Short story from Bill Tope

My Best Friend

Dr. Arnold Schopp, DVM, glanced at the caller ID; he didn’t recognize the number. The time was 5am. Picking up his landline, he said, “Hello?”

“Oh! Hi! My name’s Livy. You don’t know me, but I got your number from the men’s washroom at The Stagger Inn, the tavern in the Central West End?”

Arnold blinked. He’d never heard of the place. Was this a crank call? he wondered.

“Can I help you?” he asked cautiously.

“Well, I’m a porter at the tavern during the mornings, before they open. I’m working my way through nursing school, Arnie; Class of ’96! Yay! Is it alright if I call you Arnie?”

Arnold shrugged, but his caller couldn’t see it, so he said, “Okay.”

“I’m having some trouble with my hand,” Livy went on. “And I thought maybe you could help.”

Arnold shook his head. “I don’t understand.”

“Well, where I found your name and number, underneath it said, “For a Good Hand Job, call Arnie, at…” and she read off his phone number. “Are you a doctor or something, Arnie?”

“Well, no,” he said. “I am a veterinarian, however.” He was almost sure he wasn’t being pranked. “What happened to your hand?” he asked.

“I stuck it in the wringer on the mop bucket when I was mopping the floor and then wrung it out. It hurts,” she added.

Arnold went on to tell his new friend how to treat the injury, with ice and later with heat and so on.

“Thanks so much, Arnie,” said Livy with a little squeal.

“How are you doing in nursing school?” he asked.

“I’m just ending my first year,” she replied. “I’m doin’ real good. Thanks for asking.”

It occurred to Arnold that Livy hadn’t many places to turn when she encountered the vicissitudes of life, so he told her, “It’s the very least I can do, Livy. I’ve got to go for now, but you’ve got my number. Don’t be a stranger.”

“Okay,” she said with a gulp.

They disconnected.

_____

Arnold lifted the receiver of the landline in his all-night animal clinic and said, “Hello?”

“Arnie?” asked a young, shrill female voice. “It’s Livy.”

“Hi, Livy,” said Arnold, smiling. “What’s going on?”

“Ooh, I smashed my head,” she lamented, her voice revealing a tremor of angst. “I was taking the laundry out of my washing machine and the lid closed on my little peanut head!”

“Are you alright?” asked Arnold with concern.

“No!” she said loudly. “It hurts. I think I might have a concussion.”

Arnold frowned into the phone. He knew it was unlikely that the light-weight lid of a washing machine would do much damage. He told Livy so.

“You don’t care if I die!” she shrieked. “I have a drop of blood on my forehead and I think I might’ve fractured my skull, Arnie.”

Arnold rolled his eyes. “Unlikely,” he suggested.

“I’m thinking of going to urgent care or to the hospital or to Minnesota…” began Livy.

“Minnesota?”

“The Mayo Clinic,” Livy explained. “That have an excellent trauma unit for head injuries, Arnie.” Livy, Arnold remembered, was a student nurse, now in her second year.

“How much blood did you lose?” asked Arnold.

“One or two drops.”

“Do you have a knot or your head or anything?” he asked next. “Do you feel sleepy or dizzy or…”

“No,” said Livy, “but I almost for sure fractured my skull. “The parietal bone, or the zygomatic arch or the…”

“Livy, put some ice on it,” counseled Arnold. “Do you have any insurance yet?” he asked.

“No. And I need a CAT scan and an MRI and a cognitive assessment…”

“Well, if you feel that you must get medical treatment, hospitals can’t turn away anyone who’s deathly ill. Go to St. Elizabeth’s, here in town, and see what they say. Okay?”

“Okay, Arnie,” replied Livy. “Thanks.”

“You bet, Livy. Let me know what they tell you.”

“You’re interested?” she asked with surprise.

“I am,” said Arnold.

“Goody,” she said.

“Okay, bye.”

“Bye.”

They disconnected. 

_____

Arnold glanced at his watch and lifted the receiver.

“Arnie,” said Livy, her voice staticky over the line. “I had an accident.”

“What kind of an accident?” asked Arnold.

“I was painting my flower boxes and I got a splinter.”

