Sport
He always was the odd duck. He preferred a good conversation to senseless noise. He read books over choosing to sit endless hours in front of a TV screen. He always spoke like some throwback in the old black and white films. He called all the boys sport. Most didn’t understand him and I simply didn’t care. He drank scotch and would ramble for hours over the taste. The subtle hints of this and that. He was a talker with little to say. I gave him a book I had written . He looked at me as if I had handed him a pile of shit. “You write Sport?” “When not drinking I believe that’s what most people would call it bud.” “What sort of things do you write?” I took a sip of my drink and crunched an ice cube. “Well my friend looks like you will have to read it and find out.” He thanked me and took the book home. I saw him a few days later. He never mentioned the book or said another word to me. A small sacrifice for art. I was happy either way not to be called sport anymore.
Poetry from J.J. Campbell
|
taste of a better life
i can still see
forever in the
eyes of the first
woman i ever
loved
nearly thirty
fucking years
since i had my
first taste of a
better life
i’m not sure
which god i
pissed off
along the
way
no soul
deserves
to be tortured
this much
——————————
exhaustion
never have a best friend
battling breast cancer
and mental illness at
the same damn time
it’s exhausting
especially when you
have your own mountain
of shit you have to climb
each day
——————————
another glimpse of society
another day
another medical
center
another glimpse
into a society i
no longer identify
with
another time to
try to look up the
dress of someone
across the waiting
room
another angry
response
another day
where my dirty
soul gets to shine
——————————
all the old traps again
i’m falling into all
the old traps again
paranoia
self-doubt
i always thought
experience would
kill all this shit
off
fifteen years later
i’ve never wanted
to live
once again
i have a chance
to figure some
shit out again
and maybe have
sex with a beautiful
woman along the
way
——————————
to a dream woman that lives in rome
you drive me crazy
but in the sweetest
ways possible
i can’t wait to taste
you and hold you
on a starry night
on the other side
of the world
lips like a dream
where i have fallen
into an ocean of
love
how does one get
so lucky to find
the most beautiful
woman in the
world
|
Elizabeth Hughes’ Book Periscope
Essay from Jaylan Salah
Invisible Ghosts from a Scriptwriter’s Present
Mohamed Solaiman Abdelmalek on Plot Twists, Echo Boomers and Naguib Mahfouz
We need to talk about Ramadan and TV land
Ramadan season is usually the main course for filmmakers, scriptwriters and actors. The biggest production companies in the business fight for time slots, optimal screen time and stars face the greatest exposure to the largest number of audiences. The key gameplayer in Ramadan TV series season is Egypt; however, Arab countries such as Syria, Lebanon and Kuwait make notable contribution to the TV-sphere. Despite that, Arab stars strive to appear in one or two Egyptian TV series. Most of them consider the Egyptian audience to be the major target which they intend to seek exposure to.
Why the long intro? My guest today is a prolific writer; one whose life -apart from the job- has been a series of long-term travels and escapades in the murky waters of writing. He started since he was studying medicine in college by writing series of thriller/suspense YA fiction novels. His aim was to explore himself as a scriptwriter and provoke the sense of security and normalcy that most Arab audiences seek. By writing a historical fantasy series of novel rooted in Pharaonic Egypt, he made his landmark as a literary writer, branching out to writing for TV and enjoying the medium with all the limitations and astrophysical lack of sophistication that it provides.
Short story by Sheryl Bize-Boutte
Uncle Martina
I don’t know why Daddy brought me with him to Uncle Martin’s house that day or even remember whether it was just he and I, but there we were, standing on the curb edge squinting into the sun, waiting for Uncle Martin to cross the street. Dressed in an un-tucked flowy white shirt and severely creased beige slacks, Uncle Martin was looking back nervously over his shoulder as he slowly made his way across the yard and on to the sidewalk carrying a small raggedy suitcase containing what he would later tell me were his “essentials.”
Much later, I would understand that Daddy was the logical one to be there that day. He and Uncle Martin had been close since the day Daddy married his only sister, my mom. Uncle Martin took one more quick look over his shoulder just before his foot hit the black asphalt of the street. Standing in a stiff row behind him were the family he was leaving, an angry wife and three children; a girl aged 10 and two boys aged 7 and 5. The girl stood solidly beside her mother trying her best to mimic her adult fury, while the oldest boy simply looked lost and confused. The youngest boy, who looked nothing like Uncle Martin, had a look on his face that coincided with his mismatch, that of utter detachment.
In the middle of the street now, car engine running, Daddy called out, “Come on man, let’s go. It’s hot as hell and I’m wasting gas here!”
With that, Uncle Martin wound his long slender fingers into a tighter grip around the fragile suitcase handle and sauntered in extended elegant strides to mom’s humming, brand new 1962 Chevy “Big Rider.” Daddy grabbed Uncle Martin’s shoulder and squeezed it, which made Uncle Martin lower his head and smile a strange combination of devastation and relief. We all piled onto the new car smell green leather seats, and with Daddy and Uncle Martin in the front and me in the back, Daddy pulled away from the curb.
Chimezie Ihekuna’s play The Success Story: Part 3
Please read the first installment of Ihekuna’s drama here and the next here.
We’re serializing this play one scene per issue.
In Greg’s Room…
It is three days to resumption. Greg, the only one in the house, is pacing back and forth his room, thinking becausehe has just completely read through the last chapter of the 150-page ‘Find Your Way Back’. He then forces himself to lie on the ten-inch-thick bed. But restlessness can’t make Greg take a nap after hours of preparation for school. Greg has his clothes properly placed in his medium-sized traveling bag. It is a tasking situation for the eighteen-year-old, having to select the clothes—from a variety of clothes in his white cupboard—he will be wearing throughout the duration of the session.
Meanwhile, Greg’s radio player, placed on a small white table, with a simple standing fan by the side for some cooling effect, is listening to a program on 88.1 Flash FM. The Program aired is: Return To Your Calling. Greg’s restlessness soon turns to comportment:
Hello, I’m XYZ, your anchor woman for today’s program. Listeners at home, school, work and some other places, how are you doing? Hope you’re enjoying your day? I am enjoying mine…
You’re unto 88.1 Flash FM …the station that has your interest at heart!
Today, the program, Return To Your Calling is a second-chance, never-too-late and decide-for-yourself interest dedicated to those who, by virtue of forced conditions and misplaced priorities, have ventured in various endeavours that they shouldn’t have been.
Poetry from Karen D’Antona
Talkin’ to my Son
Talkin’ to my son today, he all weird’d me out/
When we was done, I didn’t know if I should cry, scream, or shout/
He’s says he wants to move to Brooklyn, with no job or plan/
But he needs a car, ‘cause he’s a young man/
I says how much does an apartment cost/
He say two thousand grand/
He’s only fourteen/
God, how do I make him understand/
You don’t move to Brooklyn/
With no job or plan/
He’s only fourteen/
God, please give me a plan/
A fourteen year old/
Is not yet a young man/
Now don’t get me wrong/
It’s not what you think/
I want you to follow your dreams son/
Do what you think/
But son, if you make one wrong move/
It could be over in a blink/
I thought writin’ rap would be fun/
But this really stinks/
It’s four a clock in the morning/
He’s restin’ in bed/
I am sitttin’ at this computer/
Bangin’ my head/
At least I know he’s safe right now/
God, please look over him/
He’s only fourteen/
Not yet a young man/







