Story from Jacques Fleury

The Dark Night of the Soul

Pale purple image of ocean waves in the distance.

[Originally published in Spare Change News and in Fleury’s book: “It’s Always Sunrise Somewhere and Other Stories”]

     Benny stares through his basement window and he can feel his heart rejoicing once again by the absence of the sun. The sun has become his worst enemy since his parents died, his wife left him and his only son has been officially declared MIA (missing in action) while fighting the war in Iraq. These days, he hardly leaves his apartment. He closes all the shades, draws all the curtains and turns off all the lights while he just lies on his back with his hands clasped behind his head and his eyes transfixed at the white ceiling. Sometimes he lays with his back to all the stuff he has accumulated over the years. Stuff that he can’t seem to bring himself to get rid of. He likes to rummage through other people’s trash and bring various things to his already cramped space. There is so much stuff in his place that there’s hardly any room for himself

Clothes carpet his floors; empty take-out boxes are all piled up in one corner of his bedroom next to the TV and there are a number of shopping bags filled with trash rotting in the kitchen and maggots have taken residence under them. His window overlooks the sky and he often feels like God is looking down on him. The phone lately has been ringing with a sort of desperate urgency, yet Benny remains completely still as if he hasn’t heard it at all and just lets the machine deal with the incessant calls. His friends, or at least the few he has managed to hold on to, must be wondering about where he is. He has once before tried to end it all by starving himself of food and water for nearly two weeks. But at the last minute changed his mind and decided to have a can of coke and a slice of pizza.

     He has ceased to maintain any sort of personal care and he is beginning to smell. His apartment has a stale order of decay swirling lazily around the air. The smell is akin to rat and mice droppings, if you’ve ever had the misfortune to smell that particular odor. There are litters of unwashed dishes in the sink, mold all over his bathroom walls, a mailbox full of unopened mail and a mass of newspapers piled up in front of his door. From an outsider’s point of view, it would seem as if no one lives there at all. Day after day, Benny just lies there, living a death in life with nothing to look forward to or get up out of bed for. “What a waste,” he thinks to himself. “Just taking up space.” Death seems to be constantly tip-toeing around him, waiting for the right time to finish him off.

     He remembers happier times when his wife Lola sat in the sand on the beach on Martha’s Vineyard building a sandcastle with their son, little Jimmy. Her long straight Brown hair flirting and twirling in the summer wind while Little Jimmy screeches with joy and laughter “Daddy look! Look Daddy. I made a castle! I made a castle!”  He remembers looking on and smiling with an open book on his lap and thinking how complete his life is finally, as the summer wind gently lifts his blond hair off his forehead. He remembers feeling the joy of a man who constantly keeps winning the lottery repeatedly every time he thinks about his life with his beloved family. His parents were still alive back then and they used to go visit them on the cape where they all lived. But his bouts with depression and psychosis have driven his wife away. She could no longer tolerate his bouts of rage and paranoia that plagued him when he was ill. She begged and pleaded with him to seek treatment, but he refused to admit that he is even sick at all.

Eventually, his denial and the ensuing consequences drove her away. She feared that had she not left him, she would start hating him and she could not contend with that possibility. So in spite of herself, she left and took little Jimmy with her. That exacerbated his already declining mental health. She had custody and he had the weekends. His visitations became less and less regular as his life careened out of control due to his untreated mental condition. Before he knew it, Little Jimmy turned eighteen and joined the army. He had an on again and off again relationship with Lola. On when he was well, off when he was not.

     Now lonely and bereft of emotion, he lies motionless on his disheveled bed staring at the ceiling of his sinister apartment waiting for something, anything to happen to make him feel alive again. He used to be a man who made things happen; now he has become a man who waits for things to happen. He used to walk around with a half-smile on his face, a twinkle of joy and mischief in his eyes and a restless eagerness in his steps. He used to be the life of anywhere he happens to be, always ready to crack a joke or laugh at someone else’s. He used to pretend to walk around like a sad man with his head hanging over his chest, and then suddenly perk right back up again laughing at himself. Now, he feels that his fire has been snuffed out by a giant bright red hand that has descended directly from hell.

     The phone is ringing again and it goes directly to the machine. “Hey Benny. It’s George. What’s goin’ man? I haven’t heard from you in days. I’m starting to worry. Call me.” He lies still unresponsive.  He decides that tomorrow he will do something, anything, even though he does not know what it is. He’ll find out when he actually does it.