Arnold envisioned Livy, bringing her middle finger to her lips and sucking on it.

“How big?” he inquired.

” ‘Bout a quarter of an inch. It hurts!” she wailed, holding the finger up in Arnold’s mind’s eye  for his inspection. He shook his head, thought about the spaying and neutering operations he had pending at the clinic. “Do you think I need a tetanus shot?” she asked.

“When did you have your last one?” Arnold asked her.

“Six months ago, remember, when I dropped the can of peas on my foot and thought I might’ve broken the third metatarsal or the calcaneus? At the ER they didn’t want to do a full-body scan because I didn’t have any insurance and I wouldn’t leave until they did something. So they gave me a shot.”

Arnold sighed. His young friend was a bit of an alarmist. “I think you only need a tetanus shot every ten years or so…”

“Oh!” said Livy. “That’s right, I remember it from class.”

“I’d just wash the wound with hydrogen peroxide, dress it with merthiolate or iodine and wrap it up. You’ll be fine, Livy,” said Arnold.

“Thanks, Arnie,” said Livy gratefully. “You’re the best!”

The dial tone popped back on.

_____

Arnold, on duty as usual at his animal clinic, picked up the telephone on the second ring. He knew it would be Livy, his irrepressible friend from the college. She called every day at the same time: 5am.

“Hi, Livy, how’s tricks?” he asked, pleased to talk with a friendly voice.

“Hiya, Arnie,” she fairly burst through the line. “I’ve got a problem.”

“What is it?” he asked, barely avoiding appending “this time” to the query.

“I’ve been picking weeds out of my garden,” Livy explained. “And my fingers are cramped. I think I might have myasthenia gravis or something. Maybe Parkinson’s.”

Arnold rolled his eyes. “Not a chance,” he said.

“Well, I’ve sure got weeds,” she asserted. “What do you think I…”

“Livy,” said Arnold with what patience he could pull together, “you need to start making some decisions on your own. You’re an adult, and you’re old enough,” he said, perhaps more harshly that he’d intended.

“Arnie, did I catch you at a bad time?” Livy asked him.

“Well, kind of. I don’t mind…I like talking to you every day, but sometimes you need to just stand on your own two feet and decide. Do you know what I mean?” he asked, hoping he hadn’t hurt his sensitive young friend’s feelings. She was so easily hurt…

_____

“I met a guy, Arnie,” said Livy one day.

“Where did you meet him?” asked Arnold.

“At a party thrown by one of my friends from school,” she said.

“Is he a nursing student too?” he asked.

“No, he’s a medical student, Arnie. We partied and I got a little bit drunk and later we kissed and made out.”

“Be careful,” cautioned Arnold. “You’ve got your whole life in front of you, Livy.”

He could almost see her nod. “Gotcha. We didn’t do anything I might regret,” she said. “Robert–that’s his name, Robert–asked me out on a regular date tonight.”

“That sounds fine,” said Arnold approvingly. “Is he known among your friends; I mean, does he have a good reputation?”

“Yes,” she said. “All my friends say he has a lot of girlfriends, and none of them turned up dead or anything. He graduates next year,” she said.

“Well, have a good time, Livy.”

“Thanks, Arnie. I’ll talk to you later.”

_____

Arnold didn’t hear from Livy as usual the next morning and he wondered how she was. She usually called every day from work, when she was cleaning the tavern to pay her way through school; she had done so since they met over the telephone more than a year before. Finally, he checked his phone directory and found the last number she’d used. He dialed it up.

It rang and rang but the call went unanswered. Arnold called again several times, until, on the fourth try, after the phone rang endlessly at the other end, she picked up.

“Hello?” said Livy in a whisper.

Arnold frowned into his receiver; Livy sounded so down.

“Livy?” he said.

After a moment, she said, “Hi, Arnie. How are you?”

“I’m fine,” Arnold said. “How are you? Are you alright?”

“Yes.”

“Livy,” he said, “what have you been doing? Why haven’t you called me?”

“I was only doing what you told me I should do,” replied Livy. “You know, take responsibility for my actions, make decisions, and…” Her voice drifted off.

“Livy, does this have anything to do with Robert?” Arnold asked.

