Essay from Meg Freer

Finding Traces of Stalin

A potentially friendly cab driver suddenly turned silent when I showed him the address: 7 Kaspi St. He drove to the neighborhood, gestured brusquely down the street, and left. My companion and I had trouble determining if we were even on the right street, as street names are sometimes printed on the sides of buildings in Cyrillic or on hard-to-find street signs. We asked directions of several people, including a neighborhood delivery truck driver, but everyone shrugged and appeared not to know the place.


Fifty kilometres from Tbilisi, Republic of Georgia, is Gori, a picturesque city at the
confluence of rivers, surrounded by mountains. Gori’s claim to fame is that Joseph Stalin was born and went to school here. Many people don’t realize that Josef Vissarionovich Djugashvili (იოსებ ბესარიონის ძე ჯუღაშვილი in Georgian), otherwise known as Josef Stalin, was born in Georgia and began revolutionary activities here after abandoning theological studies. Ironically, Stalin enjoyed neither the process of remembering his childhood nor coming back to visit Gori in later years. Busloads of summer tourists visit, though. Although Georgians, understandably, have an uneasy tolerance of Stalin’s fame, the desire to preserve his memory is strong here.

At the centre of town: Stalin Square, Stalin Avenue, the Stalin Museum and a huge poster of his head dominating the upstairs window of a storefront.

Past the peddler selling Stalin novelties on the museum grounds are two interesting things.

One is Stalin’s personal, armored railroad carriage, unrestored, complete with Venetian glass mirrors, carved wooden furniture, a bathtub and toilet, and an office with a phone, table and sofa.

The other is his family’s original house, with intricate woodwork, where Stalin was born into a shoemaker’s family and lived until age four. The family lived above the ground-floor cobbler’s shop. It is now protected by a columned structure with golden yellow stained glass in the roof accented by a hammer-and-sickle design in the corners.

Stalin Family Home, Stalin Museum, Gori

The truly fascinating artifacts are not in Gori, however, but back in Tbilisi. Stalin’s samizdat (underground) printing press is literally underground, 15 metres beneath an old house in the Avlabari district of Tbilisi, a somewhat decrepit neighborhood of bleak apartment blocks and car repair garages.

No. 7 Kaspi St. is now an unofficial museum of early Communism. A few of us attending the 2017 Summer Literary Seminars in Tbilisi agreed to meet at this house one morning. We all got lost on the dusty streets before finally finding each other and the house, whose iron door has a hammer and sickle on it, and were treated to a full tour by none other than the 78 yearold chairman of the Georgian Communist Party, Zhiuli Sikhmashvili.

Energetic and lively, he was happy to show us around the donation-funded museum and talk to us in broken English. Luckily, three people from Poland who spoke both Russian and English showed up soon after we did and were able to translate Sikhmashvili’s Russian so that we got a much more informative tour than we would have otherwise.

The office, crowded with memorabilia and books, had a desk with a pale yellow rotary phone balanced on a stack of papers.

Portraits of revolutionaries working at the printing press, newspapers such as Pravda with Lenin on the front cover, flags, photos and documents occupied several rooms.

In the yard is a replica of the house Stalin was born in, its rooms reconstructed with original furnishings, including a small platen press for handbills and small posters.

But the main purpose and focus of this site is the existence of the large, underground printing press. Between 1903 and 1906 thousands of flyers, pamphlets and newspapers were printed at this location, in Russian, Georgian, Azeri and Armenian.

A large printing press made in Germany in 1893 had been imported from Baku, then
disassembled and its parts lowered fifteen metres down a well shaft hidden by a small shed in the yard. At the bottom, a side tunnel of about four metres was dug to connect to another shaft with a ladder up to the underground cellar where the printing press would be. There, the press was reassembled. Not a job for those with claustrophobia!

The house had to look “normal”, so two women lived on the first floor and kept a few chickens in the yard. In case of potential danger, a hidden electric alarm bell would alert those underground. The young Bolsheviks worked in shifts, sending completed material in a bucket up the shaft to the house. Flyers would be hidden in street sellers’ carts, taken to the railway station, and from there would travel to the Caucasus region and beyond.

