Poetry from Noah Berlatsky

Get Out of the Water

Jellyfish float like lungs in the sea

and lungs float like jellyfish in a different sea.

Everything is breathing with life and ick.

That is the kind of pantheism we are talking about.


Every beach is on the edge of another beach

and you can walk there on the jellyfish.

They pulse with the transparency of borders.

Our lungs yearn to mate and evolve in the jellylike sea.


We will never stop evolving.

The jellyfish are going to kick your ass, God

with their universal love that stings.

Poetry from Slava Konoval

By order of the commissar

The war with Russia

has been going on for almost 10 years,

there are battles big and small

the land suffers from raids,

the hands of bloody deeds –

those cursed Muscovites.


The Ukrainians fight for their land,

their serving in an army style,

on the graves flags and various flowers,

nothing will awaken patriotism in the gray mass.
 

War as a sacred duty,

everyone will pick up a machine gun,

once by order of the commissioner

the Military Commissariat will call all to the front.
 

Lightning courted Grom

Faded, tarnished, blackened,

where the sun parted from the sky

thunderstruck and it brightened,

and the wind follows the steppe.
 

Demonstrating the power of muscles Thunder,

he noticed the female gender,

hit the neighbor's house,

the owner goes to patch the antenna.
 

Blue-haired Lightning laughs,

attract’s Thunder by eyes,

Grom’s heart is beating wildly

kisses are not wasted in a coma.
 

Thunder approaches the Lightning,

he doesn't know how to start a conversation

he doubts his strength, love is life,

and words are half of it.
 

Taking the king forward with his feet

Taking the king forward with his feet

the boyars wanted to do this the last time,

military headquarters in Rostov

met with the first ray.


Among the rebels, in Panama hat

the Bald Leader drags his feet,

collection of prison customs

he has a reliable rear.


The Bald called after him and to the weapons,

looters, prisoners, murderers,

thousands of rapists, folk bloodsuckers.

 
Columns of criminality army

were went to Voronezh

Roshvardiski's defense units

crushed and demolished.


The Wagnerites shot down 8 birds on the road,

set fire to the oil depot and trucks,

Prigozhin longs for Moscow,

using the weapon of the Ptura’s air systems.
 

The «descendant of Pugachev»

was walking, taking the capital Moscow,

he lacked courage,

the Leader of the rebels should tell the truth

to himself and to people

Vyacheslav Konoval is a Ukrainian poet whose work is devoted to the most pressing social problems of our time, such as poverty, ecology, relations between the people and the government, and war.

His poems have appeared in many magazines, including Anarchy Anthology Archive, International Poetry Anthology, Literary Waves Publishing, Sparks of Kaliopa, Reach of the Song 2022, Diogenes for Culture Journal, «Scars of my heart from the war», «Poetry for Ukraine», «Rhyming», «La page Blanche», «Impacted», «Military Review», «The Lit», «Allegro», «Innisfree poetry journal», «Antunes Galaxy Poetry», «Ekscentrika», «Mere Inkling», «EgoPhobia», «Fulcrum», «Omnibus», «Lothlorien Poetry Journal», Revista Literaria «Taller Igitur», «Tarot Poetry Journal», «Tiny Seed Literature Journal», «Best American Poetry Blog», «Quilled Ink Review», «Chronograph Poetry Journal», the Appalachian Journal «Dark Horse», «Agape», «Mascara Literary Review», «Gray Sparrow», «ArLJo», «Ekstasis», «The Bloom Litarery Journal», «Novus Litarery Journal», «Lyrical Somerville», «Charleston Poets», «Briefly Zine», «Varied Spirit», «Taos Poetry Journal», «The Skinny Poetry Journal», «Academy of the Heart and Mind» Journal, «ARIEL CHART» International Literary Journal, «Poesia Ultracontemporanea», «New Ulster 124», «Revista Cronopio», «Gotic Nature», «WordCityLit», «TSaunders Pubs», «London Grip New Poetry», «Mill Valley Literary Review», «Zeitglass»,  «The Coin»,  «Coal Literary Journal», Orenaug Mountain Poetry Journal. 

Vyacheslav’s poems were translated into Spanish, French, Scottish, Italian, and Polish languages.

His poems also have been read at meetings of various poetry groups, including Newman Poetry Group, Never Talk Innocence, Voicing Art Poetry Reading for Ukraine, Worcester County Poetry, Brussels Writer’s Circle, and Poets Anonymous May Middle-Met, Brett Show by Andrea, the Manx Bard group, Allinghman Art Festival, Versopolis Poetry Expo 2023, poetry readings «Poetry of Struggle and Solidarity», «Poetic Voices», Coal Literary Journal’s Eve, presentation at Albert van Abbehuis Fling. 

