Vignette from Norman Olson
thoughts about art and Las Vegas August 2015
by: Norman J. Olson
I just got back last night from three days in Las Vegas… this is our last trip before Mary retires… and so, we wanted to do something cheap and easy… we had two free nights at the Orleans Hotel and so Sunday afternoon, we caught a flight to LAS from MSP… we got to Vegas about 7 p.m. and since cars were pretty cheap, we got a car for the trip… we stopped in the LAS terminal to book a room that I had found in our favorite downtown hotel, Main Street Station, for $67 that included a ten dollar buffet voucher…
I have written many times about how beautiful Main Street Station is to one like myself who enjoys the eclectic conglomeration of antiques and just plain old stuff, reassembled and repurposed to make this lovely building which is seriously, the most interesting, authentic and beautiful casino in Vegas… from the Victorian wrought iron and stained glass to the bronze boar on the bar (that was once a piece of public art in Nice, France) to the bronze doors from the old Royal Bank of Kuwait, this place is just plain a treat for the eyes… and the buffet is good… it is not gourmet, but then, neither am I, and the food is very good and plentiful with a most entertaining omelet maker named Manny… who jokes with the customers, calls everybody “movie star” and deftly flips the omelets ten feet in the air with his frying pan…
so, after the buffet on Monday morning, we decided to see how the other half live and drove over to Cesare’s Palace, still one of the more expensive and fancy places on the strip… frankly, the casino was not nearly as interesting to see as the one downtown at Main Street Station… and I had to laugh at the mixture of poorly rendered copies of Greek, Roman and Renaissance statues that they have scattered around to try and create the ambiance of Imperial Rome… or sort of a Disneyesque cartoon of Imperial Rome… we toured the casinos in that area and then for the afternoon went to the Orleans and checked in… it was a bit over 100 degrees Fahrenheit (38 degrees Celcius)… and the pool was still open so I spent some cool refreshing time dipping into the pool and then sitting in the shade reading… I had two very good books along and I finished one and got a good start on the other over this visit… I will write more about the books in a bit…
the next day, we had breakfast at the Orleans… they make a really really good chicken gumbo that they serve for about five bucks for a huge bowl… so, I had gumbo for breakfast… no wonder my digestion is somewhat ruined!! then for lunch we visited the buffet at a nice Casino out on Rancho Drive called Texas Station… Mary likes to play blackjack and the machines there… as we were leaving, I stopped to watch a crap table where a very entertaining dealer was jawing with one of the customers, and everybody was laughing and having a good time… a woman next to where I was standing took the dice and started making passes, so I put a few dollars into the game and eventually came out about $8 ahead… while this woman was shooting, a big heavyset guy with a beard and a shirt that said “thug” came up to the table and started tossing $100 chips on the hard ways and making other long shot bets with hundred dollar (black) chips… he did not say much but was raking in the stacks of hundreds as he hit his hard ways (pay 8 to 1 or 10 to 1) with hundred dollar bets… I left the table to go cash in my $8 and was just walking back from the cashier’s cage when I saw this big guy jump up in the air pumping his fist shouting “that’s what I’m talking about”… this from a guy who had hardly said a word since walking up to the crap table except instructions for his bets… I walked over to the table and the woman who had been shooting told me that the guy had just made something like $7000 on one roll of the dice on one of his one roll long shot bets… it was fun to watch the dealers count up the stacks of black chips and hand them over… too often, the money is going the other way!!! so, the guy walked away from the table nearly ten thousand dollars up… for about 15 minutes of playing the game… a time when I won $8!!! lol
so, we had another nice night at the Orleans and after another day sitting by the pool, we caught the late afternoon flight back to MSP and got back to Maplewood about one this morning…
really, I spent a lot of time sitting by the pool in the shade reading… my first book was called Michelangelo and the Pope’s Ceiling… I have read this before and it is a lovely entertaining bit of history and biography that is so so well written that I am sure that even those only marginally interested in Renaissance art would enjoy it… the second was a biography of Marcel Duchamp… an erratic genius and brilliant painter who quit painting for good in 1918 when he was in his late 20s… his King and Queen Surrounded by Swift Nudes is one of my very favorite paintings and one of the finest works of art from the twentieth or any other century…
