Poetry from David Kopaska-Merkel

can't talk my teen self

out of that second date

father paradox


-----

Cinderella

married the Prince

maid's tight dress


-----

Ice Age wanes


every generation

the village moves


the last midden still

visible at low tide

not the graves


-----

Mom and Dad's

Pleistocene honeymoon

born 10,000 years late


Poetry from Mashhura Usmonova

Mashhura Usmonova

First love

I know you waiting for spring,

You asked him from the grass.

You don’t have idea my heart,

Spring is coming when you laugh.

You are waiting

To the sweet thought of the swallow’s song.

Don’t believe in spring, it will pass,

You’re in with love too young.

Semi-pink buds of almonds,

You’re waiting while pain from the heart.

You aware of in cold February,

A flower bloomed but you didn’t notice it.

Warmth of spring to your soul,

First of all the sun didn’t shine.

In your heart purer then an almond flower,

I was the first to open.

Mashkhura Usmanova was born on May 16, 2006 in Gallaorol district, Jizzakh region. She has been practicing writing poetry since she was ten years old. She is a member of the international organizations “Creativity Forum for Culture, Arts and Peace” of Egypt, “AsihSasami” of Indonesia, “Iqra” of Pakistan, and “Juntospor las Letras” of Argentina.

Poetry from J.J. Campbell

Author J.J. Campbell White man with a large beard and a black tee shirt and eyeglasses stands in a bedroom with posters in the wall.
Author J.J. Campbell


---------------------------------------------------------------------
straight from cuba
 
seek out the lord
in the piano bar
down the street
 
maybe in the
curves of the
beautiful woman
playing the bass
guitar
 
maybe the lord
is lining up on
the table in the
corner
 
or unzipping her
shirt a little as she
tries to make an
impossible combo
shot
 
seek out the lord
in a plume of cigar
smoke straight from
cuba
 
the lord surely must
be in this glass of
whiskey
 
you have to be
a little drunk to
believe in a place
called heaven
-----------------------------------------------------------
proud to say
 
spent the afternoon
listening to dolly
parton songs while
my mother was in
her physical therapy
session
 
proud to say
none of the
poems were
about the
obvious
-----------------------------------------------------------
the conversations get a little wordy these days
 
i never had the need
to keep up with anyone
 
never cared for kings
and queens, presidents,
principals or gods
 
got really comfortable
talking to myself at
an early age
 
the conversations get
a little wordy these days
 
someone wants to show
off all those thirteen letter
words they know
 
i know i am the odd one
 
the one everyone could
think would be the next
mass gunman
 
and i have never even
owned a gun
 
although the local gun
shop and i share the
same first name
-----------------------------------------------------------------
live longer than me
 
walking with my mother
up and down the sidewalk
on a finally sunny day
 
she wants to get more
mobile again
 
either she really feels
alive again or she is
determined to see if
she could live longer
than me
 
my anxiety has put
the money on her
 
it must have forgotten
how stubborn i really
am
 
i could probably live
to 100 just to fucking
spite everyone
-------------------------------------------------------------
who will check my emails when i die
 
the white noise
is meant to calm
 
dull you to sleep
instead, it is slowly
driving me insane
 
who will check
my emails when
i die
 
do ghosts need
dick pills or
have the desire
to contribute to
a political
campaign
 
sleep in the
sunshine
 
go drinking
at midnight
 
the lost souls
like to gather
at the corner
 
humming jane says
like we did thirty
years ago
---------------------------------------------------------------

J.J. Campbell (1976 – ?) is old enough to know better. He’s been widely published over the years, most recently at The Beatnik Cowboy, Horror Sleaze Trash, The Black Shamrock, The Rye Whiskey Review and Yellow Mama. You can find him most days on his mildly entertaining blog, evil delights. (https://evildelights.blogspot.com)

Story from Anne Hendricks-Jones

Minerva at School 

The phone rang and she picked it up, eyes still riveted on the news story she was watching about a school that was on lockdown due to an active shooting. Furious at yet another massacre and annoyed at the vibrating device, she turned away from the TV, immediately recognizing the voice on the other end. 

“Mom!” it said. She heard, in the familiar voice, gut-wrenching fear and slowly, unravelling self-control. That was all she needed.
“It’s Minnie Me’s school, isn’t it?”, she questioned, coldness beginning to seep throughout her whole body and various scenarios beginning to run through her brain.