   The next day, a streak of sunlight slices his bedroom floor and for the first time in months, he does not mind its shiny glare. “Today’s forecast is expected to be sunny and temperatures are expected to reach record high for March.” He listens to his clock radio as he gets out of bed. For the first time in months, he has decided to clean himself up. He showers, shaves, puts on clean clothes and even cleans his dirty apartment. He opens his nightstand and grabs his rosary beads. He makes the sign of the cross using his middle finger first on his forehead, then chest then his left and right shoulders. He then says a quiet prayer then leaves the apartment. He passes in front of the mirror and smiles at himself as he heads out. He gets on the train and heads and finds himself getting off at the stop near the beach, the same beach he used to spend time with his family. He spends all day at the beach, watching happy families, seagulls and listening to the soothing sounds of the waves. He is waiting for darkness to fall and soon, the sun descends into the belly of the sea and everyone has left the beach. He lies in the sand on his back with his hands clasped behind his head as he stares into the dark skies, which he feels promises him nothing.

At midnight, he gets up and walks toward the sea. The voices of his wife and son echo in his ears from that perfect summer day he remembers so well— “Daddy look! Look Daddy!”—as he enters the sea until he is completely submerged to dwell forever in its abyss. Just then, back home his wife left him a message about possibly getting back together if he’s willing to go into treatment, his son is leaving him a message announcing his homecoming and the moon emerges to hover over the sea and diminish the darkness. His soul wishes he was there to come and see.

Young adult Black man with short shaved hair, a big smile, and a suit and purple tie.
Jacques Fleury

Jacques Fleury is a Boston Globe featured Haitian American Poet, Educator, Author of four books and a literary arts student at Harvard University online. His latest publication “You Are Enough: The Journey to Accepting Your Authentic Self”  & other titles are available at all Boston Public Libraries, the University of Massachusetts Healey Library, University of  Wyoming, Askews and Holts Library Services in the United Kingdom, The Harvard Book Store, The Grolier Poetry Bookshop, Amazon etc…  He has been published in prestigious publications such as Wilderness House Literary Review, Muddy River Poetry Review, Litterateur Redefining World anthologies out of India, Poets Reading the News, the Cornell University Press anthology Class Lives: Stories from Our Economic Divide, Boston Area Small Press and Poetry Scene among others…Visit him at:  http://www.authorsden.com/jacquesfleury.

Silhouetted figure leaping off into the unknown with hand and leg raised. Bushes and tree in the foreground, mountains ahead. Book is green and yellow with black text and title.
Jacques Fleury’s book You Are Enough: The Journey Towards Understanding Your Authentic Self

Poetry from J.K. Durick

Big Check

A big check weighs us down –

till deposited. Then it disappears

into the realm of business

the business we did before

that big check weighed on us.

But from the bank’s parking lot

through the door, through that

line, lined up to the teller, it still

was part of our mystery of money

heavy in our pocket. We try to look

causal about it all, want the teller

to think that we are used to big checks

earning, carrying, and depositing them.

She takes it, looks it over, checking things

we can only guess at. She never looks our

way. She clicks away, and our big check

even as heavy as we thought it was, disappears.

                     Photo

It saves that moment, one of the many

we pass through every day, every hour,

but this one is caught, frozen and will

never change. The photo captures

a street scene, one we all live through

holds it. The couple at the curb, about

to cross will never cross. They have gone

this far and no farther. We don’t know if

they are happy or sad. They are just this

couple in this moment. What are they

thinking? What did they just say to each

other? Will this action, this about to go

across this street, make a difference in

their lives? Will they look back and say

that this made all the difference? We don’t

know, will never know, but that moment

for them has become part of us, part of

us if we hold this picture and watch it go

through the things the photographer was

trying to convey to us about time and its

mystery, the way we are in the midst of it

and never know what is next for us and for

the people around us – or even that couple

who he or she stopped in the midpoint of

their day out together and made it stay fixed

one foot off the curb, the other about to

follow.

                      Side-Effects

Of course, they warn us about side-effects.

the unintended consequences of taking

whatever it is we’re taking or are thinking

about taking. They’re the stuff of small print.

You could end up with “swelling of ankles or

feet.” How about “confusion, difficulty breathing”

Along with such things as “dizziness, faintness

or lightheadedness.” The things we take come

with their own litany of possible side effects.

Imagine “black, tarry stools” or “bleeding gums”

as you take a daily dose of what they’re selling.

Even TV ads touting the latest meds for public

consumption are weighed down with side-effects

both mentioned by the voice-over and in print

at the bottom of the screen. They give us a group

dancing and singing followed by their warnings.

It’s as if the cure or whatever we’re taking to try

To cure or at least curtail one thing brings on an

Assortment of other candidates for our undoing.

