Essay from Nurmatova Charosxon Pirnazar qizi

The Application of Artificial Intelligence and Digital Technologies in Education and Society

Nurmatova Charosxon Pirnazar qizi

Annotation:

This article attempts to conduct a fundamental analysis of how artificial intelligence (AI) and digital ecosystems—one of the greatest technological and ontological turning points of human civilization—are reshaping the global architecture of society. The paper scientifically substantiates the inefficiency of traditional educational paradigms and the emergence of adaptive algorithmic systems that expand human cognitive abilities.

The central idea of the research is to interpret AI not merely as a technical tool, but as a “catalyst” that enhances the intellectual potential of society. The findings present innovative strategies for personalizing the educational process, eliminating the digital divide, and adapting to transformations in the labor market. In the context of technological determinism, the concept of a “Humanistic Digital Society” is proposed, which prioritizes the human factor and digital ethics.

Main Part:

Today, the educational process has moved from the stage of “information transmission” to the stage of an “intellectual ecosystem.” Artificial intelligence (AI) here functions not only as a tool but also as a personalized learning companion.

Digital technologies enable a transition from vertical (hierarchical) governance systems to horizontal (network-based) structures in society. Society is now measured not by geographical boundaries, but by “data flows.” In modern governance, digital models of cities, transport systems, and even social groups are being created.

With the help of AI, optimizing resources (energy, water, logistics) not only increases economic efficiency but also systematically eliminates corruption and subjectivism associated with human factors. According to research, by 2030, AI will perform up to 85% of tasks such as data entry, standard calculations, and basic diagnostics. This leaves humans responsible mainly for empathy, creativity, negotiation (soft skills), and ethical judgment.

Conclusion:

In conclusion, artificial intelligence and digital technologies are not merely the next innovation, but a new chapter in the intellectual evolution of human civilization. This study shows that transformation in the education system is not just about replacing textbooks with tablets—it is about creating a “personal intellectual environment” that elevates each individual’s potential to an unlimited level and expands their cognitive abilities.

Nurmatova Charosxon, Uzbekistan 

Poetry from Abigail George

The Interior Castle

Nights are lonely,

days too

The light

The light

All this light

The curtains

The big screen television

The plate

The cup

The knife

The fork

They’re lonely

They talk about Gaza 

less and less these days

It’s quietened down

The question is rather about Trump,

and does he have 

a chemical imbalance

Grief,

well, grief comes to me in waves,

with fanfare and declaration

If I say 

that I will 

remember you

Will you 

remember 

me too?

What is this grief?

What is this sadness?

Let me sit beside the sea 

and count the waves 

Let me sit here

and remember your face 

in my hands, or as you

turned towards me,

your hand in mine

as you confessed

that your heart loved me,

as you proclaimed that I was beautiful,

as we regained hopefulness

that we had found each other again 

in the wilderness

of the lost years

Even now I find 

novel meaning in your absence,

You left me with the strength,

a power and will

to carry on

I want to tell you that

with my whole heart

You’re not here

You’re not here now,

anymore

Yet you’re alive for another woman

Grief in my heart

biting at me like a rat

cutting at me like a knife

Stay there in the wilderness,

make a home there

Marry another

Marry the woman in your life

Make her your wife

She’ll call you husband

as I lay in this bed,

this ward,

this hospital

As a city, Gaza,

is under siege,

as children die like flies

I remember the 

chocolate bar I gave you

The one the magistrate gave to me

You were beautiful to me,

kind to me

I called you “Husband”

Yes, I did

I did

Now I write these sad poems

to reach you

Do you finally understand 

who I am as a woman?

It’s come much too late

Your understanding of me

All I have is the flowers in your eyes

This grief and melancholia,

this daylight,

the smell of the meat burning in the pot

Well, they all taste like tears to me.