doing all this reading about great, brilliant and successful artists got me thinking about my own art, what it is and why I keep doing it… Michelangelo was a busy professional artist who earned a living, indeed supported his father and several brothers painting and sculpting masterworks for the Catholic church and a few other patrons… Duchamp gave away his few paintings, or sold them for a pittance… and made his living doing other things than making art… finally, he threw a monkey wrench in the whole mechanism of making art in any traditional way by basically inventing conceptional art where art is whatever the aristocratic artist deems art to be…
I do not sell art although, unlike Michelangelo, this is a decision that is as much imposed upon me as chosen by me due to the fact that nobody is calling my art important or clambering to buy it or hire me for a fat purse of gold to make more… if the pope was calling me up to paint a church ceiling for the kind of money Michelangelo was paid, I would probably take a shot at it… where, I am confident that Duchamp would not have… in fact, he turned down many requests for him to make art works… and as a famous art insider and confidant of the wealthy and powerful art elite, (not to mention as a painter with a rare and wonderful gift) he certainly could have made a lot of money at it… instead, he spent his time playing chess… so, he was more of a noncommercial artist than I am…
I have been working all summer on two small paintings… I am still not satisfied completely with either of them… and mostly making art that seems to satisfy me is such a struggle that I think that most of what I do with paintings is splash paint around and hope something interesting happens… back when I could hardly draw at all, I thought I was an immensely talented person, destined to make amazing magical art… now that I can actually (through years and years of practice) draw pretty well, I think I am a person with no talent whatsoever and that what is of interest in my art is mostly a result of accidents and the only thing I have a talent for is messing up canvasses and finding dead ends… so, if I were hired to paint a church ceiling, it would probably take me years and wind up a miserable mess that I would have to chisel off the ceiling after all…
but I do admire those creators of immense natural gift, like Michelangelo and Duchamp, and they certainly have set a high bar for any of us who dares to pick up a paint brush and attempt to make art… I guess I do not know much about art, about why I make it, or about what any of this means…
Las Vegas August 2015
I saw the desert spread out
beneath the wings
of a 737… vast and golden,
red in the sun…
then stuck in traffic on the North I-15…
later a fat old man
in flowered shorts, I was reading
about Michelangelo and Marcel
Duchamp… sitting by the pool…
watching the sledge hammer desert sunlight
being deftly flicked away
from the curve of tiny waves on the
tiptoeing surface of aqua-green chlorinated
crystal
water…
Poetry from Gloria Lopez
PURIFIED
I took a walk around the winding path of Lake Chabot,
and all at once, I left myself behind and found myself.
My skin soaked the sun’s warmth
as easily as the mountains were expelling excess water,
as easily as it found comfort in the shadows of the trees.
I walked in the silence of chirping birds,
the serenade of mating ducks,
and the lullaby of buzzing insects.
The roaring echo of distant streams came and went
as it washed every thought out of my mind
and the taste of fresh shrubs replaced them.
I witnessed the wind making love to the treetops,
in fundamental harmony,
as the lake’s water rippled in envy
and the soft, white clouds caressed the sky.
I inhaled the dampness of the fertile earth
until my lungs had had their fill,
and my soul had been purified, breath by breath.
I surrendered completely to the beauty and the magic
that engulfed me in its wake,
until liberating, creative forces ran through my veins,
until photographic stills resembled living art,
and this writing wrapped itself around me.
I lavished in this power
until all the shattered pieces of my soul
came together in the serene, mending fire
and I saw myself whole,
reflected on the water.
©
Gloria E. Lopez
Poetry from Judith Borenin
From the Ashes
For over a week curious swellings converge
and disperse just beyond the scope of my
sight. My cat has seen them too – halting in
mid play – her golden eyes dissolving –
drowning in black pools.
Yesterday I stood beside the wharf assimilating
as much of the sea as I could without drowning.
Beside me – the scarlet remains of a small bird –
intestines strewn around it like some forgotten
sacrifice – hollow head wells of two black holes.
