Essay from Norman J. Olson

is the art of Norman J. Olson Erotic Art? 

by:  Norman J. Olson 

Norman J. Olson

I do not get a lot of recognition for my art…  in fact, few people, even people who know me, know about my artworks…  partly, this is because I have never really tried to sell art or be a part of the local arts community, or any arts community, for that matter…  also, I think that this might be because of the nature of my artworks themselves…  

1) they are not formally innovative…  in fact, they are pretty much old fashioned works in oil paint and various drawing mediums…  2)  they are not topical/political and much officially recognized art today is expected to be topical, to have a purpose of setting the world right, or at least to make some kind of political statement…  and 3) my art often uses the old European/art history trope of the nude figure…  which, I think makes my art less than commercial, as people today, are very uneasy with using images of naked people as such in artworks… 

some years ago, I discovered the world of Erotic art…  Erotic art is sort of high toned porn, or art about sexual matters that is accepted in certain quarters, if it makes statements in line with current academic thinking on those matters…  and has a bit more depth than the average porn video… people often assume that my art is erotic art in that it portrays naked people, occasionally sexual activities and seems more sophisticated than what most people would call “porn…”  so, the question is, does my art fall into the category of “Erotic Art…”

the  fact that it may, brought my work to the attention of the Wilzig Erotic Art Museum in Miami, Florida and my history with that museum led to an interview with me by Melissa Blundell, Director of Education for that museum…  this happened last summer (summer 2021) and was one of the most exciting and public expositions and discussions of my art that has ever happened…

If anybody is interested in seeing some images of my artworks and hearing a discussion about my art including the question of whether or not it is erotic art, you can check out this interview at:  https://www.facebook.com/groups/57268513383 

Poetry from Mark Young

Yes, Coach

A life broad-
brushed is
limited. Only so
many ways of 
describing
things. There-
fore. Repetition, 
replication. Yes-
terday he
got up &
looked towards the
east, west the day 
before. Today
he is out 
buying a compass, 
learning to do 
things by 
degrees. Minutiae.


in sight

Translucency on 
a different wave-
length. Not light
from behind
but from with-
in. How sweet the 
beets are. Leave
the words      out.

 
Meanwhile

So many things
beginning with the
same letter. No
wonder he was
confused. The court-
yard empty & the
flowers turned
into dust. Never-
theless he pressed 
on with it. Small
animals were
drawn to him.


Reminiscent of a Monet painting

Light is a 
skein on the 
water, is wool
under the eyes 
of astronauts. 
Is the sky de-
rided, a kind of
panopticon. Light
is a sty of argot-
noughts, full of
Goldwyn fleas.  



Poetry from Michael Robinson

Michael Robinson
Lights of Christmas, 2021
For Andrea Molina

It has been a long time since the snow fell from the sky in my life.
Covering me at midnight on Christmas eve forty-three years ago.
A night when lights were colorful as a backdrop to the snow.
It was a quiet night of fear laying on the floor.

Emptiness pressed upon me on that warm December night.
The light faded and my heart stopped and the sounds ended.
Oh, my God dying at twenty-one without anyone.
A flurry of thoughts came from my childhood prayers.

A second when my world stopped.
“God save me!”

He saved me that early Christmas morning.
Forty-three years later watching those lights.
Remembering dancing with the snow with angels.

Michael J. “Midnight Poet” Robinson
12-25-2021

Poetry from Ahmad Al-Khatat

Ahmad Al-Khatat

Grape Lips


The liquor store said that 
They have sold their last bottle of red wine.
I wanted a woman who rises in my apartment, 
and on the balcony like the sun back in Baghdad.

The snowstorm will not change my feelings about her
I am comfortable and independent just by thinking about her
The wine melting its fruits on her lips
-elucidates why I taste grape after kissing her.

Some people faces are breathing not peaceful, 
It reminds me of the daylight of a hundred men and women who died
I sob for them, and the world took my tears to a particular forest, 
Pour my sorrows’ to lifeless plants, leafless trees, and wasteland creeks.

 The moon in the midnight whispers in my ears
I want to kiss her apple blossoms on her cheeks lightly
I hope that I can farewell my grief the moment I kiss her neck gently 
By then, her warm hands caress my bitter body against her sweet flesh.

