Poetry from Kahlil Crawford

LE FLEUR
for Bill Campbell

I am a flower.
My petals keep falling
to the wayside
One after another,
one by one.

Parts of my DNA
leave my life,
Shorten my stay.

What is life?
Seems like
it remains here
while we depart
for the unknown…

place in our imagination.

Chicago-ing

Ekphrastic work from Mark Blickley

Remains (bones and some fur) of a small rodent lying on dirt. Some pine needles are on the ground.

The dumbwaiter broke for the ninth time that month.  This meant that Arnie would have to run the family’s trash down five flights of stairs, depositing it on top of a row of garbage cans to the left of his building.  Arnie hated the chore but his sisters were too young for such a responsibility.  He flung his jacket with the New York Knicks insignia over his shoulder and grabbed the bag from his mother.

            “Goddamn dumbwaiter,” hissed her mother, “we don’t have enough around here with sickness, we need filth, too!”

            Arnie looked up at her and shivered.  It had been a long time since he could remember her smiling or when her voice wasn’t sharp, angry at him.  He wondered why her behavior was normal only when she communicated with the tall skeleton lying on the living room couch.

            She hates me, thought Arnie, just because I hate this stinkin’ garbage.  When Daddy gets better things’ll be good again.  He’ll help out with the garbage and everything will be fine.

            The garbage cans overflowed, spotted with vermin.  Arnie threw the bag onto the pile and watched with a smile as three days of his life spilled onto the sidewalk.  The crashing of baby food jars as they rolled from the sidewalk and into the street made Arnie cry, and he quickly covered his face with his jacket.  He did not want any reminders of his mother spoon-feeding his father from those jars.

            Ever since the hospital released his father following his third stomach operation, life had become crazy.  Daddy was like a six-foot three-inch child, and Arnie a four-foot seven-inch adult.  “Like a stupid midget,” sighed Arnie.  His mother depended on him to do everything and he was rewarded by her snapping at him like the turtles he caught up at the lake when his father was healthy.

            Five weeks had passed since the hospital dumped his father into the four-room apartment with the broken dumbwaiter.  Sometimes his speech could be understood, but his existence was mostly incoherent phrases and the sucking of air between gnawed teeth, swallowing pain.

            Arnie was sitting in the chair opposite the couch, reading, when he heard his father mumble.  He looked up from his illustrated Grimm’s Fairy Tales.

            “What Daddy?”

            His father slowly turned his head until he could peripherally see his son.  “Soup,” he whispered.

            Arnie begrudgingly closed his book and stood up as mother scuffed into the living room and smiled down at his father.  She tugged at the back of Arnie’s hair, propelling him into the kitchen. 

            “You do what your father wants and fast, understand me?” she whispered angrily.  “Are you such a stupid little fool that you don’t know he’s going to heaven soon?”

            Arnie slipped out of his mother’s grip and hurried out of the apartment.  He raced down five flights of stairs trying to outdistance his thoughts, but failed.  The past months were not spent waiting for his father to get better, to go back to work, or go back to the hospital.    Going to heaven?  Heaven is for skeletons?  Hell is full of skeletons, not heaven.

            Arnie bought the soup with his own coins.  He was walking up the tenement stoop when a movement by the garbage cans caught his attention.  The nine rusty cans for five floors of families were completely buried by torn, greasy bags.  It smelled the same way Arnie felt.  He walked closer to the noise, careful of rats.

            Suddenly, a large head covered with red blotches, chewing on the remains of a day-old TV dinner, popped up out of the garbage.  Arnie jumped back and froze.

            “What’s the matter, pal?  Never seen anyone enjoyin’ their lunch before?  Want some?”

            Arnie pulled the can of soup out of his pocket and cocked his arm defensively.

            “Soup.  Well, you are a good lunch companion.  Oh dear, it’s mushroom.  Doctor says I can’t eat mushrooms.  I have a tendency to hallucinate, but I do appreciate the gesture,” he smiled, rising up from the rubbish heap and stretching to his full height, a head taller than Arnie.

            Arnie giggled and pocketed the can.  “What’s your name?”

            The man blew a fly off his nose and scratched under his eye with a long, jagged fingernail.  “People call me Decay Dan.”  He extended his hand as Arnie withdrew a step.  The man laughed.

