Family Tree
This time of year I envy the treeless families
Their empty yards, dying and dead grass
Waiting for the winter coming on and
Spring not far behind
But us tree families spend our time trying
To clean up after our family tree
Our ancestry, its ancestry on display
So there we are, rake in hand
Piling up the debris left behind by just being
Being there
My family tree with its high branches
We like to look up to, and
Some low branches, so low I need to
Bend almost in half to get by
And then there’s that part we’ve cut away
Over the years, a regular bald spot looming
Larger and larger
Something I’ve inherited, like trembling hands
And these malformed feet
This time of year, walking backward raking up
Conjuring up connections to this
Mysterious ancestry, piles of leaves
So much to clean up
That
I envy treeless families.
Leafmeal Lie
At 10:06 this morning a leaf fell from the maple
Out front. Saw it from the couch, looking out
The storm door. It fell, it floated down ending
Its season, its cycle on the ground under its tree.
It must have started like the others, a bud-like
Growth, the kind squirrels will eat in the Spring,
But it survived, grew, felt all the Summer heat
And the drought, the wind, the heavy downpours
And then this Fall weather, the chill, the falling
Away of its many companions. Then at 10:06
This morning it ended its cycle, its seasons, it fell
Floated to the ground to await its fate. Perhaps
It will be the mower turning it to mulch with
The rest, or maybe it will blow up the street, mix
With other leaves, get raked, get bagged, get
Carried off and composted miles from here, miles
Away from its tree. Or it could just blend in, lie
Flat, avoid all of my attempts to get rid of it, and
Then lie flat as it gets colder, begins to snow, and
Spends the Winter wet, frozen under the snow
Till Spring returns – and I’ll be sitting here on this
Couch looking out the screen door, waiting for
Something else as momentous to happen.
Cramped
No need for an alarm anymore
Or any of the other sounds that
Used to wake me: the sound of
My sons getting ready for school
Or my wife crashing away, trying
To fix our world before heading
Off to fix the world of her work.
No I don’t need any of those any-
More, this morning I woke up to
Leg cramps. My left shin, or was
It my right cramped into a pain
Strong enough to wake me, get
Me up hobbling around the room
Hoping to end it, to satisfy what-
Ever imbalance that set it off. It
Worked, I was up and the cramp
Toned down enough to walk on.
It was morning and I was up for
The day, without an alarm or any
Of the other distractions that played
That role. Online they say that my
Cramps are common for aging adults
And athletes. Never was an athlete
So I fall into that fifty percent of sixty
Plus year-olds who suffer these cramps.
It’s good to know I fit into the statistics
With about half of my group. I’d like to
Picture a chart somewhere, some med
School showing the percent and perhaps
A diagram of an aging cramped shin
Waking an aging adult instead of his clock.
Hotel Eternity by Rus Khomutoff
Hotel Eternity TO EXIST BETWEEN ETERNITIES WILD NOTHING LIKE THE EYES OF THE SKY AXIS INFINITY DICTIONARY OF OBSCURE BLISS COME FORWARD WITH YOUR VISCERA AND VIOLENCE AND SHARE MY WINGS UNLEASH YOUR SPIRIT BENEATH THE RAMJET ALLEGRO TEMPLE OF THE NIGHT SKY A NEED FOR MIRRORS AND COUNTLESS SKIES SHAKE YOUR INFINESSENCE SLOT CANYON HIGHBREATH NARCOTIC ERUPTIONS CLOUD NOTHINGS EXOTIC PULSE A NAME BEYOND DESIRE SEMAPHORE SIN PLAY AT YOUR OWN RISK TALKING TWILIGHT INTO A SPHERE OF YOUTHFUL SYMPATHY RIDES THE THIEF OF YOUTH THIN AIR ADDICTIONS MELANCHOLY BODY SACRILEGE TATTOO HIGHWAY INSOMNIA PUNK TEENAGE BLOOD REPETITION OF A THOUSAND HUNGRY EYES SOMETIMES WE ARE ALL ETERNAL IN THE CONSTELLATION OF MIDNIGHT MOSAIC FACTION MY GREEN UNQUEEN GALLERY CRUSH HYPERRITUAL AUTUMN CRY OPULENCE LIKE A TRIANGLE AND A DUEL SOME TALK TO MEN WHILE OTHERS TALK TO GODS DANCE IT VISCIOUS RIDDLE OF THE SANDS CHAMELEON CHARADE STAR CODE CHALICE ASK THE DESERT ORACLE THESE POISON DECLARATIONS THE REAL UNREAL CONVERSATIONS WITH A NEW REALITY NATURE’S SYMPHONY DRAFT INTOXICATION