“I went out with Robert,” she said dully. “I trusted him, like you said.”

“Livy,” said Arnold, gripping the receiver fiercely, “what happened.”

“Robert took me out, like he said he would,” she replied. Before he could inquire further, Livy whispered, “Robert raped me, Arnie.”

Arnold’s blood ran cold. He listened intently, but Livy said no more, until finally, she murmured, “He hurt me, Arnie.”

“Livy,” said Arnold, “I am so sorry.”

“I know, Arnie. Because you’re my friend. I know you don’t always have time for me and I need to stand on my own two feet and…”

Arnold listened and thought he could hear Livy softly weeping.

“…it was my own fault anyway,” she continued. “I should’ve known better than to go back to the home of someone I only just met. I…I’d never made love before, and I didn’t know what to do when he told me to take off my clothes…”

“Livy, it is not your fault,” said Arnold firmly.

“If I’d just done what he said, then he wouldn’t have hurt me,” she said.

“A woman makes decisions her whole life, Livy, and she doesn’t always make the right ones. But, whether you said yes or not, it was rape. He made the decision for you, Livy. Rape is not about a man’s needs or even what he says he wants. It’s about domination and control and inflicting humiliation on his weaker victim. Do you understand me, dear?”

“Yes, Arnie,” replied Livy. She sounded to Arnold as though she were regaining some of her composure. Which gave him heart.

“So,” she said, “it wasn’t my fault…?”

“That’s right, Livy. Where are you now? Are you at home?”

“I’m in a little diner in the Central West End, near the tavern I clean,” said Livy.

“Why didn’t you call earlier?” he asked.

“I was…ashamed,” she admitted.

“Livy, have you received medical attention? Have you seen a professional?”

“No, Arnie.”

“Give me the address,” he told her. She did. “I’ll be there in 15 minutes, Livy, and we’ll get you the help that you need.”

“You mean you’re coming for me now?”she asked in a small voice.

“Right now,” he said.

“Then we’ll finally get to meet face to face, Arnie. Goody.”

Minutes later, Arnold pulled his animal hospital vehicle into the parking lot of the small diner described by Livy over the phone. He glanced at his watch: it was a quarter past 6am. He’d never met his friend, but knew she was 20 years old. The place was half-filled, but he discerned Libby almost by instinct.

A smallish, thin woman with light brown hair, she occupied a booth near the end of the cafe. She looked up at him as he took a seat opposite her. They sat and looked at one another for an impossibly long moment, before Livy said, in a voice that Arnold recognized instantly, “You came.”

A waitress materialized as if by magic and Arnold asked Livy if she wanted anything. There was a half-drunk cup of coffee before her, with fully a half dozen opened Splenda packages lying in disarray in her saucer. She shook her head no.

Arnold insisted she have something to eat, so she ordered French toast. He ordered a coffee. They spoke in low, confidential voices until their order arrived. Livy’s appetite appeared to be piqued by the aromatic French toast and she dug in, smothering the dish with butter and warmed maple syrup.

As she ate, Arnold told her what would happen next.

“I’ll take you to the emergency room,” he said, “and they’ll check you out. They have a rape crisis unit on duty there, 24/7.”

“What will they do?” Livy asked. He told her.

“They are associated with law enforcement, Livy,” he said. At her stricken look, he assured her that she was not in trouble, but rather Robert. “Forcible rape is a felony, Livy,” he told her gently but firmly. “No one can make you cooperate with them, but think of all the other young women and girls that Robert might inflict himself on in the years to come.”

That sealed it. She agreed to talk to the rape counselor and the cops.

“I feel like I failed you, Livy,” said Arnold contritely, reaching across the table and touching his friend for the very first time. It was warm where they touched.

“You’ve done so much for me, Arnie,” said Livy in a stronger voice. “And you’re still doing it. No one has ever been my friend before. Not like you.”

Arnold felt his heart break. “I love you, Livy. You are my very good friend.”

“You’ve done so much, Arnie,” said Livy again. “Could I ask you to do me one more thing?”

“Of course.”

“Come around to my side and give me a hug, alright?”

