Prose from David Sapp (one of several)

The Fog                                                                                             

The fog came furtively in the night and slumped heavily upon the fields. At dawn I wondered, though this mantle is beautiful in its transformation of landscape, will it truly depart, relenting with the sun or will it remain this time, blinding us permanently to our vistas – so that we see only our own hands and nothing else before us? Its impenetrability deafens us, a pall muting the sounds of my small world, stifling dear familiar voices. I am inclined to whisper as there is uncertainty in what I might be missing. I surmise it is for this eventuality that pianists memorize an entire concerto, why actors rehearse lengthy monologues, why we weep over an aria.

            I was not acquainted with Aunt Aurelia’s voice as she died, a young woman, of appendicitis, twenty years before me. All that is left of her is a receipt for a dress for $2.35 bought in Akron, Ohio, her grave in Saint Luke’s Cemetery, and a few photographs. From her image I’d like to believe I may have enjoyed a memory of her voice. There’s now no one left to remember her conversations around the kitchen table with her mother and sisters.

            (True, gratefully, I’ve nearly gotten my mother’s shrill voice out of my head – a finality to her mania. But this preference is the exception.) I have a cassette recording of my therapist’s voice, my surrogate big sister, reading The Velveteen Rabbit. When I was a lost young man, it was a simple and effective (though somewhat embarrassing) tool in soothing long empty evenings in empty rooms – saving me from my own desolation. She died of cancer this year. This remnant, this flimsy ribbon cannot be all that’s left of her voice.

            It is my terror that a fog will surreptitiously descend upon my memory – that I’ve nearly forgotten my father’s voice – that I may somehow misplace my beloved’s. If I cannot recall the subtle wit and intimacy in her tone, how may I hope to navigate my days? I comprehend the inevitability of my annihilation. I embrace the certainty. However, I am plagued by the horror that my wife and children will forget my timbre, my tenor, my laughter – that my voice will fade over time, unintentionally becoming too wearisome for anyone to recollect. There is no other aspect of my mortality that frightens me.

David Sapp, writer, artist, and professor, lives along the southern shore of Lake Erie in North America. A Pushcart nominee, he was awarded Ohio Arts Council Individual Excellence Grants for poetry and the visual arts. His poetry and prose appear widely in the United States, Canada, and the United Kingdom. His publications include articles in the Journal of Creative Behavior, chapbooks Close to Home and Two Buddha, a novel Flying Over Erie, and a book of poems and drawings titled Drawing Nirvana.

Poetry from Tuyet Van Do

October Hurricane 

watching hurricane news
how I long to hear your updates 
from the valley of death

patiently waiting 
I check my inbox
a black void
 
I am reminded
you are without assistance
without food, without water
let alone internet services

in utter horror
your authorities leave you to die
blocking civilian intervention
threaten arrests 
to those trying to help

unnamed helicopters
hovering aid sites
causing fear and disruption
destroying supplies

watching news from the distance
I am wondering
why 

deep gratitude 
to fellow humans
groups of great brave people
continue to reach out
hearing your cries
they continue bringing supplies 

another day's end 
the sun will keep on rising 
silent prayers and thoughts of you
from the dark abyss
sparks of hope

Poetry from Philip Butera

In an Affair, the Brush Barely Touches the Canvas

At dawn,

before breakfast,

before the indulgence, the words, and the aftermath

I needed the truth.

That slippery serpent that chokes and discards.

You smiled thinly,

“Perceive what you will,” you said, “I need to shower.”

He was wealthy, and I was a pair of dark glasses you wore occasionally.

He purchased, and I shopped.

A light burns, and a light’s shadow blends.

Color, texture, and shape describe a work of art.

In a relationship,

the foreground is devoured, and the background is lyrical.

In an affair,

the brush barely touches the canvas, and other narratives become possibilities.

Naked and obedient,

you are borrowed like fine art exhibited from gallery to gallery.

Gran Sasso, Italy, became a fist to the chest

as the clouds turned dark,

the heavy rains started, while your scent lingered

on the sheets and in my thoughts.

Fine glass

is never used to secure.

It is to be admired, handled, and then put away.

If dropped, by chance or purpose,

a momentary visual experience

is created

before the chards are swept into a heap

and then discarded.

