Poetry from Mahbub

Mahbub, writer and English teacher in Bangladesh

Mahbub, writer and English teacher in Bangladesh

 

Our Present Children

 

Nowadays the parents of our children

Are very careful to their children

Involve the children always busy with study

The world is too much competitive

Parents want them to read till evening

When we, not very far away from this

Likely to play on the ground

Before sunrise they start for Kindergarten

When they should fly like birds on the floor garden

They need more education from very early of age

How it be possible hits always to the parents

At this what it happens

Children grow weak and not innovative brain

Parents are very careful to their children nowadays.

 

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Poetry from Allison Grayhurst

Ground Bird Flown
 
Layers of clear
rainbow shine guide
you through the pyramid portal into
open air revelation.
Joy on a stick, in your soft eyes,
closed in death, with permanent grace.
 
For all the gifts your gave,
daily miracles, flutterings,
vocalizations, accumulating in song.
For your fragile vessel, energy octave
higher than us wingless dwellers.
 
Your fearless power streaked
into the lining of your feathered coat,
patterned gold thick veins
washed in sparkling sand.
 
Beautiful Sage of the flowerbed gardens,
the blueberry, the hempseed swallow,
fearless messenger, angelic power
bound in a small body, you were 
loved completely for everything
that you were, gave,
held lifeforce for. You were
soft, demanding and rich
with good humour
 
stretching, expanding
higher, wider, wings aflare, lifting
in pure vibrant dance, puffed and proud,
your freedom actualized, raised
only inches off the ground.
 
 
The Closing
 
Part 1
 
Eight years ago 
it entered, building force
gradually, started
embryonic, developed
organs, blood vessels, a brain,
then talons like tentacles
gripped from the inside
strangling the light, passing
its poison into the bloodstream, feeding off
of adolescence fears and anxiety.
 
It started small, moments of rebellion,
grew irrational, unkind,
ended in violence – a smashed glass extending
its tear into every room, crevices, vents.
Sacred hope sacrificed to indulge
in dark extremes. Love denied, turned
on its side unable to struggle enough
to set itself upright.
Now it is here, overtaken,
apparent in heavy footsteps,
sleep deprived eyes, unshowered
hair, a room as breeding ground
for clutter and chaos.
 
I take you with two hands, grip your sloughing shoulders,
your tarry taste and destructive tongue.
I take out what has entered, send it back to the void
and that line of heritage it travelled upon.
 
I fill the empty pocket with light, first mending it with
the tender-thread of God and the sharp-point of truth.
I iron-gate the place where it left and pour a concrete wall.
 
I bless this house. I clear the corners, the ceiling, floorboards.
I call the Buddha that was born with you to reawaken,
for my army of angels to lift up their swords. We are
still here. We are love, and love
is the centre, the carriage and the tide,
never defeated, stronger than the frantic pulse,
stronger than the wielding axe and the ash of its remains,
stronger than this cursed person you wear and claim,
strongest now in this hopeless hardened place,
in this choice, beginning.
 
 
 
Part 2
 
Step, bless your
new shoes, step and
hold the sun on your tongue like a berry,
leaving an indelible juicy mark,
be guided by other people’s wisdom
as long as it doesn’t undermine your own
and watch yourself enter Eden-Earth in its many glorious
forms – dive into small mounds of sand, pieces of glass,
spiraling trees, trunks, bulging and retracting in individual rhythm,
a solid movement, stunning as music.
Take this choice from disaster,
offer it the path of the impossible, a pathway into
a miracle because God counts for everything,
counts on flat and hot surfaces,
counts on the deathbed and
in the red coat
beautiful gleam
 
 
 
Part 3
 
The way forward is
the way back, clearing
stumbling blocks that promise
to repeat ahead if not killed
at their source.
To hold the truth even if it tells you
that love is limited in people, certain people
who play both sides – one foot in the basin of heaven
and the other glorifying the haphazard world.
 
