. The paper argues that Piaget’s framework remains useful as a broad developmental guide when used flexibly rather than as a rigid timetable. Its practical value for teachers and parents lies in encouraging attention to learners’ developing ways of reasoning, while recognising the influence of experience, context, language and individual differences. The paper is a conceptual and applied discussion and does not claim to introduce a new developmental theory or report a formal empirical study.

Keywords

Piaget; cognitive development; sensorimotor stage; preoperational stage; concrete operational stage; formal operational stage; child learning; developmental theory

1. Introduction

Learning begins long before a child enters a classroom. A child watches parents, listens to words, touches objects, copies actions, plays and gradually develops more organised ways of understanding the world. These everyday experiences are important because children do not begin life with the same level of reasoning that adults have. Cognitive development involves changes in how learners represent, organise and reason about experience.

Jean Piaget made a major contribution to developmental psychology by describing cognitive development as an active process in which children construct knowledge through interaction with their environment. His account identified four broad stages: sensorimotor, preoperational, concrete operational and formal operational (Piaget, 1952, 1954, 1972). The enduring importance of the theory is not simply the age labels attached to the stages, but the broader idea that children actively make sense of experience and that their forms of reasoning change as development progresses.

At the same time, contemporary scholarship cautions against treating the four stages as fixed and universally uniform boundaries. Winstanley (2023) examines continuing theoretical questions surrounding Piagetian stages, while Ratcliff (2024) demonstrates the continuing historical and scholarly significance of Piaget’s work. Rochat (2024) further shows how subsequent developmental theories emerged partly in response to assumptions associated with Piaget’s account, including strong claims about stages, domain generality and the timing of representation. These developments suggest that Piaget should be read critically and historically rather than either accepted without qualification or dismissed entirely.

The purpose of this paper is therefore to explain Piaget’s four stages and connect them with practical childhood experiences that teachers, parents and education students can easily recognise. The paper is conceptual and illustrative rather than empirical. The everyday examples are used to clarify theoretical ideas and are not presented as data from a formally designed observational study.

2. Literature Review

Piaget and the Active Construction of Knowledge

Piaget’s work placed the child’s active construction of knowledge at the centre of cognitive development. Rather than viewing children as passive recipients of information, Piaget regarded them as active participants in making sense of their environment. Two concepts are particularly important: assimilation and accommodation. Assimilation occurs when a new experience is interpreted using an existing mental structure, whereas accommodation involves modifying an existing structure when the new experience does not fit (Piaget, 1952, 1954). Cognitive development therefore involves an ongoing relationship between the learner and the environment rather than simple accumulation of facts.

Piaget’s account also emphasised the importance of action and experience. Young children encounter the world through movement, perception and manipulation before increasingly complex symbolic and logical forms of thought become available. This makes everyday activities relevant to understanding development. A child handling a comb, copying a greeting or transforming a stick into an imaginary horse can be understood as engaging with objects and representations in ways that reflect developing cognitive structures.

The Continuing Relevance and Reassessment of Piaget

Piaget remains historically and theoretically important, but his framework has been reassessed by later developmental scholarship. Marchand (2012) notes both the educational contributions of Piagetian and post-Piagetian theories and the weaknesses that limit the use of a simple Piagetian account as a complete explanation of educational practice. Winstanley (2023) similarly discusses the theoretical and empirical difficulties surrounding the concept of developmental stages. Ratcliff (2024) shows that Piaget continues to generate substantial historical and epistemological scholarship. Rochat (2024) places Piaget within the broader evolution of developmental theories, showing how later approaches challenged several assumptions while retaining the importance of questions about how cognition develops.

The implication is that Piaget’s theory is most useful when treated as a broad organising framework. It can help teachers think about differences in learners’ reasoning without assuming that every child reaches a particular form of thinking at exactly the same age. Development can be uneven, context-sensitive and influenced by experience. Therefore, stage descriptions should guide educational thinking rather than function as rigid diagnostic categories.

3. Sensorimotor Stage: Birth to Approximately Two Years

The sensorimotor stage is associated with learning through sensory experiences and physical actions. A child at this stage learns through seeing, touching, hearing, moving and manipulating objects (Piaget, 1952).

Consider a small child who watches a parent combing their hair. The child may pick up a comb and try to put it against the hair. The child may not use the comb correctly at first, but the attempt shows learning through observation, movement and direct interaction with an object. The same principle can be illustrated when a child watches a parent put on shoes and then attempts to wear the shoes, even when the shoes are too large.

