Poetry from Mesfakus Salahin

South Asian man with reading glasses and red shoulder length hair. He's got a red collared shirt on.
Mesfakus Salahin

‎The Flowerless Spring

‎Oh spring!
‎Beloved spring! 
‎Don’t ask me without flowers
‎I and flowers are in the same vase
‎Believe me! Believe me!!

‎Oh spring!
‎Dear spring!
‎Don’t love me without love
‎I and love are twins
‎Trust me! Trust me!!

‎Oh spring!
‎Musical spring!
‎Don’t invite me without the tune of dream
‎I and tune live in heart
‎Stay here! Stay here!!

‎Oh spring!
‎Sincere spring!
‎Come here with words of heart
‎Your words are my words
‎Make me dreamy! Make me dreamy!!

‎Oh spring!
‎Caring spring!
‎Hold my time with silver moon
‎The moonlit nights are my pen’s verses
‎Give your hand!  Give your hand!!

‎Oh spring!
‎The queen of love
‎l just miss you
‎I need you to compose a poem
‎Give me rain! Give me rainbow!!

‎Oh spring!
‎Lovely spring!
‎Love is not in the rest
‎Hear the song of the rivers
‎Make me flowery! Make me flowery!!

‎Oh spring!
‎Sweetest spring!
‎I need a tiny hut of poems
‎We will get lost there
‎To search the light of love.
‎Bless me! Bless me!!

Poetry from Eva Petropoulou Lianou, translated to Italian by Maria Miraglia and Arabic by Ahmed Farooq Baidoon

Closeup of a middle aged European woman

_Nature_

I hear the silence of the water in every morning walk.

A tree communicates with another tree through its roots and I feel their heart beat as I embrace that tree.

I belong to nature as nature lives under my skin.

I fly with the eagles.

I run with the lions.

I play with the elephants in the mud.

I am a bridge between the perfect and imperfect.

I am the image of the beauty and the dark.

As I am guilty for burning the tree without a warning.

I cut the trees and I make a home.

I eat the fishes on my plate.

I am the most dangerous animal of all and nature keeps supporting me in so many different and extraordinary ways.

That (is) the difference between human and nature.

I am not the creator but i am that little bee that trying for days to put the nectar in the nest of the Queen. I was only a small ant that was looking for food.

I am the perfect and imperfect nature that will become the Dreamland of every living being

I start to forgive this imperfect world and spread a new message of kindness and generosity.

Nature teaches me to be free but not greedy.

To be open but not manipulated.

To be the real me in any circumstances and accept my responsibilities.

Nature only teaches us how we can understand ourselves and become real.

The pureness is not easy but it is not impossible.

EVA Petropoulou Lianou 🇬🇷

………

Middle aged European woman with red hair.

Θέμα: Nature….. translation

_Natura_

Sento il silenzio dell’acqua in ogni passeggiata mattutina.

Un albero comunica con un altro albero attraverso le sue radici e sento il battito del suo cuore mentre abbraccio quell’albero.

Appartengo alla natura perché la natura vive sotto la mia pelle.

Volo con le aquile.

Corro con i leoni.

Gioco con gli elefanti nel fango.

Sono un ponte tra il perfetto e l’imperfetto.

Sono l’immagine della bellezza e dell’oscurità.

Come se fossi colpevole di bruciare l’albero senza preavviso.

Taglio gli alberi e mi costruisco una casa.

Mangio i pesci nel mio piatto.

Sono l’animale più pericoloso di tutti e la natura continua a sostenermi in tanti modi diversi e straordinari.

Questa è la differenza tra l’uomo e la natura.

Non sono il creatore, ma sono quella piccola ape che per giorni ha cercato di porre il nettare nel nido della regina. Ero solo una piccola formica in cerca di cibo.

Sono la natura perfetta e imperfetta che diventerà il mondo dei sogni di ogni essere vivente.

Comincio a perdonare questo mondo imperfetto e a diffondere un nuovo messaggio di gentilezza e generosità.

