Poetry from I.W. Rollins

Blood of Kings Past

i sat across from
this man in my office
building. He stated that i looked
so familiar to him and he did
to me as well when he exclaimed “I am cousin Dave!”

cousin Dave
a man i have not seen since
i was a child. fucking shit,
cousin Dave
my father’s cousin
nephew of my grandfather
son of my grandfather’s sister
who is the daughter of my
great grandfather Francis
who was fresh off a rotting
boat with a dream of the vast
spoils of America

yet here we are
direct bloodline of his
in a sweltering office
building in southern New Jersey
not even 20 miles from
where his ship crashed into shore
just over the bridge
no American Dream
no Manifest Destiny
no vast spoils, conquered lands
just a timid shrimp of a
middle aged man
and a mid twenty something college dropout
sitting in an
office in may
discussing insurance premiums and
commission schedules
and i feel that blood we share
well up around me
first my chest, then my throat and mouth until
it begins to fill my lungs and
choke me
and a vile gurgle
pops through
“dave this was you! you did this!
we were
supposed to be
kings!”

i shake his hand, and pat his back
as sales men do,
“oh yes Dave i will tell my father you say hello
yes he’s doing well, yes we should all get together
yes tell aunt kate, yes Dave
i will call you thursday Dave, yes you
take care Dave, goodbye”

i have not spoken to my
father in 8 months

that is a silence
i am not breaking
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Novel excerpt from Tony Longshanks LeTigre

Wreginslag: The Magic Castle
By Tony LongShanks LeTigre

Chapter One

Razel-An & Zeffidar decided to take a walk through the woods one day rather than going straight home. It was still morning & the fog wrapped the land in thick wool, so dense that you couldn’t see more than a few feet in any direction.

“I love it when the fog is like this,” said Zeff. “Let’s take a little wonderhike & see what we find.”

Raz was game, so he hoisted his little sister onto his shoulders piggyback style.

They passed through the woods, where birds called to one another in the treetops, seemingly engaged in an intricate symphony, a choir of many voices singing to one another in an unknown language of melody & pattern. They had only explored the fringes of these woods before, but today they went farther. The belt of trees proved to be quite narrow, rather than going on for endless miles as they’d imagined. They broke through & came to what appeared a defunct quarry, where Zeff let Raz down from his shoulders.

“What’s this?” she said, examining a large, unusually round rock near the edge of the quarry.

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Poetry from Joan Beebe

The Rising and Setting of the Sun

 

   A new day dawns and there is an eerie silence around us.

We wonder as we look at the darkened sky

And we perceive a tiny sliver of gold appearing.

With a shimmering afterglow that gives one a feeling of

Being in another time and place.

Now the rays of the sun shine bright upon the earth

Our senses awake more intensely

We are one with the panorama before us

There is a freshening of life upon the earth.

Slowly but steadily we watch the morning sun appear.

It has beauty as shades of pink

begin to stretch out across the sky.

In the quiet of this new day,

we reflect on the gifts of this sun

Our spirits are lifted and we are happy

We are thankful for the warmth and nourishment it provides.

As the day ends, we watch the slow setting of the sun.

The sky becomes a canvass of red, pinks and gold with

Streaks of light clouds blending in so beautifully that

It becomes a palette of colors across the sky.

It is now the quiet time of the night and we rest.

 

A Broken Heart

There are times when life seems to overwhelm us

We become trapped in a world of our own and

Our hearts cry out for love and understanding.

Time seems to stand still in this place of longing

Nothing seems to change and we become

A prisoner of a broken heart

Another Day

I wake up after only a few hours of sleep

My mind starts overpowering me with what is to come’

Why must it be full of shouting and misery?

The day seems endless and there are tears

Where is the joy that should be part of this day

What is there upon which I can look forward

Just shouting, tension and stress

Yes, it is another day.

Synchronized Chaos July 2016: Perspective

 

Welcome, readers, to July’s issue of Synchronized Chaos Magazine. This time we’re looking at Perspective. How we see a single creature within the rest of the environment, or exploring common themes from different angles.

Returning poet Dave Douglas points out that Western society’s modern focus on individualism is not a constant or usual part of our human history.  The concept of individual identity, self expression, value, empowerment and purchasing power, which we now see reinforced through our cultural media and marketing messages, is an artifact of particular times and places and comes with advantages and disadvantages. Douglas critiques the shallow consumerism that he sees as coming out of a culture where people assert their identity through buying the latest personal electronics products.

Returning essayist Donal Mahoney advises young writers that not all have to emulate famous authors such as Charles Bukowski, who made a name for himself as much from his outsized personality and rebellious behavior as from his writing. One can become distinguished as a writer by mastering one’s craft while remaining oneself. He also encourages writers to take rejection in stride, rather than as a personal affront.

Peter Jacob Streitz, another returning poet, offers up a set of pieces grappling with individual and cultural loss, change and evolution. Whether it’s the decimation of Native culture, widowhood, or our own mortality, our world is full of destruction, and not even our best efforts and prayers can always protect us.

Poet Natalie Crick also contributes a set of short pieces evoking natural and supernatural images of death and decay. Yet, her subjects have aesthetic grace even in their deterioration, which comes through in lyrical terms.

In her monthly Book Periscope column, Elizabeth Hughes reviews Courtney Killian’s Days of the Kill. This suspense novel centers on a young protagonist who tries and fails to escape the effects of her family’s mental dysfunction. Next, Hughes hones in on the intergenerational wisdom present in Richard Slota’s upcoming novel Stray Son, a tale of fatherhood, manhood, and war.