Noelia Cerna’s poetry collection Las Piedrecitas, reviewed by Cristina Deptula

Abstract design that includes lines and circles and resembles houses, windows, or portholes. Colors are blue, black, yellow, white, and orange. Text reads Las Piedrecitas, Noelia Cerna.

As Travis Chi Wing Lau says, Noelia Cerna writes with care about even the smaller bits of our existences in her new collection Las Piedrecitas (Pebbles). In this collection, it is those “pebbles ”that make up a full life, where a person can not only survive, but thrive.

Music emerges as a motif, from a father’s Spanish guitar to Latino pop tunes in a restaurant kitchen. The pieces have a kind of internal musicality to them, expressed through rhythm, word choice, and the placement of text on the page.

Food and drink serve as expressions of nourishment offered by family and heritage. But they also become a way to poke fun at arrogant tourists who won’t listen to local wisdom “Tourism and Soda” and a commentary on people who enjoy Latino cultural offerings but don’t treat Latino people with respect “Taco Tuesday.”  

Las Piedrecitas celebrates and honors many women with whom Cerna feels a connection. Maria, an immigrant janitor, Karen, an older woman with intense confidence and presence, and her own mother, Alna,in the joint poem “A Kyrie for Dreams.”

Fathers and fatherhood come up several times in Las Piedrecitas. Cerna pays tribute to hardworking and loyal dads “An Ode to Brown Fathers.”

In the title poem, the speaker’s father gently plays with her in a park while staying vigilant against any stranger with ill intentions.

He protects his family from political violence in Nicaragua by immigrating to the United States and later teaches her not only boxing, but internal strength and perseverance. She uses that strength to navigate life as an immigrant and an abuse survivor, but also, poignantly, to separate from him and find her own way in the world, as in “Moving Away” and “Estrangement in Three Steps.” As pointed out in the last few lines of the title poem, the statues in the park see a larger world beyond his current imagination.  

Learning to love oneself and live on one’s own terms is a major theme in Las Piedrecitas. That can mean vowing not to run from love because of religiously based homophobia “Theaters in the Fall” or accepting one’s righteous anger at explicit and implicit racist and anti-immigrant sentiment “When my white colleague calls me angry” or reclaiming the narrative around past sexual abuse “Sugar.”

Yet, charting their own destiny does not leave the narrator rootless. Las Piedrecitas contains many images of sturdy objects planted in the soil: stone statues in Nicaragua, to which she returns as an adult, and trees with solid trunks and roots deep in the dirt.

Religion is another aspect of the narrator’s roots and heritage. Cerna draws on the language of faith to assert the dignity and value of her body, her loved ones, and her homeland, as we see in “Volcano,” “Holy” and “Cathedral.” Yet, she also subverts the language of faith to tell her own story of personal growth, as in “Most Holy,” where she reaches the point of spiritual maturity where she can reject judgement and abuse from those who misuse religion to hold onto power.

Religion can be beautiful and can ground you in something deep and beyond yourself, but it can also be a source of trauma and danger. By using religious metaphors for romantic love, Cerna extends that dual nature to romance. We see intimate partner abuse in a few pieces: “Estrangement in Three Steps” and Advice To My College Self” and men’s sexist treatment of women in “Rust” and the cowardly abandonment of a partner in “Ghoster.”

Cerna’s narrator has survived much. Like the tree by the overpass in one of her later poems, she asserts through her writing that she is more than a “survivor” but a person living a full and complete life.

Noelia Cerna’s Las Piedrecitas can be ordered here from Black Lawrence Press.

Noelia Cerna is a Latina poet based in Springdale, AR. She was born in Costa Rica and immigrated to the United States at the age of seven where she received a Bachelor’s degree in English from Westminster College in Missouri. Her poems have been published in audio form in Terse. Journal and in print in the The Revolution [Relaunch], the Girl Gang blog, the Plants and Poetry Journal and The North Meridian Review. Noelia is a book editor for the North Meridian Review and an award winning writing mentor for Pen America’s Prison Writing Mentorship program.

Synchronized Chaos Mid-February Issue: Character Arcs

Burned out tree trunk in green grass next to fallen, blackened wood.
Image c/o Lynn Greyling

Synchronized Chaos Magazine expresses our sorrow for the lives and property lost in the Los Angeles wildfires. We invite people to visit here to learn about how to send cards of encouragement to fire crews and to donate books to replace school library collections that have burned.

Contributor Patricia Doyne shares news that the Ina Coolbrith Society welcomes entries for its annual spring poetry contest.

Finally, contributor Chimezie Ihekuna seeks a publisher for his children’s story collection Family Time. Family Time! Is a series that is aimed at educating, entertaining and inspiring children between the ages of two and seven years of age. It is intended to engage parents, teachers and children with stories that bring a healthy learning relationship among them.

