Poetry from Ayiyi Joel

Fading memories

I could remember
When you left
At noon, it was outside, at the portico
My eyes soaked, rivulets streaming 
I held your hand, the same hand
You used to rub my head and I lock
My hands in yours-soft
But at that moment, as I held you
Perhaps with the weight of pain on me
It felt rough as a sandpaper, why?
Now I see you were tired,
Tired of the ride with me
Each time I reach inside my head
In search of a moment’s memory of you
I see you disappearing/fading away 
From my heart like smoke.
But still I wait outside on this same 
Spot/waiting for you as a prodigal son
It’s been two years now 
& at every knock and sight of
Shadow at night, I scurry down
Thinking it’s you.
Still waiting
Come to me, say you've stayed away
For long
Let’s make memories again
There’s still a lot unmarked
On our bucket list.

Poetry from J.J. Campbell

the rules of any society
 
scribbling poems
in the rain
 
like this poor soul
that doesn't play
by the rules of
any society
 
flicked cigarette butts,
empty bags of fast
food trash, and a cruel
car of teenagers and
the asshole dare of
tossing piss
 
he has seen it all
 
nothing dares to ever
come close to surprising
him anymore
 
school shooting
 
celebrity death
 
war in a foreign land
 
he knows what it
really is
 
thursday
--------------------------------------------------------------------------------
not made of sugar
 
old bones
screaming
in the rain
 
caught out
in the elements
without a jacket
or umbrella
 
you remember
your father
telling you
you're not
made of
sugar
 
you won't
fucking melt
 
as you got older,
you realized he
was full of shit
 
thankfully, that
fucker is in the
ground
 
it won't be long
now, you will
be as well
 
at least parts
of you
 
i figure most
of the body
will be burned
to destroy
the evidence
---------------------------------------------------------------------------
like failure is not the only option
 
laughing at my perv switch
as i watch a black woman
walk back into the offices
to go clean them
 
should i strike up a
conversation and see
what happens or should
i see if she just wants
cash instead
 
somewhere my mother
is reading this and knows
she has failed
 
like failure is not the only
option available to us all
 
she just caught me staring
at her
 
that wasn't the finger
i was hoping for
----------------------------------------------------------------------------
my answer to john fogerty
 
yes, i have seen
the fucking rain
 
it hasn't stopped
around here for
nearly five days
 
before too long,
i'm expecting cats
and dogs to start
falling from the
sky
 
and between the
drops i'm expected
to shop among
the masses
 
like hell
 
the less i am
around people
the better i feel
 
and i know,
i sound like
the bitter old
fuck that secretly
wants it both ways
 
so be it
--------------------------------------------------------------------------
for days on end
 
dark brown skin
and enough curves
to keep your imagination
buzzing for days on end
 
there's a certain way
the hips shake that you
know that a challenge
is ahead of you
 
but a certain body part
is more than willing to
not only accept that
challenge
 
but conquer that
mountain and plant
a damn flag on it
Middle aged white man with a beard standing in a bedroom with posters on the walls
J.J. Campbell

J.J. Campbell (1976 – ?) is currently serving time in suburbia, taking care of his disabled mother. He has been widely published over the years, most recently at The Beatnik Cowboy, Horror Sleaze Trash, Misfit Magazine, Mad Swirl and Terror House Magazine. You can find him most days on his mildly entertaining blog, evil delights. (https://evildelights.blogspot.com)

Poetry from Stephen Crowe

The Salton Sea  
 

It’s said the Salton Sea is a drainage pond for the vast Imperial Valley-

Breadbasket of the nation 

And just when I think I’ve seen it all…

an old man in a tomato red tuxedo water skis passed a flock of pelicans.

I go for a walk 

The water is receding from the beach like a shy girl in a disco tech. The lake will be dead in another 50 years      

White sand beaches are littered with the bodies of dead green fish. They remind me of dollar bills scattered in the snow 

Sea gulls pick at the bleached bones of a cat
 

The hotels are empty and the palm trees have died eons ago.
 

I thought I saw the skeleton of a dinosaur in the trash heap behind the Howard Johnson’s. 

Someone’s opened a fire hydrant and it’s pissing precious water down the road. 