Down a rusty spiral staircase (constructed for the museum) is a dank cellar lit only by a few lightbulbs, making photography tricky. The press itself is quite rusted, because the cellar flooded a few years ago. The bucket, rope and ladder are still there in their shafts.

Visitors have left coins on the flat surfaces of the press. Leaving coins there seems more like a show of respect for historical objects than the equivalent of tossing a coin into a fountain. In 1906 the police raided the house, but in 1937 Stalin and Beria—the brutal Georgian chief of the USSR Secret Police—reopened the house as a museum. An official, government-funded museum until 2012, it apparently also contains the offices of the current Georgian Communist Party. The day we visited, other people were just sitting outside, reading or writing.

We were careful to remain neutral in our comments so as not to offend our host, while
managing to convey appreciation for the history displayed there. We left a donation in thanks for receiving a history lesson and a tour of Communism seen through Georgian eyes.

Poetry from Jack Galmitz

A Cheap Trick

A cheap trick is something like this:

when I lived with my brother and our parents
sometimes I took a shoe or sneaker
and balanced it between the door and its frame
so there was an open gap to the vestibule.
(You can only do this occasionally. If you do it 
too often it simply won't do.)
I then called out to my father to hurry and come quick
he had to see this; and when we saw him at the open space
we held our breath and he never even looked in he just pushed the door and the shoe dropped on his head.
My brother always was in stitches after this
and my father well
he was bitter but didn't speak of it.
Just so you don't think I'm a creep or something
I want you to know that my father was very serious:
he never once, not ever, told either of us a joke.

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The Right Stuff Redux

we were in the court
on the uncut grass
playing ball 
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Poetry from Hongri Yuan, translated from Mandarin to English by Yuanbing Zhang

Middle aged Chinese man in a tan jacket and black pants and a scarf standing on a city sidewalk in front of some trees and a tall red sculpture
Poet Hongri Yuan
Four Poems
By Chinese Poet Yuan Hongri
Translated by Yuanbing Zhang
 
Give You A Bottle of Nectar From The Kingdom of Heaven
 

Give you a bottle of nectar from the kingdom of heaven
Let your flowers of soul blossom
Let your bones be white and transparent
Let you bathe in music of the kingdom of heaven
There will be no more earthly night
Let you forget that fragrance of soul
That's in your home of soul
That giant's yourself that are sweet and free.


The strings of heavenly gems
Embedded on your golden crown
You are the giant's king from the of the Kingdom of Gold
Your land is vaster than billions of seas.
3.6.2019
 
赠你一瓶天国的琼浆
一
赠你一瓶天国的琼浆
让你的灵魂之花绽放
让你的骨骼洁白透明
让你沐浴那天国的乐曲
再也没有尘世的黑夜
让你遗忘那灵魂的芬芳
那在你的灵魂的家园
那甜蜜自在的巨人的自己
二
这一串串天国的宝石
镶嵌在你的金冠之上
你是那黄金之国巨人的王
你的国土巨大胜过亿万座海洋
2019.3.6
 
Our Souls are Free and Magical
 
Our souls are free and magical
Which can reach many heavens without wings
Every Kingdom of Heaven has sweet memories
Oh, where there's no the word of death
To protect your childhood sun
The teenager's starry sky is light from the Kingdom of Heaven
And in the deep of your bones
old gods are smilling at you
Their words are music from the Kingdom of Heaven
3.6.2019
 
我们的灵魂自由而神奇
 
我们的灵魂自由而神奇
不需要翅翼而能抵达诸多的天国
每一座天国都有甜蜜的记忆
哦 在那儿没有死亡这个词语
保护好你的童年的太阳
那少年的星空是天国的光芒
而在你的骨骼深处 古老的
诸神向你微笑
他们的话语是天国的乐曲
2019.3.6

The Stars of The Dawn
 
When the sky gallops like the rivers
you stand in the street of the city on the world
look up at the sky and you could almost hear the singing of the stars
summoning you in the depths of space.
And the Heavens of the gods
are towering lofty cities like the mountains
on gold coast of time;
And on the mammoth ship of platinum
the rings of light twine around giant's necks of men and women
 their eyes are like the stars of the dawn.
2016.4.28
 
