It was a burning winter night
Falling snow a white in light
It sprinkled on trees all bright
It was an unending smile of delight
A cold wind was blowing from far away,
And it made the trees rustle like living things
Within the winter a spring is promised
She was my muse on that frozen dark
Wrapped me in a blanket of love
And kept my heart warm like a furnace
The warmth of her love revamped me into
A dancing spring with blissful heart
Our lips made for each other
And our bare body melted each other
I was in a fairy land of imagination
To know was nothing at all; but,
To imagine was everything for me
It was wider than the sky; and
It was worth more than I imagine!
I had a universe inside my mind
Where flowers bloomed with ecstasy
Butterflies flied high as kites
Love requires imagination
More than experience
So, I am just an imagination!!!
An ugly hand chasing a butterfly
It fluttered around the garden
Then gently floated over
And landed on the flower and flirted
It was a beautiful yellow butterfly
The wigs of it kiss the sun when flying high
The strands on it’s wings shimmered!
A flying flower sprouted a few minutes ago
The graceful rise and fall of its dance
Gripped my whole attention and suddenly
It made my heart a caterpillar and
It turned into another butterfly!
It sang a wonderful song of love
Butterflies are angels sent from heaven
To bring us luck, happiness, and riches
They are the embodiment of myth
And, planet’s tragic heroines
No one can chase a butterfly for so long
Yet again an ugly hand chasing it for so long!!!
Cat Tales, Kitty Capers is a true story of the many antics and personalities of the author’s pets through the years. The first part of the book is the story of an elderly woman named Ruth and the animals she took in and loved. It is about the unconditional love that animals give to us and how they can teach children responsibility by caring for them. She points out the many health benefits that animals can provide to their human benefactors. This is a book that is absolutely perfect for any age group to read. I absolutely loved it. this is a book that will leave you smiling for hours after you read it.
Trees Unlimited is a suspense novel about a man, Gimel Vexa and his daughter Lea. Gimel is a collector of valuable and rare leaves. He and his daughter are invited to Tochslvania by the plantation owner Mem Samekh. Mem has more sinister plans than to just sell his expensive and rare collection of leaves. Then Thav, Mem’s sister is taken hostage by one of the native aborigines. At this turn of events Gimel Vexa finds out what kind of a person Mem really is. Trees Unlimited will most definitely keep the reader engaged until the end. It is a short book but not short of suspense. Trees Unlimited is a perfect read for teen to adult. I highly recommend it.
The Great Exhibition: Poem by William Makepeace Thackeray, Victoria and Albert Museum
First of all, especially as this issue fortuitously deals with memories, we need to take some time to remember the life of our past editor and contributor, Tony LeTigre. He passed away suddenly in a car accident Saturday, January 19th.
He sent poetry and short stories and essays in to this publication over the past several years and created a few editorial letters. His work was nominated multiple times for Sundress Publications’ annual Best of the Net writing awards, and he was also a fellow zine creator and an accomplished oil painter, and an advocate for the homeless. He attempted to turn his peripatetic, impoverished, yet non-materialistic intellectual life into a work of art alongside his written and visual creations.
Memorial gathering is tentatively scheduled for Thursday night, April 4th at St. John’s Episcopal Church on Julian St in San Francisco at 7pm. May change though, please do check back as we will post an updated announcement if needed. You may also email us at synchchaos@gmail.com if you would like to stay in the loop and we will keep you posted.
We are also hosting a general literary gathering for everyone in San Francisco near the end of the month for San Francisco Bay Area locals, and we will keep you posted on that as well.
Now, February 2019’s issue of Synchronized Chaos concerns the telescoping view our psyches can take of our existence and our place in the universe, expanding or contracting time depending on our perspective and stage of life.
Memories and storytelling: how and what we remember
John Middlebrook probes how the mind comprehends our existence with pieces on various liminal, in between spaces, including dreamtime and evening. He lends the theme to this issue with his piece about seeing the world from the ‘big end of the telescope,’ where the past becomes clear, small and far away enough to organize in one’s mind.
In Mark Young’s work, words and lines flow together. The literal meanings of words don’t connect but the phrases and style of writing unify together into a mosaic poem.
In John Patrick Robins’s piece, an author can’t figure out a book review he receives. It’s not negative, just inexplicable.
How we figure out who we are, our place in the cosmos
Robert Ragan relates a story about an incompetent, yet enterprising, homeless man. His take on human nature is ironic, as both his homeless and non-homeless characters hold a cynical view of human nature and seek to prove their expectations right.
Ivan Jenson gives a humorous look at the mental arithmetic we use to make life decisions, while Elizabeth Hughes, in her Book Periscope column, explores books which invite contemplation of one sort or another. These include Linda Orber and Deborah Simmons-Roslak’s devotional Love, God, Clem Masloff’s psychological sci fi The Amphibiots, Nisha Singh’s Sherlock Holmes’-inspired Bhrigu Mahesh, and Rosa Mae’s poetry collection Reaching Out to Kindred Souls.
More abstract exploration of the role of humans in the universe, and the role of an individual
“Man I’ve had some shit reviews but never one that I couldn’t understand.”
All my friends read it and yet none could explain.
The four star review and the weird ass comment .
We all speculated but this mystery remained unsolved.
The hipster critic and editor had created a legend within itself.
I rather crack a bottle than crack a code.
Some mysteries are best left unsolved.
R.T.C Arthur.
Leonardo da Vinci doesn’t have shit on you.
—
John Patrick Robins
Is the editor of both the Rye Whiskey Review and Under The Bleachers.
His work has appeared in.