            “You look good in garbage,” giggled Arnie, pleased at being able to retort with an adult.

            Dan nodded in agreement, walked over to the curb and squatted.  “Garbage has been good to me, too.”

            “Why are you called Decay Dan?  Sounds like a toothpaste commercial.”

            “Because I give hope to people,” replied Dan.

            “You’re crazy,” said Arnie.

            “Naturally.  But to get back to your question, I’m called Decay Dan because I offer the promise of life after death.”

            “Say what!” exclaimed Arnie, his fingers tightening around the can in his pocket.  “You tryin’ to tell me that you’re God or something?  I look stupid, huh?”

            Decay Dan shifted on his haunch and squinted at the boy.  Arnie noticed that Dan’s ankles were swollen; his shoes housed sockless feet.  “What I’m saying is that garbage is important because everyone makes it.  When people see garbage they’re disgusted because it makes them think of their own slowly rotting bodies and the death that awaits them.  Understand?”

            “I think so,” said Arnie, “but why do people get hope from you?”

            “Just a second,” answered Decay Dan.  He walked over to the garbage, rummaged through some bags and returned to the curb with a soggy, half-smoked cigarette.  After a frantic search through his tattered shirt and pants pockets, he found a book of matches and tried to light the cigarette.  It was too wet. Decay Dan grumbled and ran the flame under the cigarette, slowly rotating it at the filter.  Thirty seconds later he tried to light it again.  A brown stained smile recorded his success as he filled his lungs with smoke.

            “What’s your name, boy?”

            “Arnie”

            “Arnie, the way I have it pegged is that when folks see me scrambling around the garbage they get comforted ‘cause the only life usually found in garbage are maggots.  A human being rising out of the decay makes them think of the resurrection of the flesh.  Understand?  Decay is not the end.  It’s the supper.  And as you can see by my gut, not the last supper, either.”

            Arnie stared at Decay Dan and shrugged.  Although he wasn’t sure what the man was talking about, he felt a certain comfort from his tone of voice, an old familiar comfort, like when his parents used to explain the reasons why it was important for him to excel in school.

            “My mother told me that my father’s going to heaven soon.”

            “Is he now?  Well, I suppose it’s a damn sight better than living in garbage.”

            The two sat in a prolonged silence.

            “My mother is upset and angry at me all the time for nothing.  I haven’t done nothing.”

            “Your old man’s pretty sick, huh?”

            Arnie nodded.  “Cancer.”

            Decay Dan was about to put his arm around Arnie’s shoulder but retracted the motion.  “It’s the decay, boy.  Don’t worry.  It’s not you, it’s the garbage of disease.  She’ scared, that’s all.”

            Arnie glanced down at Decay Dan’s swollen ankles and then looked into his eyes.  “You don’t sound all that crazy.  Why are you in garbage?”

            “Because there’s so much of it and nobody fights me for it.  Now mind you, I’m only talking about American garbage with its bright sanitary packages and Grade A meats.”

            “I’d like to do something for you, Decay Dan,” said Arnie.

            Decay Dan smiled and spit.  “You can, Arnie.  Next time your mom forces you to eat something you don’t want and she tells you about all those starvin’ people all over the world, just smile and agree with her.  When she leaves think about old Decay Dan and scrape your plate into the garbage, okay?”

            “Deal,” grinned Arnie and the two shook hands.

            A scream pierced through their new friendship and they both looked up at the fifth-floor window where Arnie’s mother’s face was pressed against the window grill.

            “Arnie!  Arnie!  Stop talking to yourself and waving your arms around like an idiot!  Get the hell up here, now!  Your father’s been waiting for that soup!  Hurry up!  Run!  Now the neighbors will know I got mental sickness to put up with, too!  Get off that curb!  Now!”  She slammed the window shut.

            Decay Dan winked at Arnie and scampered away.

Arnie climbed slowly up the stairs.  He paused at each flight to run his hand over the banister and think.  His mother had not seen Decay Dan even though Dan was right next to him when she shouted down at him.  There’s going to be trouble, big trouble, thought Arnie.

            He stopped in front of the muddied welcome mat outside his door, drew a breath, and clicked the key in the keyhole.          


