Essay from Rakhmonova Diyorakhon

Central Asian teen girl with a pink headscarf and a pink and white floral top poses in front of patterned wallpaper. She's smiling.

The Light of Knowledge

The Power and Value of Knowledge

Knowledge is like light in the darkness. It opens our minds, guides our choices, and helps us understand the world around us. In every society and every time period, knowledge has been the key to development and success. Without it, we remain unaware, confused, and unprepared to face life’s challenges.

Education is the foundation of knowledge. Through schools, books, teachers, and technology, we gather information and learn how to think, speak, and solve problems. However, real knowledge is more than just memorizing facts. It is about applying what we know in real life, asking questions, being creative, and thinking critically.

Learning is a lifelong journey. Even outside the classroom, we continue to learn through experiences, mistakes, conversations, and even failures. A curious mind is never satisfied—it always looks for new answers, new ideas, and better ways to improve.

Why Knowledge Matters Today

In the modern world, knowledge is more important than ever before. Science, medicine, engineering, and technology are all built on the foundation of knowledge. Every discovery, every innovation, every invention starts with someone asking: “Why?” or “What if?”

The internet has made knowledge more available than ever. A student in Fergana can now learn from the best universities in the world online. But this also means we need to be careful and wise—we must learn how to tell what is true, what is useful, and what is not. Knowing how to use knowledge is just as important as gaining it.

In addition, knowledge helps build peace and understanding. When we learn about other cultures, languages, and histories, we become more respectful and open-minded. Knowledge breaks walls and builds bridges between people, countries, and generations.

Conclusion: Knowledge is the Future

Knowledge is not just power—it is freedom. It gives us the ability to dream, to create, to lead, and to grow. Every young person has a spark inside them, and education helps that spark become a bright flame.

As a student, I believe that it is our duty to keep learning and sharing what we know with others. Let us all be seekers of knowledge. Let us read more, ask more, listen more, and grow every day. Because the future belongs to those who are prepared—and knowledge is the best preparation of all.

Essay from Nasirova Xurshedabonu

Young Central Asian woman with straight brown hair, brown eyes, small silver earrings, and a white collared shirt.

How Feedback Can Help Students Speak Better: A Practical Look at EFL Classrooms

Nasirova Xurshedabonu Sharof qizi 

Student of Samarkand State Institute of Foreign Languages

Samarkand, Uzbekistan 

Abstract: For many students studying English as a foreign language, speaking fluently and clearly is one of the most difficult obstacles. While grammar drills and vocabulary lists might help, the quality of feedback students get is frequently what determines true progress. This essay looks at how timely, insightful, and well-delivered criticism may help students develop their speaking abilities. Drawing on current research and classroom experiences, the study demonstrates how various sorts of feedback, whether from teachers or peers, may help learners become more fluent, accurate, and motivated. It also examines frequent obstacles that instructors experience while providing feedback and suggests practical solutions that might make a difference in the classroom. In summary, the correct feedback may help a hesitant speaker become a confident communicator.

Keywords: Speaking skills, feedback, EFL students, motivation, peer support, language teaching, fluency, error correction

INTRODUCTION

Speaking is generally the most challenging ability for language learners. Unlike writing or reading, speaking requires rapid thought, confidence, and the ability to articulate ideas in real time. Many students in EFL (English as a Foreign Language) schools struggle to discover their voice, not because they lack information, but because they are unsure how to utilize it. This is where the feedback comes in. Good feedback does more than only point out flaws; it also helps learners progress. As studies has demonstrated (Hattie & Timperley, 2007), feedback is one of the most effective methods a teacher can employ to increase student achievement. This research investigates how feedback may help students enhance their speaking skills and how it can be used effectively in modern classrooms.

METHODOLOGY

To investigate the effect of feedback on speaking abilities, a mixed-methods approach was adopted. Quantitative data were acquired via pre- and post-feedback speaking examinations, while qualitative data were gained through classroom observations and student interviews. The research looked at two groups of EFL learners: one got corrective feedback (for pronunciation, grammar, and vocabulary problems), while the other received constructive feedback (for fluency, clarity, and language usage in context). The data were evaluated to compare increases in speaking performance and student involvement across both groups.

RESULTS AND DISCUSSION

1. Impact of Corrective Feedback

 Corrective feedback is vital for encouraging pupils to more accurate language use. Typically, the teacher will intervene directly to point out particular mistakes in grammar, pronunciation, or vocabulary and recommend the proper form. In this study, students who got continuous corrective feedback shown significant progress in their ability to create grammatically correct sentences and use new vocabulary effectively. After repeated warnings and practice, learners who often misused verb tenses such as “I go yesterday” were able to correct themselves. Pronunciation mistakes, such as confusion between /θ/ and /s/ sounds, have decreased with time. While critical criticism can make students feel self-conscious, when offered in a helpful and polite manner, it helps them absorb right structures and build long-term accuracy. Teachers discovered that incorporating correction into communicative activities, rather than interrupting pupils while speaking, made feedback more effective and less threatening.