The shape of your neck

I am a wave

I am tired

I am as tired as a wave

The wave is inside of me

The wave is Gaza

The wave is a shack

The wave is waiting to be liberated

The wave is the Freedom Fighter

The wave is the land

The wave is the title deed to the land

The wave is the doorway to humanity

I am a wave

I am the water in the wave

I am tired

I am tired

Comrade, I am tired of waiting for freedom

The wave is a bird

The wave is Charles Bukowski’s

Linda vacuuming

The wave is an empty glass

The wave is the rot in this country

The wave is blue

The wave is full of cloud

I am the wave

I am tired

Letter To A Poet In Gaza

There is one moon

There is still bread

There are photographs 

of who you were before 

this madness

buried under rubble

There are roses and life

Life!

There is the laughter of a child

But in war what do you have?

There is no birdsong,

only a cage,

only this prison,

only the camps

To survive you write

You must!

You have poems and poetry,

the ability to write,

and that must be enough,

sufficient in a sense

to keep on going,

to keep on living, 

to keep on breathing

It must

But one thing I wanted 

to ask you is this

Do you still smile?

The Child In Time

Sun bright and hot

I have no clock

to count the hands of time,

the length of this war

Sun, why aren’t you happy?

Is it because children are dying?

Sons and daughters of the earth,

of Palestine,

of the Muslim world?

Is it because ordinary people 

are turned into martyrs

by bombs and airstrikes?

I sip green tea in a tranquil garden,

a calm sea of green

but I’m angry

Angry that another daughter has no father,

that they aren’t being educated

to the tune of philosophy, poetry,

literature, political science and economics

There is no music in war unless 

musicians are playing instruments

There is no you without me

Can’t you see that?

Mothers cry for their sons

Stop, please stop

Make it stop

Children are crying 

for the ethnic cleansing to stop

This morning all there is to see

is an avalanche of rubble

I left you standing there

Was it yesterday

Who knows how far you 

have travelled by now

under a bright sun,

under a hot sun

Who knows when we 

will meet again traveller, 

child in time?

Just remember this

You are not the genocide

that the world 

has forgotten about.

Cloud People

By Abigail George

The clouds

I long to see the clouds

People

I long to see people too

Sometimes I see people

in the clouds

Sometimes I see 

your brown eyes too

Cats and dogs

Well, where are they?

Only skulls remain

A few years ago

there were flowers 

on the table,

there was oil, flour and water 

to make bread

Now there is only the salt in the sea,

the cold reality of war, 

of hunger, of innocence lost

It hurts

It hurts

It hurts

The membrane that is your silence hurts

The gland that your loneliness consists of hurts

Yes, even your memory hurts

It just reminds me of your absence

Yes, it hurts

Every night in my dreams I ask you

When are you coming back to me?

I am waiting for your return.

Poetry from Tasneem Hossain

Let’s Dance

One, two, buckle your shoes.

Three, four get on the floor.

Five, six, step on your feet.

Seven, eight, dance on the beat.

Nine, ten, move like the wren.

Eleven, twelve, roll like the fawn. 

Thirteen, fourteen sway like the swan

Fifteen, sixteen, swing on the tune.

Swirl with joy, transcend time. 

Dance, the form of cultured minds.

Feel the rhythm and dance divine.

Let’s dance!

Dance Across the World

Dance across the world, 

All leave their own trace.

Ballet, balanced, flawless grace, 

Eight body limbs poised in perfect space, 

From Italy to France it spread,

Angels with pointed toes waltzing pirouette overhead

Flying on clouds, ravishing danseuse, 

Each movement a dream, tender and loose.

Ballroom couples’ alluring smiles that gleam, 

Elegant posture, rolling shoulders in style, a flowing stream.

Europe to the USA curving patterns, swaying hips, 

Thrusts and lifts; locks and drops they flip.

A story of passion silently told in a gist.

From San Francisco, the Contemporary began,

Beginnings of Modern Dance, where freedom ran. 

Legwork strong and body controlled;

Contract, release, daring and bold.

Shifts of rhythm, sudden speed,

Floor work, fall and recovery freed. 

Flamenco flames from Spain arise, 

Posture proud are main, spirit flies. 