“Yes. We’re here now. Macy’s getting oxygen because she had an anxiety attack, and we just don’t know what to do. The authorities won’t give us any information. The shooter is still in there and we can’t find Gemma.” At this point, he could hold it in no longer. His hard, raspy, intakes of tortured breath were difficult to control as were the trembling shoulders and shaking hands that held the phone.
She couldn’t see any of that, but she felt it as only a mother can and so with the calming, silky, and soothing voice of a Mom but the coldest intentions of a killer, whose heart is covered in bonded steel, she said, “Sweet boy, don’t you worry one bit. I’ll take care of everything!”

Taken aback, her son exclaimed, “Mom! What do you mean, take care of everything? Mom! Mom?” but the line was already dead.
In seconds, she was out the door, having picked up her leather satchel, which contained everything she would need, disassembled repeater rifle, knives, a change of clothes, and other nasty implements of her trade. She did not bother to change from her house dress and fluffy slippers. She would need them, too. It took just a few minutes to hop into her Bentley and fly down the driveway and out to the street, speed limits be damned. About 3 blocks from the location of the shooting, she performed an expert 180 degree turn and ended up speeding to the scene, backwards. Everyone scrambled to get out of her way as she headed for the huge plate glass windowed entrance to the school. 

“Sorry, sorry!” she cried to anyone who could take a moment to listen, as she ripped through wooden sawhorses and side swiped police cars. “I can’t control this car! Help!”

Bam! Boom! Screech! Then there was the tingling explosion of falling glass, but she had no time to notice the effects of the crash, the reaction of her body, or anything else.  There was only the fierce hate for anyone who would endanger children, crazy or not, and her overriding anxiety for her granddaughter.  If he had hurt her, he would not live. Those emotions raised her out of the damaged car easily before anyone could get to her, and into the building she ran, remembering to limp as if old age and injury had command.

She had no difficulty finding the correct room. The kids were screaming, and shots were being fired. She had her Black ops outfit on in no time, with only seconds before the SWAT team arrived.
She banged on the closed door. “Is this the hospital?” she questioned, in her best old lady voice. “My car just crashed and I’m hurt. I need a doctor. See? I’m bleeding!” and she held up a bleeding arm to the small window in the door. She continued to scream, “Help, help!” until the gunman, thinking he had another valuable hostage, turned toward the door. The bullet landed right between his eyes, and he fell to the floor with a flop. 

Entering quickly, she told the kids, “Run! Run as fast as you can!” Out the door they went, clogging up the narrow hall, giving her a minute to hide her satchel and change back into her house dress and flipflops and cower in a far corner of the hallway. Now, she was screaming and crying for real, as adrenalin began to withdraw. SWAT and officers questioned her, but all she could do was respond in hiccups. 

“That man pointed a gun at me! Those children were SO loud! All I wanted was to see a doctor!” and “Where am I?” The questioners gave up. It would have to wait until later. They turned her over to paramedics who took her to their ambo but soon deserted her for the more critically injured. This was the opportunity she needed to creep away, over to the waiting, black, window-tinted Suburban, just up the street. As she slid into the luxurious back seat, Darryl, her handler, looked at her as if to say, “Keep on doing this shit and your ass is cooked!” 

She responded in kind, the eyes saying it all. “Mess with my family and die!” just as her phone rang. 

“Mom, mom! We got her! Gemma’s fine. Macy’s happy as a clam and I am so relieved it’s over. Some old lady crashed into the building, and it was the breakthrough the cops needed to take over. Whew! Mom? What did you mean about take care of everything?"

Minerva did not answer but Darryl watched the smile of the century cross her face and the few wrinkles smooth out to reveal the most beautiful woman he had ever seen. 

“Wow!” He said to himself.

Poetry from Noah Berlatsky

I Don’t Trust Spring

I don’t trust spring so I wore my winter coat
And now I am too warm thanks to duplicitous spring.
Fate moves too quickly for me
Like the important email I am waiting for which will not arrive,
But in reverse.
The world is too fast for me
Or possibly too slow.
The joggers are not over dressed
The trees sprout leaves in just the right amounts.
But I am left out of the season
Like an email which will not arrive.
Like an email which will not arrive 
I should go to sleep in my coat
And dream of the bare arms of winter.
And dream of the bare arms of winter.
And dream of the bare arms of winter.
I don’t know what comes next.

 
Revolutionary Song

There’s a great pale beetle in the brain of James Madison.
It crawls through his buttocks onto the cheese plate of Benjamin Franklin.
Cheese bounces like rubber upon the fiery honor of Alexander Hamilton.
The narrative journey wears the green plaid socks of George Washington.