黎明的辰星
 
当天空疾驰如江河
你站在人间之城的街道
向天仰望 仿佛听到群星的歌声
在太空的深处向你召唤
而诸神的天国
在时光的黄金海岸
矗立山岳般的巍峨之城
而白金的巨轮之上
巨人的男女 项佩光环
眼眸如黎明的辰星
2016.4.28
 
Only the Eternity is Equal to It
 
I am a singer from the heavens
my song is silent, only the soul can hear it.
Those ancient gods are the mountains behind me,
they gave me the flowers of millennium from paradise,
let my song mellow and sweet as the smile of the heavens;
let the face of time blush and lift the veil of death;
let the ancient earth reveal the true face of gold.
Oh, you'll see another you,
as old as the sun, as young as the dawn
his kingdom is huge and only the eternity is equal to it.
4.04.2015
 
唯有永恒与之齐名
 
我是一位来自天堂的歌者
我的歌曲无声 唯有灵魂听见
那些古老的诸神 是我身后的山岳
他们赠我千年的仙果
让我的歌声芳醇 甘美如天国的笑容
让时光的脸儿羞红 掀去死亡的面纱
让古老的大地 露出黄金的真容
哦 你将看到另一个自己
古老如太阳 年轻如黎明
他的王国之巨大唯有永恒与之齐名
2015.4.4
-
Bio 
Yuan Hongri (born 1962) is a renowned Chinese mystic, poet, and philosopher. His work has been published in the UK, USA, India, New Zealand, Canada, and Nigeria; his poems have appeared in Poet's Espresso Review, Orbis, Tipton Poetry Journal, Harbinger Asylum, The Stray Branch, Acumen, Pinyon Review, Taj Mahal Review, Madswirl, Shot Glass Journal, Amethyst Review, The Poetry Village, and other e-zines, anthologies, and journals. His best known works are Platinum City and Golden Giant. His works explore themes of prehistoric and future civilization.

Yuanbing Zhang (b. 1974), is Mr. Yuan Honrgi's  assistant and translator. He is a Chinese poet and translator, works in a Middle School, Yanzhou District , Jining City, Shandong Province, China. He can be contacted through his email- 3112362909@qq.com.
Yuanbing Zhang

Essay from Zara Miller, author of the YA novel I Am Cecilia

HERO VS. VILLAINS

“Honestly, the closest I can think of them, as well made as they are, with actors doing the best they can under the circumstances, is theme parks. It isn’t the cinema of human beings trying to convey emotional, psychological experiences to another human being.”

So, Martin Scorcese compares Marvel movies to theme parks. And honestly, what a mood.

True, this isn´t exactly the newsworthy material, Ricky Gervais discussed Scorcese´s top-notch diss of superhero culture movies during his monologue at the 2020 Golden Globe Awards.

But it recently popped up in my recommended videos because the Youtube algorithm works in mysterious ways and got to thinking – is it just about shallow screenwriting and the allure of cheap CGI action, the mindless fun?

And I realized that the problem of Marvel storytelling runs even deeper than the genius director conveyed to us out loud – that it heavily influenced the type of novels we get to read – and it´s not exactly Marvel´s fault … Not entirely.

ONE-DIMENSIONAL CHARACTERS

One-dimensional characters or flat characters do not change or grow from the start of the story to the end. Their purpose is to highlight the main character, to be a plot device, or a tool, and they typically are simpletons with a one point of view on life – they only see one dimension – hence one-dimensional characters, hold a simple and small perspective about life or the situation in the story. Their character is often used as a literary device to keep the narrative moving – many times when the script has written itself into a corner, or the writer has run out of effective ways to move the plot forward.

Now, Marvel, from the three-hundred and seventy-two movies total from which I´ve seen eighteen, does not suffer from one-dimensional characters on the hero side of the story. All the good guys go through trauma, they learn, they grow, they develop new opinions (ehm-ehm- some of them).

Marvel has been criticized for sucking at writing an effective villain but the problem is not the villains, the problem is the root of the Marvel storytelling – the good guys are good and the bad guys are bad.