Without another word, Arnold rose from his seat, came around and sat next to Livy and gave her a tremendous hug.

For the first time that morning, Livy smiled.

“Goody,” she said.

Essay from Jumayeva Gulasal

COMPATIBILITY OF TRADITIONAL VALUES AND MODERN DEVELOPMENT

ANNOTATION

This article discusses the role of Uzbek girls in society, the preservation of national values, and the use of modern education and opportunities. Today, it is important for girls to gain knowledge, acquire a profession, learn modern technologies, and actively participate in public life. The combination of national values ​​and modern knowledge serves to educate well-rounded, independently thinking, and spiritually-minded young people. The article also analyzes the role of family, education, and society in the upbringing of girls.

Keywords: Uzbek girls, national values, education, upbringing, youth, modernity, spirituality, profession.

ENTRANCE

Uzbek girls have always been valued for their virtues such as decency, modesty, kindness, and respect for elders. Today, many opportunities are being created for them to receive quality education, acquire a profession, and demonstrate their talents. Therefore, acquiring modern knowledge while preserving national values ​​is one of the urgent issues.

LITERATURE ANALYSIS AND METHODS

In studying the topic, scientific and analytical sources on education, youth and girls’ development were studied. The research used methods of analysis, comparison and generalization. Based on the sources, the interrelationship of national values ​​and modern education was examined.

RESULTS

The analysis revealed that girls’ education expands their future opportunities. An educated girl consciously chooses her profession, thinks independently, and can contribute to the development of society. At the same time, it is also important to maintain national qualities such as respect for parents, decency, honesty, and kindness.

DISCUSSION

National values ​​and modernity are not contradictory concepts. A girl can preserve her nationality while acquiring modern knowledge and technologies. Support from family and educational institutions is of great importance in this.

CONCLUSION

In conclusion, Uzbek girls are an important and promising segment of society. Their education, spirituality, and growing up in modern professions are important for the future of the country. A girl who preserves national values ​​and acquires modern knowledge is the creator of the future.

REFERENCES

1. UNICEF. Education in Uzbekistan. UNICEF Uzbekistan.

2. UNICEF. Situation Analysis of Children and Adolescents in Uzbekistan. 2024.

3. UN Women. Leaving No Girl Behind in Education. 2022.

4. UNICEF. Adolescent Girls: The Investment Case.

Jumayeva Gulasal was born on July 8, 2010 in the Shofirkan district of the Bukhara region of the Republic of Uzbekistan. She is currently studying in the 10th grade of a secondary school. She aims to become a primary school teacher in the future.

Poetry from Bahtiyar Hidayet

A Wedding on the Devil’s Cart

When the first automobiles appeared,

our mullahs called them

“the Devil’s cart.”

Now, in the hottest time of summer,

I am on a minibus.

The minibus is packed tight,

the smell of hell inside.

We open the windows—

the dust puts us in a bad situation.

We close the windows—

the heat puts us in a bad situation.

Like Munkar and Nakir,

who have difficulty deciding

whether a dead person,

whose sins and good deeds are fifty-fifty,

should go to hell or heaven,

we also have difficulty deciding.

But the driver

is more merciful than God.

By an improvised method,

he has installed a fan.

A new passenger.

The driver shouts:

— “Be a little kinder!”

A passionate voice:

— “Don’t worry, brother,

we’re practically related already.”

Wedding music

is playing on the stereo.

How wonderful our people are,

how wonderful our people are—

we can have fun

even in Hell.

A mullah’s car passes by us.

Its air conditioning is excellent,

its conditions are excellent.

As if he has fallen into Heaven.

Religious songs

are playing on his stereo.

The name of the car:

The Heaven Cart.

Bahtiyar Hidayet, Azerbaijan

Essay from Sotvoldiyeva Nargizaxon Abdurasulovna

THE TRANSITION OF PUBLIC SERVICES TO DIGITAL FORMAT
In our country, which is taking steps towards national development, digital technologies, in particular the e-government system, are developing rapidly. It is no secret that public services are gradually shifting to a digital format. However, not everyone has the same attitude toward this system. While some public activists consider
such a system to be a matter of convenience and transparency, another group of people views it as a threat to personal privacy. In fact, which of these two views is more beneficial for our society?