I refused to look away – steeling my veins to be
stoic in the face of such inevitable decay. On
the other side of the wharf a squalling gull
rode the rigid back of an unwilling mate with
a ruckus of white capped flapping wings.
This morning the fog enfolded the wharf with
a distant echo of wings. The little bird was gone.
Canoers – orange jacketed – in synchronized
strokes floated by – shoulders – fingers – oars –
oiled engines dipping in and out to stoke the sea.
Veins a honeycomb of absence – I sit beside
this window watching wildfire smoke and fog
descend like a hungry mouth. I wait here at
the bottom of this well – the cat curled – purring
on my chest. As I bury my cheek in soft black fur
a familiar fragrance lifts – almost solidifies – as if
she had just come from someone else’s arms –
absorbed their heat – its rekindled embers rising –
infused with the aroma of your hands.
Little Lives
The eyes in the dark – the hands
that cling to steering wheels
like scarves wound around
throats caught in the spokes
of speeding tires.
Each little life passing –
cumulous – snug as a tourniquet.
Multitudes of voices – a choir
of laments sung in secret.
The groaning globe strains
to stay afloat on its axis.
It’s for the wounded I weep –
the cuts – the bruises running deep –
the pain that won’t relent – the cruel
voices that won’t
still or repent –
the lies that were invented to keep us
all afloat while we watch the honeycombed
procession of holes buzzing
in the bottom of the boat.
Every expectation slices
knife like within – the blood let
rejoices singing hymns with such
sweet acceptance as it blooms –
luminous and resigned
across our howling skins.
We were spewed into this world –
clawed out way out of pits a spade
could never comprehend. Paced
empty rooms – reclined and rose
up again – turned in twisted sheets
waiting for long and ravenous nights
to end.
With grifter hands the wind rakes by –
its stiff fingers slapping tree trunks –
an old jazz man strumming on fence posts.
What it shakes falls – what it takes crawls
the tattered skies – shuffles down like blue
notes on all the little lives.
Mirror Image
In the bus shelter beneath the thumb of sun –
weighted – pressed down – we wait – seated
reflections in the glass – for the bus to come.
Beside me sits a small bearded hill – soiled
clothes mud caked around him. With each
breath he takes a fetid aroma flumes. We
share hellos. I wrestle with the urge to wait
outside but I straighten my back and remain.
When the bus cuddles up to the curb I take
a seat and a deep breath inside next to a
dirty window and close my eyes. The next
stop a man who spends long nights inside
his clothes steps on and sits beside me as
his fragrance travels on taking a seat at
the back of the bus. Conversations nose
up and down the aisle as if thrust from a
vintage machine. A stray gnat settles in for
a nap on the lap of my white capris. I sweep
it away wedging gnat limbs deep beneath my
nail and on my pants a last breath of crushed
green. On worn blue seats we follow a seam –
stopping at well marked stops – propelled
by a familiar but distant driver who calls out
their names – treadles to start us all up again.
I could ride here forever – the world falling
away in folds like printed fabric – growing
fond of even this aroma of decay. Alone yet
not alone – a face fading in an eternal loop –
a vanishing reflection upon a glass pane.
Poetry from Joan Beebe
A 4TH OF JULY TRIBUTE
On this special day of celebration
We raise our flag in freedom once more
And watch parades with banners flying.
Old soldiers are there too and some are crying.
But we go on with thankful praise,
Because we know the sacrifices made
Some will sing our anthem of old
Then thank our God as the day unfolds.
We love our country so as we look at the stars
On the red, white and blue
And say once again how lucky we are.
To live in this country so beautiful and fair
And we end our day with a special prayer.
We stand as a people diverse in many ways,
But we stand united together under our flag.
Because America embraces all who made
This country so grand and what it is today.
So may America, the land of the free and the brave
Be a symbol of peace to all people of the world
And our flag will stand proudly as the years unfold.
A FATHER’S LOVE
I am watching a father lift his very handicapped daughter
From her her bed-like stroller. This child looked to be around
9-10 years old. She was extremely thin and her
Arms just flopped by her side as well as her legs.