One would think that they would take their own advice and write all the villains the way Loki is written – which is the reason (not the only one, yeah, Tom Hiddleston is awesome and all that) why audiences flock to him so much. He has a strong motivation, he´s smart and his character is a rainbow of personalities – just like a regular human being, which makes him likable and most importantly, relatable.

But Marvel is not the inventor of one-dimensional characters.

William Shakespeare is.

Benvolio from Romeo and Juliet, Gertrude from Hamlet, Shylock from The Merchant of Venice very effective plot devices with one stubborn character feature that poses an obstacle to the protagonist.

However, Shakespeare didn´t have Hollywood studios behind him to balance out the lack of personalities in his stories with raging beam in the sky and generic CGI armies. To give a complete experience to audiences, he had to support the narrative by creating strong protagonists, interesting antagonists, and villains with complex personalities (Lady Macbeth, Hamlet, Portia). And when you do that, your story not only allows for the one-dimensional character to make sense, it makes it even more immersive and realistic – because we all know that one blank person who is just sort of … there. Existing, with one opinion on all the debatable, morally grey, complicated stuff we deal with in life.

And that´s why people will never have such a raging allergy if a Marvel movie turns out bad and will keep watching them and paying for the next one and the next one and the next one.

Low stakes, low damage.

Now compare that to a show heavily driven by character development where there are no villains and heroes like the Game of Thrones. 

Feel like re-watching it? No? Me neither. And no one can blame us. That show became un-rewatchable due to replacing the complexity of the human heart with a hero vs. villain storytelling and adding some explosive Marvel-type action as the final lethal, cyanide-like icing on the cake. 

IN BOOKS

All the teenage apocalyptic series. Thank you for your time, good night.

….

I really didn´t want to get into this but there is no better example than the popular doomsday book series where children hunt each other in a world that no longer resembles a rational society. And they gave us all the subsequent movie franchises in which those very same teenagers are at least twenty-six years old, of course.

However, there is a silver lining on the horizon in a form of Shadow and Bone. I´ve never read the books but the popular fantasy book series The Grisha has been picked up by Netflix and the first book has been adapted in a form of a limited TV series.

And if the source material is as strong as the adaptation, we might just be plunging out of the lazy storytelling brought about by the likes of Twilight and 50 Shades of Grey.

DOES I AM CECILIA DO BETTER THAN THAT?

Cecilia used to think that being born to a small fortune, accompanied by chrysanthemums on the way from the hospital and surrounded by exploding fanfares of affection, would set her up for a never-ending life of lottery wins, parades without rain, and smooth slides on the slopes of adoration. She never realized how slippery that slope of adoration was. Maybe money was not the root of all evil. Family dysfunction was. 

An Excerpt from I am Cecilia by Zara Miller

As promised last time in the first article, I would reveal a little bit behind the story and the inspiration behind writing this YA novel.

The hero vs. villain in the Marvel movies is something that was always on my mind and tried to avoid during writing. Blurring the lines in the protagonist/antagonist/villain/anti-hero characterization. Not just because it´s a lot of fun but because it makes for a rich experience.

When you find yourself disliking the hero yet rooting for them anyway, or loving the villain yet understanding that they have to be stopped – the writer is probably doing it right.

I am Cecilia is now available on Amazon: https://www.amazon.com/I-am-Cecilia-Zara-Miller-ebook/dp/B094519D7T/ref

You can follow me on Instagram @zaramiller_author, or on LinkedIn under Zara Miller for more news and swoon-worthy fiction content. Looking forward to meeting you all!

Poetry from Chimezie Ihekuna

C- Caring is a good Character
R-Resilience is the path to actualizing Recognition
I- Information is Important
S-Sense speaks Sanity
T-Truth is Thorough
I-Initiating an idea is an innovative Inevitable
T-Teaching is Technical
I-Introduction makes understandable a subject Interest
N-Nature is the observed Norm
A-Appreciation encourages Accountability


D-Defining your purpose is a life Decision
E- Encouragement is also useful to Empowerment
P-Purpose leads to Profoundness
T-Training people is a part part advancement's Totality
U-Unity is Unbiased
L-Love Subtly resist the power of Lies
A-Availability is the engine room to Advancement.