La natura mi insegna a essere libera ma non avida.

A essere aperta ma non manipolata.

A essere la vera me stessa in ogni circostanza e ad accettare le mie responsabilità.

La natura ci insegna solo come possiamo comprendere noi stessi e diventare  una persona vera

La purezza non è facile, ma non è impossibile.

Autrice: Eva Lianou Petropoulou©®

Grecia

Tutti i diritti riservati all’autore

Maria Miraglia

Italy

Middle aged Middle Eastern man in a brown coat standing in front of water fountains in a public square.

_Nature_

الطبيعة

تناهى أسماعي صمت الأمواه عند كل نزهة صباحية

تتواصل شجرة مع أخرى من خلال جذورها وأنا أستشعر نبض خافقي لما أحتضنها

أنتمي لتلك الطبيعة وكأنها تقطن في حشاشتي أسفل جلد يغطيني  

أحلق مع النسور

أعدو كالأسود

وألهو كالفيلة في الطين 

أنا الجسر الواصل بين التام والمنقوص

أنا صورة الجمال وهجيع الظلام 

وكأني مذنبة اقترفت جرماً بحرق أشجال بلا سابق إنذار

أقطع جذوع الأشجار لأصنع بيوتاً نسكنها كظعن 

أتناول الأسماك المتراصة على الصحن

أنا الحيوان الأخطر على وجه الإطلاق ومازالت الطبيعة تآزرني بأساليب  متنوعة وعلى غير العادة

هذي هي المفارقة بين الطبيعة والإنسان

لست الخالق بل أنا مجرد نحلة ضئيلة تسعى حثيثا أن تضع رحيقها في عش الملكة.. بل أنا النملة التي تتكبد عناء البحث عن طعام

هكذا أنا الطبيعة في أحسن تقويم لها وفي نقصها حتى أضحى بيدر أحلام كل كائن حي

لقد شرعت في التسامح مع ذاك الجزء المعاب من العالم ونشر رسالة مفادها الألفة والكرم

تعلمني الطبيعة أن أكون حرة بلا جشع وبروق أطماع

لكي أكون منفتحة وبألا أصير مستغلة

لكي أكون كما أنا في الواقع بكل الظروف وأن أتقبل كل المسؤوليات على عاتقي

هي تعلمنا كيف نستوعب مكامن جوهرنا لنصبح كما نحن بلا مراء

النقاء ليس بالأمر اليسير ولكنه ليس بمستحيل. 

🌹📌ترجمة الشاعر المصري / أحمد فاروق بيضون

Ahmed Farooq baidoon

Egypt

Essay from Dr. Jernail Singh

Older South Asian man with a beard, a deep burgundy turban, coat and suit and reading glasses and red bowtie seated in a chair.
Dr. Jernail S. Anand

THE PROPHETS OF IRRELEVANCE IN AN IRREVERENT AGE

Dr. Jernail S. Anand

There are so many things which turn irrelevant when they become outdated, and are, therefore, dusted out. It is very important for every young man to decide what is of relevance and what has lost it.  Prioritizing is a very professional game in the present milieu, and even where things seem to be irrelevant, we make a list of the irrelevant, the more irrelevant and the most irrelevant. The most irrelevant things are considered obsolete, and then consigned to the dustbin. Our minds too have a trash box where we place most of the things which are not required in our daily transactions. Sometimes, when we have time, we sit and delete them.

The Relevantia

What is important for this society and, therefore, relevant? For a common man, the essential issues have often been associated with  his living, his survival. When survival is assured, he starts thinking of living beautifully. Aesthetics comes in, when he has free time to think for himself. The third stage which often does not come in the case of majority of people [because the second phase draws on too long] is thinking dutifully. The second phase was the phase of self-decoration, self- enjoyment and self-improvement. In majority of cases, things stop here.