Chevalier's Books. Script font for store name on a red semicircular sign, windows in front full of books.
Image c/o Chevalier’s Books

In March we will have a presence at the Association of Writing Programs conference in L.A. which will include an offsite reading at Chevalier’s Books on Friday, March 28th at 6 pm. All are welcome to attend!

So far the lineup for our reading includes Asha Dore, Douglas Cole, Linda Michel-Cassidy, Aimee Suzara, Reverie Fey, Sumiko Saulson, Ava Homa, Michelle Gonzalez, Terry Tierney, Anisa Rahim, Katrina Byrd, Cindy Rinne, Norma Smith, and Kellianne Parker.

Clip art of a typewriter with a blank page on a gray/green background and the black on yellow text reading "March 28-30 Stay WP Preview"
Image c/o Justin Hamm

Author Justin Hamm is hosting a FREE online literary event the weekend of AWP, known as StayWP. This will include author talks, informative panels, book launches and networking!

To register, please click here: https://docs.google.com/…/1FAIpQLSe0jqgxfQn…/viewform…

Now, for the second February issue, Character Arcs.

Rainbow clustered together, not an arc, visible in a gray cloudy sky. Called a "sundog."
Image c/o Petr Kratochvil

This issue focuses on the journeys each of us, as individuals and cultural groups, take throughout life. We follow characters as seasons change and time passes, through different aspects of our shared humanity.

Sayani Mukherjee conveys the feel of the shifting landscape as night gives way to daytime.

Shukurillayeva Lazzatoy Shamsodovna translates a poem by Alexander Feinberg, which offers advice for new beginnings: start in silence and quietly observe the world before speaking. Sometimes we need to consider and learn before we can act.

As in life, we begin with childhood. Daniel De Culla writes of a kind and gracious angelic intervention on a pair of children’s first communion day. Isabel Gomez de Diego’s photos celebrate the whimsy and raw joy of a child’s dinosaur themed birthday party.

Table set for a child's birthday, paper plates and dinosaur napkins and paper cups, and balloons.

Muxarram Murrodulayeva urges readers to become worthy of their parents’ trust. Maftuna Rustamova reminds us to live out the best of our parents’ teachings.

Mahmudova Sohibakhon presents methods of teaching and learning spoken and written English. Abigail George speaks to her friendship and mentoring relationship with aspiring South African playwright Dillon Israel. Sharipova Gulhayo Nasimovna outlines and details her educational dreams.

Lazizbek Raximov’s essay highlights the purposes and power of literature. Mehran Hashemi shares some of his poetry and outlines how his writing journey has changed his life. Federico Wardal interviews filmmaker Michael Poryes in a wide-ranging conversation about both of their artistic visions and goals and about the perils of fame and the necessity of real friendship for artists.

Watercolor of a round teapot with a spout next to a teacup on a saucer. Black and white painting.
Image c/o Safarova Charos

Anna Keiko expresses how small beginnings can grow into larger scenes of beauty. Safarova Charos’ watercolors capture and highlight simple domestic comforts: tea, flowers, bluebirds.

Mickey Corrigan shares the stories of authors’ and creatives’ homes, which took on a historical cachet after the creatives left their legacies. Nozima Raximova discusses the Jadidist national cultural revival movement in 19th century Crimea, highlighting its importance in modernizing the area.

Caricature of the Crimean Tatar educator and intellectual Ismail Gasprinsky (on the right), depicted holding the newspaper Terjuman ("The Translator") and the textbook Khoja-i-Sübyan ("The Teacher of Children") in his hand. Two men, respectively Tatar and Azerbaijani Muslim clerics, are threatening him with takfīr and sharīʿah decrees (on the left). From the satirical magazine Molla Nasreddin, N. 17, 28 April 1908, Tbilisi (illustrator: Oskar Schmerling).
Caricature of the Crimean Tatar educator and intellectual Ismail Gasprinsky (on the right), depicted holding the newspaper Terjuman (“The Translator”) and the textbook Khoja-i-Sübyan (“The Teacher of Children”) in his hand. Two men, respectively Tatar and Azerbaijani Muslim clerics, are threatening him with takfīr and sharīʿah decrees (on the left). From the satirical magazine Molla Nasreddin, N. 17, 28 April 1908, Tbilisi (illustrator: Oskar Schmerling).

Sean Meggeson experiments with words, sounds, and arrangements of text on the screen. Mark Young splashes swathes of color and delicate text and lines across the page.

Eva Petropoulou Lianou reflects on the beauty of our diverse world full of many people with different creative gifts. For something different, Duane Vorhees contributes Mother Goose-esque pieces that address grace, mortality and human equality and diversity with gentle humor.