Even if it tells you you cannot save
or be saved by a half-hearted account of kindness,
tells you, it is nothing
to be bitter over, nothing personal and also
not yours to bear the repercussions,
tells you to continue all the way, hold firm
to the thin road and the willingness to lose everything –
home, sacred room, the safety of your own –
for the divine request to follow. Follow then
the tulips
still managing to bud in backyards untended,
follow then with God at the helm.
You are not abandoned, not like the tin-foil wrapper,
 
or the chewing gum chewed,
or worn-through undergarments. You are protected
and that protection is warm and powerful and golden
as an owl’s steady eyes. You are afraid I know.
The doors you used to knock on are
boarded up. Steel eyes lock on you, mock you in your anguish.
It feels ruthless, brutally barren,
feels that way only until you fully let go.
I let go. I drop my past, my precious cargo, drop you
and follow, hearing faint the voice that tells me –
The only thing I have to do to receive God’s love
is to believe in God’s love.
Allison Grayhurst picture 2017
Allison Grayhurst is a member of the League of Canadian Poets. Four times nominated for Sundress Publications “Best of the Net”, 2015/2017, she has over 1125 poems published in over 450 international journals. She has fifteen published books of poetry, six collections and nine chapbooks. She lives in Toronto with her family. She is a vegan. She also sculpts, working with clay; www.allisongrayhurst.com  

Poetry from Ken Dronsfield

A Dark Shadowed Myth

Yes, I shall admit, I love you,

as dark creatures of the night are loved;

concealed between darker shadows

and the haunted lantern of the heart.

Albeit the Sun now an evanescent memory.

Our faith and hopes are born after twilight;

whilst we creep through thoughts of despair.

Raising hands high to dispel even a star shine.

Walk your downward silent path keeping

your faithless desires locked within for

I shall always be but a whisper away,

once the flickering flame is extinguished.

I’ll then secretly ride the steamy ribbons

of impassioned desires within your essence.

Pursuing the rapture as I chain inner demons;

Spreading shadowed myths with a fiery flair.

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Poetry from Michael Robinson

Black Boys Growing Up

For Vincenza

 

Tying a tail onto a kite,

Watching for the first flowers of spring,

Shaking off the winter cold that had soaked down to the bone,

Kissing a girl for the first time and feeling sane,

Staying away from strangers that carry knives and guns.

Avoiding the war when I turn 18 so that I don’t die in a foreign land,

Living in a world that grasshoppers leap high into the air

And the flowers bloom in my backyard.

Yes, I want to be a black man when I grow up.

 

Wondering

It was my foster mother that was my salvation. I held on to her in spirit most of my life. It was her reddish tan skin and her silver gray hair that spoke to my senses ever since I can remember. I always wanted to express my love for her by kissing her on her cheek. Yet, I was always afraid of being rejected by the one lady that meant so much to me. One day, I overcame my fear and kissed her on her cheek, and she accepted it as she had always accepted me.

 

A Life Lived

after Carol  Frost’s: Autumn Tune

I know of losses, Apples with one bite taken out of them and then thrown into the garden for the worms. Ripening bananas turned to brown, spotted sugar. Love was a picture hanging above my bed. Ideas that were spoiled by clouds moving too fast for the eyes to see. A sore tongue that had not spoken words of peace have only known of vulgar words. Women wearing mini-skirts giving me hope that I would find the right woman. Each step I took was for atonement for lost beliefs and the world was an upside down cake.

 

 

Synchronized Chaos September 2017: Peace and Belonging

Birds of a feather flocking together

Birds of a feather flocking together

I think the themes of belonging and parentage and love are obviously universal. — Christopher Eccleston

If we have no peace, it is because we have forgotten that we belong to each other. — Mother Teresa

This month’s contributors write about peace and belonging – their hopes for these things, where they can find them and where they don’t.

Rubina Akhter describes her hope for personal solace and her experiences with panic and depression.

Vijay Nair laments a broken relationship because the object of his affection chose to use him and others for her own gain rather than caring for him. J.J. Campbell writes of alienation in a broader sense, different speakers didconnected from their worlds in various ways.

Mahbub looks to the natural world as a metaphor for his feelings of romantic attraction and loneliness. Nature brings him peace, not because it is peaceful, but because it draws his attention out of the turbulence within his heart.

Rajnish Mishra’s vision of nature is also not inherently peaceful, but full of strong, skilled predators. In his first two pieces, he urges people to choose not to harm or bully others rather than giving in to natural instincts to attack and dominate.