The father cradled her head in his arms as she
Couldn’t hold it up by herself. She was unable to
Talk as well. But the gentleness of her father
Brought tears to my eyes. He looked at her in
His arms and you could see the light of love
Being given to her. Her large dark eyes looked
Back at him with the brightness of the stars
.
Every minute or two, the father bent over her
And kissed her. It was as if the two were one
.
In the father’s look there was no one in the
World except for two human beings in their
Own world of love.
Essay from Jaylan Salah Salman on the film Blade Runner
In the Eyes of the Outsider
Los Angeles Blues: Blade Runner
As far as loneliness, I feel Los Angeles and its layout, having to drive everywhere – it is a lonely place. It’s an isolated city in that respect because you’re driving to places alone listening to the radio. – Jason Schwartzman
There’s something peculiarly magical about LA in the eyes of those who have never been to the States, and who only know about it from behind screens, lusty voyeurs of the big city, watching in awe as the filthy rich housewives of Beverly Hills endlessly bicker about mindless chatter, or the gangs stroll around in glamourous cars, pimps and hoes in the backseats of limos. In my eyes, however, I never loved LA. I felt it was a cold, fake city, a manufactured replica of what fine art should be. Films like “Nocturnal Animals” heightened the feeling. Films like Michael Mann’s “Heat” implemented the thought in my head, this is not a city for the mediocre, it is neither merciful nor generous, it does not have the comforting silent-killer type of the South or the elegance and cultural significance of New York, even with the latter’s higher crime rate.
It wasn’t until I watched Ridley Scott’s neo-noir masterpiece “Blade Runner” that I realized, I know exactly how Los Angeles looks. I can envision walking in this city feeling more alienated than my writer-self usually experiences. This city is cold, heartless, replicants are scattered all over it but they do not show their replicant-side. Au contraire, they mimic the normalcy that they desperately tried to escape by inhabiting the city in the first place, and they carry themselves around with an air of confidence that both scares and intrigues.
Los Angeles is the source of the light for the moth; a city as vast and dreamy as one could imagine. Sinful and lustful without basing its core and aesthetics purely on lust; it promises angels when it fact, a demon lurks in every corner, whether a failed job, a failed love story, a robbery gone too far, or a grisly crime masquerading as homicide.
For Scott’s 1982 “Blade Runner” I was definitely not a target audience, Sci-fi being the least interesting genre on my PH scale. It was a bet with a fellow cinephile that the one who watches the most respected films on critics’ lists will get an Ace or something that landed “Blade Runner” in my lap. I was not immediately taken, until Vangelis’s music score “Blade Runner Blues” played, with a slow-mo scene showing a woman in her undies killed at the hands of the main male protagonist. The scene, unnerving and sexist as it was, created a séance in which one would disappear. Blues music being a part of the bargain, I fell in love with the movie, later collecting a few of my favorite shots; Rachael staring into the camera while asking Deckard if he ever retired a human before, J.F. Sebastian and his creepy yet intimate collection of toys, Roy’s monologue at the end. Strangely enough, every character seemed like a symbol of what the modern LA would look like as opposed to the cyberpunk, futuristic, retrofit exteriors with matte paintings and miniature work.
In Ridley Scott’s 2019 Los Angeles, people were doomed. Being stuck in this futuristic city, whether on top in the isolated skyscrapers, or being forced to walk down the underbelly of the city, you had no choice but to exist as you are. There would be no air of familiarity or actual contact, even when it happens, Deckard –the main protagonist- forces himself on Rachael, making it seem as if almost nothing real comes out of the city drenched in rain and decay; high-tech style.
Los Angeles scared me. I knew from the moment I saw the replicant’s –Zhora- barely clothed, teary-eyed corpse that this city had no mercy for women, or for underdogs. After all, Roy died, the hero saved the day and forced himself on the only woman who was not killed at the end of the day, probably because she was obedient enough to deserve sparing her life. Los Angeles always looked sunny in the films that glorified the City of Lights, and in films like “Heat”; Los Angeles is a city where people become reciprocal versions of each other. There is a Yin to the Yang, a cop to the rogue, and both get along easier than with their respective clans, In “500 Days of Summer” Love is lost and never found on the sidewalks of the city. Nothing about LA offers promise, if somewhat false and rhetoric. “Blade Runner” is no exception to a series of films that only manage to make the city less approachable, less dreamy-like, more like fantastic versions of an actual city that does not smell hostile and too grand for the newcomers’ ambition.