Poetry from J.D. Nelson
spinach lego the sheep rock was a milo the salt of the feather that dart is a broth of the coin the true eye of the ironing head the shamrock shoe monster the walter koenig of the island the wheel of the montgomery is the clue the rainbow of the motel meal the wolf warns us of the war a nike of the world is the camel of the brain if this is the green rope in the dollar book of the charmed breakfast the healing episode of the martian letters the corner of saturn’s face the nine of the winter the sun tree of a while ago the clean motel of the raisins the apple of the white squall I’m gargling with pennies cape sanka (the tattle is the bough) in the moon morning thru the window, parmesan a real rain garden is the color of the music I wiggle my toes in the magic sauce when I do nothing to stop that apple of the iron a toad is the now the ankh of the heart of the salmon that hum is the name of the grumble scopey toe, a rowe a glimpse of the sugar bowl the pollen of peculiar pointing this is the shield of the shamrock ceres is my name I plug the draft of the wig I eat the honey of dawn I was standing, understanding that planet is the pear of the game the known world is the suffering noun to learn of the nothing the science is the nearness google a number bio/graf J. D. Nelson (b. 1971) experiments with words in his subterranean laboratory. His poetry has appeared in many small press publications, worldwide, since 2002. He is the author of several collections of poetry, including Cinderella City (The Red Ceilings Press, 2012). His poem, “to mask a little bird” was nominated for Best of the Net in 2021. Visit http://MadVerse.com for more information and links to his published work. Nelson lives in Colorado.
Poetry from Stephen Jarrell Williams
The Water Tower Trilogy Nightfall Outside of town perched on a hill Past the reach of the highway And the sounds of the neighborhood Sliver of moon not enough for light Strange the fence surrounding the water tower Gate left unlocked by the watchman You were no longer shy that summer Since you had met that guy from LA He was just passing through our little town The steel ladder had chips of paint hanging loose A high and narrow climb You leading the way like you had been up there before You had promised me another sexual adventure You were becoming more and more of an exhibitionist Surprising me as to how far you would go You had changed me from a boy into a nomad Those nights we snuck out from our parents Somehow I knew this would be the climax The last night before you would leave You stood on top of the water tower roof A slight rise to its metal dome I crawled up to you and marveled at your daring You slowly stripped gazing down at the town lights And me on my knees. Dust Town I’m still here All my friends gone Faraway cities consumed them None ever coming back Not a letter or phone call Those foreign cemeteries full The night always calling me out Long treks into the desert Whispering wind uplifting Over a town with a population of zero. Dream Fulfilling No solitude in Heaven All forgiven Millions of souls Freedom of flight Finally awakening On top of the water tower’s call The height a mere step off. Teaser She’s a quiet teaser Addicted to her cause and effect In control of every move Long lost in epic delusions Practiced sashays and stance Picture-framed Body brazen Captivating nude Collecting shadows For self obliteration Scream sigh Cry spit Strip cover Smile wink Unbound energy Surrender fake I find myself loving her With all that she is A madness to squeeze her Into the She Beast she craves to be And maybe then She’ll be free. Guitar Man Guitar man strumming the strings On his corner sidewalk Cars passing with cheering honks Everyone bobbing in their spots A few dollars given Into his open guitar case His notes still dancing in his head In the middle of the night Beneath a scan of stars His bed cradled nightly In a trash dumpster.