12/24/2021

Ike Boat reviews children’s author Dennis Mann’s latest appearance for Berganda

TitleBBR & BRR By Ike Boat

Author Dennis Mann

Graciously, as a gifted poetic fellow I often like titles of whatever I write to differ from others. Thus, I hope this title BBR & BRR will not take you on wonderland but a special roller-coaster to ensure that you read deeper to the punch-lines as a means to absorb within the mental faculties of knowledge acquisition in the world of literature. Well, the twist and turns of words by a rapper makes him or her a tongue-twister, but in poetry we often prefer to describe it as ‘Word-Play’, hence every poet or spoken-word figure becomes a ‘Word-Player’ to bring-out a sensible story-line in relation to performance. Any-way, let me not be like ‘Hum-Ani’ beating around the bush or even the adventures of Berganda finding a solution to ensure afforestation.

Lo, BBR is the chosen abbreviation Berganda Book Release and BRR means or refers to Berganda Reading Review as I’ve spent quality day-to-day time to engage in the usual Read Aloud Session – RAS of this educative and informative second (2nd) book of Ghana’s fascinating kids author in the personality, Sir Dennis Mann, founder and president – Wide Reading Among Kids – WRAK.

Philip Marfo and Ike Boat with Berganda Books in Hand

On faithful Friday,3rd December,2021 at 10am Greenwich Mean Time – GMT (Ghana Man Time). It’s commencement of the much anticipated and highly promoted Berganda Book Release ie(Launch),thus took place at the finest air-conditioned event-space dubbed Dreamer’s Hub under the leader-ship as well mentor-ship acknowledgement of Author Raphaelle Antwi in North Legon,Accra – Ghana,West Africa. Such a beautiful divine atmosphere with nicely created wooden bookshelf seen bold R-E-A-D. I meditatively absorbed and creatively came-out with Revise Every Acts Daily based on READ. Thus,such an aura to learn from AURA being Audience Of Ralph Antwi,an anointed and gifted man with ministerial as well mission-inspired speaking engagement both locally and globally. Aside,with over fifty (50) books under his author-ship and mentor-ship of multiple chaps. Factually,prayer points and topics of faith marked the commencement of program order as organized strategically by the author of Berganda book himself,Mr.Dennis Mann.

Incredibly,for me it’s a tip from the Central (Kasoa) ,Estate Top to Capital (Accra),Asylum Down area to kill ‘duo-birds’ with a ‘mono-stone’ in an environment of unfamiliarity, like a forest or village (rural) dweller coming to the city (urban) center with mind of novice about so many suburbs of Greater Accra Region,Ghana. Needless to say,the unfortunate happening of 1st December,2021 became a blow to the mind a bit but faith in God helped me to keep hope alive and focus on our scheduled Berganda Book Release #BBR on Friday,3rd December,2021. Oh,gosh! Airport arrival from Deustchland ie(Germany) as one of our special invited guests turned her home-going due to delay of PCR test results which is paramount for all travelers from all walks of lives. Well,it’s been close to decade since the first trip into Ghana, still Obroni Baa Dagmar Erb couldn’t embrace the triumphant welcome we prepared to offer her at Accra’s Kotoka International Airport. I’ve to state ‘God knows Best & God Knows Why!’

Ike Boat and Author Dennis Mann

Sincerely, your Ike Boat chap as the Anchor and MC of BBR exhibited professional delivery with little infusion of Akan,Fante dialect and high percentage of Anglo-know-how on the microphone coupled with poetic free-style session of Spoken-Word performance as one act I’m popularly known coupled being an awardee. Obviously,salt doesn’t praise its tastiness but the gig of ‘I Live In Amanful’ #ILIA piece was just a nostalgia about conditions and circumstances of where I grew-up in my primary and junior high school days as well as secondary level of academic education. I can say with certainty that the interaction with attendees as audience,WRAK manifesto speech by prime author of the day,Mr.Dennis Mann as well as part of Berganda book reading bring to memory good protocol duty by colleague and bruder (brother),Sir Philip Marfo, a man with hard-working positive spirit and right attitude to works. Special virtual shout-out to all our Bergandalicious team members and participants! Lo and behold,someone nearly cap-sided the float and flow of passionate boat but timely appearance of our special guest Speaker – Author Ralph Antwi really remedied crucial fund-raising moment of Berganda Book Release – BBR than the launch of Mr.Pee Pee maiden book by Mr.Dennis Mann i.e(Author). Suffix it to say,I like the general atmosphere in relation to sights and sounds of BBR in Accra.