2. Impact of Constructive Feedback

 Constructive feedback encourages students to express themselves freely by recognizing their strengths and gently assisting them to address their weaknesses. Unlike corrective criticism, this sort of feedback does not require frequent interruption and instead promotes pupils’ fluency, confidence, and communication ability.

In the observed courses, students who received constructive comments were more open in conversations, tried lengthier replies, and took more chances with language. Instead of stating “That’s wrong,” teachers can say, “That was a great idea—let’s try saying it with the past tense.” This positive framing reduced students’ anxiety of making errors and increased their willingness to talk. The classroom setting became more casual and student-centered. Over time, learners demonstrated not just greater fluency, but also improved interaction skills such as turn-taking, subject management, and spontaneously responding to inquiries – all evidence of increasing confidence and genuine communication ability.

3. Feedback Timing and Frequency

 The timeliness of feedback is as crucial as the content. Feedback can be offered immediately or later, either at the end of the exercise or in the next class. Each has their advantages. Immediate feedback enables students to recognize and rectify their faults in real time, which can be beneficial for pronunciation or word choice. For example, if a student says, “He went to school yesterday,” a simple answer like, “He went?” might inspire self-correction. In contrast, delayed feedback fosters reflection. Teachers may take notes during a speaking assignment and then address frequent faults with the entire class to minimize personal shame and promote deeper learning. The frequency of feedback is also important; too little, and kids do not improve and feel overwhelmed.

4. Peer Feedback

 Peer feedback enables students to collaboratively reflect on one another’s performance. It fosters not just their listening and analytical abilities, but also a deeper feeling of classroom community. When students give each other feedback, such as pointing out a misused term or suggesting a cleaner sentence structure, they learn to pay more attention to language. In the research, peer feedback was frequently employed in pair or group projects. Students were given short checklists or suggestions like “Did your partner speak clearly?” “Did they use the past tense?” and “What did they do well?” This kept the feedback session focused and positive. Peer feedback also increased self-awareness, as students were more aware of their own speaking habits when assessing others. Importantly, students reported feeling more at ease taking advice from peers than from professors, which helped reduce nervousness and boost engagement in speaking activities.

CONCLUSION

 In conclusion, feedback is critical for helping EFL students acquire improved speaking abilities. Whether it is corrective feedback, which improves accuracy and pronunciation, or positive feedback, which increases confidence and fluency, each type has distinct advantages when utilized correctly. Timing and consistency of feedback are also important, since quick input can drive real-time modifications, but delayed feedback stimulates deeper thinking. Furthermore, using peer feedback promotes teamwork, self-awareness, and a more supportive classroom climate. Together, these feedback mechanisms provide a well-balanced strategy that not only improves student speaking but also promotes motivation to engage. Using a variety of feedback approaches strategically and consistently may help teachers transform speaking practice into a more successful, engaging, and learner-centered experience.

REFERENCES:

1. Hattie, J., & Timperley, H. (2007). The power of feedback. Review of Educational Research, 77(1), 81–112.

2. Lyster, R., & Saito, K. (2010). Oral feedback in classroom SLA: A meta-analysis. Studies in Second Language Acquisition, 32(2), 265–302.

3. Min, H. T. (2005). Training students to become successful peer reviewers. System, 33(2), 293–308.

4. Tee, M. Y., Loo, T. E., & Yap, Y. F. (2019). Oral feedback strategies and learner motivation in speaking classes. International Journal of Instruction, 12(1), 1–18.