Do not doubt it; do not doubt it.
History will swallow you if you doubt it.
We have found a fearless squid writing fearful poems in its ink sac
and they all say do not doubt it.

Thomas Jefferson winds up his wooden teeth
and they chew upon the wretched fungus in the eye of compromise.
In Paris they sing to the great wigs
marching on the cloudy rhetoric of Thomas Jefferson.

The ink sac is dry; the doubt drips like chicken soup
into the soul of the brain of the heart.
The origins of cryptids rise from tea like terror
and Patrick Henry holds a frisbee between his gleaming gums.

Every toss is a vote for truth.
Every miss is a vote for death.
The country stands strong as the pudding
that leaks from Daniel Webster’s forehead.

Do not doubt it; do not fear the porcine call
Of gregarious egregious sand worms in the stall.
JFK and LBJ come drifting down like fall.
Praise until you doubt it but don’t doubt it.
 

Poetry from Laura Marino Trotta

Laura Marino Trotta

albeggia appena –
diventare rugiada
senza saperlo

it barely dawns –
to become dew
without knowing it

*

luce da oriente –
nel pallido cammino
un papavero

light from the east –
along the pale path
a poppy

*

campi innevati –
un nodo di silenzio
chiude i pensieri

snowy fields –
a knot of silence
blocks my thoughts

*

novembre in petto –
tocco un nuovo silenzio
di seta grigia

November in my chest –
touching a new silence
of grey silk

*

acqua che scorre –
è più dolce la luce
di fine autunno

flowing water –
the late autumn light
is gentler

*

notte d’asfalto –
nel silenzio le voci
ruggine e vento

asphalt night –
voices in the silence
rust and wind

*

erbe selvatiche 
fra le crepe dei muri –
senza una madre

wild plants
growing in the wall cracks –
motherless

*

veli caduti –
tramonti negli occhi
sul muro grigio

fallen veils –
sunsets in the eyes
on a gray wall

*

finestre accese
sulle vite degli altri –
la notte intorno

windows lit 
on others' lives –
night all around

*

senza più cielo –
confondono il cuore 
i prati d’asfalto

no more sky –
the heart confused by
asphalt meadows

*

occhi d’autunno –
lunghe strade di pioggia 
senza una voce

autumn’s eyes –
long rain roads
without a voice

*

solo una rosa –
il profumo del cielo
in un bicchiere

just a rose –
scent of heaven
in a glass

*

cielo di pece –
tutta la luce dietro
aspetta il mattino

pitch sky –
all the light behind
waits for the morning

*
piccola luce –
raccoglie nella sera
falene perse

small light –
it collects lost moths
in the evening

*

foglie gialle –
sulla panchina cadono
piccoli addii

yellow leaves –
on the bench fall
little goodbyes

*

fra l’erba secca
i corvi a due a due –
ricordi perduti

among the dry grass
crows two by two –
lost memories



Laura Marino Trotta è nata a Roma, si è poi trasferita a Firenze per frequentare la Facoltà di Agraria e, successivamente, l’Accademia di Belle Arti e la Scuola Libera del  Nudo.

Varie le attività lavorative che si sono succedute negli anni, mentre costante è rimasta nel tempo la sua ricerca attraverso molteplici possibilità espressive e l’impegno nel Terzo Settore.

Laura Marino Trotta was born in Rome, she then moved to Florence to attend the Faculty of Agriculture and, subsequently, the Academy of Fine Arts and the Free School of Nude.

Various work activities have followed one another over the years, while her search across multiple expressive possibilities and her commitment in the Third Sector have remained constant over time.

Poetry from Zadie McGrath

we thought we weren’t

all that i was
was a compilation of what
i wasn’t:
how we bounced a
deflating rubber ball to and
fro across white faded
lines on the schoolyard blacktop talking and
talking about trivial
things that led us to cover each
other’s cool gray surfaces so when
finally the romantic
disruption we had
waited for came we
realized there was this empty
sphere of dry air below
the other’s surface and
plasmatic energy, unstable, below our
own, a dammed-up deluge like a

sip of carbonated
drink; rising
anticipation for the syrupy
taste then the spiky
needling in the soft
skin of your cheeks as you
attempt to swallow and
swallow as the drink goes
flat in your mouth and still you
carry the lingering taste and the
memory of craving junk
food; now you
wonder what was the
appeal and the firmest
memory you retain is that of the
deflating rubber ball, worn, durable, and
unremarkable.