Fierce glances turn with daring, artful charm;

Swirling flounces of dress; upheld naked arms;

Flirtatious gestures, hasty, heated rhythms;

Clapping the castanets, spread darting flame’s prism.

Street dance, hip-hop, energy vast.

Borrowed, versatile style, the die is cast.

Tap, tango, jazz dances flow.

From European, African, the American modern shows. 

Emotions and moods to design their steps, 

Feet like drums, rapid footwork sets.

Dancer’s foot and shoe work, so intricate.

Salsa and Rumba, down in Cuba, 

Fusion of dance and music of Ganzá,

Mambo, Cumbia, Festejo roll. 

Break steps, spins, loud moves and drops. 

Trinidad and Tobago do the Calypso.

Everybody dances to the beat of the disco.

Buenos Aires hums with Tango’s heat,

Milonga, flamenco, rhythms meet.

Fast, sensual dance from Argentina; 

Influences from the Cuban habanera. 

Brazilian Samba, hypnotic, bright,

Guatemala’s Marimba dances the night.

Egyptian belles sway with might,  

Dynamic shaking solo with torso twists in moonlit light.

Middle Eastern rhythms ignite. 

Torso isolates, artistry shown with body parts;

Fascinating, beautiful body art.

From India’s heart, classical dance,

Bharatanatyam tells tales at a glance.

From Tamil Nadu, southern India 

Hand mudras tell a story that’s the idea. 

Kathakali: southwestern India’s religious dance. 

Inspiration from Ramayana and Shiva’s romance 

Ramayana’s lore,

Kathak:  northern India, 

A dance of love, ghungroos implore.

Manipuri from Manipur, northeastern India.

Folk traditions and rituals, from life of God Krishna. 

Smooth and graceful, oh what charisma! 

Andhra Pradesh: Kuchipudi, sensual dancing, 

Sprinkling holy water, a ritual with singing.

Odissi, from Orissa in eastern India 

Fifty mudras, lyrical, sensuous dance

Goddesses rise, deities loom.

Dazzling, daring goddesses, deities pursue.   

Indian dance lifts souls and leaves all in a trance.

Soulful hearts immerse in beautiful romance. 

Bhangra, vibrant martial movements, folk dance from Punjab

Jhumer dancers sway folk dance with roots in Punjab, Balochistan, 

Dhali, war- themed, martial arts dance with swords and shield

Baul, mystic tradition with expressive moves and spiritual themes,

soul is healed.

Manipuri, Santal tribal dances graceful and intricate moves revealed.

Festival dances from Bangladesh fascinate the audience; they beam.

Methodical, precise, yet free;

Dancing soft, swift feet to the beat in harmony.

Perfection with passionate emotions ignite; 

Eases mind and lifts high to divinity, excites. 

Glittering garments shine like tremulous waves

Sparkling trinkets sparkle with rhythmic display. 

Dancers’ eyes ravish with rapture,

Amazing aura, audience easy to capture

Dance from east to west, north and south

Continents with diverse traditions and muse.

Dance, dance! Dance with the steps 

Shake your body, the way you can best

Let it touch your heart and soul

Let music lift you and make you whole.

Let the onlooker applaud and smile;

Stress will fade, your spirit will sing,

Poetry births song, and dance takes wing.

Poetry gives birth to music, song and dance. 

Poetry gives life, meaningful contrasts. 

Brief Biography of Tasneem Hossain

Tasneem Hossain, a multi-lingual poet, author, educator, translator and columnist from Bangladesh has left an undeniable mark on the literary world. With a major in English language and Literature, she is a prolific writer who crafts poetry in English, Bengali and Urdu. Her works span from poetry, fiction, op-eds, translations and educational writings making her a versatile and influential literary figure.   

She has immersed herself in the timeless essence of literary creations. She believes, ‘poetry is music through words, an ever-flowing river reflecting all that surrounds us.’ Tasneem writes poetry only when her passion is aroused and this can be observed in the powerful flow of her ink.  