You were cold and self-absorbed

when you hurried out the door.

I leaned back on the bedroom chair

tapped the tips of my fingers together

and eventually closed my eyes.

Excuses were a credit I believed I deserved.

Yet I understood

how optimism

usually morphs into a sad smile.

You are an illusionist

and your carefully crafted illusion

makes the truth

an uncertainty that chimes

silently and deadly.

Your note

had no inhibitions.

It stood there propped against an empty wine glass.

Your handwriting was graceful, stylish, and to the point.

“Forever was never on my mind.”

Philip received his Master of Arts in Psychology from Simon Fraser University, Vancouver, Canada. He has published five poetry books, three novels and two plays. He has a column in the quarterly magazine Per Niente. He enjoys all things artistic.

Poetry from Mesfakus Salahin

South Asian man with reading glasses and red shoulder length hair. He's got a red collared shirt on.
Mesfakus Salahin

Love Anchor

The voice of heart is the voice of love

The language of heart is the language of love.

The beat of heart is the beat of love

Love lives in hearts and hearts live in love

The language of love is one.

The feelings of hearts are same

The language of hearts is same.

Love has no special language 

It has no special religion

It has no border 

It is an unconditional belief 

It is true and eternal

It has no specific existence 

But it exists in everywhere 

Every true heart is the religious worship of love

Every religious worship is the source of love

A heart without love is a castle 

A castle is dark and ugly

Love doesn’t stay in darkness and ugliness 

It has no colour 

But it is colourful 

It is light

It is a good feeling

Or a sad feeling of heart.

It is a voice of heart

It is a language of heart

It is an obedience on God

Actually, it is the way to go to God

To love someone is to love God.

Poetry from Jake Cosmos Aller

Waiting For The Rapture

While I was sitting on the crowded subway train

Reading the corporate spoon-fed false propaganda news

While commuting from my suburban townhouse

Watching the lies masquerading as so-called truth news.

I became consumed 

With dread, fear, and grief,

The ever-growing fear that the terrorists 

Have won the war against terrorism.

We’ve given our freedom away 

Dissent is un-American, anti-Christian,

 and unpatriotic.

“Shut your face, you whiny leftist girlie man 

Communist, fascist, Marxist hoodlum punk

Radical left-wing vermin, garbage person,

Un-American terrorist supporting, Tersymps, 

Trans gendered, LGBTQ supporting, 

 wimpy assed piece of crap”

You are poisoning the pure blood 

of our great land

Show us your papers, prepare to be deported,”

Growls the voice of the One True American party

The party that controls our life, rules our very existence

And I want to escape these dark nightmarish times

All around me, but there is nowhere to run

Nowhere to hide anymore, no one cares 

What I think anyway.

The terrorists lurk behind every door

Who are the terrorists?

They are not me

I am a god-fearing white Christian man

The terrorist does not go to my church

He does not even believe in my God..

He is a heretic, a Muslim fanatic

A non-believer in Jesus, not like me

They must be killed, exterminated 

All according to God’s plan

This has been revealed 

to our Prophet in chief

King Donald Trump 

, the invincible

Must learn how to believe again

I must reprogram myself

God is watching us, or is it big Brother

As the world descends into chaos

And the Orange alerts 

grows brightly day by day

I lay down to pray for the bombs to fall

For the rapture to take me away

Waiting for the end of existence

Cleanse the world of its sins

Bring on the rapture, sweat nuclear flames 

With these dismal thoughts

I pick up my newspaper

 and look for something

I will never find there.

Truth is nothing but lies

Lies promoted by the spinmeisters

The true masters of the Universe.

Integrity is nothing but a lie

Nothing but a game.

Slime oozes out 

of every corner of the media

And so I remain consumed

 by dread, fear, and hatred.

Waiting in vain for the rapture

The dropping of the big one

Waiting for the

 end of this period of chaos.

It is all going according to plan

The end of the era 

according to the ancient Mayan

Revelations and the Koran.

Bring on the rapture

Let me meet my god

If he exists.

If not the hell ahead

Is surely better than this hell

We live in.