Nate Mancuso’s short story presents a couple who meet for a date and finally find themselves able to connect when they let go of their expectations and categories.

Grace Olatinwo recollects her mother’s steady love and draws strength from it as she navigates adult relationships. A rich poem by Kareem Abdullah, translated by John Henry Smith, celebrates sensuality and surrendering to love. Tajalla Qureshi speaks to the fragrant and silken ecstasy of sensual and spiritual love.

Collage of a woman of undetermined race with dark dreadlocked hair and full lips on a yellow background. Stickers, red hearts, graffiti all surround her.
Image c/o Linnaea Mallette

Mesfakus Salahin encourages readers to understand and wait for true and non-materialistic love as Maftuna Rustamova reminds us of the importance of money to have a stable life.

Sobirjonova Rayhona takes joy in her sister’s beautiful wedding. Dilbar Koldoshova Nuraliyevna reflects on the wonder and responsibility of motherhood. Lilian Dipasupil Kunimasa shares how she’s doing what she can to show compassion to the world, even as a person of limited means. Michael Robinson speaks to the spiritual love and sense of belonging he has found in his later years through knowing Jesus Christ.

Kelly Sauvage Moyer and Heidi McIver’s collaborative haiku speaks to the intensity of the human heart and its hidden passions.

John Grey’s work explores agency: moments when we feel like active protagonists and when we get subsumed by life. Pamela Zero offers her admiration for bold women with confidence who walk by as she quietly weeds her garden. Jumanazarov Zohidjon reflects on the winding road of life and its ups and downs.

Wooden sculpture, blocks at unusual angles, twists and turns, about waist high.
Image c/o Kylian Cubilla Gomez

Kylian Cubilla Gomez’ photography explores the dislocation of travel: window views, sculpted renditions of international flights, objects balanced at strange angles.

Eleanor Vincent’s memoir Disconnected, reviewed by Cristina Deptula, charts the journey of a romance between two people with different neurotypes, ending in a different kind of dislocation.

Jacques Fleury’s story relates the tale of a man finding a glimmer of love again after the death of a spouse. Graciela Noemi Villaverde memorializes her deceased husband and the many ways he complemented her and illuminated her life. Taylor Dibbert reflects on how one takes one’s departed loved ones with us in our minds long after their passing. Tursunov Abdulla Bakhrom O’g’li poetically mourns a lost love. Kristy Raines’ evocative poetry illustrates how people can communicate the depth of love and grief with or without words.

J.J. Campbell’s poetry evokes longing, loss, and ennui. Kassandra Aguilera conveys the anguish of unrequited love. John Dorsey’s poetry captures moments of isolation and waiting, characters who feel out of place.

Back of a naked man facing off into a hazy pink background.
Image c/o Jacques Fleury

Khomidjonova Odina shares a scary story of a boy and his pet deer being threatened by robbers. Mahbub Alam evokes the vast power of the Los Angeles wildfires as Don Bormon speaks to both the destruction and the city’s power to rebuild. Naila Abdunosirova’s poignant piece describes a homeless, landless rabbit devoured by a fox. Ahmed Miqdad grasps the enormity of all he and many other civilians have lost due to the war in Gaza.

Pesach Rotem draws on Dr. Strangelove to try to make sense of the current bewildering state of the U.S. federal government. Pat Doyne laments the national American chaos caused in part by people who believed they were voting for lower consumer prices.

Z.I. Mahmud discusses the mixture of pathos and moral critique of war profiteering and opportunism in Bertolt Brecht’s play Mother Courage, ultimately concluding that Brecht “hated the sin while loving the sinner” and approached all his characters with empathy.

Each poignant in its own way, Bill Tope’s poems cover anti-LGBT violence, a tender moment between mother and son, and a reflection on what matters at different points in life.

Snowy country road with a concrete bridge and a few bushes and leafless trees.
Image c/o Brian Barbeito

Joseph Ogbonna revels in Texas’ adventurous and wild countryside and culture. Brian Barbeito reflects on the various ways different people cope with the harsh, primal energies of winter. Harry Lowery’s poetry explores love and loss through metaphors of travel and the nature of light.

David Sapp addresses the human spiritual quest, how searching for transcendence and meaning is natural for us, sometimes to the point where we fight each other over faith. Mykyta Ryzhykh’s poetry conveys longing and acceptance in the face of life’s challenges.

Yucheng Tao’s poetry explores freedom, rebellion and individuality, death, wildness, and loss. Su Yun writes of the interplay of light and shadow, beauty and decay, and humans’ relationship to the vibrant and resilient natural world.