In fact, in case of millions of people, things stop with gaining a capability to make both ends meet. If they have shelter, a wife, a few kids, and work, they are satisfied. They can lead a life of eighty years without thinking a word about others. Religion plays a great role in keeping them subdued, and under fear of the gods, and it makes them do some good deeds also. If they do not think too much, it gives them a coarse  happiness too. We can think of those also, who are born in torn families now a days, who do not have a home, who do not have siblings, who do not have complete set of parents, and who do not own a home [living on rent in flats]  which means they have no permanent affiliation with any place. They belong to no village, no city, such is this age of transition and trans-movement. Those who are denied these basic certainties of life, often turn loose, and start their forays into the underworld. There is no one to check them. Parents can stop them, but parents, who are victims of this ‘surplus economy’ which denies them essential services, themselves indulge in wrongful deeds, and have no moral authority to stop their kids when they go astray.  

What is relevant for the lowest strata? Food and a poisoned mind, against those who have everything.  Those who can manage these foundational necessities, have a little bit time at their disposal, in which they try to make their living aesthetically fulfilling. Education, art, culture lend beauty and charm to people who have modest means, coupled with a hazy  understanding of what they have and what they have lost. These people are thinking beautifully, and all their efforts are centred at their self.

Thinking Dutifully

The third phase sets in  when people start thinking dutifully. If seventy percent people belong to the first category, twenty percent  to the second, then only ten percent people are those who belong to the third category, the people who think dutifully. These are the people who have transcended the limiting boundaries of knowledge, and realized their interconnection with the superior forces of creation, which are benefic to all creation including animals, birds, and rivers, winds and mountains.

Darkness

These people know what is darkness. When the light has gone, and you are running for a matchstick, it is not darkness. Darkness is the absence of light. Even when you can see, still there are things which you do not see. This is darkness. If you see injustice before your eyes, and you move forward, this is a cryptic case of darkness. We have within us vast reserves of darkness. Education, knowledge, and all training which makes us insensitive to the created universe, add to the universal darkness.

If we look closely at ourselves, we will see how many of us are living, growing and dying in darkness. Light belongs to the Buddha. Light means you know what is where. If you become aware of your priorities, if you know what is necessary and what is unnecessary, you have light. Knowledge should have this property, but alas! Knowledge, as it is the preferred domain of the Devil, does not let us pass into the domain of light. It closes our mind to impulses which  are divine in origin.

The Relevant and the Irrelevant

The milieu in which we are living is not the making of one day or of one person. Year after year, decade after decade, country after country, and leader after leader, have contributed to this collective blindness of human race to the impulses and urges which are divine. Knowledge, books, libraries and teachers are used to check all the sources of inspiration so that the reserves of natural wisdom among the students remain untapped, and ultimately go dry. Finally, we have to decide what is relevant for this milieu which has turned absolutely irreverent to the things which still have divinity around them. Here is a list of the irrelevancies which our young men can skip  without hurting their career prospects. Tick out Parents. Tick out Teachers.  Respecting parents or being obedient to them, tick it out. Knowledge is the most preferred item on the agenda. Wisdom, a dangerous proposition. Tick it off. Goodness, Honesty, Integrity – all apply brakes on your speed. Tick them out.  Remember, this world basks in the glory of power, success, wealth and fame. Good bye to all great traditions of the past which believed in humanity, human dignity, human goodness, and godliness. If you consider yourself a good man, there is fear of your son or daughter moving you in the trash box. Beware!

Dr. Jernail Singh Anand, [the Seneca, Charter of Morava, Franz Kafka and Maxim Gorky award and Signs Peace Award Laureate, with an opus of 180 books, whose name adorns the Poets’ Rock in Serbia]]  is a towering literary figure whose work embodies a rare fusion of creativity, intellect, and moral vision.