Poetry from Jerry Durick

Pills

I ‘ve become a pile of pills

standing up here

waiting for my refills

I remember my grandmother

and her pills

they seemed endless to me

back then

“do you need your pills”

“did you take your pills”

they’d say and she’d obey

put them in her mouth with

a sip or two of water

her last days were like that and

I was too young to know what

that is like, couldn’t imagine

myself this old

passing my time waiting in line

for more pills for the pile of pills I have become.


Winners or Losers

Perhaps it’s a roll of the dice

Or a coin flip

Or one of those childhood games

Rock, paper, scissors,

But somehow, we end up winners

And/or losers.

It’s hard to tell where it comes from.

Perhaps it’s written in the stars

Or in the lines crisscrossing our palms

The Ouija Board or tarot cards.

Too often it seems like the luck of the draw

Some of us win, others lose.

I remember being given a book about

Andrew Carnegie to read.

Back then they thought that role models

Like that would move us along

Especially those of us who seemed to be moving

Off in the wrong direction.

Needless to say it didn’t work, but I still have

The book somewhere

Gathering dust in some pile of my lost projects

The millions I was going to make, the books

I was going to write, and all my inventions,

Inventions that never quite worked. All this must have been written in the stars.


Hiding Places

What happens when you lose

Your hiding places

And you must

After all these years

Move things, things you piled up

Put aside for another day

Sure you would need them

Use them

Two of this, two of that

Things you barely remember

Half empty, half full

Hiding away until now

And now you reach in

Reach over

Pull things out and try

To think of what you can do

There’s the rubbish of course

Or other places

New hiding places to set them aside

Again

Prizes you can accumulate against need

Against an uncertain future

Hiding places you won’t have to face

For years or

Maybe you’ll never have to do this

Again.


J. K. Durick is a retired writing teacher and online writing tutor. His recent poems have appeared in Literary Yard, Black Coffee Review, Literary Heist, Synchronized ChaosMadswirl, Journal of Expressive Writing and Highland Park Poetry.

Poetry from Sheila Henry

Blue Stain

Slavery was abolished in America almost 200 years ago
but the system refuses to relinquish a sad history
binding young black men as they remain prey
and are locked up in a system to perform free labor
blue mood cops the modern day crackers
the new age slave hunters to capture them.

They clip black wrists in handcuffs
the updated version of chains once
used to shackle down the slaves 
for transport on market days
now they fill prison cells to work for
masters whose guns are trained 
on their backs just in case they should run.

The traffic stop a gold mine to capture new blood
a broken taillight, a freshener on the rearview mirror
tinted windows will get a white male a ticket or warning
will get a black male maimed, killed or imprisoned
driving while black/brown the underlying crime.

I can hear their deceitful voices in my quiet mind
thirsty cops wanting to get their
fix of blood on their hands excited
to get their bragging rights and to pump
their chests ‘I got another nigger today’, they boast
laughing at their conquests.

Stop resisting they shout while punching
and kicking a responsive body to pain.
How can one not move receiving such an assault to
one’s body and with punches to one’s face and head?

What a bunch of evil men are Chauvin and his kind 
may their souls cry out from the heat that awaits them
when they meet their master—grateful for all the
blood they’ve collected for him through the merciless 
killings they performed on black livesafter all these years reminding us againthat unfortunately black lives just don’t matter. 
They say reform of tactics is needed for the bad seeds, 
but how about reforming the entire broken structure and adding
some empathy to go along with that please?

The cry “Black Lives Matter” not a threat to a nation
is actually a cry for respect, compassion, empathy
it’s to spotlight the cruelty and inequity
placed on a group of people seeking to overcome
the knee on their necks to get the same treatment
as everyone else.


Sheila’s writing style can best be categorized as Visual Poetry, blending emotion and vision into a poem or story of color. Her poems and short stories are featured at Spillwords Publications, Literary Yard,  Sweety Cat  Press Anthology, I, The Writer, and Youtube Poetica2 series, cafelitmagazine.uk and Clarendon House Publications  Anthology Poetica 2 and 3.