Finally, Stephen Jarrell Williams waxes poetic in his truck at night, overcome with joy and nostalgia.

Poetry from Dilbar Koldoshova Nuraliyevna

Teen Central Asian girl, thick short dark hair and brown eyes, striped light colored collared top, leaning to the right.

MOTHER

      Mother is the greatest creature in the world.  Our mothers carry us in their wombs for nine months and nine days.  Then they wash us white, comb us white, and give us white milk.  Mother cannot be described in words, because Mother and Motherland stand side by side.  The definition of mother is that, “Heaven is under the feet of mothers.”

      If heaven is in the sky,

                Underneath is my mother.

If heaven is on earth

                On top of my mother.

If there is only one heaven

                Dear mother.

If there is heaven in this world,

                My heavenly mother.

     Mother cannot be described in one word.  Mother is only three letters, but one life is missing to describe her.

      When I look at your eyes, it’s wet.

      He clenched his teeth and asked for my heart.

      Your white milk is white, mother,

      One life is not enough.

      We talk about our mothers, we can’t get enough of them, but there are very few of us who actually do it.  No mother will ever do bad things to her children, instead they encourage good and show the right path.  Some people envy their companions to their mothers, “I wish my mother was like that”, and feed them with envy. But “Kaltafahm” people consider Chuchvara raw

      But I lived for six years and did not envy anyone’s parents.  Because my parents are heavenly people.  If a mother does what she does before the birth of her unborn child, the child will be like her mother.   If a mother misbehaves during pregnancy and harms people, she can expect the same from her child.   On the other hand, if a mother reads religious books and prays during pregnancy, her unborn child will grow up to be a Muslim like our Prophet Muhammad (pbuh) and a Muslim like our mother Aisha. 

      O my nightingale, sing it many times

      A smile from his lips.

      Laugh and see my happiness

      My prayers are with you, my mother.

        Mother and Motherland cannot be chosen in the world.  What I write is not a fairy tale.  The truth of my life.  Before I was born, my mother prayed, thank God, I bow down like my mother.

      May our mothers survive.  As long as they exist, life goes on.  After all, respected parents rock the cradle with one hand and the world with the other.

      Kashkadarya region.  Qoldoshova Dilbar Nuraliyevna, a student of the 10th grade of the 10th grade of the 43rd school of Karshi district.

Dilbar Koldoshova Nuraliyevna was born on March 5, 2007 in the Karshi district of the Kashkadarya region.

She is currently the 10th “B” student of the 43rd school. 

Dilbarhan is the queen of poetry, the owner of creativity, a singer with a beautiful voice, and a ghazal girl.

She came first in the “Leader of the Year” competition.

1st prize in the regional stage of the “Hundred Gazelles and Hundred Gems” competition.

She took part in the “Children’s Forum” category and won first place in many competitions.

She is currently the coordinator of the training department of Tallikuron MFY in Karshi district.

Kamalak captain of the opposite district.

Head captain of the “Girls There” club at school 43. 

The articles titled “Memory is immortal and precious”, “Our School” and “Mother” were published three times in Kenya Times International magazine in 2024.

In 2023, the first poems were published in the poetry collection “Yulduzlar Yogdusi” of the creative youth of the Kashkadarya region.

In 2024, ghazals of the creative youth of the Republic were published in the poetry collection “Youth of Uzbekistan”.

Essay from Mahmudova Sohibakhon

Young Central Asian woman with straight black hair behind her head, brown eyes, small earrings, and a gray collared shirt.

EASY AND FUN WAYS TO LEARN ENGLISH

ABSTRACT: This article teaches how to learn a foreign language quickly and effectively. It takes us a lot of time to learn English. I think that this article will help us learn quickly and easily by using our time properly.

KEY WORDS: strong passion, daily practice, type of skills, learning grammar, increasing vocabulary, pronunciation, repetition, proper use of smartphone.

ENTRANCE:By the end of the 20th century, English had finally established itself as a world language. Today, the ability to know foreign languages ​​is becoming one of the integral parts of professional education. Due to the high rate of cooperation with foreign partners among specialists in various fields, there is a high demand for them to learn the language. In modern society, foreign languages ​​are becoming an important component of professional education. People learn such knowledge first at school, college, high school, and then at institutes, training courses or independently by getting acquainted with the basic information sets that help to learn a foreign language.

LITERATURE ANALYSIS AND METHODS

Popular methods of teaching and learning English and Internet resources were used in the research process. During the writing of the article, the principles of theoretical deductive conclusion, analysis and synthesis, logicality were used.