Indeed, the digital government system is an innovative approach that meets the demands of modern times and provides broad opportunities for citizens. Its supporters emphasize several important advantages of this system.


First, public services are provided in a prompt and simplified manner. Processes such as applying, formalizing documents, or making various payments are now carried out online, without queues, and in a convenient format. Second, the digital system is becoming an effective tool in reducing corruption and ensuring transparency.
Because all data is recorded digitally, the ability to control increases. This reduces the human factor and prevents illegal situations. Furthermore, equal service access is created for all regions. Now, citizens living in remote areas can use the same services through the internet as city residents, which serves to strengthen social equality.


According to the latest data from the State Statistics Committee, the level of use of e-government services among the population in Uzbekistan in 2024 was 67 percent. The fact that 72 percent of them expressed satisfaction with the services and confirmed the efficiency of the system is proof of our point.


As the saying goes, “Every nation has its customs, everyone has their opinion,” those who view this system with caution are also putting forward their objections. On the one hand, the collection and storage of citizens’ personal data raise concerns. If information is not sufficiently protected, it can fall into the hands of malicious individuals. On the other hand, there is a risk of cyberattacks and technical failures. It shows that many digital systems around the world have been subjected to cyberattacks, and millions of people’s data have leaked onto the internet.

Along with this, citizens’ trust in their own data is low. Due to an insufficient level of digital literacy, people do not fully understand this system and use it with anxiety. A clear proof of this can be found in a study conducted in 2023, which showed that the share of the population aged 16–74 in European Union countries possessing at least basic digital skills was 54%.

In my opinion, although the digital government system has many positive aspects, it is also necessary to take into account concerns regarding security and privacy. In this regard, attention should be paid to further improving the system, protecting data, and increasing citizens’ trust. Thus, managing the e-government properly and securely can be the most optimal path for the future.


In conclusion, I am a supporter of the e-government system because it speeds up public services, increases transparency, and creates convenience for citizens. Of course, security issues are also important, but the positive aspects far outweigh them. As the famous scholar Alvin Toffler said: “The future begins today.”

Synchronized Chaos August 2026: The Unfinished Business of Living

This month’s issue addresses the Unfinished Business of Living.

The Talmud states: “Do not be daunted by the enormity of the world’s grief. Do justly, now. Love mercy, now. Walk humbly now. You are not obligated to complete the work, but neither are you free to abandon it.” This quote emphasizes the importance of taking action and doing good, even in the face of overwhelming challenges. No one can do everything that should be done, but we can all do something.

Image c/o Pennie Gibson

We look at different types of human ventures, including literal business and entrepreneurship, but expanding out to art, literature, cultural preservation, maintaining relationships, living within nature, peacebuilding, and just figuring out whom to be, how to exist in the world. Perhaps the deepest work of a human life is learning how to belong, to land, to history, to one another, to the difficult truths we carry, and to the dreams we still have the courage to pursue.

First, an announcement: our regular contributor Rui Carvalho invites readers and contributors to submit poetry to the next annual Nature Writing Contest.

Our contest, Nature 2025-2026, is a new opportunity that we, as organizers, create to reach the rest of the world. Every Contest is a challenge for authors participating and to people that make it happen. This year we invite all authors to write poetry about:
(i) Flowers;
(ii) Trees and wind;
(iii) Water;
(iv) Nature Conservation;
(v) Turtles;
(vi) Love for people and nature;
(vii) Hope and Happiness.

Rules and submission information here.

Now for The Unfinished Business of Living.

Image c/o Nabamita

Ismoilova Madinabonu Jaloliddin qizi reminds us of our need for and connection to the rest of nature, and this single insight threads through nearly every voice gathered here. We are not isolated atoms; we are woven into a living world.