Language can also become meaningful through repeated interaction. If a parent repeatedly says “Kai” when a child is doing something that should stop, the child may gradually associate the sound with stopping. This example should not be taken to mean that the child has mastered the full meaning of the word; rather, it illustrates how repeated social interaction can help an early learner connect sounds with situations and actions.

4. Preoperational Stage: Approximately Two to Seven Years

During the preoperational stage, children develop greater use of language and symbols. They can represent one thing with another, and imaginative play becomes particularly noticeable (Piaget, 1954, 1972).

A child may watch adults greet people by squatting or lowering themselves and then imitate the action when greeting another person. The child may not yet understand every cultural or social meaning behind the behaviour, but the imitation demonstrates the use of observed behaviour as a model.

Another example is a child holding a stick and saying that the stick is a horse. The stick is not actually a horse; during play, however, it represents a horse. Similarly, a child may use a tyre and imagine that it is a motorcycle or another vehicle. A stick can become a horse, a box can become a house, and an ordinary object can represent something different in imaginative play. These examples illustrate the increasing importance of symbolic representation.

5. Concrete Operational Stage: Approximately Seven to Eleven or Twelve Years

At the concrete operational stage, children develop stronger forms of logical reasoning, although their reasoning remains closely connected to concrete objects and situations (Piaget, 1954, 1972).

The child who previously used a stick as a horse may increasingly understand that a stick is physically different from a horse. A tyre is not automatically a motorcycle, and a toy car is not the same as a real car. The child can still engage in imaginative play, but the ability to distinguish representation from physical reality becomes increasingly organised.

Classification also becomes more systematic. When a child sees a goat, the child can identify it as a goat and also understand that a goat belongs to the broader category of animals. The learner is therefore moving from identifying individual objects toward understanding relationships between categories. This kind of reasoning has direct educational value because classroom learning often requires learners to group, compare, order and classify information.

6. Formal Operational Stage: Approximately Eleven or Twelve Years and Above

The formal operational stage is associated with increasing capacity for abstract and hypothetical reasoning (Piaget, 1972). Learners can increasingly discuss ideas without needing to have the physical object immediately present. They may reason about concepts such as justice, democracy, freedom and responsibility and consider hypothetical questions such as, “What would happen if…?”

This stage is particularly relevant to secondary education because many school subjects require learners to move beyond concrete examples toward concepts, relationships and possibilities. A learner may know that a goat is an animal and a car is a vehicle, but may also compare categories, discuss their characteristics and reason about hypothetical situations. However, contemporary research cautions against assuming that abstract reasoning suddenly appears at a fixed age. Learners may show different levels of reasoning depending on the task, prior knowledge, experience and context (Rochat, 2024; Winstanley, 2023).

7. Discussion

The practical examples discussed in this paper illustrate the continuing usefulness of Piaget’s framework for organising broad changes in children’s ways of thinking. The examples also show why the theory should not be applied as a rigid timetable. Children do not all develop at exactly the same speed, and performance can vary according to experience, language, culture, task demands and opportunities for learning.

A central strength of Piaget’s contribution is the emphasis on the learner as an active constructor of knowledge. The child who experiments with a comb, imitates a greeting, uses a stick symbolically or classifies a goat is not simply receiving information. The child is engaging with experience and gradually organising it. This principle remains educationally useful because effective teaching often requires learners to interact with examples, objects, questions and problems rather than merely memorise information (Marchand, 2012).

However, the stage concept has important limitations. Winstanley (2023) explains that Piagetian stages have attracted criticism because stage language can suggest discontinuity and fixed boundaries. Contemporary developmental theory has also questioned the extent to which cognitive development can be described through a single domain-general sequence. Rochat (2024) reviews the evolution of developmental theories after Piaget and shows that later approaches placed greater emphasis on specific domains, early competencies, social and environmental influences, and alternative mechanisms of change.

These criticisms do not make Piaget irrelevant. Instead, they encourage a more careful interpretation. Piaget’s four stages can be used as broad developmental landmarks, while teachers remain attentive to individual differences and the possibility that a learner may demonstrate more advanced reasoning in one context than another. The most defensible educational position is therefore to use Piaget as a guide to thinking about development, not as a fixed timetable for judging what every child should be able to do.

8. Implications for Teaching

Piaget’s theory has several practical implications for teaching. First, teachers should consider the learner’s current level of understanding when selecting examples and activities. Younger learners may benefit from opportunities to manipulate objects, observe demonstrations, use pictures and engage in meaningful play. Learners developing concrete reasoning may benefit from physical materials, experiments, classification activities, demonstrations and practical problem-solving.