In multiple ways, “Blade Runner” seems like the ultimate escape for the avenger in every viewer; dark, poetic, grim and desperately pleasing, it leaves a bitter taste in the mouth even if it uses an iconic macho American hero –such as Harrison Ford- to create a regular tale that squashes the underdogs and celebrate the All-American hero. Ford (or Rick Deckard) is aided by a city that has no sympathy for losers and only celebrates success, even if on the expense of its architectural thrive.
The array of characters in the “Blade Runner” verse, highlight the cycle of alienation in which subversive people who live in Los Angeles constantly move. Freaks, those haunted by past crimes, those who hide secrets or carry them around, those who prey on the meek and the marginal only to hide their own vulnerability, on the other hand, the rich and the famous are facing the same sense of isolation up in their skyscrapers, only for inter and intra cultural clashes to become as vivid and ephemeral presence in the way replicant vs. replicant hunter collide on the rainy, foggy streets where the overpopulated slums are crowded with people who are always on the move.
Blade Runner – The Sexism
In a city like Los Angeles, you probably would not imagine that sexism exists. Women are at their best, manicured, botox-ed, injectable filler-spewn lips aside. You watch reality shows; “The Real Housewives of Beverly Hills”, “Vander Pump Rules”, to name a few and you realize, these women are becoming rich, pampered versions of who they ought to be. They are being judged by sexism as badly as a woman in an African or Arab country, who would be judged based on her clothing, as much as they would be judged by who aged faster, whose lips are more luscious.
It’s not just that the idea of a Love Theme, saxophone music played smoothly over a woman forced to accept a man’s sexual advances, but the idea that notions of beauty, sexuality, aging, womanhood and liberation are messed up in the city of angels only throw a shade to its power over people confined to it. Women are all sultry and beautiful, awaiting the interaction with men probably not ready enough to satisfy them.
Blade Runner – The Diversity
Los Angeles is one of the most diverse cities in the world. But in “Blade Runner” still it is unsold as that. In my mind, the diversity which Los Angeles possesses is merely a background through which the white, privileged, plastic-surgery obsessed, fake art scene goers thrive. The underlying populated slums work only as fuel for the survival of the upper class. Two vivid examples include two of the central female characters; who happen to be replicants. Strangely –rather unsurprisingly- every significant female character in this movie happens to be a replicant; Pris the pleasure model and Zhora the exotic dancer are the most notable examples since they rebel to the cause of their manufacture and thus get punished for it. Both are killed at the hands of the alpha male protagonist Deckard. The only female replicant whose life is spared is Rachael, who submits to Deckard’s nonconsensual sexual advances.
Submission is the key to survival in Los Angeles, replicants who go astray are “retired”, in other words they are killed for daring to ask for equality, or to think of a different future where they are not treated as creatures designed to live the life they are told they were born to walk, and a role they were born to fulfill. Their price for being alive. In a city where you dare to dream whatever you please, “Blade Runner” shows you the grim truth, you are nothing but what you are told you are, even in the city of lights.
Blade Runner – The City
Los Angeles is a constellation of plastic – Norman Mailer
In the city of angels, life and death could be an expose of what lies beneath the road to stardom. Marilyn Monroe once described it as a freeing place, a city where you can be anybody you want. But the structure of the city is not even that inviting for a brave new world. It’s either condos and pool parties or scrapes of art scenes and Oakwood. These dreamers flock to the city in pilgrimage of becoming the next diva or Hollywood sensation. They dream of getting rich fast or shedding off their old, loser skin. Only to be mostly crushed by the gigantic city that has seen, swallowed, gurgled and regurgitated thousands of similar aspiring creatures. In “Blade Runner”, the idea of a city that can collectively rejoice in the company of everyone does not sound like a reality, but more of a requiem of a dream someone else has dared to imagine. High-tech architecture, neon signs, and a social hierarchy that divides people racially and –dare I say- gender and sexual-orientation-wise, only enhance the fact that a city of lights only casts the polarizing beams on those who deserve it. The underdogs who dare to dream are punished mercilessly, or forced to flee with their dominant partners who happen to be White, male, and part of the elite.