5. Vygotsky, L. S. (1978). Mind in Society: The Development of Higher Psychological Processes. Harvard University Press.

6. Azizxo‘jaeva, N. N. (2006). Pedagogik texnologiyalar va pedagogik mahorat. Toshkent: TDPU nashriyoti.

7. Qurbonov, S. Q. (2012). Til o‘rgatishda innovatsion yondashuvlar. Samarqand: Zarafshon nashriyoti.

8. Xasanboyeva, Z. X. (2019). Chet tilini o‘qitish metodikasi. Toshkent: Fan va texnologiya nashriyoti.

Poetry from Alan Catlin

Dusking

The end of

each day

reveals

a new kind

of nightmare

since the sky

became a menace

of birds

Their horrible

voices echo

in our ears

long after

the receding,

obscene coloration

of sky

had faded

from our sight

like bruises

lifted from our

skin and transferred

what lies overhead

Wherever we go

now there will

be no respite

Our eyes deceive us

Blood from severed

tree limbs stains

the mottled bark

puddling amid

the dead fall

branches, needles

and leaves

The small fires

that burn

the night smell

like dead wood,

burning flesh

We see the unnatural

colors of the flames

the wonders of

smoke that has

no apparent source

Listen to my heart beat

While we were

sleeping some

ear candling

was undertaken

without our permission

Remnants of wax

cling to our

cheeks and are

stiff on the ground

near where we

were resting

Each clot of

black wax

residue

exudes a pulsing

light that mimes

our heart beat

and the insistent

ringing in our ears

that leaves messages

in our brain

we have not been

able to decode

Hollow Mazes

As the marked

paths through

the Hollows

now end in

deer blinds

and cul de sac

we are perpetually

confused by

the simplest turning

in the woods

Low lying fog

and swamp gases

no longer

burn off or are

carried away

by offshore

breezes

Each maze

we enter

feels more

threatening

than the last

Ahead is almost

the same as where

we once were

Where we are now

is nowhere

A sleep wander

Almost by accident

we tumble

upon an open

field were dreams

go to die

At first

we thought all

the tiny crosses

were memorials

to pets who

were brought here

to be interred

Only later,

when we found

the polished skulls

of human creatures

too anomalous

to survive,

did we understand

the pet graveyard

was elsewhere

near where

the poison plants

were grown,

nurtured by

a septic water

source

Essay from Federico Wardal

Artist Federico Wardal, a middle aged brown haired Italian man, in a white coat and black scarf, holding a film trophy from the San Francisco International New Concept Film Festival. He's in the corner of pink and red walls at the American Art Institute.

A bridge between two major Californian film festivals and one of the most prestigious Italian film festivals

The fact of creating a bridge between overseas film festivals (California – Italy) is loved by filmmakers and is giving important results about their sustainability. 

Two films in particular are the leaders of this bridge between vesuviusfilmfestival.com directed by Arch. Giovanna D’Amodio, the LA Tribune FF https://latribunefilmfestival.com/ president Dr. Emily Letran copresident Joanna Zhang, vice president Elizabeth Nguyen, the SF New Concept FF https://www.sfnewfilms.com/ president Joanna Zhang, vice president Elizabeth Nguyen. 

Golden icon of a wreath and a film reel for the Los Angeles Tribune International Film Festival.

Here are the two films connected between the three festivals: https://www.kamilahthemiracle.com by Angela Alioto, narrated by global star Joe Mantegna https://en.wikipedia.org/wiki/Joe_Mantegna and the short film “Anita” directorial debut of the famous composer and flautist Maestro Andrea Ceccomori with his original music, starring Wardal https://www.perplexity.ai/search/dc1b6c8f-95e5-4a57-94d8-90436abd44d2 “Anita” EN version https://youtu.be/qFqrswzoCTk?si=YyUdEuQmozR160lU

Photo of Maestro Andrea Ceccomori playing a brass flute with his eyes closed. He's in a suit with a buttoned coat and white shirt.

“Anita” Italian version, Portuguese subtitles

https://www.thetimesinternational.com/?p=165312

The three festivals embrace important areas: the LA Tribune FF partner of the prestigious newspaper https://thelosangelestribune.com/ embraces the Los Angeles area world leader in cinema. The SF New concept FF takes place in the Herbst Theatre, one of the most prestigious theatres in the world.

Red, black, and white poster for the Vesuvius Film Festival. Some black clip art film and text in Italian.

The Vesuvius Film Festival embraces one of the most famous archaeological areas in the world: Pompeii and Herculaneum, but extends to the entire Campania region, to its very important capital Naples and to the island of Capri, half of the International Jet Set. The Vesuvius FF is a partner with the Vesuvius National Park Authority, president Raffaele De Luca. ANILDD present in 17 countries, president Eng. Lino Marasco, is in cooperation with the Vesuvius FF which is focused on environmental protection and artistic and cultural innovation.

The film Kamilah the Miracle Filly fits perfectly with the objectives of the Vesuvius FF as it is based on the legend of the filly Kamilah whose life was saved, against the advice of all doctors by Angela Alioto and UC Davis and saving the life of the creatures of the planet means contributing to the balance of the environment.

The film “Anita” is based on the value of freedom, a value that certainly animates the defense of the environment. “Anita” is a tribute to the bridge between Italy and the Brazilian state of Rio Grande do Sul which gives rise in October to an event of worldwide resonance in Brazil, in the aforementioned state, in the city of Garibaldi.

The film has the privilege of having the supreme patronage of Francesco Garibaldi Hibbert, descendant of the hero of the two worlds (Latin America – Italy) Giuseppe Garibaldi. It is scheduled a cooperation among Vesuvius FF , LA Tribune FF , SF New Concept FF and Egyptian FF , Saudi Arabia FF , Emirates FF , Qatar FF . 