Synchronized Chaos , The San Pedro River Review , The Move River Review , Ariel Chart , Red Fez, Stanzaic Stylings, Angry Old Man Magazine , Horror Sleaze Trash, Outlaw Poetry Network, Piker Press,
He is the author of Smoking At The Gas Pumps published by Soma Publishing .
I could go right down the line. All of the bullshit. Start small, with those little pricks who are polite to your face but who you know call you a pig twenty seconds later. Probably because they think that the black kids do and that’s cool to them. They’re not terrible, but they grind you down, not being able to call them out, because you know their parents would pitch a fit.
But that’s still kind of small time. Take the Black Lives Matter crap. I get it that their neighborhoods are tough. I’m called to them enough that I get it. But what are we supposed to do, not arrest any black people? I’d like to see them try to be a white cop. Good fucking luck. If you go easy, the people from the neighborhood will expect you to always back down, and your buddies are done trusting you. If you’re too much of a hardass, you could lose your job after a couple of people complain or you could be the target of some thug. Damned if you do, damned if you don’t.
And then, on top of all that, there’s that fucking tiger. They said it was supposed to be like a mascot or something. I don’t know why it would be a tiger. We’re in the middle of a fucking city. But they keep the tiger right where we all come in. Stupid, right? And I asked what the deal was. I asked Morris, “You going to just let this thing stay out here?” So what does the prick say? He doesn’t look at me, but he says, “Out of my hands.”
I tried asking him whose hands the tiger was in, but you know how it goes. By the end, he just said, “Look, as long as you don’t do anything to agitate the tiger, you have nothing to worry about.” Like it’s up to me not to rile up a god damned tiger. Like if something happens it’s my fault.
You’d think that everyone felt that way, but leave it to fucking Evans to take Morris’s side. A bunch of us were talking, and pretty much all of us agreed that this whole tiger thing was bullshit. But then Evans said, “It smells fear. You have to not be afraid.” Now think about that for a minute. There’s a deadly creature that you have to see every fucking day. You can’t not. And you’ve been told not to agitate it, and then you’re told that if you’re afraid, you’re agitating it. Makes a lot of sense, right?
And don’t tell me that nothing’ll happen. Just yesterday, Jameson got his face clawed. Yeah, Jameson was being stupid, trying to take a selfie with the tiger, but, come on. Bringing that thing in, we were just asking for trouble. It’s just common sense. But nobody knows what it’s like, and that’s why nobody gives a fuck, and that’s why it’s not going to get better. Go fucking figure.
Go through with it
the daily grind
until the great unwind.
Continue with
the gross overestimations,
the bad investments
of money or time
and keep on playing your chips
when it comes to love
or friendships
do it all with the artistry
of archery
even if it means
aiming for the bullseye
of a good cry
fake it
until you break it
and most of all
keep your journal
of to-dos
you did not
because this
French kiss of living
and vampire hickey
on the neck
of death
is all
that you’ve got
Over Complex
I know who
and what
you are
from your sequential
idiosyncrasies
and the polyrhythmic algorithms
of your speech patterns
and based on my graph
of your laugh
and the amount of
salt in your tears
and taking into account
your good and bad years
I deduce your use,
validity and relevance
in the current marketplace
of those who wish to be
in my space
and if you pass
this take home exam
then I am
willing to give you
the passcode to enter
my emotional wellbeing
now look into my iris
where you will see
your intentions reflected
good, no virus detected
The Last Match
There is somebody
out there for everyone
who is willing to strike
cinematic poses
in the rain
holding soaked roses
or who does not mind
the humiliation of
being the only one
in love
or who can flatter
at a moment’s notice
or pay for a fancy platter
and act like throwing down
one hundred bucks
for overcooked duck
really doesn’t matter
and you are guaranteed
to keep that
special one
if you can ignore
blatant off-white lies,
and distant distracted looks
in their hypnotic eyes
in exchange for
the hope that
they will be there
to light a candle
on that night
when the old cold wind
blows out the power
of your heart
and the light dies
Author, Author
I have been working
on a project
that involves
zero actual humans
and no tangible materials
the gist of this endeavor
is mostly me
and the alphabet
trying to be clever
the chance of it
being finished
any time soon are nil
but when it is done
like a comedian on fire
it is going to kill
this whole thing is
just an act of
cowardly heroism
egotism, as seen through
a self-involved prism
all that I can hope
is that when you read
my scrawlings on the
concave of your imagination
you will be
thoroughly shook
and you will then
tell everyone to
go read my book
—
Ivan Jenson is a fine artist, novelist and contemporary poet. His artwork was featured in Art in America, Art News, and Interview Magazine and has sold at auction at Christie’s. Ivan was commissioned by Absolut Vodka to make a painting titled Absolut Jenson for the brand’s national ad campaign. His Absolut paintings are in the collection of the Spiritmusuem, the museum of spirits in Stockholm, Sweden.
Jenson’s painting of the “Marlboro Man” was collected by the Philip Morris corporation. Ivan was commissioned to paint the final portrait of the late Malcolm Forbes. Ivan has written two novels, Dead Artist and Seeing Soriah, both of which illustrate the creative and often dramatic lives of artists. Jenson’s poetry is widely published (with over 600 poems published in the US, UK and Europe) in a variety of literary media. A book of Ivan Jenson’s poetry was recently published by Hen House Press titled Media Child and Other Poems, which can be acquired on Amazon. Two novels by Ivan Jenson entitled, Marketing Mia and Erotic Rights have been published hardcover. Ivan Jenson’s new novel, Gypsies of New Rochelle has been released by Michelkin Publishing. Ivan Jenson’s website is: www.IvanJenson.com