Poetry from Sa’ada Isa Yahaya

Anatomy of a body

I am a devotee to grief.
And I fear, nothing weighs more than my country's shadow.
I section my body into two parts.
Loss;
I hold this home the way loss holds an orphaned child.
Beneath my neck, I have concealed all the places I have ever found comfort.
Darkness;
No one understands what I carry except me.
Who holds a shattered thing and find beauty?
Forgive me, if this poem refuses to sit well in your throat but
since inception, nothing in my country has ever sat well with me.
Still, I try to unrobe myself.
Beyond this picture, I try to grow wings.
I try to fold myself in between happiness.
Because Maa once said " Light needs darkness to shine".

Short story from Ellie Ness

Forbidden Door

It was a large house he brought me to – all marble floors with punkahs on ceilings to cool feet and heads. There was a vineyard between this house and the one next door where my brother-in-law lived and towards the side of the house swinging hammocks had been set up for the extended family to enjoy the cooler evenings when the searing heat abated.

We had been given the upstairs rooms of the big house which had been readied in preparation for a western girl coming to live with an Arabic family. There was a modern bathroom with a flushing toilet which I didn’t initially understand was a real luxury in Sharaban, Diyala. In the corridor between the staircase and the upper floor rooms, pickle jars and fruit preserves at various stages of production lay stacked on the floor. Yom, or the “Duck” as the family called her, ran a busy and productive household. The flat roofed verandah could be used for sleeping under the stars when she was too hot or wanted to remember her youth.

Amina – her real name – Om Yas, Yom, Duck – she answered to them all. Illiterate, she had married her cousin when they were both very early teenagers which is why, I suppose, they looked a bit similar. She had a black ink tattoo on her face which seemed to be some sort of tribal marking and was bilingual. Turkish was her first language but when Iraq has been created the population from the north had been forced to learn Arabic. She knew a lot about a lot of things and it’s no surprise that all seven of her children went on to be engineers, teachers, a farmer and a vet. Not being allowed to go to school didn’t dim her intelligence. When I first appeared at her door she performed some sort of spell with fiery smoke and water before letting me in the house. She might have known about the world and breeding champion horses and a woman’s lot in society, but a lack of education had meant she retained the superstitions of her village, despite living in a town.

Only five of us lived in the house but mealtimes usually catered for between ten to twenty as the other sons would “drop by”, with their families as nobody could cook like the Duck, or so they said. Amina waddled wrapped in her black scarf which covered her hair and shoulders like a mini abaya, sitting down cross-legged on a cushion directing daughters and daughters-in-law to attend to the men and children, lest they should starve. She could get up again with great difficulty doing that downward dog style of pushing herself back into an upright position. The children laughed and played on the periphery of the meal and if they became too audacious one son or another would stand to pick up the boys – always the boys – by their wrists and heels airplane-like for a spin or grab them to throw them upwards towards the ceiling. No child was ever hurt while I was there but it must have come close a few times.

The bulk of the house was downstairs. A huge kitchen with multiple stoves and freezers was mostly where I was expected to reside. The Duck tried to teach me how to make various favourites in gigantic quantities. The kitchen led to what in the west would have been called the family lounge. And lounging was definitely what happened here, just not on chairs. Harking back to Bedouin days, cushions littered the ground and people grabbed however many they wanted in order to be comfortable on the smooth, white marble while the overhead punkahs whirred, wafting a gentle breeze around our overly hot bodies. The women, of course, fetched and carried dish after dish, drink after drink from the kitchen to the table cloth laid out without ceremony on the floor. Everyone tore off giant flatbread pieces to make edible spoons, scooping up vegetables and meats to eat their fill.

There was a part of the house downstairs that was off limits to me, well I was allowed to clean it when the men were out – lucky me – but it housed a western style toilet and a very formal lounge and dining room. There was a huge marble table with upholstered chairs set off with ornate golden woodwork. There was a collection of plush red velvet and gold throne type chairs to the side of this where presumably, people more important than women and children were brought to. If anyone arrived at the house they would enter by the main door, forbidden to me, and taken to this huge room. If anyone was visiting, the men who normally lounged around being catered to, suddenly became the servers – running through from kitchen to table with gigantic silver platters brimming with delicious food.

I presume that business was conducted there, possibly even bribery and corruption because carrier bags of money would be brought through from a backroom to the dining room and nothing would be brought back in exchange. I was reminded of this when reading about UK royals, being given carrier bags of money, to be used for pet projects. Men from the Middle East still seem to do this.

Amina must have died by now, as she wasn’t fully fit over thirty years ago when I lived in her house. She was one of the women who publicly gave away all her gold to help the Iraqi war effort. I often wonder, if her end was as peaceful as it deserved to be.

Poetry from Mark Young

In Memory of my Brolgas

Instead of thinking
about poetry today

I am indulging my-
self with a slomo re-

play of the brolgas 
dancing around a

farm dam five kilo-
meters north-east of 

Ridglands. There is 
a quietness in it.



A cold steer

Next time you
watch a truck-
load of cattle
being trans-
ported to the

meatworks, don't
think of them as
living creatures
about to be
put to death but

observe them im-
partially as part
of the food web.
It is so much
more melodic.

