Poetry from Jelvin Gipson

She cries in silence

When it’s echoing,

The clouds go dark

The dream melts

The tears pulling down her cheeks in my chest 

wake her up to another morning 

The pain she endures has developed into tears

The clock turned,

In bed, the pillows are wet

Her cries couldn’t be voiced out to be heard  

Instigated by friends, was the mystery she bared

She looked around 

She was alone again

She cries in silence,

No care, no love, no affection

What a dramatic irony

She fed love in her heart with tears that flow in silence 

Late night coming 

The love has faded  

She cries,

And left her eyes bloody and red

 No attention,

The TV has now become her companion 

Biography:

Jelvin S. Gibson is a multifaceted individual with various talents and interests. He is a:

– *Poet*: Known for his thought-provoking poems, such as “Addiction,” “Kweeju” (Abandon Child), “Love at Sunset,” “Black Queen,” and “Another Plus One”.

– *Teacher*: Holds an Associate Degree in Education (AA) in Language Arts from Licosess Mobile Teacher Training College.

– *Scriptwriter*: Has written scripts for movies, including “Greed” and “Kweeju” (Abandon Child).

– *Director*: Involves in the Liberian movie industry as a director.

– *Actor*: Has acted in movies, showcasing his creative skills.

– *Introvert*: Prefers to keep a low profile, focusing on his artistic pursuits.

– *Inspiration*: Draws inspiration from his father, who encourages him to pursue his dreams

Poetry from Hassan Musa Dakasku

Soft whispers in the darkest night.

A mother’s love shines like a guiding light.

A woman of pure nature, full of love’s might.

Thinking, speaking, in affection’s delight.

Her heart is as deep as the heavens above.

Filled with feelings and love.

A labour of endless love.

Mother, a colorful phenomenon, magical and bright.

A faultless projection of paradise, a wondrous sight.

As the Quran says, “Show gratitude to Me and to your parents dear” (31:14).

And the Prophet’s words, “Paradise lies at the feet of your mother”.

So dear.

She offers glassfuls of love to all.

A nurturing spirit that stands tall.

With a heart full of affection, she guides us through life.

A mother’s love, a precious gift, a treasure so bright.

She’s a multi-dimensional mirror, reflecting divine beauty, rare.

A reliable blessing for humanity, beyond compare.

In her presence, hearts find peace and rest.

A mother’s love, forever etched in our breasts.

So let’s cherish and honour our mothers with glee.

For their love and care, are blessings to you and I.

Hassan Musa Dakasku, is a Nigerian writer, a passionate advocate for youth well-being and a performance poet, He is an author based on vulnerability and of a personal blog.

Essay from Bekturdiyeva Nargizabonu

The Role and Responsibility of Youth in Society

The development of every nation and society is directly connected with its youth. Today, young people play an important role not only in shaping the future but also in building the present. One of the main duties of youth in society is to develop a sense of responsibility.

Responsibility is not just about saying, “I’ll do it,” or “It’s my turn.” It means understanding that one’s actions affect society, family, and the people around them. For example, gaining knowledge is not only a personal need but also a duty to society, because an educated person is the one who makes crucial decisions that shape the future.

Nowadays, there are plenty of opportunities to study, learn new languages, acquire professions, and create useful projects. However, these opportunities are open only to those who work hard on themselves. That is why young people should not waste their time; even small steps taken every day toward self-development lead to great results over time.

Currently, there are about 1.2 billion people aged between 15 and 24 in the world — roughly 16% of the global population. Recent events around the world show that the role of youth is not limited to education or employment. Issues such as climate change, digital security, migration, and the consequences of the pandemic are forcing all nations to think in new ways. In these matters, the most active group is the youth — because they are the generation that will witness the results of today’s decisions with their own eyes.

Every young person should ask themselves these questions each day:• What have I learned today? Whom have I helped today?• What kind of mark am I leaving for the future? Each person should be able to reflect on their actions, because true growth begins with understanding and taking responsibility for one’s own choices.

Bekturdiyeva Nargizabonu was born on December 7, 2007, in Khiva city, Khorezm region. She graduated from Secondary School No. 12 with a gold medal. She is currently a first-year student at Urgench State University named after Abu Rayhan Beruni.

Essay from Abdukakhorova Gulhayo

Young Central Asian woman in a brown sweater and a small necklace with dark straight hair up in a ponytail seated in a classroom.

About the hadiths of Imam Bukhari. Imam Bukhari. He is considered one of the most famous people of the Islamic world and is called the “Imam of Muhaddis”.

We can come across many hadiths during our life, but the hadiths of Imam Bukhari are very beneficial for Islam and cause a radical change in the way of life.

There are 7379 hadiths in the book of Imam Bukhari “Al-jame’ as-sahih”. These hadiths are about the good and bad sides of people, about honoring parents, about giving zakat to relatives, about pride and love. It is a hadith. After hearing the name of this hadith, I had a question. How can a person insult his parents, and I learned the answer to this question after reading this hadith. The hadith begins like this: A person does not insult his parents!

Abdullah bin Amri narrates: “The Messenger of God, may God’s prayers and peace be upon him”, said: “One of the greatest sins that a person commits is to insult his parents!” Then he said: “O Messenger of God, how can a person insult his parents?” they answered. I read this hadith and wrote down the sentences that I remembered for people. No one should insult the parents of another person, because the person who insults him is considered to have insulted his own parents.

Abdukakhorova Gulhayo was born in 2006 in Namangan region. Currently, he is a 2nd-year student of the Uzbek language Department of Philology at the University of Business and Science. Ambassador of the International Organization for the Protection of Children’s Rights in India to Uzbekistan. He is the author of many scientific and journalistic articles.

