Adam Weber, photo from http://eetd.lbl.gov/people/adam-weber

Hydrogen fuel cells power city buses all over Oakland, CA, surrounding the Chabot Space and Science Center and transporting visitors around town. Guest speaker Adam Weber, staff scientist at Lawrence Berkeley National Laboratory’s fuel cell program manager, spoke at Chabot on future prospects of this technology during February’s enrichment lecture.

According to Weber, hydrogen fuel as a workable, commercial scale technology in the U.S. is at least 10-20 years in the future, as a minimum. However, he supports continued research and development into the area as the technology represents the promise of a 45 percent reduction in our country’s carbon emissions by 2050.

Hydrogen differs from other fuels as it cannot be mined or harvested directly, but must be produced on a large scale, usually by splitting water molecules through electrolysis. The energy to power the electrolysis can come from natural gas, coal, nuclear energy, or, as he hopes, ultimately from renewable sources.

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MEN AND WOMEN—there’s a difference. At least that’s what Shields’ mom formerly decreed. It’s history. It’s science. It’s nature. It’s everything to do with equality and ONLY ONE HAPPINESS. And along with the laws of only one happiness, Shields also knew, by heart, all the other rules in Mom’s house. That’s why he waited a year after his 13th birthday to ask her about the man he’d met the previous Christmas, in his Grandma’s cellar. This was a terrible mistake. When Shields simply asked if the man she called “husband” loved him, his Ma threw a fit! The word LOVE was strictly verboten in or out of their home.

For it was his Mom’s belief that love, as a word, was worthless. “Gens de peu (the meaner class of people),” she’d crow with characteristic fervor. “Love everything from inanimate objects to gods, celebrities, and prime-time TV.” She’d quiz Shields: “And how can love describe the affections of men and women when we incessantly jabber, ‘I LOVE THE FLAG! I LOVE COKE! I LOVE NEW YORK! I LOVE JESUS! Have you ever seen a bumper sticker that says: I LOVE HUMAN BEINGS?'”

When Shields admitted to never seeing such a bumper sticker, or knowing what it actually meant to love, mom told him a story about a long forgotten, magical time when men and women were equally capable of love, because they both possessed The Lobe. God’s Lobe. The Lobe almighty.

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Welcome to February, the month of Valentine cards and pink candy hearts and Cupids for some, and dark humor and hopefully self-love for others. Hopefully, this month will also herald warmer weather for those Northern areas besotted with blizzard snowfall.

Our issue this month focuses on innocence and maturity, with some submissions reflecting straightforward childlike enthusiasm and others presenting more complex, self-conscious thoughts.

Leticia Garcia Bradford regales us with a tale of the first time she saw snow, as an adult Californian traveling to South Korea in winter. Joan Beebe draws on the Valentine’s holiday for inspiration, describing a contented relationship and some different aspects of love. She also memorializes a pet parakeet who had become dear to her family.

Tony Glamortramp offers up poetry and a short story, both of which convey the thrill and joy of snow days, not for children, but for bohemian queer artistic types who have the day off from school and work to feast on poetry, art, drink and music. These pieces, somewhat reminiscent of Puccini’s La Boheme, express the treasure of eclectic community and show through nostalgia the value of a city’s remaining hospitable to these sorts of people.

Ogana Okpah celebrates love, both the childlike pangs of first crushes and the longer-term, committed love of adults. Jaylan Salah reviews the cinema of Canadian director Xavier Dolan, whom she appreciates for making films that show teenage boys’ maturing and the complexities of ‘human-human’ relationships, tender and nuanced regardless of gender configuration.

Other writers convey a sense of anxiety, a reflection of the growing pains of our society and planet. Michael Robinson, in his distinctive restrained, delicate verse, expresses the solitude and anguish of having only memories of love for comfort while undergoing mental health treatment. Christopher Bernard’s protagonist considers the weight humanity places on the planet, then looks into the faces of ordinary random folks of all ages waiting for a San Francisco bus, who seem incongrously vulnerable and harmless. Christopher Bernard also reviews Ernest Hilbert’s new poetry collection Caligulan, which expresses modern and timeless social and existential anxieties through formal poetic forms.

Vernon Frazer creates highly structured, precise, heady pieces through free verse forms, reflecting places that are underneath, behind, hidden from view. Readers are drawn by these geometric arrangements of words to peer within our physical and mental structures to examine their deeper natures. Akor Emmanuel expresses existential dissatisfaction through the image of a perpetually unsatisfied pregnant virgin, an echo perhaps of the Virgin Mary’s sorrow over our world.

Dramatic suspense can be a way we can face anxiety in small doses and vicariously, perhaps as a way to accustom ourselves to fear from a distance so that we might become stronger when confronting actual threats to our existence. Elizabeth Hughes, in her monthly Book Periscope column, reviews Joe Klingler’s film noir-esque thriller mystery Missing Mona, describing the tale of a detective’s quest for a missing hitchhiker.

Other writers this month describe the process of men’s coming of age, with all the angst inherent in that physical and psychological journey. Michael Robinson reviews Christopher Bernard’s Dangerous Stories for Boys, a collection reflecting what Bernard considers the ‘dangerous’ and volatile years of burgeoning adult masculinity, beginning at about age ten. Ryan Hodge, in his monthly column Play/Write, analyzes video games’ portrayal of male characters as they develop throughout game play, arguing that they earn worth and value in the eyes of others through service and sacrifice, but face the dilemma of finding a balance where they can assert individuality and not merely exist for the sake of others. Hodge argues for a complex, nuanced view of manhood on the screen, just as he did for femininity and female characters in his last column.

I hope that this issue inspires both childlike joy and wonder and thoughtful consideration of deeper concerns. Thank you for sharing the experience and growing alongside our contributors.

Public domain image from George Hodan, available here: http://www.publicdomainpictures.net/view-image.php?image=20273&picture=silhouette