Vyacheslav’s poems were presented at War Art Project.

He is a member of the Federation of Scottish Writers.

Poetry from Lilian Dipasupil Kunimasa

Older light skinned Filipina woman with brown hair and earrings and a necklace and a floral blouse. She's standing in front of a refrigerator.
Lilian Dipasupil Kunimasa

Upon My Journey

Let not my silent steps resonate

With the sounds that strikes make

Upon the huge cold metal bell

That mourns the loneliness of hell

Let not crisp paper bills abound

In red envelope with gold seal round

For the greed of thieves shall hound

My shell before it joins the ground

Let not the flickers of candlelight

Illuminate my farewell so bright

Lies and deceits hide my plight

Incantations that blind with fright

Upon my journey secretly depart

Shed no tears as my soul will start

Travel beyond, our path trails apart

Born alone, I leave you my heart.

Time is Irrelevant

To bloom after the sun has risen

To wither before the sun can set

A glory that never even have seen

The beauty of sunrise nor sunset

So little time for flower to have fame

Time is irrelevant, worth is the same.

Lilian Dipasupil Kunimasa was born January 14, 1965, in Manila Philippines. She has worked as a retired Language Instructor, interpreter, caregiver, secretary, product promotion employee, and private therapeutic masseur. Her works have been published as poems and short story anthologies in several language translations for e-magazines, monthly magazines, and books; poems for cause anthologies in a Zimbabwean newspaper; a feature article in a Philippine newspaper; and had her works posted on different poetry web and blog sites.

She has been writing poems since childhood but started on Facebook only in 2014. For her, Poetry is life and life is poetry. Lilian Kunimasa considers herself a student/teacher with the duty to learn, inspire, guide, and motivate others to contribute to changing what is seen as normal into a better world than when she steps into it. She has always considered life as an endless journey, searching for new goals, and challenges and how she can in small ways make a difference in every path she takes. She sees humanity as one family where each one must support the other and considers herself as a voice for Truth in pursuit of Equality and proper Stewardship of nature despite the hindrances of distorted information and traditions.

Poetry from Duane Vorhees

THIS STREET

This warm wide street

murders the infant ice.

It carries benefit and debt

from Perdition to Paradise.

It’s walked by gamblers and planners,

sharers of a barrel

or a quarrel.

Perceived to be staid

by beseechers and besiegers

looking for worship or a war,

by flatterers, benefactors,

prophets, and the perfidious–

it’s radical and erratic,

as wild as a wave.

PHASES

1

The horned owl would hunt at night.

I watched it from an egg,

blinked

and couldn’t find its flight.

Worried that it went extinct,

unable to sleep, I mourned

until I found, faint, its horns.

2

Fishes glimmer in the nets

spread across the deep.

Trapped, they surrender to death

in their cold, dark, and cramped keep.

But, oh! What schools they inspired;

when stars spawned, no one higher.

3

The orange on the sky tree

is burnished like polished brass

trumpeting Eternity’s

emergence from a dark past.

How sweetly that orange glows

all today and tomorrow.

ROSES OR LOTUS, LINE AND POLE

My self lives with several selves

that confront, ignore, cooperate.

Sometimes the Army of Roses quelled

rivals with promises of passion.

The Lotus Ashram would dominate

through its acceptance of inaction.

Or I’d be the weathered bosun’s mate

on discovery from Line to Pole.

I oscillated from soul to soul.

I joined that Army but deserted

when I learned passion had gone awol.

Alas, when romance eluded me

I tried the Ashram to forget it.

I got to Bali and Moosonee

but then got strapped to mast, unshirted.

Now content, selves meld with line and pole.

BESTIALITY

White teeth

I mourn–

they’re shorn

like sheep–

and bones

grown limp

like shrimp

and prawns.

My thumb,

adrift,

a skiff

of chum;

my tongue,

threatened

vegan

dugong.

The knees

wobble

and stall

like bees,

and toes

crackle,

rattle

like crows.

The heart

quivers,

shivers–

tense hart.

A MAN’S MOTIVATION, EXCUSE, AND RULE

An idea, an acre,

an ounce, an inch of skin–

a man’s motivation

for mayhem may be quite thin.