Poetry from Soumen Roy

Of the rain
~~~~~~~
I am so grateful for the untimely rain
And my waiting hours for sunshine
For the twittering birds
Listening to the most precious song of the hour
They speak the glory of each and every flower
Which were decorated beautifully
With innumerable colorful butterflies
And slowly the salt settles somewhere
Where someone is lighting the diya every evening
Yes the sun will come across gleaming
Each and every morning

*Diya – small oil lamp

Cup of my tea

My cup of black tea lacks sugar
Tastes so sweet filling me with life in every sip
I don’t mix milk in my tea since long
Well nothing happens without reason!
Is it so ?
Perhaps,
who knows?
I kept on filling one after another
Until I realised, it was overflowing
On a note rejection often sung in tables of cafeteria
Unnoticed in some corner
Blotting over the tissue paper
So neglected is was every time!
Until it became a sweetener
So perfect it seemed   only when I sipped and continue to sip
Just for me!

Poetry from Melita Mely Ratković

European woman with short curly light hair, green eyes, and a white blouse in front of a bush and some water.

1.MY SILENCE

Is a holy silence, completely

United spirit, soul, body, 

By silence and prayer

Astrally connected to the essential 

Nature, free from ego, vanity

Worldly worries, doubts

Illuminated by pure love

I open my eyes, listen to the beats

Of the heart, my breath is calm, 

Energetic scars healed, 

Resistant to the deceptions of material 

Delusions, Illusory realities,

Bad conclusions, others’ and my own

I am free, I believe

In God’s providence, let it be… 

2.Poem

In the beginning was the Word

The Word was the living God.

And there was light.

God gave it to men to

cover the darkness.

In his unconditional love, he gave man thought to learn and progress. 

Soon thought took over. 

The man and woman began to

demand more, anger arose.

Little by little, they began to attack

all that was holy, the love from which

they were made, and the Truth that testified

to their existence. Anger threw

a stone at the truth, unable to bear its 

ugly, distorted, evil face.

Then the lie appeared, wanting to humiliate 

it and threw another stone. 

Not knowing

to defend itself, the Truth sought refuge.

All this was seen by cunning, luring it

out of hiding, offering protection.

Sincere as it was, it believed, made

a mistake and came out. At that moment, Pride and Jealousy appear, now so distraught over their true face that they could not bear. The light is covered by darkness, ashamed of the naked, unprotected truth. Everyone wonders where God is, why the Creator allows everything to happen before His eyes. God is love, He gave us free will. Man is prone to abuse it, he can do whatever he wants for a while, but not for as long as he wants. Light is stronger than darkness, the truth will come out and show itself when the time comes. Until then, we are given free will to reconsider our actions.

Biography

Melita Mely Ratković 

Born in Yugoslavia, married, mother of two sons. After the collapse of the state, from one of the former republics there, Croatia, she moved to Serbia, where she still lives today in the city of Novi Sad. She has been engaged in poetry since she was young, she is talented, she studies foreign languages ​​and is engaged in translation.

Translator of Spanish, Portuguese, English, Bengali.

Profession and cultural activity: Literary ambassador of Serbia in Brazil and Spain.

Accredited as an international ambassador of the Circle of the International Chamber of Writers and Artists

 CIESART

 With the authority to initiate cultural activities authorized by the presidency of the Circle of Cultural Ambassadors in the World, non-profit, for the dissemination of the work, its author and its erudition, especially taking into account the altruism and peace of the people

She participated in the HYPERPOEM Anthology for the Guinness Book of Records

Participated in several anthologies, world heritage. 

She was nominated as one of the 50 important women of Europe”

In Rome, Italy, on November 11 and 12, two very important events were held at the Pontifical Antonianum University _ the conference of world literary leaders of the “50 Important Women of Europe” project.    

Global Federation of Leadership and High Intelligence

Winning the 2023 “Zheng Nian Cup” Literary Award Third Prize by the Beijing Mindfulness Literature Museum. 

 The winner 