Older learners can increasingly engage with abstract discussion, hypothetical questions, debates, reasoning tasks and problem-solving. However, the teacher should not assume that age alone determines the learner’s ability. Prior knowledge, language, experience and the nature of the task also matter. The educational value of Piaget’s framework therefore lies in encouraging teachers to connect instruction with how learners currently understand and organise information (Marchand, 2012).

The practical lesson is that teaching should move from learners’ existing understanding toward increasingly complex forms of reasoning. Teachers can use concrete examples before introducing abstractions, encourage learners to explain their reasoning, and provide opportunities to compare, classify, test and reorganise ideas. Such practices are consistent with the broader constructivist insight that learners actively participate in building understanding.

9. Limitations

This paper has limitations. First, it is a conceptual and applied discussion rather than a formal empirical study. The childhood examples are illustrative observations and practical teaching examples, not systematically collected research data. They should therefore not be interpreted as evidence establishing the developmental stage of particular children.

Second, the paper focuses primarily on Piaget’s framework and selected contemporary reassessments. It does not attempt to provide a complete review of every post-Piagetian or contemporary theory of cognitive development. Third, the four-stage model is necessarily a broad simplification of complex developmental processes. Contemporary scholarship indicates that cognitive development may be more variable, domain-specific and context-sensitive than a strict stage model suggests (Rochat, 2024; Winstanley, 2023).

These limitations do not remove the educational value of the paper. Rather, they define the appropriate contribution: a theoretically informed, practical discussion that helps teachers and parents connect a classic developmental framework with everyday learning experiences.

10. Contribution and Publication Positioning

The contribution of this paper is practical and interpretive rather than theoretical invention. Piaget’s theory is already an established framework, and this paper does not claim to create a new developmental theory. Its contribution lies in connecting familiar childhood experiences with key Piagetian concepts in a way that is accessible to teachers, parents and education students.

The examples of combing hair, wearing shoes, responding to repeated words, imitating greetings, using a stick as a horse, using a tyre imaginatively, distinguishing objects from representations and classifying goats as animals provide concrete illustrations of abstract developmental ideas. The paper also strengthens these illustrations by placing them alongside contemporary scholarship that both recognises Piaget’s historical importance and questions rigid interpretations of his stages (Ratcliff, 2024; Rochat, 2024; Winstanley, 2023).

The paper should therefore be understood as an applied conceptual article. Its value is not in claiming empirical proof from informal observations, but in translating an established developmental framework into practical educational understanding while acknowledging the limits of that framework.

11. Conclusion

Children learn from the moment they begin interacting with their environment. The child who watches a parent combing hair is learning through action and experience. The child who imitates greeting behaviour is learning through observation and representation. The child who uses a stick as a horse is demonstrating symbolic play. The child who increasingly understands that the stick is not actually a horse is developing a clearer distinction between representation and physical reality. The child who knows that a goat is an animal is developing increasingly organised classification.

Piaget’s four stages remain useful for organising broad developmental changes, but they should be applied flexibly. Contemporary scholarship makes it clear that cognitive development cannot be reduced to rigid age boundaries or a single universal timetable (Rochat, 2024; Winstanley, 2023). The greatest educational value of Piaget’s theory is therefore not to label children according to age, but to encourage teachers to consider how learners understand information, what experiences they have had and what kinds of reasoning a particular task requires.

The practical lesson is simple: before asking a learner to understand something, the teacher should consider what the learner already understands and provide experiences that help the learner move toward more complex reasoning.

References

Marchand, H. (2012). Contributions of Piagetian and post-Piagetian theories to education. Educational Research Review, 7(3), 165–176. https://doi.org/10.1016/j.edurev.2012.04.002

Piaget, J. (1952). The origins of intelligence in children. International Universities Press.

Piaget, J. (1954). The construction of reality in the child. Basic Books.

Piaget, J. (1972). The psychology of the child. Basic Books.

Ratcliff, M. J. (2024). Origins, trends and perspectives of historical-epistemological research on Piaget. Integrative Psychological and Behavioral Science, 58, 23–34. https://doi.org/10.1007/s12124-023-09796-7

Rochat, P. (2024). The evolution of developmental theories since Piaget: A metaview. Perspectives on Psychological Science, 19(6), 1021–1039. https://doi.org/10.1177/17456916231186611

Winstanley, M. A. (2023). Stages in theory and experiment: Fuzzy-structuralism and Piagetian stages. Integrative Psychological and Behavioral Science, 57, 151–173. https://doi.org/10.1007/s12124-022-09702-7