Breathing

hear me: we do not immerse our pages
with words because our hearts are swelling
with grief, sometimes, or floating with joy.
we do so because these poems want to breathe;
they want to live their own lives.

here in my country, it’s the season of harmmatan
the cotton tree in our garden breaks open its pod
we gather the seeds & the snow-like wool into basins
the papaya tree close-by ripens with the wind & sunlight
other trees shed their leaves & dryness is the new culture
the ground is with littered leaves & they sing under our soles.

we are all seeking to breath, even in warmth,
in cold, when our skins are pierced with the lune of chill 
our bodies immerse longer under our duvet.
we are still breathing, everything wants to breathe
this poem is not about misery, bliss or nostalgia;
it is about you, it is about [the] poem--- breathing.


Conversation

because i am kneeling down between the pew
sifting my thoughts on what i should have confessed
i wanted to cast the pitcher deep into my heart &
draw out every word from its place 
i wanted to purge; to fetch out the darkness beneath
to the rays radiating from the sanctuary.

because my heart is full & bubbling with water
i wanted to break a part of me & leak
i wanted to flood everywhere until i’m lean.
i shudder like one met by the steering of a dagger
i shriek like one almost eaten by his foes
i gather words into groan & my lips began to bleed.

because i am cut open by the laser of truth &
all i know about myself gushes out
i break open to all who care to listen
god above or the other worshippers
staring down at me from across their benches.

Ojo Olumide Emmanuel is a Nigerian Poet and Book Editor. He is the author of the Poetry Chapbook “Supplication For Years in Sands” (Polarsphere Books, 2021). His works have appeared and forthcoming at Ake Review, Feral, Quills, Poemify, Melbourne-Culture, TNR and elsewhere. He is the Editor-in-Chief of The Nigerian Review (TNR).He currently curates the monthly Wakasoprize for Poetry and Abubakar Gimba Prize for Short Fiction. He is a fellow of the SprinNG Writers Fellowship. Say hi to him on Twitter @OjoOlumideEmma2

The mirror of life.
  It's a gift. Time will tell. 

  Some twist in the wind. 
Some fly above the clouds.

It is given,  time
 and again.

  Window Swing Free!

    Known,  knowing 
      Reflection from glance
       to stance

          I've Begun.

I cannot tell you
   all I'm feeling in
     a timely manner.

My smile is all of Me.

My homeland.

In my homeland
Why pains ranges like a burning fire
And tears is what it requires
They said men don't cry
And I held it up, burning inside me

In my homeland
I have been through hell and back
And my eyes had become tears bank
Where I try to cry, and the word rang
Tears is a weakness,
In my homeland
no place to live
Terror has put on her garment
Beckoning on the emissaries of death dancing to the beats of herder's drum.
Like grief, pain feed the state of taraba.

In my homeland
The frightening gloom of darkness
Loom silently in the starless skies,
My homeland, filled with heartless savage
My homeland, on the footstool of brain less bastards.
Dear, my homeland
I fear for my life and future

For the infants yet unborn
I fear for the lives of youths
Who's future bases on strive.
Dear, my homeland
I fear for what life has in store
The more one lives, the more he dies
It's not a bed of roses,
Where one lives in comfort and love.
I fear for my homeland
Where peace and tranquility are imagine.

Innocent blood decorate our land,
Yet, we have been possess by orgyloving and bloodthirsty evil spirit.
With a loud thunderous voices.
When can we have a better homeland?
A better homeland,
devoid corruption,
Free of greed.

My homeland.

In my homeland
Why pains ranges like a burning fire
And tears is what it requires
They said men don't cry
And I held it up, burning inside me

In my homeland
I have been through hell and back
And my eyes had become tears bank
Where I try to cry

Tongi
by 
Mehreen Ahmed

It was a glass room, Tongi. Literally, a room which was made of glass built on stilts in the far shade of a village pond. The pond's algae reflected its green on its glass walls. On rainy days, slanting rains fell on it and left its droplets to slide down the glass. Tongi ghor, or Tongi room, as it was often called was also a lover's den. Under a waxing moon, love glided here in the moon's full view—light streaming through the glass. Only an insider was privy to its magic—only they could feel its real throbbing, transforming romantics into yearning hearts—enchanting and transcending any barriers—a safe house for the insiders. This place knew no shame. Where love was not berated for breaking taboos. Its rhythms, a heartfelt, meant only for love—to hear and understand. Tongi was an insider’s bubble. As soon as lovers came out of the room, the full moon packed itself away under a river cloud and the bubble of enchantment broke. Social antipathy was let loose on them—off-limit to the socialites—this bubble belonged only to the insiders of the Tongi room.

Nacre

An irritant entered the body, Queen Nacre secreted aragonite and conchiolin in her castle's bedchamber of the deep seas which the Queen produced as a protective shield against invaders, she gave birth to the Mother-of Pearls and embedded it on its lucent pods within its hard shells, a defence mechanism, an impregnable wall, not understanding though, that this prized possession, was also the much-coveted object for the Mad Hatter and the Queen of Hearts--the rulers on the land, who would go to any lengths to extract it by violating Nacre's fragile shells— the Trojan wall would fall at their feet, to bejewel an already existing ornamental neck of the Queen, more pearls for the Hatter's jewel in the crown, the Mother-of-Pearl the most precious survival mechanism taken and crushed for their pleasure, paradoxically an existential crisis, a double-edged sword—the very wall of protection was also Queen Nacre's nemesis, for her oyster subjects cried a rising death toll in the Garden of Pearls, however, who could not even conch, a sound off to the mermaids of the far seas whose aid of ancient callings could have frustrated the Queen of Heart's sea soldiers -- raiders of the Oyster Kingdom had this wayward annihilation on their conscious, but, one pearl made its way back to Queen Nacre's court and told her a story of obsession that a Queen on the land dissolved one of them, pearls, mixed it in wine or vinegar and drank it to impress her King--beautiful but idiosyncratic, thought Queen Nacre in a moment of truth.