Business leader Safwan Ahmed outlines mind-shifts that can assist entrepreneurs in his upcoming titles The Solo Founder’s Kite and the Maverick Strategy, suggesting that how we orient our thinking determines what we can build. Dr. Jerry Olivas reflects on how, like sports, life sometimes doesn’t allow do-overs—a bracing reminder that presence and intention matter now, not later. Shah Jehan Asrafi reimagines silence not as absence, but as a latent, creative force, pushing back against the modern terror of quiet. Ananya Guha loves the difficult, noisy, demanding parts of life, even barking restlessness, insisting that vitality lives in the friction, not the ease. Umida Sayfulloyeva encourages society to look at stress and social pressure as we would any other epidemic. Elmaya Jabbarova captures the spark between people when love could have started, and the feeling after the moment passes. Amonboyeva Shahnoza reminds us to notice and reach out to lonely people around us—a small, radical act of repair in a disconnected age.

Mark Young playfully alters the color and texture of Australian geography to craft unique landscapes, showing that the ground beneath us can be reimagined, not just endured. Priyanka Neogi relates a trip to colorful Guayaquil, celebrating the beauty and culture of the developing Ecuadorean city. Su Yun’s Chinese elementary school students’ poetry, which he translated into English, focus in on ordinary, relatable experiences. Abdukarimova Farangiz discusses strategies for helping Uzbek students learn English as a foreign language, bridging worlds through language. Timothee Bordenave finds Jesus Christ within his ordinary life: in legends, in his craft, in his quiet room, not as a doctrine to be believed, but as a reality to be lived—a spirituality of the everyday, not the cathedral. Amina Sunnatullayeva underscores the importance of remembering and teaching history to maintain one’s cultural identity, a thread that runs through several contributors here. Dr. Reda Abdul Rahim traces the history of Palestinian political and military uprisings, grounding memory in the specific, contested weight of lived experience. Lan Xin acknowledges the long and rich history of the Dongba culture in China and her partnership with Dongba elders to preserve the culture through education. Rushana Shomurodova pays poetic homage to Uzbekistan’s scientific, medical, and literary history with her tribute to the works of historical writer Abdulla Oripov.

Saymurodova Madinakhon Zokhidjon kizi discusses the cultural associations given to the sound of various languages, revealing how hearing itself is shaped by belonging. Gulyor Matchonova highlights the importance of reading for personal education, the quiet technology of becoming. Maftuna Rustamova encourages steady work towards our goals and consistent study in order to learn, in a manifesto that attempts to empower ordinary people to achieve aspirations. Elmurodova Charos also notes the importance of history and national memory to Uzbekistan’s young people, so that they can appreciate the sacrifices of their ancestors and the value of hard-won peace—a generational chain of gratitude and awareness.

Image c/o Made by Pixels

Silke Heiss reviews Abigail George’s novella Did You Get Married To Her While I Was In the Mental Hospital? which is a fierce, boundaryless fusion of mental illness, womanhood, and political rage, where survival lies not in being a “writer” but in being a woman who lives, acts, and cares for others. Abigail George’s new poem relates the experience of family life shaped by addiction, illness, and the commandment of silence, the things we are told not to say, and the cost of keeping them buried. J.J. Campbell writes from the trench of a life lived hard, with no romanticism, no filter, and no apology. Yet his poems are acts of resistance: he’s still here, still writing. 

Mahbub Alam’s poem reminds us of the power of a simple word or bit of attention from a friend or loved one. Nidia Amelia García reflects on a love that has healed her, not through rescuing, but through consistent and tender presence. Maja Milojkovic draws on elements in nature that balance and complete each other as metaphors for romantic love. Sumana Bhattacharjee describes love as both otherworldly and grounded in reality, a spiritually grounded physical journey. Gaurav Ojha’s essay brings a philosophical perspective to the experience of falling into romantic love as Milena Pčinjski evokes a quiet, tender, and sacred rhythm of romance unfolding away from the world’s eyes.

Christina Chin’s haiga presents a simple, yet tender, image of departure and separation, the ache of distance rendered in few strokes. Tanja Ajtic portrays the anguish of intimate loss and grief. Milka J. Šolaja acknowledges the grief intertwined with the beauty of aging, losing physical and mental prowess even as we develop wisdom.