A strong literary presence, she is a multifaceted author, a talented and gifted soul, an experienced educator and a business leader. Her profound and emotive writings have captured the hearts and illuminated the lives of countless of readers worldwide. Tasneem’s works have transcended geographical boundaries, reaching readers from diverse cultures and backgrounds. Her impactful writings have been featured in more than 280 esteemed anthologies, journals, daily newspapers and international magazines worldwide. Some of her books are available in 40 countries.

Her op-eds and columns create awareness about social and human rights issues- including domestic abuse, war and peace. Her writings are a powerful call to humanity to stand against injustice and war. As an op-ed writer, she has written more than 175 articles. 

Several of her articles and poems are utilized as teaching material in universities and academies in Bangladesh and China; some have found their way in university research papers and some have been referenced in university research papers. She also conducts international workshops on haiku writing.

Adjudged the ‘100 most influential literary figures of 2025’, by Barcelona Adibia. She is the winner of The International Literary Association Creative Tribune, Walt Whitman 2025 Contest and first place holder in the English Language category of The International Literary Association CREATIVE TRIBUNA’s ” Friedrich Schiller International Literary competition 2025”. She has also won the prestigious Giovanni Pascoli Award for 2026-2027 and Shahittyapata Award 2025 and 2026. She has won many other awards and recognition from different literary groups around the world. Her poems have been translated in 18 languages and her powerful writings are regularly featured in esteemed publications around the globe. A member of World Writers’ Union, she has been recognized as World’s Contemporary Writers 2024 and 2025 in several anthologies and interviewed on several literary platforms in recognition of her contributions to world literature. She has also been recognized as ambassador of peace and Humanities by ‘The Egyptian International Organization for Ambassadors of Peace and Humanities’

She is the Editorial Ambassador, Bangladesh for the popular international literary magazine, Wordsmith International Editorial, USA and Board Ambassador of Literacy and Culture of the Asih Sasami Indonesia Foundation, Indonesia for five years (2025-2030). 

An author of three poetry collections—Grass in Green, The Pearl Necklace, and Floating Feather and a book of articles Split and Splice, she also leads an international poetry project and group called Life in Lyrics. Additionally, four more books are currently in progress.

She served as a faculty member of Business English at Chittagong University of Engineering and Technology. Currently, she is the director of the prominent human resource development organizations, Continuing Education Centre (Bangladesh), and Cansaz Services and Distribution LLC (Canada). With 29 years of experience, she is a highly regarded Business consultant, and English Language and Communication Management trainer. 

She actively participates in sports whenever the opportunity arises. She also participated in the national badminton championships in Bangladesh. For 10 years, she worked as a newscaster, commentary reader, interviewer and radio presenter for Radio Bangladesh. She has also directed plays, including Shakespeare’s ‘A Midsummer Night’s Dream’.

You can connect with Tasneem Hossain through email: cec.tasneem@gmail.com 

Linkedin: https://www.linkedin.com/in/tasneem-hossain-280b891aa/ 

Poetry from Dr. Jernail S. Anand

Older South Asian man in a pink turban and coat and tie standing and reading from a large open book.

Diet chart

 

What you feed on 

So that your body keeps moving 

Is your food 

And what keeps it 

In good trim are your thoughts .

Your stomach is not hungry alone 

Your mind too 

Feeds on certain ideas

What you entertain and take in

Is also a part of your daily diet 

All the ideas that generate in your mind 

Or which strike your mind 

From outside 

Look at the type of thoughts 

You find delicious 

Evil is a great delicacy 

Foul  deeds smell so sweet 

You do not need as many arguments

To commit a crime 

As you need to keep you  away from it

We are healthy on the basis 

Of what we eat

We are happy on the basis of 

What we intake as thoughts 

Together they form a complete man

Our focus is on fruit, calories, 

Vitamins, Calcium etc 

But we make extra use of our brain too 

Which is rivetted on artificial joys,

Making merry and go happy.

Body is healthy, but mind is sick 

The thoughts it needs are missing 

We are on a decadent diet 

Dwindling by the  day 

As human beings..