Today, many language courses are held for two hours one or two days a week, which is not good for us. Because on other days we are busy with daily chores. Usually, before the lesson, he forgets the topics of the previous lesson, which slows down the learning process. When we learn any foreign language, it should be studied and repeated daily. Only then the learning process will be much faster. First of all, we must make a commitment to ourselves. For example, “I spend two hours studying English every day, regardless of the situation!” Then our recall results will increase dramatically. Many people say that they should do this method, but they do not do it in practice. We have to adapt ourselves to this day’s training. Only then can we achieve the desired result. Type of abilities.

Linguists have divided the study of the English language into four major directions;

-Reading is the ability to read and understand a text in a foreign language. 

-Hearing (listening) is the ability to hear and understand the chat language.

-Writing-the ability to write in a foreign language.

Speaking is the ability to express one’s thoughts and ideas in a foreign language.

 In order to achieve this, it is important to master the three most necessary things. These are: grammar, vocabulary and pronunciation.

1. Learning grammar will definitely not be easy for a child. Whether we like it or not, the most difficult part of learning a language is grammar. We often observe that most people focus on memorizing rules when learning grammar. Memorizing the rules does not mean learning grammar. Unfortunately, there are many such people. They know the rules of grammar and phonetics of a foreign language by heart, but they cannot make a more complicated sentence in the language. You don’t have to memorize all the rules, just memorize the most used ones. Once you have memorized all the rules, you will only apply 30% of them. You don’t use the rest. This can cause you various boredom and confusion. Repeat what you have learned every day and build on them simple and then more complex sentences. In a simple sentence, it mainly consists of possessor + participle + complement.

2. Vocabulary memorization.

Even in this process, memorizing yourself for years is a wrong method. I used to memorize 10 words a day. The problem is that I could not use these when I spoke in English, I almost did not use such words. This did not give any results.

 We have the concepts of “Active vocabulary” and “Passive vocabulary” for this. To summarize, you can use the words in “active vocabulary” without any problems. You can use them without any difficulties. But it If the words fall into the “passive vocabulary”, you can remember the word only by seeing or hearing it briefly. The words in the passive vocabulary are very dangerous. There is a possibility that the words will be forgotten. For this, we can save the words from the “active vocabulary” and transfer the words from the “passive vocabulary” to the “active vocabulary”. We need to translate all the unfamiliar words in the movies or videos and pay attention to their pronunciation.

 3. Pronunciation.

 Every language has its own pronunciation. Nowadays, technical progress has developed. This is why we all have access to mass media.

If we listen to different English movies and English songs, our pronunciation will improve a lot. Another way is to use it for another purpose when listening to a song in a foreign language. Find the lyrics of your favorite song in a foreign language and translate it into your language using a dictionary. Or work a lot with English lyrics so that you can mark and translate unfamiliar words. Then you translate the unfamiliar words that cover that text from English to your own language without looking at the translation. Then you will remember them and know when to use them. Another useful way is to listen to native speakers and have conversations with them. Nowadays, we all have the opportunity to communicate online. . That is, we can use this to communicate with native speakers and get various information to improve our pronunciation.

I would like to give some more incentives for us to learn English quickly and effectively.

Define the goal clearly.

If you have to do anything, especially in language learning, it is not for success. Therefore, think about what you want to learn English for. Nowadays, many people are going to learn a language without being interested in the opinion of their family or others. First of all, you should have an interest and a goal. For example, after learning English, I will enter the world languages ​​university as the first grant, “I will enter the University of Westminster on a grand basis” or “I will go abroad to study and work in high positions”, and “I will open new campaigns in cooperation with foreign countries.” “, you can set a goal. Do not forget that the more serious the goal, the faster and more effective language learning will be.

Language is based on repetition.

A language cannot be learned without constant repetition. You can memorize 15 new words a day, but if you do not repeat these words after 2-3 days, it is natural that they will be forgotten. For this, you can effectively use the places where your eyes fall the most. Personally, I stick my newly learned words on a small piece of paper or on various stacks on the door of my room and on my desk.

Communication.

Language is a means of communication. We all know that communication plays an important role in language learning. Go to Speaking Clubs at study centers or resource centres. Never be shy to speak even if you are not fluent yet. The one who tries to speak, even if he does not know the language better, wins than the one who is shy to participate in conversations. Never be shy to speak in general, keep speaking even if you make mistakes.

Or you can find a partner for constant training. Another advantage is that this method creates a unique competitive environment among partners. For example, you try to memorize in order not to fall behind your partner.

Adapt the language learning process to your daily life.

When learning a language, fit everything into your daily life. For example, if you go to the institute or school by bus every day, you will lose at least 30-35 minutes of your time. You can use this time effectively. You can listen to various exercises or audios to develop Listening Comprehension.