 
Déshabillé 

Because of its 
cognitive style &
incandescent light 
every tonne of 
scrap metal 
you clean up 
from a public 
place can work as 

a wardrobe staple 
in the same way 
that a built-in lum-
bar support will 
retool your internal 
guidance system.



conjunction

In the slice of sky more or
less directly above me is

an invisible passenger jet;
yet its engines heard so

clearly that the sound seems
rather to accompany the si-

lent hawk coasting on the
thermals much lower down.

Poetry from Mesfakus Salahin

Modest Proposals

Open your heart and embrace reality 
Break your cocoon and hold the baked sun
Don't suck the last point of dream
Don't attack your fate as a doll in a lap
Read and read the philosophy of love
Make a history of your own.

Open your eyes and invent possibility 
Break the icy land and touch existence 
Don't forget that life is a question
Don't spend moment in vain
Enjoy the beauty of struggle
Pick up happiness in simplicity. 

Open your earth with love and hospitality 
Build your heart with humanity 
Open your mind with a mirror of satisfaction 
See the reflection of love and love
kiss the crown of happiness in everywhere 
Paint whatever you like with the colour of life.

Poetry from Mykyta Ryzhykh

***
Under the heels of silence lie the silhouettes of people-leaves. Where do we go grinding buried bones with our huge feet?

Air dancing snowflakes. The stone is snow. The stone is water. We are all dancers.

Fire in the eyes of a butterfly. A bonfire on which prospects burn. The fire on which dinner is cooked.

One day a man left his house for a shop and never came back.

***
Nobody was born killed.
Only the birds grimaced like tangerine skins.

Nobody was born.
New Year's magic frozen in the snows of time.

***
Five birds sit on a branch of one tree
One tree holds five birds

How many trees can the earth support?
How much paper is burned daily?

How many people got burned today?
God's assistant pressed the wrong button again

***
The flying bird is extinguished
The moon is fading in the sky
The candle in my heart melted completely

Morning begins

***
Fear of grass on cold lips
Spring sweetness of first kisses

***
feast for mother
memorial for mom
funeral for mom

who are we burying?
where do we bury?

we bury our childhood under a bush 
at the request of the mother

dead mother in the cloud –
smiling

***
the rebellious spirit in my stomach gurgles and begs for alcohol
dog catching snowflakes with tongue
christmas all year round
easter around the clock

***
we exchange skulls with each other like silence
our hands itch as if after the crucifixion
our genitals itch like a virgin virgin
birds above their heads turn into ticks on paper
the world is squeezing deeper and deeper into a gas mask

***
iron mosquitoes exhaust the body
wooden organs rot
brain cloud exfoliate
a church candle in the chest vomits 
the fire from which the future will be born

*** 
butterflies 
in the stomach 
die silently 
looking at the fire

***
i want the bird to die
then the military pilot will not go astray
then the nuclear warhead will fly where it needs to

shit

***
sky composed in advance gnaws earlobes
Icarus freaks out like an impotent before sex
kisses of air in the weather forecast are not foreseen
and the earth from below is hard as if it is not round at all


Poetry from Anna Ferriero

SE FOSSI POESIA 

Ti farei libera volare 
e senza più barriere 
la tua silenziosa melodia 
ti farei raccontare. 
Sul bocciolo più bello 
un raggio di sole 
ti farei lì posare 
e
come un treno in stazione 
farei tutti salire 
per scoprire ed osservare 
quell’attesa meraviglia. 
Se fossi una poesia 
la più bella sceglierei 
e la rosa d’Inghilterra 
farei nascere d’inverno.
 
In un libro di paesaggi 
scattati ad occhi chiusi 
la tua anima vagante 
si schiude in libertà

IF I WERE POETRY

I would set you free to fly
and without barriers
your silent melody
I would let you tell.
On the most beautiful bud
a ray of sunshine
I would make you sit there
And
like a train in the station
I'd get everyone up
to discover and observe
that expected wonder.
If I were a poem
I would choose the most beautiful
and the rose of England
I would give birth in winter.
 
In a book of landscapes
taken with eyes closed
your wandering soul
unfolds in freedom

APELIOTE

Ti inciderò in eterno
nello sguardo del mio verso
corteggiandoti in silenzio
senza un dopo
come petalo irlandese.
Ti inciderò in eterno
nel fatato firmamento
spezzando la tua rosa
che Belle richiese in dono.

Da Amore generato
con Psiche decantato
si generò passione
che nel cuore dell’inverno,
quando il gelo fa il suo ingresso
dal colore di cannella, all’orizzonte
c’è Urania che rinasce
per schiudersi Apeliote
dando vita al suo Ponente 

APELIOTES

I will engrave you forever
in the look of my verse
courting you in silence
without an after
like irish petal.
I will engrave you forever
in the fairy firmament
breaking your rose
which Belle requested as a gift.

From Love generated
with Psyche decanted
passion was born
that in the heart of winter,
when the frost sets in
cinnamon-colored, on the horizon
there is Urania who is reborn
to hatch Apeliote
giving life to its Ponente

Poetry from Ian Copestick

A Promise

Earlier today
I was taking
my dog out
for her walk

Just across
the street from
me was two
old men.

I'm fifty years
old. So believe
me.

If I say that
they were old
they were old.


They were OLD,
but they were
standing next to
a Bentley.


Two guys who
must have been
at least mid- 60's.

Wearing shorts, and
summer shirts, with
at least three buttons
undone.

It made me feel
sick.

It made me make
a promise to
myself.