The ancient body of a Winnebago sits in the lot across from a deli its tires are flat and someone’s spray painted “Earth First!” in blue paint across the back of the motor home. I think it was used in a movie once.
 

Not far is a tavern 

Two bills get you a glass of cheap bourbon 

Not far is a peer
 

A pile of bacon grease lies on the walk to the water the fat’s coated with blowflies 

Watch your step. 

My dogs investigate the dumpsters behind the Chinese restaurant.
 

Somewhere out here there’s supposed to be a wildlife refuge.

Captain Caveman just rode by on a Schwinn bicycle--



The sun falls behind the atomic mts.

Good luck, good-bye


from the Salton Sea

Poetry from Fatihah Quadri

Playground

Back then, we use to see a woman at the window,
Who made sounds with her mouth to arouse our laughter;
Our milk teeth cracking their surfaces like tiles on metals.
Then we would jump closer again and again, a-thirsting another sound.
We back-walked, and laughed at the window woman.

You would say to me “Run, run!, she is sounding again”
You and I laughed, legged footprints on the sand;
Like old copies of a testament that unfreezes memories; 
Of fragile days, of clay-soaked Kanjami, of toy catapults, of the dark!



At dinner time, Flashes of the window woman mirrors in our cornflakes plates.
Longing stumbles through the threshold of our hearts like a flapping toucan.
We swam in a pool of imagination that everything began to wear her sound,
But we relocated. 

Today, we miss the playground, 
The window woman who breaded us with sounds that still echoes.
We held each other, ran to the playground, 
Up the valley, we looked up to the window.
But sadly, nothing sounded.



Fatihah Quadri is a poet, creative writer, and a literary critic. She is a member of HCAF (Hilltop creative arts foundation),  Nibstears poetry cave, B.G.T( Black girl’s tales) and a member of Al faheedah press, University of ibadan. Fatihah is a Nigerian.

Poetry from Steve Brisendine

Motif II: Crash/Landing
(A Semi-Tragedy in Two Acts)

I. On the south side of Liberal, Kansas

For some reason, we all know to gather along the old highway
just north of where it meets the bypass; between them, a wedge
	of dry prairie grass anticipates dawn and something else.

The plane comes in from the south: long, thin, white, unliveried.
(Picture the offspring of a Concorde and a 707, its father’s nose
	and its mother’s wings, and you have it close enough.)

Gear still retracted, it slides in and turns top, three perfect spins
down the field without bending so much as one thin dun blade;
	there is no sound but breaths all drawn in at once.

No flame, no laceration of aluminum skin, not so much as a cloud
of honest Kansas dust; nose pointed back where it came from,
	the plane rests unperturbed, maiden-flight pristine.

From somewhere in the crowd, a Panhandle-tinged twang:
	Well, that ol’ boy done ‘er again, didn’t he? Might
	as well go see what all he brung us this time.

II. Manhattan, Kansas, on the street where Jim Roper lived

Stuffed with burgers (eaten, as ever, standing in the kitchen),
we walk north toward the football stadium, discussing the 
quarterback situation and whether threatened rain will hold off.

Someone – probably Gary – brings up a years-ago summer
solstice party, the honey-haired girl nobody knew who showed
up in a toga and antler-danced with Jim in the living room.

This is routine, ritual, sacrament, not to be disturbed by 
anything like that belly-flopping 747 two blocks ahead, 
plunging into low brick blocks where married students live.

Impact now, an infrabass thump and rumble. A fireball races
to consume families, tricycles, maples, all of us. It is red
and orange and beautiful; I breathe in and am not afraid.


 
Shawnee, Kansas, Which is Not Really Shawnee, Kansas: Dream II

This is another in a long line
of whole-cloth hotel lobbies
on streets which both exist and do not:

a tile-and-Formica spot 
on an off-map stretch of Johnson Drive

(pick dumpy or retro
and either will suit, depending more 
	on you than on the place),

and I’m trying to explain to Larry 
that I did (eventually) recognize

the young Clint Eastwood and the 
older one when I ran into both of 
them at the coffeehouse in Union Station

sitting at a table with either Anthony Hopkins 
or John Wayne – or occasionally but not 
always both, though why the Duke should 
resurrect for three-dollar drip is beyond me –

and for some other unfathomable reason 
James Urbaniak, thin and vaguely dangerous,
who smirked at all of us and left halfway 
	through the conversation.