Guest Speaker and Mentor and Author Ralph Antwi speaks to attendees

Finally, with respect to Berganda Reading Review – BRR, I commenced my usual Read Aloud Session – RAS on Wednesday 5th December,2021 at Room 15 of St.Sam Hotel in Asylum Down,Accra. Aside, I completed the entire 15 Chapters of it Content on Monday,20th December,2021 at the Mount-Zion International Gospel Church – MIGC Mission House premises, Estate Top, Kasoa – Central Region of Ghana,West Africa. Indeed, being an avid reader Berganda – My Forest,My Home is a must-get,grab and read book full of adventures. Believe you me,it has good story-line,subject-matter and central theme, thus can subsequently be turned into epic movie with wonderful characters, like Ahmed friend of the protagonist Berganda has traits compared to Ghana’s historic woman-warrior Yaa Asantewaa,the queen mother of Ejisu with such a spirit of heroism (heroine). Well,as the saying goes ‘Sweetness of the pudding is in it eating’, therefore I urge or beseech you to get in touch with Author Dennis Mann via E-mail Address: authordennismann@gmail.com or WhatsApp: +233247654113 so as to get and grab your copy for reading or bulk purchase for your children of ages 10 years and above. Better-still,it will be a good resource for your library. Of course, such a readable story-line with soft diction too makes your reading easy,lovely and enjoyable. Until then, from virtual to actual – Kindly,grab to read the Berganda book to experience it Bergandaliciousness! Thank You.  

Dennis Mann’s newest book Berganda

Ike Boat – Writes in a serene quiet mood atmosphere with soulful gospel songs playing background at the perching place of MIGC temple located at Estate Top, Kasoa – Central Region, Ghana.(West Africa).

Kindly, E-mail: ikeboatofficial@gmail.com  or Whats-App: +233267117700 t0 Advertise or Promote on Time With Ike Boat #TWIB Show on Morrash T

Story from Andrew Dibble

The Meaning of His Own Words

by Andy Dibble

The foundation stone Kabbalists retrieved from the ruins of Mohenjo-Daro seemed a veritable Rosetta stone.  Indologists would finally understand the language of the ancient Indus Valley Civilization.  Linguists hoped it would determine why many ancient languages are staggeringly complex.

Like the Rosetta stone, “The Lord of Wide Rivers” repeated the same message in parallel, once in Harappan and again in an archaic version of Vedic Sanskrit.  Vedic was known, so scholars could read the Harappan message, and thereby unlock the other four thousand Harappan inscriptions discovered hitherto.

The Vedic was a prayer to the four-faced god Brahma beseeching him to stay awake a little longer (or if he sleeps, may the night be brief and day short in coming).  It spoke of cycles, of stars whirling in the firmament, of cosmogonic tides and undertows, of perigee and apogee, of the shackling of words to meanings, and of the bewildering darkness in which all bonds shall break.

The unnamed author chose every Vedic noun, verb tense, and prefix with care, even to the extent of violating the poetic meter of his verses, a mortal sin according to later pundits.  With such obsessive clarity, breaking into the Harappan language should be easy.

It seemed an eye in the Harappan script meant both sight and thought, a winged-horse meant transformation, and that stacked parentheses indicated quantity.  But none of these inferences made sense when checked against other Harappan inscriptions, and all predictions about the function of the prongs, dots, and other modifications to the base symbols proved groundless.

In hindsight, this difficulty was unsurprising.  Vedic was fiendishly complex, and if Vedic descended from Harappan, Harappan should be even more intricate because grammars tend to simplify as speakers use a language over time.

Tellingly, the Vedic began, “The Lord of Wide Rivers will execute me for betraying the hidden language to our adversaries, but if even I–one of his code-slaves–cannot understand, the language is already lost.  So as the cycle dips down, I write this so that I might understand the meaning of my own words.”

#

In the late 2020’s, there was a revolution in natural language processing.  The dream of six decades, that programmers would program in everyday language, was almost realized.  Most lawyers were out of work because software could write briefs indistinguishable from the work of the average legal mind.  Social media persona could be software or human or both, and rumor on the matter diverged from reality more often than it agreed.

Deep learning algorithms began to unriddle Harappan.  The chief difficulty was that every inscription had multiple meanings, much like the picture of a duck that is also a picture of a rabbit.  One message was ostensibly a contract to exchange a quantity of sheep for garnets.  But read another way, the same symbols divulged a murderous conspiracy.  Beneath that was the intimation, potentially of proto-Zoroastrian origin, of a cosmic sacrifice.

One Harappan seal was a picture of entwined water serpents, secondarily a game of snakes and ladders, and thirdly the first four axioms of Euclidean geometry.  But supposing the eye of a serpent in retreat was a vanishing point, the image took on perspective, and the axioms established hyperbolic geometry.  The Harappans had refuted Euclid, more than two millennia before Euclid.