  V PLATINUM EAGLE 2024

 GLOBAL FEDERATION OF LEADERSHIP AND HIGH INTELLIGENCE

  OFFICIAL DIPLOMA

  WALHAC World Academy of Literature, Art and Culture

MIL MENTES POR MÉXICO Internacional

World Awards for Excellence

She is an immortal academician of the following academies:

 INTERNATIONAL AMBASSADOR OF “GAONES” For Serbia, 

 (Gaonesa is a literary structure created by writer Edwin Antonio Gaona Salinas from Ecuador

AIAP – ACADEMIA INTERCONTINENTAL de Artistas y Poetas – Brazil

 Academia Mundial de Cultura y Literatura AMCL – Brazil

Academia de Música y Literatura Artística – Brazil

Academia Democrática Independiente de Escritores y Poetas – Brazil

Biblioteca Mundial Academia de Letras y Poesía – Brazil

CILA Confraternidad Internacional de Literatura y Artes

Academia Feminina Global de Letras AFGL

Essay from Jasmina Rashidov

With the prevalence of social media and growing societal expectations, it has become increasingly common for individuals to voice their frustrations and opinions online, particularly in technologically advanced societies. While there are valid reasons for expressing dissatisfaction on such platforms, I strongly assert that this trend has both harmful consequences and meaningful benefits. On the one hand, it may increase negativity and affect mental health; on the other, it can raise public awareness and lead to quicker solutions for social problems.

One of the major consequences of this trend is the spread of negativity online, which can significantly impact individuals’ mental well-being. As more people share complaints and disappointments about their lives, it creates a cycle of emotional dissatisfaction that others are exposed to daily. This constant exposure can lead users to feel more anxious, discontent, or even inferior, especially when comparing their own lives to what they see online. Over time, such emotional stress can damage people’s mental health and reduce the overall positivity of online spaces.

Despite these downsides, public complaints on social media also offer a significant benefit: they can serve as a catalyst for change. By bringing issues such as poor infrastructure, low-quality services, or political concerns into the public eye, individuals can draw attention from government bodies, service providers, and the media. For example, in Uzbekistan, citizens often highlight poor road conditions via social platforms. In many cases, these posts go viral and prompt authorities to respond quickly. In this way, social media empowers ordinary people to contribute to community development and hold institutions accountable.

In conclusion, although venting frustrations on social media can negatively affect users’ mental health by spreading pessimism and stress, it also allows people to highlight societal problems and demand immediate action. Thus, while the trend may carry emotional risks, it plays a vital role in raising awareness and pushing for positive change.

My name is Rashidova Jasmina, daughter of Bahodir. I was born on November 23rd, 2008, in Shakhrisabz district, located in the Kashkadarya Region of Uzbekistan. I am currently a 10th-grade student at School No. 74.

Throughout my academic journey, I have proudly taken part in numerous educational grants, national seminars, and academic meetings. I am a winner of several contests and competitions dedicated to education and innovation. Notably, I was a finalist in both the “BBG” and “FO” programs, which further motivated my passion for leadership and community development.

One of my most prestigious achievements includes being awarded the “Katta Liderlar” grant, which recognizes young emerging leaders in Uzbekistan. I also had the honor of participating as a delegate representing Switzerland in a Model United Nations (MUN) conference, where I strengthened my skills in diplomacy, negotiation, and global issues.

In addition to my academic accomplishments, I run my own educational channel, where I teach and mentor students in various subjects. I am also the founder and instructor of a Pixel Art course, where I combine creativity with digital skills to inspire others in the field of design and technology.

Synchronized Chaos First June Issue 2025: Revival and Rejuvenation

Red roses growing in a pot over a gray fenced balcony on an old stone building.
Image c/o Linnaea Mallette

First, here are a few announcements.