Returning contributor Jeff Rasley’s new book Hero’s Journey explores the psychology and cost of setting up real people as heroes. In his excerpt, he reminisces about a boyhood friend whose real life started out similar to that of their shared fictional sports hero, Chip Hilton. When reality intervened, and his friend proved imperfect, Rasley began a thoughtful exploration of the meaning of bravery and honor, not just in sports but in different realms of life.

Returning contributor Christopher Bernard reviews San Francisco’s FoolsFury theater festival, discussing various attempts at rendering disparate content through physical performance. Existential literature transmutes into circus acts, the suffering of refugees comes through onstage through faux lectures at an imaginary border, and Japanese folktales take shape as large ensemble casts teeter between realism and fancy.

Finally, returning poet Joan Beebe contributes an innocent and slightly whimsical poem about cottonwood seeds. Still, she’s got a unique perspective here: she’s not praising the seeds’ beauty, she’s cursing them for getting stuck in her window screens and blocking her view of nature.

Here’s hoping everyone enjoys this issue.

More on the cottonwood tree here.

 

 

Christopher Bernard reviews San Francisco’s FURY Factory theater festival

ELEVATORS TO HELL, GUARDS ON A WIRE, HONEYMOON PIE, AND OTHER FURIOUS TRIUMPHS

A review by Christopher Bernard

FURY Factory Festival of Ensemble and Devised Theater

Various performance spaces in San Francisco

June 14–26, 2016

Terry Crane, Lyam White, Maria Glanz (above), Janet McAlpin, and David Godsey, in UMO’s “Fail Better.” Photo by Jeff Dunnicliff

Terry Crane, Lyam White, Maria Glanz (above), Janet McAlpin, and David Godsey, in UMO’s “Fail Better.” Photo by Jeff Dunnicliff

This year’s FURY Factory Festival of Ensemble and Devised Theater shook up the stages in San Francisco’s SoMa recently. Some of the performances were thrilling, and all were worth a visit.

Not least was Seattle’s UMO Ensemble, at the Joe Goode Annex for three performances of “Fail Better: Beckett Moves UMO,” a mind-bending event of pure theater, funny and dark and sharp, based on the writings of the Irish writer. This was physical theater at its most intriguing, turning the dense existential tropes of the great, bleak modernist into brilliantly apropos circus acts – complete with rope-climbing, dancing, wrestling, acrobatics, plus a bit of chocolate tasting (not shared with the audience, unfairly) and prancing about on a teeter-totter – with a sprinkling of brilliant writing on top.

Actually, the brilliant writing was the foundation (which is, no doubt, what distinguishes theater from, say, dance or music or the circus, or, for that matter, a restaurant). What UMO has done here is included most of the elements of live performance (the only ones missing were live music and edibles for the audience), compacted, condensed, sorted and refined to mordant essences.

The show begins with an appropriately Beckettian tableau: a Godot-esque couple of tramps and a Happy Day-esque couple straddle a great, ungainly teeter-totter athwart a light-bathed stage, behind which a grand dame in a scruffy garden-party gown and hat, all of which have both seen better days, officiates from inside a small, chapel-like niche. A spare, almost fleshless gentleman in whites steps forward and, between shy smiles, offers a brief passage from Beckett’s seminal novel The Unnameable, then retreats to an Apple laptop at the back and starts tapping away, threading (apparently) out of his entrails (one of the characters complains at one point, “Are these our words – or his?”) the comedy of bittersweet nothings we are about to be entertained by.

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Essay from Jeff Rasley

Memories of a Childhood Hero; Nostalgia and the Cost of Hero Worship

by Jeff Rasley

rasleyherocover

Chip Hilton was perfect – at least in the mind of this boy growing up in a small town in Indiana before the Beatles were big. He was tall, rangy, with blue-grey eyes and short-cropped blond hair. Chip’s square jaw was always clean shaven. A lock of hair would drift down his forehead and need to be brushed back while he was playing ball.

Chip was shy around girls but popular at school with the guys. He was the star player on his high school football, basketball, and baseball teams. Chip was doted on by his hardworking, graceful and lovely mother, Mary Hilton. She always had homemade cookies ready when the guys came over after team practice.

Chip’s dad, a factory foreman, died in an industrial accident saving the life of one of his crew members. Chip suffered stoically the aching loss of his father. The Hiltons were not well off, but managed. Mary worked at the factory as a secretary. Chip had to work part-time as a stock boy at the local drugstore to help with family finances.

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Poetry from Dave Douglas

The Novelty of i

The novelty of i
The latest smart phone
Absent of why
Just follow the drone

The novelty of reason
Without reply
What’s still in season?
The novelty of i

i am the app
Consolation
i am the map
Destination

Text of interest
i may respond
i am the loudest
“Like” to correspond

i am the Like
Emotion
i am the psyche
Devotion

i am the spotlight
Conversation
i am the limelight
Celebration

The novelty of i
Promenade –
Receipt of a sigh
Masquerade

The stage of sound
The novelty of sky –
The ceiling of ground
The novelty of i?

The novelty of i!
The novelty of – i
The novelty – of – i
The – novelty – of – i

The soundboard
Into a lone echo
Unexplored –
The novelty is hollow

Absolute ironclad
A fool to vilify
i am my own fad
The novelty of I

Sounds of new
Thoughts from you
Grasping two
And then a few …