Dr. Jernail S. Anand is a poet and philosopher from India.

Essay from Dildoraxon Turgunboyeva

Turgunboyeva Dildorakhon, 4th year student of the Faculty of Pedagogy and Psychology, Preschool Education Department, Kokand State University

DEVELOPING ENVIRONMENT IN THE PRESCHOOL EDUCATION SYSTEM AND ITS PEDAGOGICAL SIGNIFICANCE

Dildorakhon Turgunboyeva, Student of the Faculty of Pedagogy and Psychology of Kokand State University

Annotation. This article highlights the importance of a developing environment in the process of educating preschool children. It scientifically analyzes the content, main functions of the developing environment, and its impact on the cognitive, socio-emotional and creative development of children. It also provides practical recommendations on the organization and effective use of a developing environment in the pedagogical process.

Keywords: Preschool education, developing environment, education, child development, pedagogical approaches, creative development, socio-emotional development.

INTRODUCTION. Preschool is one of the most important, active stages of growth and development in a young person’s life. During this period, the child is formed not only physically, but also mentally, socially, morally and aesthetically. Therefore, the educational environment created at this age is of decisive importance for the child’s future life and personal development. The Decree of the President of the Republic of Uzbekistan No. PF-19 dated February 5, 2026 “On measures to further improve the system of preschool education and upbringing” and the comprehensive measures aimed at its implementation serve to develop the preschool education system in accordance with modern requirements. In this process, the developing environment created for preschool children plays an important role in their adaptation to society and comprehensive development[1].

LITERATURE ANALYSIS AND METHODS. The issue of the environment affecting the development of preschool children has been widely studied in modern pedagogical and psychological sciences. In particular, Lev Vygotsky’s theory of social development substantiates the decisive role of the developing environment in the formation of a child’s knowledge and skills. According to him, child development occurs in the process of interaction with the social environment and adults. In modern preschool education practice, advanced pedagogical approaches such as the Montessori method and the Reggio Emilia approach demonstrate effective methods for creating a developing environment. In these approaches, the environment is considered one of the main factors in the child’s development and serves to support his independence, creativity and initiative. At the same time, the pedagogical competence of parents and educators, as well as the child’s entry into a healthy social environment, are also of great importance. This study used methods of analysis, comparison and generalization of scientific literature.

DISCUSSION. Creating a developing environment in the process of educating preschool children is an important condition for the comprehensive development of the child. Analysis of theoretical sources shows that the pedagogical views of scientists such as Lev Vygotsky justify the central role of the developing environment in the mental and social development of the child. At the same time, modern pedagogical approaches such as the Montessori method and the Reggio Emilia approach highlight the importance of the developing environment not only in terms of the material and technical base, but also in supporting the independence, initiative and creative freedom of the child.

In practice, the organization of a developing environment is not limited to toys and didactic materials. It includes, first of all, the attitude of educators to the child, effective communication, an atmosphere of cooperation and positive social relations. The results of the study show that children brought up in such an environment tend to think independently, acquire teamwork skills and actively engage in creative activities. Education is a process of comprehensive development of the younger generation, the formation of its consciousness, behavior and worldview, based on a specific goal, based on socio-historical experience [2. – P. 388].

In this regard, it is important to regularly update the developing environment in preschool educational institutions and introduce modern pedagogical methods into practice. However, there are some problems in organizing a developing environment. In particular, the lack of material resources, the level of qualification of teachers, and the lack of effective cooperation with parents can negatively affect this process [3. – P. 224]. Therefore, in future research, it remains an urgent issue to eliminate these problems, further improve the developing environment and increase its effectiveness.

RESULTS. A developing environment is a set of physical, psychological, didactic and social conditions created around a child, which supports the comprehensive development of the child’s personality, stimulates his interests and directs him to self-realization. Such an environment includes the following components: a comfortable and safe space adapted to the child, didactic toys and tools appropriate to his age, opportunities for stimulating independent activity, positive communication and emotional support, as well as pedagogical approaches based on play, creativity, experience and discovery. Based on the studied theoretical and practical sources, it was determined that a developing environment is of great importance in educating preschool children.