Larry all the while fiddles with his phone,
poking it with a little screwdriver, 
only making appropriate noises so as 
	to seem engaged,

so I walk out into a half-dawn of
backlit plastic, oddly angled streets
	and lumen-polluted overcast.

I suppose I might eventually find my way
	back to the map and home –

that, or just go upstairs and fall into dream 
within dream, still in my clothes on
forty dollars' worth of rented sheets.

Don't press me for a clear answer; I am and
will be asleep the whole sometime.
 
Bonner Springs, Kansas, Which is Not Really Bonner Springs, Kansas: Dream II

The stakeout is just beginning. I have time to go for coffee.
The town’s heart is only a few blocks south; its buildings 
are taller than I remember, but this bodes well; somewhere
in this tangle of five-story limestone, there must be a place.

The sidewalk spans a ravine, brush-lined, hundreds of feet
deep. There is no handrail, and the walkway is less than a
yard wide. I take no shame in dropping to my knees to cross,
but a man on the other side rolls his eyes and tosses a few
	dead dogwood branches to impede my way. 

No need; I am being called back. We have been made. Our
	target has seen telltale peanuts floating in his gutter.

(He looks like a television character actor of some minor 
note, one who always seems to play a well-meaning but 
largely incompetent foil to the protagonist. I will remember 
his name someday, likely on my deathbed, and my loved ones
	will always wonder why those were my last words.)

We will have to take another tack, so we roll back into the
city along Kaw Drive. I see a coffeehouse, set back among
trees on the north side of the road. We do not stop.

Poetry from Mahbub

Poet Mahbub, a South Asian man with dark hair and glasses and a suit and tie
Poet Mahbub
Standing on the Bridge

Standing on the bridge
I look straight around the bending structure of the world
To the end my eyes can't enter any more -going out of sight
The mind steps there where the unseen lies
I know all my loving dreams lurking there 
How wonderful reflection of the water!
Brings out the unknown beauty and charm
Right time to start the journey to the horizon
The sky and the land kiss between
The soothing light dancing with the colorful birds
Suddenly the waterman sings out touching the heart
"O ki Garial Bhai!"

Chapainawabganj, Bangladesh
12/06//2022

In This Hot Summer

In this hot summer 
I turn back here again and again
Under the large banyan tree
Drink the cool fresh tube-well water
And remove my fatigue
By your hand made spicy lemon tea without sugar
I walk through the green isle 
Emerge the oxygen of the body
Sitting on the mound  
How wonderful the sunset reflecting on the river!
In the hot summer morning 
I walk out to the lovely open field
Observe the new light softening the earth
Awakening with the chirping lovely birds
Calling me back to the fondling childhood days
In the hot summer night
O disturbing sleep 
Keeping hands on the forehead
Brood over the days passed 
And the days on to the rise.

Chapainawabganj, Bangladesh
12/06//2022


Facing the Reality

Nowadays we can't cry to see the death of our brothers and sisters
Everyday every time it becomes natural - occurring death 
It stops our cry to see the misery of others
Nowadays our heart can't respond like the past for love or sympathy
Sympathy or empathy - 
Roles on the outer face of the body
Humanity or the group of the humanity
All lie in the hole
No sign of light to remove the black spots on the corner of the eyes
Every day it increases the line of the hungry children
The deaths on the roads, on the waters, in the sky or by shooting, throwing missiles
Adding the large amount of daily starving people 
Around us facing the new change to solve
`Globalization' -the word
I believe the reality
How can I disbelieve my eyes, dear?!   

Chapainawabganj, Bangladesh
13/06//2022


Love Breath

What I do everything for you
Your simple words of love
Simply touches my heart
I reach my goal - like the boat floating on water
Your simple words of love
Knock at the door
I enter your room lying by you
Charmed to what you say and hug
I take my breath and lose myself in the world
Where only you and I live.

Chapainawabganj, Bangladesh
13/06//2022