Duane Vorhees’ work explores false promises and hidden costs: sometimes we don’t get what we expect or bargain for in life. Rehaan Khan’s piece is a plea and prayer for a visit from the divine, or from a departed loved one—the hunger for presence beyond the veil. Joseph Ogbonna’s simple yet profound piece reminds us that life and death are paths traveled by all. Graciela Noemi Villaverde weaves a vision of loss incorporated into future life, transformed into future growth. Dr. Debabrata Maji’s poem shows that togetherness transforms losses that would break you into something you can carry. Bahtiyar Hidayet mourns the devastation of war and longs to return to the days when people and animals were cared for and respected—a vision of peace that includes the whole created order. Danijela Ćuk insists that peace is not a distant ideal but something we give each other, moment by moment.

Image c/o Camerawalebhaii

Alan Catlin’s poetic portrait illuminates the humanity of school shooting survivors. Stephen Jarrell Williams suggests that humanity has a last chance to wake up, speak up, and choose sanity over destruction, both personally and globally. Christopher Bernard’s story portrays young children caught between idealism and the betrayal of national institutions.

Saeed Koushan’s work illuminates love that arrives and departs in the same wet night, leaving nothing behind but the memory of something that briefly, impossibly, shone. Noah Berlatsky’s piece speaks to the gap between spiritual ambition and clumsy, human reality—the comedy and tragedy of trying to be better than we are. Hassan Ismail Adekunle shows how one doesn’t build a bridge only by laying steel, but through asking, listening, leaving room for mystery, and honoring the ones who cross with courage and return with compassion.

Jacques Fleury’s poem brings humanity together in solidarity against injustice: it’s always a fresh new morning for someone on the planet. Marjorie Thelen’s short story “The Alien Jazz Band” is about found family, identity, and escape from a broken system, while also serving as a cautionary tale about AI, surveillance, and the loss of human agency, a warning that the technologies we build can sever the connections we need. Bill Tope’s short story is about the gap between what people see and what a person is really like, and how, for some, allowing the gap to remain is a refuge, strategy, and quiet form of grace. Saymurodova Madinaxon Zohidjon qizi points out how ownership of the English language has shifted from a small group of native-speaking nations to the global community of users, a democratization of voice that mirrors the broader themes here. 

Chidimma Ewelukma illustrates what it means to be there for someone: to witness their difficult moments even when you can’t solve their problems, and to stay with them through the different seasons and versions of themselves over time. Srijani Dutta’s collection of poems and paintings embrace questioning, resilience, and self-discovery as a way of living, through recurring images of light, water, wind, dawn, journeys, circles, and flames. In Patrick Sweeney’s monostich poems ordinary moments, memory, faith, and imagination constantly intersect, revealing how people search for meaning amid imperfection, mystery, and everyday life. J.K. Durick’s poetry captures the feeling of being a tourist in one’s own life: perpetually out of place, unable to change situations, and curious about the mysterious lives of the locals around you.

Image c/o Mike Gonzalez

Photini Karamouzis Chalkias’ work reflects a journey through deprivation, survival, and a desperate attempt to find meaning and connection in a world where truth is veiled by blood and silence. Cyril Etchev’s work highlights the power of the dreaming, loving, creative spirit to rise from the grounded, the silent, the ordinary and transform both self and world into light. Mykyta Ryzhykh depicts a reality in which time melts, language fragments, bodies decay, love becomes entangled with violence, nature becomes contaminated by human suffering, and death seems to be the only stability—a counterpoint that makes the acts of connection elsewhere in this gathering all the more urgent. Türkan Ergör expresses a nostalgic wish to return home where she feels she belongs, although life has inevitably changed her. Alex S. Johnson’s interview with musician Militia Vox highlights how for her, authentic artistry is forged in the stubborn refusal to abandon the raw, relational reasons you started, and reclaiming that impulse is itself an act of rebellion. 

Dr. Jernail Singh’s piece argues for ethical action on a broader timescale, regardless of visible consequences in our lives. Sayani Mukherjee’s speaker seems to ask: What truly makes a nation? The answer is not simply borders or governments, but the memories, emotions, songs, cultures, and stories shared by its people. Shlok Pandey explores the weight of generational trauma and impossible social expectations through a mother-daughter story, the inheritance of wounds and the possibility of healing. Thi Lan Anh Tran’s piece suggests that childhood is often happy because then we know how to be fully present, wonder at small things, and love without condition.