Jeff Rasley’s released a new book, Presbyterian vs Methodist Youth Group Rumble in Pokagon Park. This is a light-hearted satire of teen life and the heightened emotions of the age.

Jacques Fleury was also invited to the Boston Public Library’s Author Showcase to show off his title You Are Enough: The Journey Towards Accepting Your Authentic Self.

The National Storytelling Championship seeks online submissions from Indian nationals living in all parts of the world.

Now for our new issue, Revival and Rejuvenation.

Elderly European couple in hats and coats and scarves seated with serious faces at teatime with a teapot and teacups on a table. Cat and houseplants and open window in the background.
Jean-Francois Raffaelli’s Afternoon Tea

Christopher Bernard celebrates the photography of urban chronicler Vivian Maier and the recent rediscovery of her work.

Gopal Lahiri’s poetry looks over varied landscapes – aging city infrastructure, a painted teatime scene, a rainstorm – with a painter’s thoughtful eye.

Wazed Abdullah draws on soft, childlike language to elegantly portray a monsoon rain in Bangladesh. Don Bormon writes in a similar style of the rain’s return in the region after a hot sunny summer. Tamoghna Dey speaks to the strength and flexibility of water as a metaphor.

Eva Petropoulou Lianou finds union with nature on her daily walk, taking inspiration from its diversity and authenticity. David Sapp’s poetry highlights our human connection to the rest of nature through musings on barns, fields, and a dead cat.

Double rainbow in a blue cloudy sky over the mostly flat English countryside, plains and trees.
Photo from Anna Langova

Chimezie Ihekuna revels in the beauty of nature and the intricate ways in which its systems work and creatures survive, but warns of its destruction. Graciela Noemi Villaverde also urges care for the natural world and highlights how natural systems can self-heal and regenerate.

Sayani Mukherjee revels in the passage of seasons in nature as Kylian Cubilla Gomez explores the hidden world of snails, centering the small mollusk in his photos. Sara Hunt-Flores reflects on the sun lighting her path, helping her distinguish illusion from reality.

Svetlana Rostova uses nature metaphors to convey the breadth and intensity of her past experiences. Mahbub Alam compares falling in love to the wonder of seeing a firefly. Shamsiya Khudoynazarova Turumnova illuminates the way love can revive a person and rejuvenate their life. Dr. Prasanna Kumar Dalai evokes memory and the ecstasy of falling in love. Mesfakus Salahin pleads with a lover to take him back as a response to his enduring feelings.

Stephen Jarrell Williams reflects on the poignancy and power of stories: those in books and those of family love and passing generations. Kassandra Aguilera’s poetry expresses love that remains despite troubled parental relationships. Bill Tope’s short story addresses a platonic and artistic friendship between a man and a woman and the tragic social disapproval that drives them apart.

Group of silhouetted people on a beach at sunset or sunrise. Yellow sky behind the clouds near the horizon, water heading out at low tide.
Image c/o Mohammed Mahmoud Hassan

Scott C. Holstad probes various sorts of physical and emotional desire. Duane Vorhees speaks to birth and death, love and war, then turns to a personal blues poem about feeling disillusioned by faith.

Gordana Saric offers up a prayer for personal compassion and global peace. Brian Barbeito shares daily musings on meaning and ethics and and speculates on our individual lives’ effects on the universe. Inayatullah encourages us all to look inward and heal our inner wounds and forgive each other in order to change the world on a larger scale.

Lilian Dipasupil Kunimasa shares the hope and strength and healing she finds through her faith. K. Sayyid Mubashir Hadhi explicates the spiritual and cultural significance of Eid Al-Adha. Timothee Bordenave’s old-style pieces express his spiritual faith and desire for universal oneness. Bruce Mundhenke expresses how faith and wisdom can outlast our technologies and our inhumanity to each other. R.K. Singh calls us to ethnic and religious tolerance based on the world’s complex history and celebrates physical and spiritual love.

Dr. Jernail Singh speculates on how literature and drama, religious or not, can inspire moral development as well as catharsis, when villainy and evil are stopped. Matthew Kinlin interviews Kenneth M. Cale about the inspirations and creative process behind his book Midnight Double Feature: Director’s Cut, a stand against the growing darkness he sees in the world.