Continued Stories from Alexander Kabishev

The whole class goes to extinguish incendiary bombs. My friend and I like it better than sitting in a cold classroom. Although I continue to study diligently, I still have the feeling that there is no need to study now. There’s a war all around! And so we benefit and do not freeze in the dimness of the classroom.

In a couple of months of participating in such operations, our class probably went around the entire Petrograd district. Bombs fell by the dozens or even hundreds. Some of them ended up in rivers, parks or squares, and they were usually not touched. Our goal was to extinguish bombs that hit houses and ended up on roofs, attics or even indoors.

It may seem strange now, but extinguishing bombs was not a very difficult task. The main thing was not to yawn and quickly cover it with sand until the “lighters” ignited everything around. It was scary at first. Some classmates said that bombs could explode and flatly refused to approach them, others boasted excessively, but at the sight of the bomb they panicked and could not move. However, over time, we all got used to it, and extinguishing “lighters” became almost as commonplace for us as homework or test papers.

Once, Igor and I and two other guys even managed to extinguish five bombs in one day. This event did not go unnoticed, and the director said that some commander would come to praise us the next day (I did not remember his last name and rank).

It was a real event for us. The blockade brought us much closer to the teachers, and even many cold and strict teachers thawed out and treated us like family. During these six months, we have already become accustomed to receiving certificates or encouragement from them and even the director, and then a person from the outside will come, and even a military one at that! All that morning, while waiting, we discussed his arrival.

– I wonder who will come to reward us, maybe Comrade Zhdanov? – one of our friends suggested.

– Why did you decide that it was him? – Igor grinned back.

– Hey, you heroes! – our ill-wisher, bully and sophomore Petka, intervened in the conversation, – What are they going to hang orders on your chest now? You’re going to walk around and shine them at the whole school, aren’t you?

– And what are you jealous of? – I asked.

– What did you say? – he started to attack me.

– Look! They’re coming! – A voice came from the hallway.

We ran out onto the stairs in a crowd. Through a small window, we clearly saw three figures in military uniforms entering the school.

– Everyone to class quickly! – Our teacher shouted.

Everyone rushed to their places. And after a couple of minutes, a short commander with a mustache, probably as big as Budyonny’s, entered the class. Our four were asked to come to the blackboard. This commander looked at us and addressed the class with a speech. He said a lot that the situation in the country and in the world is not easy, that we are fighting for a just cause and that victory will be ours, including thanks to such brave young people like us. Then he praised us and thanked us for our dedication and service to Leningrad, shook hands with everyone, handed over badges with a portrait of Lenin and performed a military greeting (saluted). To which we all replied in unison:

– Always ready!

When he left, we continued to discuss his visit and although, as some guessed, we did not receive medals or orders, this minute of communication, praise and gratitude completely replaced it and forever fixed in my memory.

6

More raids, shelling and bombing. One of them also occurred in our area. No sooner had we rejoiced at the return of the brothers, than the blockade again reminded us of itself!

That night, many houses were destroyed, but by some miracle our street was not hit. That was the first time I heard that terrible scream that night. At first I mistook it for the sound of an exploding shell or bomb, but when it was repeated, it became obvious that it had a different origin. However, a person couldn’t scream like that, a car couldn’t make such sounds, what was it? I heard it maybe five more times during the night. Something scared me in its sound, it was the sound of pain and despair, it seemed that the city itself was crying after the bombing, trying with effort to heal its wounds.

The morning was full of bustle for our family, we accompanied Ivan and Leonid to the front. Even my mother took time off before lunch for this occasion and was at home with us. But that terrible scream kept coming out of my head, and I decided to share my thoughts. My questions and assumptions were met with misunderstanding at home, and even reproaches. They were escorting their brothers and sons to the front, and I was climbing with my nonsense. Only Leonid shared my curiosity and, at parting, told me that he had heard from an upstairs neighbor a story about how an elephant from our zoo was wounded by a fragment last night, but there are no medicines and he is doomed to death.

After school, Igor and I walked around the zoo again, hoping to see something. He was very impressed by my stories. Although he did not hear these screams himself, he took my word for it and expressed hopes that specialists could come from Moscow and save the unfortunate animal. We were very worried about our elephant.