Michael Robinson reflects on his journey through fear and violence into a gentler place, surrounded by loving people and natural scenes. As in Mahbub’s poetry, the outdoor world calms him by being different from the inner city settings where he experienced trauma as a child.

Rui Carvalho looks to nature in an entirely different way, creating a feminine archetype who’s a force of the natural world, simultaneously beautiful and strong, peaceful not through weakness but through the strength of spiritual clarity and love.

Joan Beebe expresses a wish for calm within our cities, while Sheryl Bize-Boutte cultivates our awareness of local social dynamics with an allegorical story about a garden where the hardy and familiar collard greens find themselves replaced by trendy kale. Who belongs in our neighborhoods and our local groups, and what are the consequences of displacement?

Jeff Bagato’s poetic speakers belong where they are, immersed in their environments in these rich, atmospheric pieces. Alex Nodopaga’s cityscapes look like stained glass, abstracted, mythologized, frozen in time, perpetually belonging to imagination and history rather than to a specific moment in time.

Christine Chatterton’s WWI novel Courage of the Heart, reviewed here by Bruce Roberts, illustrates through the romance between its primary characters that love, and the hope of returning to those close to us where we belong, can give us the strength to survive war and other protracted obstacles.

The books Elizabeth Hughes reviews in her Book Periscope column also depict the power of having a sense of belonging. The couple in Gini Grossenbacher’s Madam of My Heart, Brianna and Edward, survive serial tragedies in seamy 1800s America because of their love, Margaret Goka’s poetic subjects in The Woven Flag celebrate family and community, Carolyn Prince’s The Revelation Unlocked probes the mysteries of the Bible to encourage people to find a spiritual home through faith, and Jennie Ross’ Slicker McQuicker encourages children to welcome others who are different.

Finally, as Christopher Bernard reminds us through the second installment of his novel Amor I Kaos, the world and our psyches are complex. We can rationalize the choice of living a life of love or one of alienation, and ultimately to some degree, as Rajnish Mishra suggests, it’s up to us.

Christopher Bernard’s novel Amor i Kaos (second installment)

Christopher Bernard’s Amor i Kaos (part 2)

 

The prevailing winds, from east over the Atlantic, across gray, clammy tides, puling seagulls, their black caps and flexing, sickle-like wings, the terns’ small, quick arcs, the funny rushes and escapes along the skirt of the wave wash of the pipers hunting for small, nutlike sandcrabs. The tart briny scent, the yellow, scummy, impetigo-infecting gullies. The gray white sand grainy with tiny white and black crystals he could almost count as they separated in his palm. Clumps of salt grass covering the dunes like long green hair. The endless distant roll and crash of waves along the beach, the lulling confusion of whiteness, a serene and tranquil drama of the shore, raving and collapsing without pause from horizon to horizon.

When they met shyly in their swimsuits, the summer Christopher Pascal was sixteen and Sasha Kamenev fifteen, and their families spread their beach blankets and chairs and umbrellas under the tinkling shouts and laughter of swimmers and beachball players and sandbucket diggers and sandcastle builders not far from the lifeguard stand on the hot, white dry sand and the cool, gray wet sand along the edge of the playful lashing mindless formidable beautiful and frightening sea.

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Bruce Roberts reviews Christine Chatterton’s Courage of the Heart: An American Odyssey, 1915 to 1923

       courageoftheheartfrontcover Christine Chatterton’s Courage of the Heart: An American Odyssey 1915 to 1923  is a fine book, where small town, mid-west America meets the Great War in Europe. 

         Based upon a real cache of letters written by her husband’s grandfather, and upon interviews with elderly family members,  Chatterton has woven a tapestry of innocent small town romance and the courageous challenge of WWI, both for the soldiers who fought and suffered, and the steadfast love and loyalty of those who waited at home.   It’s fascinating family portraits—a treasure trove of memories mixed with a broad slice of American life and history.

         Joy, bravery, tragedy, and triumph–all play a part here, making Courage of the Heart  a book worth reading.

                                             Bruce Roberts

Courage of the Heart can be ordered here.