At the end, “Blade Runner” is an unflinching as the city he is selling. It perfectly portrays how the glamour of the city hides an underbelly of people barely existing who will all be lost like “tears in rain”. The shock that LA has always given me is how insignificant the individual struggle is if not lived under the spotlight. How many residents of the apartment complex will go back to where they came from; their dreams crushed, their brief encounters with the city lost forever, not worthy of a mention, an Oscar nod or a Hollywood star on the Walk of Fame? Los Angeles is indeed the city of dreams, it treats people who pass by with an Eye of God perspective, only those who dare to wander are lost. But that’s not even a certainty.
Poems from Mahbub
The Victim of Erosion
Dreams are floating on the river
Cries are pouring in the rain
It is the erosion of the river
Takes away the heart of the people
Transferred from this place to other
A place to the unknown
This is the land of rivers
All goes dry in the summer season
Have been filled with silt and sand
Go full to the brim in the rainy season
Water spread around
Devours the ground
Losing the land and property
Lament for lying in open sky
Not to find any food and shelter
Years after years this going on as usual
We are the only silent visitors
No step to remove the disaster
O dear, come and see the condition
How people pass their time in such miserable condition?
The sky calls to mingle with
Try to fly away with the wind
But they are to remain at the place
As the stagnant water
No way to pray for
Nor way to die for
No way to run for
Ah! What shows the life here?
Always cry out in silence.
The Days Gone By
I can reside on the glorious past
Those moments are not only the moments
Shows the light in my heart
It was the rainy season
The silence of time sweeps on the water
I caught the fishes from the ponds with the fishing lines
Oh how glittering blazed the light in my eyes
Rushed to my mother
How tasty cooked or dried!
I arranged the team at afternoon
Playing football, cricket or badminton
Came back home at the evening and took my bath
How fresh it was my mind and body
How sound the sleep slept!
Now sometimes my heart beats so high
Like to reside on the moments
So sweet, so blissful the days gone by.
Give Me
Give me a glass of water
I’ll quench my thirst
Give me a hand or heart
I’ll cross the bar
Give me an eye for love
I’ll find the way to run
Give me a chance to watch the world
I’ll feel fresh and it will remove all the darkness
Give me the way you don’t mean
I’ll find the right track
Give me a voice soothing or loving
I’ll sleep and find you in my sweet dream
Give me a shade to rest in
I’ll gain the power to live in the green
Give me your dictation
I’ll fill up my blank page
And try to follow them for future
Sound me the mew
I can be conscious to move
Show me the water you flow around
I’ll surely die on the vast world where
The creators will compose so many stories or novels
We’ll quench our thirst for ever.
Death
Death is the cloth spinning to infinity
Over the body it rounds the white piece
Removes the darkness
Death is the vortex of systematic race
Death is not the destruction
A condition to take rest
A nice farewell
We came from the unknown
We leave for the same
I want to be naked to my soul
I want to find my peace to the goal
O lord, deaths are waiting so hungrily
Through me out
Don’t cry for me, dear
We are at the same station to get into
We see ourselves in the middle of swirling wind
A certain place
I do have my belief
Our Almighty will turn us back
Getting together we must lead a peaceful happy life.
The Connection Tower
Facing the sky to the revolving world
You are always busy to connect us
You make the whole world together
O Tower, you catch the voice floating in the air
I am here
You are there
Not at all
We always abide by very near and dear
As lying in the same bed reflecting the image
Both paying loving eyes face to face
We all united one
O dear, you are so near my loving figure
We take our breath sighing together
Stand together, sit by, lie before the same mirror
Folding the physique, imagine the practical
Draw the virtues
Not hundred and thousand miles away from each other
We all walk hand in hand, lie in the same bed
Wake up in the morning under the same sky
O Tower, you soar to the sky
Bound our breast connecting all.
Chapainawabganj, Bangladesh
02/07/2018