Poetry from Alan Catlin
381- More than 100 people queue at a gas station for a chance to see, sniff, a blooming corpse flower. So says Harper’s Weekly News roundup. Literally smells like death. A San Francisco treat. Following The corpse on social media. Over 1,200 scenters in all. Not a scene From a David Lynch movie. A Field of Dreams. Cultivate it and they will come. 382- The tyranny of the corpse. George Romero or Claire Thomas. The corpse as content. As a consumer product. The consuming corpse. All consuming corpse. The Exquisite Corpse. The Peace Corpse. Dead Kennedys. 383- “Who was shot, who was imprisoned, who escaped” Colm Toibin said. Now introducing Natalie Ginzburg. Yesterday, Today, and Tomorrow. Sophia Loren movie or current events. Book. Fascists in Italy. Germany. Here a fascist, there a fascist, everywhere a fascist. Ezra Pound on the radio or in St. Elizabeth’s. Voices in the Wilderness or Voices in the Evening. 387- Hunker down for medium night. The message is still the. Massage. Psychic readings 50 bucks. A session. Rise the Dark or Never Far Away. 20 dollars. 20 minutes of healing Crystals. For all Those Who Wish Me Dead. On Mediumship Way and Spiritualist Street. Not at Terror Street And Agony Way. Nearby. Ask for Raven Star. Mystic Witch. Not in Connecticut. Florida. Naturally. 388- Paying last respects. For the deceased. During pandemic. Death Zoom casts. Supply your own sound track. Patsy Cline. “Sweet Dreams.” “Leavin’ On Your Mind.” “Back in Baby’s Arms.” “Don’t tell anyone, because if we tell People, then it will become true.” Chimamanda Ngozi Adichie. Notes on Grief. Patsy Cline. “I Fall to Pieces.”
Poetry from Starlie Tugade
derailed she was at a train station with no direction in mind. the world spun on behind her, people talking on business calls, yelling at kids to “keep up!” it was his fault she was here, adrift in a world where being tethered to inanimate objects was key. she wondered how hard it would be to dash across the train tracks and avoid being caught. it was the type of thought he would have. he had been damaged for a long time. his childish snowflake edges now sharpened into knives, unwittingly ready to cut anyone who came near. his flowered heart once blooming and joyful, now a ninja star, incapable of being cradled by smooth hands. he had spent many hours looking at the moon. or glaring at it. she didn’t know. but his silhouette hunched on the deck and bathed in white light was a secret for only her. his fingers were always calloused now, ridges from guitar strings pressed into them. permanently. she secretly hoped she could hear him in the night. sorrowful tunes made by someone who knew what he was doing even if he never showed it. the wrinkles behind his eyes faded long before she realized he never smiled anymore. they were on separate trains heading in opposite directions and the most she could do was press up against the window and love him while it lasted.
Poetry from David L. O’Nan
Nashville Shakespeare From his tongue he spoke like Waylon The bard of the Cumberland River His journey from Macbeth to the Grand Ole Opry In the Ryman he battered us with sonnets. A long dream. In the dead of night He wore the cloak of tragedy While the Honky Tonk boys erupted in laughter As he tripped over the cowboy boots scooting on the dancefloor. Then all the romances in the world, Within every glittering star in the sky Violated the Romeo and Juliet pact. And watched him cough through his fumes of sighs. All the women he used to fancy Are chasing the broncos at the rodeo. Everyone is drunk on whiskey and moonshine Less on wine and Absinthe with wormwood. In the mirrors he believed to see the future. With a skull in his hand feeling axiomatic An original intellectual filled up with the Viper’s spit. Surrounded by tornados and outlaws in a sun wrought sky. There is a banging, clash against the church glass windows The art painted by the halos of exotic angels The cholera will hit the streets and the cowardly all say goodnight. In the buzzing city, the homeless and the golden dances become one. The light returns in a gleam as the alert hits Broadway The pounding of hail and glass molding hits like hammers Playwrights always preferred a bubonic ending. The Kings were noble and didn’t know the calls to country animals.
Bio: David L O’Nan (he/him) is the founder of Fevers of the Mind Poetry & Art, A writer, editor for nearly 20 years. He has pieces found in Icefloe Press, Anti-Heroin Chic, Ghost City Review, Royal Rose Magazine, Rhythm & Bones Press Lit, Cajun Mutt Press, Lothlorien Poetry Journal, Nymphs Publishing, Spillwords among others. His website for publishing older work & others work is found at www.feversofthemind.com He is from the Midwest . Kentucky/Indiana area.