Fountain pen made of metal and wood, on a black canvas with light shining on it.
Image c/o Pixabay

Lidia Popa describes the power of writing to transmute ideas and feelings into a mode of communication from one soul to another. Haroon Rashid outlines the role of silence, observation, and empty space for thoughtful writing in his ars poetica.

Xadjiyeva Nodira studies idioms and whether the phrases can take on different meanings within the same language. Kaljanova Gulmira’s paper outlines the benefits of having a language learner “shadow” a native speaker. Shahnoza Ochildiyeva’s essay explicates the complex task of translation and how, as of now, translation requires a human being with cultural awareness.

Isabel Gomes de Diego’s photography celebrates human and natural creativity in various forms: origami, sewing, typing. Bahora Mansurova turns to the craft of medicine, discussing ways to treat periodontal diseases. Linda S. Gunther reviews Kristina McMorris’ suspense novel of the newsroom, Sold on a Monday.

Nozima Gofurova describes an educational visit to Tashkent’s Mirzo Hotel, where she learned about Central Asian art and history. Joseph Ogbonna highlights the majesty and historical influence of ancient Egyptian civilization. Maja Milojkovic’s ekphrastic work draws inspiration from the strength of ancient Herakles.

Black and white woodcut of two women cooking in a large pot on a fire. They're picking fruit from houseplants and collecting sunlight for solar power.
Sultana’s Dream, Cooking with Light, Woodcut from Chitra Ganesh

Z.I. Mahmud explores feminist speculative literature in India and the works of Begum Rokeya Sakhawat Hossein. Bhagirath Choudhary, in a piece translated by Eva Petropoulou Lianou, advocates for respect for women and for society to celebrate positive traits traditionally associated with the nurturing feminine.

Eva Petropoulou Lianou speaks of her intimate and demanding relationship with her female poetic muse. Isaac Dominion Aju reflects on the artistic inspiration he received from Chimamanda Ngozi Adichie, whose work helped him to find his own voice. Donna Dallas’ poetic speakers find writing inspiration from a quiet morning, a busy urban city full of desire, and the throes of drug addiction. Hauwa’u Naseer Mukhtar evokes the peace and creative source of solitude as Chloe Schoenfeld resolutely affirms her claim to her own soul.

Kelly Moyer’s asemic poetry invites us to the experience of appreciating writing and art, even without literal meaning. Ric Carfagna’s poetry touches on perception, how we experience and make sense of our world.

Loki Nounou reflects on life’s unpredictability, as S. Afrose exposes existence’s slippery nature, complex and hard to pin down and define. Utso Bhattacharyya’s short story involves an ordinary man’s visit to a surreal reality existing alongside and within our own.

Hooded bodiless figure in a graveyard at night, lit up by moonlight. Trees and foliage and a giant Celtic cross tombstone.
Image c/o Kai Stachowiak

Alex S. Johnson’s horror tale probes the insidious way oppression works not only through violence, but also through individual and social gaslighting. Mark Young’s poetry crafts off-kilter scenes where people and other creatures adjust to their settings.

J.J. Campbell turns to poignant nostalgia while experiencing slow trauma. John Angelo Camomot’s verse speaks to the grief of losing a loved one and the comfort of memories.

Sean Meggeson’s humorous tales probe our relationships with authority and failures of communication. On the theme of authority, Taylor Dibbert observes wryly that leaders who are least affected by policies are often the first to advocate for them.

Mykyta Ryzhykh’s short story depicts war as an unwelcome trespasser, refusing to communicate its intentions or ask permission to occupy someone’s basement. Ahmed Miqdad laments the suffering of civilians in Gaza while expressing hope for the region. Combat veteran Steven Croft speculates on goals for a possible return to United States military intervention in Afghanistan and hopes they will finally get girls back to school.

Sadoqat Qahramonovna To’rayeva reflects on pursuing education as a child and teen in his humble farming village. Marjona Baxtiyorovna sends out a tribute to education and graduating students.

We hope this issue is educational, inspiring, and enjoyable!