DEATH SENTENCE

It ain’t that bad
Judgement day
The day you
read the verdict
From an antiquated
birthday card
But at least,
ya can still eat
Or go for
a’cup’a joe
Some sex exists
Yet the pressure’s off
It’s nothing to do . . .
with physicality
It’s like dressing up
. . . dressing down
Same thing
Without the gravity
For those
with too many candles
To blow the burn
More or less
With less being
—the age—
every idiot talks about
The new 60 being 50
And 40
is thirty-three point three
Or some such crap
Why not make 40
the new dead
Or 32?
An infant’s poo-poo
None of its relevant
There’s only one age
And you arrive at it
. . . like plunging through . . .
a trap door
After years
of immortality
And upright denial
When wearing skulls
and crossbones . . .
as patches,
tattoos and jewelry;
was an imbecile’s way
of owning death—
by childish renunciations
of an impregnable terror.
Denying inevitability
with bongs, bangs . . .
babies and beer
Raving praise be we
In the sweetest asylum
of fitness and health
Before sensing life’s not
a sap’s game
A roll of the dice
It’s a set-up
A preparatory course
A dawning so nonchalant
it’s terrifying
Terrifying—
in the abstract
In the flesh and blood
A natural phenomenon
With no court
of appeals
But only hung juries
as to innocence or guilt
Delivered by
a single magistrate
Whose only peer
is you, the defendant.
Ordering . . .
no imprisonment
Because the party’s
served their time
With both good
and bad behavior
Mixing dreams
and disappointments
Into the peace
of a living life
Before mercifully,
miraculously, magically
Announcing
. . . its all a training ground
For the biggest
of all falls
The one that—
makes you whole
When the alarm,
wakes no more.
Continue reading →

Welcome, readers, to June’s issue of Synchronized Chaos Magazine. This month welcomes a cast of contributors who probe the boundaries between their surroundings and their imagination, between what is and what they fancy, dream, hope or fear could be.

Diona Dorr’s short story presents a character who turns to violence when her vision of the perfect future is shattered. Cassandra Gauthier’s poem laments the milestones her speaker’s troubled grandfather could have shared with her.

Chika Onyenezi’s poetry collection begins with a subconscious nightmare, then moves to a surrealistic celebration of married love and teenage romance.

Donal Mahoney describes the process of submitting one’s creative writing to literary magazines decades ago before the word processor or the Internet. He’s nostalgic for old-fashioned courtesy, but not for piles of self-addressed stamped envelopes!

Joan Beebe’s poetry also conveys sweet remembrances of the days of the friendly milkman and ragman. She also reminds us that there are different kinds of families and that those of us with loving, close ones should appreciate them.

H.R. Creel’s poetry portrays a man at the top of his world in his imagination in a Walter Mitty-esque fantasy during his ordinary home life.  Angelica Fuse comments on identity, as her speakers assert who they are, work to find themselves, or simply can’t help being who they are.

Ridley Flock’s poem comments wistfully at the animal strength which humans had in our evolutionary heritage and perhaps psychological memory. J.D. DeHart’s work takes the animal concept farther, giving a series of vignettes where an ordinary office worker transforms into his animal namesake, a ram. As in Kafka’s short story ‘Metamorphosis,’ the change is playful and more notable to readers than to the people surrounding the protagonist.

Christopher Bernard reviews San Francisco’s Opera Parallele’s production of The Lighthouse, a modern opera that relates a dark tale of death at sea and also of the evil within humanity. The production seems to have skillfully combined the accessibility of more contemporary music and settings with the philosophical content and organization of traditional opera.

Patty Lesser’s novel The Perfect Hand illustrates how friendship and loyalty can empower people to hold onto their humanity and identities in a complex futuristic society with little individual freedom or privacy.  Holly Sisson also reviews another of Patty Lesser’s novels, Devouring Time, in which the characters become more authentic over time and able to have genuinely caring relationships. The characters grow into better versions of themselves.

We hope this issue will inspire thoughts of creativity and fancy within the real world where we all find ourselves.

Kaleidoscope design from Lode Van de Velde
http://www.publicdomainpictures.net/view-image.php?image=98024&picture=abstract-design

Apparition

I don’t like what

You look like

it doesn’t ring a bell

two toed demon

in my chamber

swinging

toe dancing

a pair of dead eyes

blinking

rapping on my soul

your song is an

apparition

two edged gods

appearing

yet I am thinking

—

Continue reading →

The Missing Link- A review of novel Devouring Time by Patty Lesser.

Reviewer, Holly Sisson, MA

Depth Psychologist

Patty Lesser’s Devouring Time

Devouring Time steeps its readers right from liftoff in the delightful dilemma of nuanced character development between the regular Joe Schmoe and the sophisticated gentleman during a conversation had out of convenience and social politeness. The juxtaposition Patty has woven between these two becomes a question for the reader of what personality feels more relatable. A brilliant way to bring the reader right into the psyche and a story that unfolds with a few unexpected twists.

In fact, this novel spends a great deal of its prose on the development of the characters as they all become suspects in the mystery that unravels just predictably enough to keep the reader both engaged and on the edge of his or her seat.

Continue reading →