Space

People stared opened-eyed at me, brazenly walked across to my table as I had my morning coffee, coming, up close and personal almost choking my breathing space, however, I didn’t move an inch, they didn’t either, as they wanted my table, finding tables was rare here at this time, my gut feeling— they were not only after the tables.

Note: This story contains themes that may offend members of the LGBT community. We at Synchronized Chaos stand with LGBT and with all people in their quest to be treated as equal human beings. At the same time, we don’t believe Amos Momo Ngunbu intended to harm anyone with his writing as we think it came from sincerely held religious or other beliefs on his part and concern for the welfare of teenagers. That said, there are different ways to interpret religious teachings on same sex relationships (as well as church-state separation). We invite readers, if they wish and feel comfortable, to engage Amos with reasoned and compassionate discussion in the comments.

Rose, growing up as a child, who lived with her parents in the 70s, was a daughter to Mr. and Mrs. Miro.

Her ambition was to become a medical doctor within the next decade. Decent she was, and schooled at the Don Bosco Technical High School, located in Sinkor, Monrovia, Liberia. Her beauty was like a symbol, crafted with words, that almost everyone could read, through which to get their way out.
Rose was admired, by almost everyone, in and out of her school.

Regardless of her beauty, she was positive about her future and never wanted it to be disrupted, with anything else. She was satisfied with her living standard, regardless of her parents' condition. 
During the next academic year, there came a newly enrolled student in the person of Lesia, who entered the school with the mindset of initiating young girls into lesbianism and prostitution. 

She entered the school with a very high dress code. Her beauty flattered everyone, both instructors and students. She initiated a lot of girls.
On a bright Friday morning, during the day of sporting activities, Lesia went on the campus, with a very high dress code that turned the eyes of everyone. 
Contested for miss and came out with a shining color. She got her talent from the dark world, for which, she never lost in any competition. 

Suddenly, her talent drew her attention to Rose. She ignorantly saw her to be a good person in nature. She got closer to her with the mindset of achieving the positive best from her.
In no time, she was initiated into the dark world. Rose, who was a great and serious student, became to misbehave and mislead people on campus.

Everyone was shocked with her behavior. Her name was the song sung in the ears of everyone.
Nakedness became her fruit for success. She no longer listened to people, both on and off campus. She initiated most of her friends too. There was a boy named Thomas, who she tried to initiate, but failed, due to his time spent in the presence of God. She tried and tried, but failed.

Thomas kept getting closer to her, just so he could regain her soul in the presence of God. He did all he could and later captured her soul to the presence of God. She recovered from the ancient world and got to her normal stage. Thomas and Rose later married and left for the Netherlands.

Fading memories

I could remember
When you left
At noon, it was outside, at the portico
My eyes soaked, rivulets streaming 
I held your hand, the same hand
You used to rub my head and I lock
My hands in yours-soft
But at that moment, as I held you
Perhaps with the weight of pain on me
It felt rough as a sandpaper, why?
Now I see you were tired,
Tired of the ride with me
Each time I reach inside my head
In search of a moment’s memory of you
I see you disappearing/fading away 
From my heart like smoke.
But still I wait outside on this same 
Spot/waiting for you as a prodigal son
It’s been two years now 
& at every knock and sight of
Shadow at night, I scurry down
Thinking it’s you.
Still waiting
Come to me, say you've stayed away
For long
Let’s make memories again
There’s still a lot unmarked
On our bucket list.

The Salton Sea  
 

It’s said the Salton Sea is a drainage pond for the vast Imperial Valley-

Breadbasket of the nation 

And just when I think I’ve seen it all…

an old man in a tomato red tuxedo water skis passed a flock of pelicans.

I go for a walk 

The water is receding from the beach like a shy girl in a disco tech. The lake will be dead in another 50 years      

White sand beaches are littered with the bodies of dead green fish. They remind me of dollar bills scattered in the snow 

Sea gulls pick at the bleached bones of a cat
 

The hotels are empty and the palm trees have died eons ago.
 

I thought I saw the skeleton of a dinosaur in the trash heap behind the Howard Johnson’s. 

Someone’s opened a fire hydrant and it’s pissing precious water down the road. 

The ancient body of a Winnebago sits in the lot across from a deli its tires are flat and someone’s spray painted “Earth First!” in blue paint across the back of the motor home. I think it was used in a movie once.
 

Not far is a tavern 

Two bills get you a glass of cheap bourbon 

Not far is a peer
 

A pile of bacon grease lies on the walk to the water the fat’s coated with blowflies 

Watch your step. 

My dogs investigate the dumpsters behind the Chinese restaurant.
 

Somewhere out here there’s supposed to be a wildlife refuge.

Captain Caveman just rode by on a Schwinn bicycle--



The sun falls behind the atomic mts.

Good luck, good-bye


from the Salton Sea