The promenade and the streets around the zoo seemed lifeless and quiet. Bare trees stuck up their branches like thorns. The dark waters of the Neva were still shackled by the ice blockade. The sidewalks, despite the spring month of March, were covered with snow. It seemed that there was not a single living soul in this world anymore, except for Igor and me.

Suddenly, I was called out. Turning around, I saw Masha dragging a sled with empty buckets. Scolding us for our idleness, she told us to immediately collect two buckets of water and take us home. Unable to refuse, I dragged the sled to the river. Igor volunteered to come with me for company.

On the way back, in this disturbing silence, we heard the cry of an elephant for the first time that day. So he was still alive! But why does he keep screaming? Is there really no way to help him? While we were standing and wondering, the elephant trumpeted again, even louder and longer.

His cry was reflected in our hearts with horror. We quickly walked away from the zoo, and he screamed over and over again, it seemed that he was chasing us, either begging for help, or warning about the agony of death, or blaming the pain that man generously gave to innocent animals.

At night, the screams of a dying elephant were heard again. I couldn’t sleep, and in order not to wake my brothers, I quietly got out of bed and walked barefoot to the window, slightly opening the window into the night darkness.

The almost indistinguishable silhouettes of the city were filled with the wild cry of death of the unfortunate animal. Perhaps this is the most terrible memory of the blockade and what I have always associated with it. That night, I also couldn’t sleep, but just stood and stared out the window for several hours in a row, hoping that my participation could ease the elephant’s torment.

The next morning, the screams stopped. It died.

Poetry from Lan Qyqualla

EURIDIQUE COME BACK ONE DAY!

(dedication to my late wife)

Eurydice, come back one day,

that my song for you does not stop

prayer to Hades touches ancient crystals,

my muse invades Diana’s verse,

I will not turn my head back

that I am not Orfe.

Eurydice, take the fairies’ journey,

come to visit and don’t stop there to see

the children have grown up. Teuta walks

your traces in Grammar,

Fly like birds in flight,

Lali stays calm like a meteor pillar,

cold winter has fallen on me

I have snow everywhere on my head.

Eurydice, I wrote you a letter,

in which paradise do you rest,

sorry i didn’t have an address

and started the journey without a visa,

no passport, no goodbye

and how do we wish this year?!

The Sun’s Tears

I do not trust

the sun’s

tears

and Lora’s

love

I do not trust

theweight

ofher word

or the longing

I have for her.

The Drawer of Forgetfulness

I locked you up

in the drawer of forgetfulness

as the crystalline water under the earth

and the crumpled writing on the gray sheet

proof of the time spent in the studio

I saw you

in the labyrinths of the faculty

where the Alphabet’s raytwinkles

your voice can be heard in each class room

in the workbook you

are piling up the memory years.

Lora 

We wander through time 

like snakes in the bushes 

Lora and I 

in the ecstasy of the painting 

I gave her Mona Lisa’s smile 

I drank water from Lora’s bosom 

and I lost myself in adolescent dreams, 

I gave Lora a life 

I gave the sky a kiss 

the sun seemed to be silent 

and left a free way to darkness 

the rainbow lightens my way 

fiery I take the stars to the bosom 

I hug the sun 

to feel its tenderness. 

Lora is silent 

and she silently speaks 

in her blonde hair 

I touch the love 

embers in the lap 

white frost 

he left traces 

Lora is asleep 

with the fiery stars 

tickling her lips 

in the corrugated crown 

the sounds of silence 

I put her crown 

and I read under her eyelids 

the novel I will write 

Lora with her bosom as virgin snow 

lures the Talmudists’ years 

Lora crystalline meteor.

WHAT TO WISH YOU TONIGHT

I am drunken with craving

of cords of your voice

I seek the canary of love

in the labyrinths of the soul

the morning messenger is not heard

nor he knits the sounds cardigan of Monastery

you, the lost one in the waves of forgetfulness.

I glaze the pictures in the museum

I doze in present time

the verb love

I conjugate in first person

Because you loved me

I track in mirative form

the time passed in lucidity

what to wish you tonight as you forgot me.

Ah, with the sweetness of the vowels

Quivered even my lake

we, like two canaries in the mountains

loosing trails in canon

me, you and the voice

tonight brings me back to nostalgia.