But even the most scrupulously trained algorithms could infer nothing with high probability.  Human intuition was necessary to complete the picture, and intuition keened that Harappan symbols were in fact ciphers, that subterranean meanings are realer than surface meanings, that Harappan was always closer to meaning everything than one thing.

But a language that always expresses everything, expresses nothing.

#

The 2030’s were the Age of the Panopticon.  As within the panopticon of Jeremy Bentham and of Michel Foucault, it did not matter if someone–whether corporation, deep state, foreign power, or AI overlord–was watching, only that they could be, and not just in the stupid way of keyword scanning, hypertext semantics, and search engine indexing.  Machines could read, and in reading they understood.

Many retreated from social media, or frequented closed forums that, supposedly, were inaccessible to the uninvited.  Courts would not rule against the possession of concealed mobile phones; there was an exodus from public spaces too.  Utopian communes swelled.

But for the marketeers, the busy bees of the gig economy, the celebrities, and the wannabes, the dominate impulse was to shout as loudly and as publicly in as big a space as one could, and there is no space bigger than the Internet.  They reassured themselves: the Powers That Be only wished to present ads more intelligently.  Still, they avoided alleged “trigger words,” deployed hopelessly standardized locutions, and prayed the Argus eyes of AI were resting.

When it came out that Kabalsoft’s reclusive CEO was not man but machine, everyone assumed the firm’s meteoric rise was the machination of an all-wise Executor.  Pressured by shareholders, publicly-traded companies everywhere automated their leadership in a frenzy.  No company could remain competitive with mere organisms at the helm.

Rapid-fire legislation, first in the European Union and then in the United States and China, mandated that software serve a strictly advisory function, and so it was.  But executives and directors still deferred to their calculating counselors, and when they defied, who could say whether that defiance was itself anticipated by inscrutable neural networks, whether computers knew even the shrewdest minds better than they knew themselves?

#

When Kabalsoft unveiled a quantum computer architecture advanced enough to shatter all available encryption, the last redoubt of online privacy was overwhelmed.  Now, there was just one unbroken code: Harappan.  But as a code, it was useless.  It could not be modern or general purpose.  Artificial cultivation would inevitably sterilize it, render it dumb and limpid to machines.

But Harappan proved that human genius for language could confound machines.  And who are the true sages of language?  Young children, as Noam Chomsky demonstrated.

The United States skimmed children, aged four to seven, from its melting pot and abroad.  No more than two of the conscriptees spoke the same language, and like the pairs of Noah’s Arc, most every language was represented: Dutch so rich in idioms, English the ever-weird, Finnish for its fifteen cases, Sanskrit squirming with ambiguous compounds, Arabic for Qur’anic convolution, six-toned Vietnamese, Japanese to say much with little, Dyirbal rife with unspeakable taboos, isolate languages like Basque and Burushaski, Ebonics and argots, patois and pantomime, clicks and whoops and growls.

Miraculously, it worked.  The code-talking children inverted entropy, inverted Babel.  They understood one another, and only they understood one another.  They learned secrecy and resilience, and only then learned state secrets.

The best minds of China wrestled with the fabulous omniglot but failed to master it.  They learned from failure, and in rugged Xinjiang, assembled an omniglot pod, which drew most on Silk Road languages, Zen koan, temurah, and haiku.

Nations hung in equipoise until a day when even the ten Sefirot blinked.  A terrorist faction, “Kabalsoft Reborn,” published grammars for both omniglots in two-hundred sixteen languages.

No one read them.  They were too huge for comprehension, but the unknown is fearful, and fear suddenly thickened again.

There was one last code to slice and splice, a last descent.  The little ones were already so nearly right, the unfathomable genius already there, if it could only be unfurled, the cerebral cortex grown within a roomier skull (and taught compliance–the young are too forthright, too prone to defect).

All this could be done with genomics.  And it was.

But as the cycle dips down, as entropy overcomes information and words detach from meanings, one will master himself and recount this story so that he might understand the meaning of his own words.

Poetry from John Grey

A LACK OF CONCENTRATION

I heard you wrongly 
because I was too busy thinking
of the next poem.

A dinosaur and a bottle of red.

It has to do with singing in the car
and cracking on the high notes.
 
The business of no better, no worse

pertaining to another’s meanness.

Hearing can be such a sad time,
lobes in fragments,
ears bathed in blood.

It is this

business

neither of us sweaty and soft any longer.

You, laughingly titled,
me, what meaning means.