Poetry from Mahbub Alam

Middle aged South Asian man with reading glasses, short dark hair, and an orange and green and white collared shirt. He's standing in front of a lake with bushes and grass in the background.
Mahbub Alam

The Two Malta Trees

I was just getting ready to cut down the trees

The two Malta trees I planted four years ago

But there blooms not a single flower from then

I lost my patience and just took the cutter in my hand

‘To be, or not to be, that is the question’

Suddenly like a magic art I saw from both of them

The branches covered with flowers

My heart filled with joy

I stopped and waited for a while

Gradually the tree like the little ball blazed with the Maltas

So many Malta in the trees with the light of green stars

The birds are calling near them

Something heavenly whispers in my ears

The light of my smiling face reflects on them

I just came back to my thought

And found the path

Of the stretching glory in the belly

That comes to light at the time of the natural beauty.

Md. Mahbubul Alam is from Bangladesh. His writer name is Mahbub John in Bangladesh. He is a Senior Teacher (English) of Harimohan Government High School, Chapainawabganj, Bangladesh. Chapainawabganj is a district town of Bangladesh. He is an MA in English Literature from Rajshahi College under National University. He has published three books of poems in Bangla. He writes mainly poems but other branches of literature such as prose, article, essay etc. also have been published in national and local newspapers, magazines, little magazines. He has achieved three times the Best Teacher Certificate and Crest in National Education Week in the District Wise Competition in Chapainawabganj District. He has gained many literary awards from home and abroad. His English writings have been published in Synchronized Chaos for seven years.

Poetry from Don Bormon

Young South Asian teen with short brown hair, brown eyes, and a white collared shirt with a school emblem on the breast.
Don Bormon

The Beauty of Monsoon

The skies grow dark with a velvet grace,

Clouds gathering in a soft embrace.

A whisper stirs the sleeping trees,

And dances gently with the breeze.

First drops kiss the thirsty land,

Painting gold where dust once ran.

The earth exhales a musky sigh,

As peacocks call beneath the sky.

Fields awaken, lush and green,

Bathed in nature’s silver sheen.

Raindrops tap on roofs and glass,

A lullaby as moments pass.

Children splash in puddled lanes,

Their laughter rising with the rains.

Leaves glisten with jeweled light,

And frogs croak songs into the night.

Streams that slept begin to sing,

Revived by monsoon’s magic wing.

Each droplet writes a tale anew—

Of life, of hope, in shades of blue.

Don  Bormon is a student of grade ten in Harimohan Government High School, Chapainawabganj, Bangladesh.

Poetry from Lilian Dipasupil Kunimasa

Light skinned Filipina woman with reddish hair, a green and yellow necklace, and a floral pink and yellow and green blouse.
Lilian Dipasupil Kunimasa

Wind of Desire

Ah wind I see you there so far

Windows locked entrance to bar

Yet I desire you like the morning star

Pros and cons in me wage their war

So warm and gentle your breeze

My battered soul you softly tease

Yet in coldness my heart freeze

Time has turned fermented cheese

Past betrayal and pains to avoid

Left a crystal crust filled with void

Dreams and inspirations toyed

Rainbows and moon light buoyed

Yearnings have ignited the fire

Poking the dying embers of fire

Flames to devour the wraps of desire

Cleansing the wood soaked in mire

Ah wind I see you so far yet so near

Window’s shutters blocked by fear

Yet you still whisper and call me dear

Walls and doors blown down to tear.

Dream Catcher

I wonder why the Native Indian dream catcher is made as it is.

Does it have a web to show the Complexity of Life,

Yet show all are connected because it is made of a single string?

Does it have a frame of a hoop as the Cycle of Life,

Holding it firm and intact, without a beginning and no end?

Does it have the feathers, for the heart to be always Light,

Dust away all that is evil, all the fears and worries and other negative spirits?

I know not, but a dream to catch I have,

May it be sieved in the web to cast the pride and selfishness away,

May it flow continuously in a hoop of hope,

And may it fly with bright feathers way up high

Lilian Dipasupil Kunimasa was born January 14, 1965, in Manila Philippines. She has worked as a retired Language Instructor, interpreter, caregiver, secretary, product promotion employee, and private therapeutic masseur. Her works have been published as poems and short story anthologies in several language translations for e-magazines, monthly magazines, and books; poems for cause anthologies in a Zimbabwean newspaper; a feature article in a Philippine newspaper; and had her works posted on different poetry web and blog sites. She has been writing poems since childhood but started on Facebook only in 2014. For her, Poetry is life and life is poetry.

Lilian Kunimasa considers herself a student/teacher with the duty to learn, inspire, guide, and motivate others to contribute to changing what is seen as normal into a better world than when she steps into it. She has always considered life as an endless journey, searching for new goals, and challenges and how she can in small ways make a difference in every path she takes. She sees humanity as one family where each one must support the other and considers poets as a voice for Truth in pursuit of Equality and proper Stewardship of nature despite the hindrances of distorted information and traditions.