By fiat, by fire, by fist,

by bullet, or by blade–

a man’s excuse and rule

can be tradition or trade,

opportunity or lust,

inspiration, or luck.

A try will lose, will triumph

through cowardice, through pluck.

Poetry from Mark Murphy

Reality from Imagination

No more waiting for the apple to fall,
though the branches bend low 

to the ground, as if ready to yield 
to wind and gravity. 

No forward motion in the suspension 
of disbelief. Only retreat

into defeat after defeat.


Weathers 

i

This is the weather the crocodile adores
When the tropic sun bakes
the midday mud
And two million termites dislodge two tons of sod

ii

This is the weather the wildebeest abhors
When the tropic sun scorches
the savannah crossing
And lioness and cobra hold court in the curly leaf
and weeping love grass

iii

This is the weather the crocodile adores 
When the tropic sun bakes 
the midday mud
And two million poets surrender two million hearts 

Open the door to the autumn gales.
Above average temperatures.
Precipitation anomalies.
Dry fuel moisture alignments. 
Wild fires scorching the High Sierra. 
Sacramento. San Jose. Salinos.

Open the door to the brown and cream
Laguna Mountains skipper
(whose mottled wings have not been seen
these twenty years past)
near the mountain that carries its name.

Open the door to philosophy.
Poetry. Descriptions of the natural world. 
Aesthetisation. Politicisation.
Pesticide poisoning. Loss of habitat. 

Open the door to the scholiast 
underlining Pound’s personification 
of Jefferson e Mussolini, 
in the latticed shelves of Langson Library.

Open the door to anaesthetisation. 
Patronage. Personal interest. 
War. Perhaps then, we might see,
how nature ends in art, and art in nature.

As the age of digital reproduction
redacts both. Accelerating towards the sale
of the century.


After the Dreaming

Did the Gundungurra people see
the coming of the British colonialists into their world, 
the chicken pox, small pox, 
influenza and measles, or were they taken 
by surprise as they fled for their lives? 
 
Did the Dharawal people see 
the events of the Appin Massacre
where men, women and children were forced 
by armed men on horseback 
over the cliffs to their deaths at Cataract Gorge?

And what of the other massacres
veiled in secrecy, 
the Black War in Van Diemen's Land,
the Waterloo Creek Massacre,
and 'the war of extirpation' at Gwydir River?

Should we, if we could, still mention the cultural war
against our distant cousins, 
the bloody history of dispersal 
and dispossession, 
the ongoing exploitation and maltreatment, 

every European massacre and genocide?
Should we don the black arm-band
and cry into our cups 
at the back of the lecture theatre, 
or, might we join ourselves to the disquisition

and call it like it is: The Great Australian Silence?


Dead Dog Paradox

Was the dead dog man's best friend?

Did the dog deserve to be set on fire?
Did the dog deserve to be beaten with an iron bar?
Did the dog deserve to be hanged in the street?

Who set the trap to cut the dog in half?
What was the dog’s name?
Why was the dog skinned alive?

Had the dog played ball in the park?
Had the dog gone AWOL ?
Had the dog run amok in the town square?

Who threw the first stone?
Who wielded the knife?
Who shouted the orders?

Was the dead dog man’s best friend?

Mark A. Murphy has published poems in 18 countries.  When he isn’t writing, he spends his time editing online poetry journal, POETiCA REViEW www.poeticareview.co.uk

Poetry from Aklima Ankhi

Light skinned woman in a tan headscarf with lace and jewelry and a pink top. She's standing out under some trees.
Aklima Ankhi

The Quilt of Clay

(Dedicated to my parents) 

Believe me, Earth

I have come here only to love you.

Sit down on the cooling mate of confidence. 

I fan you slowly for calm down.

Broken nose by the kick has the power of moving air.

Great soul beat is in the ribs.

Piercing thorn on legs can walk shedding blood.

Although  eyes acts blindly has a little eyesight.

There is no distaste in outspoken tongue. 

Earth, how much reassurance of competency

you need to love you!

Believe me earth, I have come here to love you only.

Illiterate wood craftsman who is irresistible lover from whom has taken the first lesson of love.

His beloved has taken knit stitch artistic flower of love with her generous skillful hands.

Earth, believe me or not

In my life lessons, have learned to love you.


Aklima Ankhi, poet, storyteller and translator from Cox’sbazar, Bangladesh. Born in Mymensingh, Bangladesh. She has a published collection of poetry named “Guptokothar Shobdochabi” written in Bangla. She is a postgraduate in English Literature. As a profession, she is a Lecturer in English.