Use your smartphone correctly and effectively, you should use easy methods to learn quickly in the process of language learning. Your smartphone will help you with this. Using your smartphone, you can download free English language learning programs and use them without attending paid courses. You can also watch various English movies with subtitles.

The main reasons for this are the natural tendency of children to learn languages, the fact that they have a strong ability to imitate, and the fact that children have more time than adults. It should be noted that 6-7-year-old children do not understand the meaning of information, but memorize it mechanically. Therefore, it is necessary not to start teaching English to elementary school students with grammatical concepts. Otherwise, from the first step of teaching a foreign language, it is possible to strain the child and extinguish his interest. Therefore, teaching a foreign language to young children is very difficult and responsible. The following methods can be used to teach children English in a meaningful and interesting way

 -To teach by means of songs and poems the letters or combinations that are difficult to explain or remember, that do not have meaning.

For example, it can be shown that children learning the English alphabet by singing is more effective than just memorizing. – games related to mental and physical activities;

-Cartoons;

While children do not understand the words in the cartoon during language learning, they try to understand the words they use through the actions of the cartoon characters. This is an interesting and effective way for children to learn the language.

– role play, the teacher should role-play or play it to children while teaching some information, for example, the names of animals or birds. For example: one student shows a dog howling, a cat meowing, another student can show which animal these sounds are.

– subject environment;

Children learn the language better if the teacher can create that environment depending on the subject. For example: traveling, birthday, in the kitchen, etc. On the topic of traveling, the teacher organizes a trip, information about the importance of traveling (foot, bicycle, automobile, train, boat, airplane), where to travel (Tashkent, Samarkand, Bukhara, England, USA) will give. This situation strengthens the students’ vocabulary, language abilities, and expands their worldview.

RESEARCH RESULTS AND DISCUSSION

Children have a strong interest in finding answers to riddles. Therefore, when the teacher says the riddle in English or Uzbek, he should ask the children to say the answer in English. Then children learn words quickly.

Practical training (tasting fruits and other foods, smelling flowers); This sentence can be explained by the thoughts of a practicing psychologist: “The pedagogue, who wants something to be firmly fixed in the children’s memory, should use as many of the child’s sensory organs as possible: eyes, ears, sound organs, muscle sensations, and even if if possible, he should try to involve the sense of smell and taste in the process of remembering”. For example: when a student tastes an apple, its color is red or green, He should give information about whether it is sweet (tasty) or big (small), and after feeding other students, he should ask the children to give information about that fruit in English If the teacher asks the students the English name of the colors, the child will immediately remember that they are red-red and green-green. Ensures that information is kept in memory for a long time. – through gestures, facial expressions; When the teacher says something to the child or gives an order, for example, it is understandable to the child if he uses gestures in sentences such as come here, open the book, stand up, look at the blackboard. .

CONCLUSION AND SUGGESTIONS

In conclusion, it should be said that teaching a modern language is aimed at forming a more cultured person, who has the skills of self-analysis and systematization of new knowledge. Innovative methods are an integral part of the modernization of the entire system. This ensures that teachers can familiarize themselves with the most advanced approaches and then integrate them and use them in their work to achieve significant growth in the education system. Many organizations are moving to a new level by using multimedia capabilities to send and receive information. The use of computers and other devices determines the success of the entire educational process. Speech skills in the trainings held during the educational process. Sufficient attention should be paid to formation and development of social flexibility. In addition, the success of each lesson in education largely depends on the correct organization of the training. The lesson should be based on the creative cooperation of the teacher and the student. Only then will students be able to think independently and will be educated. Learning English is not easy. It requires you to set a clear goal, constantly repeat new words, communicate without shame when you have the opportunity, adapt the process of learning English to your life, and finally, use technology effectively.

LIST OF REFERENCES:

Project-Based Learning Using Information Technology By David Moursund International Society for Technology in Education, 2003

Middle School Students as Multimedia Designers: A Project-Based Learning Approach By Liu, Min; Hsiao, Yu-PingJournal of Interactive Learning Research, Vol. 13, No. 4, Winter 2002

3. British Council (http://learnenglish.britishcouncil.org/en/)

4. Cambridge University Press (www.cambridgemobileapps.com)

5.Jalolov. ―English language teaching methods‖ ―Teacher‖ publishing house Tashkent

6.Tokhtasinova, N. R. Q., & Soibjonova, M. T. O. Q. (2022). A PRAGMATIC STUDY OF THE PHENOMENON OF TAGMA’NA AND PRESUPPOSITION (as an example of Abdullah Qahhar’s works). Central Asian Research Journal for Interdisciplinary Studies (CARJIS), 2(4), 141-146.