The results of the study show that a developing environment has a significant impact on the cognitive, socio-emotional and creative development of a child. In particular, such an environment serves to form independent thinking, self-management and decision-making skills in children. It has also been observed that children develop their knowledge and skills effectively when they participate in activities that are relevant to their interests and needs. The activities of teachers and the proper organization of the educational environment strengthen children’s social communication, cooperation and teamwork skills. A developing environment is determined not only by material means, but also by pedagogical approaches and socio-psychological conditions. At the same time, during the study, the lack of a material base and the low level of methodological training of teachers were identified as significant obstacles to creating a developing environment[4. – P. 145].

The main functions of a developing environment are as follows:- Ensuring cognitive development – the child understands the environment through games, activities and experiments, understands cause-and-effect relationships. – Supporting social and emotional development – communication, cooperation and mutual respect skills are formed. – Developing creative potential – the child expresses himself freely through art, music, drawing and dramatic activities. – Forming independence and self-control – the opportunity to act on the basis of choice increases the independence of the child’s personality.

CONCLUSION. In conclusion, we can say that the developing environment created for preschool children ensures their healthy intellectual, social, emotional and creative development. Such an environment is not limited only to material conditions, but also includes the professional qualifications of teachers, their educational approach and a respectful attitude towards the child. Each preschool educational institution should become a free, safe and developing space for children. Teachers, using modern methods and technologies, should create an environment that encourages children’s independence and creativity. At the same time, it is important to constantly improve the educational environment and strengthen cooperation with parents and the public.

References: 1. Decree of the President of the Republic of Uzbekistan dated February 5, 2026 No. PF-19 “On measures to further improve the system of preschool education and upbringing”. Electronic resource: https://lex.uz/pdfs/-8037353. 2. Khoshimov K., Nishnova S., Ibimova M. and others. History of Pedagogy. – Tashkent: Уүтитуччи, 1996. 3. Khodjayev V.Kh. General theory and practice of pedagogy. – Tashkent: Sano-standart, 2017. 4. Khalikova U.M. Methodology for designing pedagogical processes in preschool education. – Tashkent: Science and Education, 2022. 5. Alikulova M.Sh. Organization of development centers. – Karshi: Science-science-spirituality, 2025.

Poetry from Jernail S. Anand

THE WORLD WE WANT 

What is worth watching?

And what is worth recording 

History has no ear 

Nor eye for good.

An era of happiness

And peace is unhistorical 

So are good people 

Unfit for a mention 

In history books

If you can threaten life 

And if you can kill

And make rivers of blood 

Flow in the pages of history 

You are the greatest character 

Worth being recorded 

With great reverence 

By the way who is the greatest hero

Of history books?

Socrates and Aristotle 

And Shakespeare do not possess

The top position which history books 

Assign to Alexander, Achelles, 

Napoleon and Hitler

And with great reverence 

We offer their lives to our kids.

Certainly what type of a world

We want? Is there any doubt?

Poetry from Gulchiroy Axmedova

A Mother’s Prayer

For the sleepless nights I’ve lived through,

For the restless days I’ve carried through,

For the words I held back, unspoken and true,

Oh my God, let my child not suffer pain,

Grant healing too — for everything, my thanks remain.

I endure… I have always endured, it’s true,

Don’t frighten me — I might grow weak too,

Patience isn’t enough for all three at once, it’s true,

Oh my God, let my child not suffer pain,

I became a good mother — for that, I thank You again.

When I care for one, another begins to cry,

As I soothe this one, the other stands nearby,

I’m tired, so tired — that’s the honest truth I can’t deny,

Oh my God, give me strength, give me patience to hold,

And thanks to my mother, who bore me so strong and bold.

Gulchiroy Axmedova (born August 8, 1996) is a second-year student at Kokand State University, majoring in Primary and Technological Education.