Brian Barbeito offers a meditation on authenticity, simplicity, and the harmony that exists when humans, animals, and land live in honest relation to one another, circling back to the opening note from Ismoilova Madinabonu Jaloliddin qizi.

Shannon Scoates speculates through a tone poem on a decaying piano on what remains of our art and creation as natural cycles and time pass.

Image c/o Arti Kh

Finally, Madina Shodmonova encourages us to summon up all our courage and live our dreams with gusto.

What emerges from this constellation is a single, insistent truth: we are beings whose survival and meaning depend on the quality of our connections—to nature, to history, to language, to the divine, to the lonely, to the difficult, to the departed, to the dreams we have not yet lived. The work of being human is not to transcend these ties, but to deepen them, to show up for them, to carry what breaks us together, and to keep writing, making, and loving through the wreckage and the wonder alike.

Poetry from Dr. Debabrata Maji

Fells with You

It was quite dawns 

      When it storms the skies,

I have seen the world

              In your hopeful eyes.

I have found my peace

             Within a steady view,

Because the journey 

                 May have with you.

In two wandering souls

           With one steady pace,

We are finding our rhythm

                  In time and space.

Even the map of life

                  Are vast and wide,

But with your fingers 

                  It’s locked in mine.

Biography

Dr. Debabrata Maji’s journey is one woven with the artistry of words, the precision of engineering, and the resounding echoes of literary passion. His life’s path meandered through the structured world of engineering before blossoming into an awe-inspiring legacy in the poetic realm. Despite pursuing a career in engineering, the written word never loosened its grip on his soul. It was as if poetry was inscribed into his very being, waiting patiently for the right moment to erupt into brilliance. And erupt, it did. What followed was an unstoppable rise through the ranks of the World Poetic Fraternity, marking Dr. Maji as a luminary in contemporary literature.  His literary prowess, distinguished by a profound sensitivity and refined craftsmanship, has been recognized far and wide. The world acknowledged his contributions by bestowing upon him twenty two Honorary Doctorates, a testament to the depth and impact of his work. Recognition followed in waves, with twelve prestigious Annual Literary Awards adorning his illustrious career – one of the most remarkable being the Silver Saraswati Statue, a symbol of divine wisdom and artistic excellence.

The weight of his influence is evident in the vast array of publications that carry his name. His unique poetic creations have graced numerous magazines, newspapers, and contemporary anthologies, reaching readers across India and beyond. His artistry, rooted in heartfelt emotions and intricate expressions, carved a distinct space within global literary landscapes. Dr. Maji’s written legacy is solidified through thirteen remarkable poetry collections, each bearing the coveted ISBN. His Bengali version books – Kavita Bichitra, Kavita Darpan, Probad Angina, Premer Boikunth, Sonnet Bhaskar, Harano Bamsari, Smarane Manane, Barnera Rahasya, Vande Mataram and English versions Dreamscape, The Peace, The Divine Glow, Maxims 500 are more than literary works; they are extensions of his soul.

They have found their way into the hands of eager readers, offering solace, beauty, and wisdom through poetic verses that transcend time. These titles bear witness to his unwavering commitment to poetry and the sheer brilliance of his literary craft. His story is not merely about accolades or achievements. Very recently he was conferred with ‘Swarno Padok’ by Kolkata based Bango Sanskriti Sangsad for his book ‘The Peace’. It is about a man who dared to transform life’s melodies into poetry, leaving behind an enduring legacy that will inspire generations to come.

Poetry from Shah Jehan Asrafi

Silence rests 

Silence rests in the buds

It soaks their being 

When the flower is ready to manifest 

Silence blooms and acquires colours 

And learns to dance in illusion’s lap

It witnesses the sun to taste warmth

The flowers and silence encounter love

when the first bees come

Together they weave a love story 

A bereavement lost in shadows

Suddenly, the seasons learn

that they have names 

And the rainbow discovers 

Its hues before freezing 

on the sky.

The birds learn about 

about the importance of

having a purpose.

The mystical arc

hides behind the silky clouds.