Essay from Dr. Reda Abdel-Rahim

Scene of a large outdoor stadium in the Egyptian desert, with pyramids in the distance.

The Great Egyptian Museum is Egypt’s Gift to the World 

Dr. Reda Abdul Rahim 

There is no doubt that the connection of the Grand Egyptian Museum site with the Giza Pyramids gives it a special importance that is not available to other museums, as it is a museum of all ancient Egyptian antiquities within sight of the majestic Giza Pyramids in a visual association that calls for reflections on the symbolism of the place, the connection between the past and the present, and between modern technologies, and the techniques of building pyramids from stones. And I will take you, dear reader, on a brief trip to this great edifice, on a visit that urges you to visit it as soon as possible, to stand on the greatness of grandparents and grandchildren together.

Large white stone statue of an ancient Egyptian god or pharaoh with a headdress and tunic.

The Grand Egyptian Museum takes triangular geometric shapes that overlap in the facade different dimensions and shades of color, with a rhythm of dark triangles in color with the use of transparent alabaster(alabaster) sometimes in variations extending to the landscape layout surrounding the museum, with a visual extension on the one hand to the top of the Great Pyramid and on the other to the top of another faraway landmark.

The visual relationship of the museum, from a perspective that emphasizes the close connection between modern Egypt and what was lost in the Tallied. In front of the museum stands an obelisk symbolizing Majesty and power, belonging to King Ramses II from the city of San al-Hajar, east of the Delta, it was moved by lifting it on a base of four columns, engraved with the name of Egypt in all languages of the world, the base was designed to show at the bottom of the obelisk the cartouches of King Ramses II, becoming the first hanging obelisk in the world.

Various stone busts of gods and goddesses from ancient Egypt behind glass in a museum.

From the spacious obelisk Square, visitors enter the museum through a pyramidal gate to the main square, where the huge statue of Ramses II stands, which was initially transferred from MIT hostage in 1957 to the railway square” iron gate”, which has since been named Ramses Square. the huge statue rises in the museum’s spacious, high-rise interior courtyard with its pyramidal geometric shapes in which natural light manipulates with geometric designs through transparent alabaster stones and others in sloping ceilings that intersect with geometric formations triangular architectural blocks, suggesting pyramidal voids through which visitors move to a great staircase lined with statues of great Kings, while your steps lead you on 24-meter-high steps, through a distance of 64 meters, from the era of ancient Aquarius to the Greco-Roman era, through 72 statues, including the statue of Queen Hatshepsut, Amenhotep III, Akhenaten.

King Senusret I, in his Osirian form, and the god Ptah, whom the ancient Egyptians believed to have created the world with a word, also overlooks us through the eternal past, while Amenhotep III appears to us with “RA Hor my sister” to remind us of the cosmic philosophy of which the Royal Institution was an integral part, and RA The Sun God of Heliopolis was united with Horus the God of the south when the two countries United. The visitor passes on the stairs ascending from the thresholds of history to the era when the Mediterranean world opened up to the ancient Egyptian civilization, which in the Roman era combined Osiris and APIs into a Greek god called” Serapis” to spread his worship in the third century BC. From the great staircase through the glass facade overlooking the pyramids, the visitor enters the twelve exhibition halls, which begin with prehistory and end with the Roman era.

Image of the Sphinx in Egypt projected over an obelisk at night.

The shows celebrate three main themes: the property system, society and beliefs in galleries with an area of up to 18 thousand square meters. It is used to display collections and artifacts of more than 54 thousand pieces from different eras, and from all over Egypt and its spots, which are full of time-preserved Antiquities, rare collectibles in a chronological sequence that allows the visitor to choose his path through the ages, exploring societal transformations in each era. In addition, the museum includes a display of two of Khufu’s boats, and galleries dedicated to the contents of Tutankhamun’s Tomb, displayed together for the first time since its discovery in 1922.

Poetry from Dessy Tsvetkova

Blonde middle aged woman, light skinned, with dark-colored eyes and small earrings and a black top, seated on a couch.

Radiant day

Smiling to the sun, morning has arrived.

A few little birds walk on the railing of my balcony.

My suitcase is ready, the door drives me,

I go out, my destination is the weekend, free as a falcon.

Smiling to the sun, I sit in the train.

Road is twisting spine all in front the eyes 

Lovely glamorous day, in the sky flock of cranes,

in my palms crumbs of bread, 

in my suitcase – a handful of rays. 

Poetry from Turkan Ergor

Young Eastern European woman with shoulder length straight blonde hair, a scarf, a green necklace and black top.

LESSON

Wherever I look

I’m take lesson from

Even from the tree

Even from the bird

I hear a sound

Firstly slower than

Then it gets faster

Thundering

It’s raining

People running away

Rain stopping

Rainbow coming out

And people

Being happy

From this life.

Türkan Ergör, Sociologist, Philosopher, Writer, Poet, Art Photography Model. Türkan Ergör was born in 19 March 1975 in city Çanakkale, Turkey. She was selected International “Best Poet 2020”. She was selected International “Best Poet, Author/Writer 2021”. She was selected International “Best Poet, Writer/Author 2022”. She was awarded the FIRST PRIZE FOR THE OUTSTANDING AUTHOR IN 2022. She was awarded the 2023 “Zheng Nian Cup” “National Literary First Prize” by Beijing Awareness Literature Museum. She was awarded the “Certificate of Honor and Appreciation” and “Crimean Badge” by İSMAİL GASPRİNSKİY SCIENCE AND ART ACADEMY. She was awarded the “14k Gold Pen Award” by ESCRITORES SIN FRONTERAS ORGANIZACIÓN INTERNACIONAL.