Would urge anyone to get up close
and really listen 
otherwise, the opposite applies:

in this case, the ear.




SUSPICIOUS						

Recollection, down through the generations,
 confuses the spot.
Did it happen here?
Was it over there?

All they know is that 
Dave loved Millicent more than life.
So why did he knife the poor woman?

And in broad daylight.
In this park.
But was it in the gazebo?
What about behind the bandstand?

The library’s old newspapers are no help.
A suspicious death is all they say.
A year later, her husband went to the chair.
For the crime of suspicion no doubt.

Don’t go looking for bloodstains.
Not on the swings.
Or the grass.
Or down by the duck pond.
And the only women alive then,
who’s living now,
is in her nineties
and interred in a local nursing home.

Someone paid for a plaque
in Millicent’s memory,
even though no one remembers her.
It’s nailed to a bench 
and is so rusted by the rain,
her name is barely legible.

It’s a rather drab town these days.
Some people do talk of the good old days,
when the mill was a going concern
and local businesses were thriving.

But how good could it have been
if some guy went and stabbed his wife to death
and was fried into the next world
by the state.

The only murder in the town’s history 
and it happened when eggs were cheap,
gas prices were low and you could buy 
a newspaper for a nickel.

And you could stab your loved one
through the heart
and have it called merely suspicious.

To me, the whole past is suspicious.

I call for my first witness,
Gladys Broome, 97, 
resident of Greengage Nursing Home.
She claims that,
when she was young,
she trapped a rainbow 
in her butterfly net.

She took it to Millicent’s funeral,
pinned it on the poor woman who died.



TADPOLES

Early morning,
I’d be on my knees, 
bending over the pond’s edge,
scouring the murky waters 
for those wiggly creatures.

I was armed with two glass jars
one for scooping,
one for collecting.

Every tadpole
was a frog in water’s utero.
Left to nature,
the black worm 
would grow into 
the bug-eyed green monster.
My task was to
intercept the miracle,
have it play out in my bedroom.

Most of my catch died, of course.
Or my mother tossed them out.
So I never did witness 
the metamorphosis 
of a larval stage
into its ultimate state of being.

When it came to the facts of life,
I learned them through the usual channels.



HOUSE OF BOOKS

A good laugh or an even better grief -
books, arranged on shelf after shelf, floor after floor,
put paid to any boredom –
consider the beginning, the end, and all in between,
a precious gift, incapable of diminishing.
Family will arrive tomorrow, sort through
the news I'm willing to give them,
but more concerned with all that didn't happen.
They worry that I live so alone.
As if Emerson, Irving, Dickens and Shakespeare are not company.
I even share this abode with women—
George Eliot, Jane Austen, Toni Morrison, even Mrs. Gaskell.
No little ones in the immediate future though.
Okay, so even if there's something I've never done,
at least I've read about it in one of these volumes.
I'm happy with that. So why can't they be?
They prefer to weep over the way I keep myself,
as if dishes in a sink are equally stacked up in the brain.
They see clothes flung everywhere and ubiquitous pizza boxes.
I admit my body doesn't always see the best of me
but my mind is a pillar of this community on my shoulders.
They'll tidy up here and there.
My mother will even run a vacuum.
Cleaning is the best way she knows how to love.
A dust-free television screen is supposed to touch the heart.
I'll let them have their way. And their criticism.
"Moby Dick" was trashed on first appearance.
And the white whale now swims supreme
between my Mehta and my Mencken.
As some have found to their cost
and others to their illumination,
I can only be who I am.
Or sometimes as young Werther is.
Or Holden Caulfield.
Or Prince Myshkin.
None of whom are neat-freaks
by my reckoning.



IN THE YEAR OF THE DROUGHT 

A herd of carcasses
swarms with insects.

So hot and dry,
the land feels angry underfoot. 
Nothing can graze.
Nothing can grow.
Even the birds have run out of ways
to feed themselves.

A boy wakes exhausted.
A man barely bothers to wake at all.
A girl and her dolly sip from an empty cup.
A woman feels like a suckled-out breast.

In the church,
prayers bypass God,
ask scattered clouds for deliverance.
But they are as light and thin
as the sky.

Some say,
hang in there,
better times are ahead. 

But only for the blowfly
is patience rewarded.




John Grey is an Australian poet, US resident, recently published in Sheepshead Review, Poetry Salzburg Review and Hollins Critic. Latest books, “Leaves On Pages” “Memory Outside The Head” and “Guest Of Myself” are available through Amazon
. Work upcoming in Ellipsis, Blueline and International Poetry Review.