Mark Blickley hails from the Bronx and is a proud member of the Dramatists Guild and PEN American Center. His latest book is the text-based art collaboration with fine arts photographer Amy Bassin, Dream Streams. (Clare Songbirds Publishing House, NY). His art videos, Speaking in Bootongue and Widow’s Peek: The Kiss of Death represented the United States in the 2020 year-long international world tour of Time Is Love: Universal Feelings: Myths & Conjunctions, organized by esteemed African curator, Kisito Assangni.

Poetry from Bruce Mundhenke

All Aboard

Nero fiddled;
I play Slither io,
Rome is burning again…
ID2020,
The Trojan horse of today,
Preview of coming attractions,
A reset is on the way…
A chicken in every pot,
How could anyone lose?
There is no time to think,
There is no need to choose,
Only one train,
Only one track,
So then,
All Aboard!
Where this train
Is bound for,
Not even the engineer knows…

Poetry from Christopher Bernard

 

 Late Flowers
 By Christopher Bernard

 Only now have they started to fade.
 They had just begun to open
 the afternoon I bought them
 right before your birthday:
 white lilies, red carnations,
 clematis that clings to the eaves,
 small pink roses,
 little daisies,
 against a deep green backdrop 
 of shadowy ferns and leaves.
  
 Over the days that followed
 they blossomed like a flourish
 from a garden on your little table
 in your lovely room
 bright and warm and gentle,
 the windows opening to the bay
 and the northern reach of sunlight
 gathering the day.
 
 They opened like young loving,
 they opened like the spring,
 they opened like your smile
 at the sweetness of all beauty:
 a simple and artless bouquet.
  
 Only now do they begin
 to fade. Who could have known
 they opened only for one
 who would no longer see them,
 in a room where you, in sleep,
 the afternoon that followed
 the day that you were born
 (or so it seems, to the living),
 fading long before the flowers,
 were gone even as they flowered
 beautiful as the day?
  
 For K.
   

Christopher Bernard’s latest book of poems, The Socialist’s Garden of Verses, has received a stellar review from Kirkus and will be included as a May feature (Best Indie Books of the Month).

Screenplay from Chimezie Ihekuna

Title: Wake Up, Dream Boy
Adapted from a book by Chimezie Ihekuna (Mr. Ben)
Screenwriter: Robert Sacchi

Chimezie Ihekuna (Mr. Ben) Young Black man in a collared shirt and jeans resting his head on his hand. He's standing outside a building under an overhang.
Chimezie Ihekuna

Genre: Fantasy Mystery

For reviews, production consideration and other publicity, please contact us through the email addresses below:

mrbenisreal@gmail.com

rsacchi@rsacchi.20m.com

Synopsis/Details: 

‘Wake up, Dream boy!’ explores the ordeals of a young teenage boy, Tom, through a dream he had. It combines geographic names, conceptualized characters, metaphysical locations and various thought realms.


Things turned upside down as Tom, in high school, became obsessed with horror films and books that had satanic themes. Anything scary caught his attention and he hardly paid attention in class. Left alone, he looked out for books flooded with zombies, ghosts and other extra-terrestrial entities.
Tom’s friends eventually got tired of hearing about his special interest and kept him at arm’s length so they wouldn’t have to hear all of his evil visions of blood-feasting demons, cannibals and dark voices telling people to commit suicide. He became somewhat of a loner.


His mother, Sarah, whose husband had died shortly after Tom’s birth, tried to distract him from the horror. However, she eventually gave up, since she had two other children.


However, Tom’s nightmares played themselves out. For every action, and every obsession of humankind, there is an equal but opposite consequence.

Poetry from Mahbub

Poet Mahbub, English instructor in Bangladesh

Gratification

The matter that makes us laugh makes us cry

Crossing the Styx – one for all

Glints the new page

Feel like plastering the room

Seized by the riddles

Only glare at

We come and go

Leave behind we would never like to

This painful heart masters the art

How to adjust in the moonlit scented air of cestrum nocturnum. 

Chapainawabganj, Bangladesh

07/04/2020

A Big Blow on the Street

You broke my right hand today

A big blow with the stick

Mind it; it will reflect you one day

In the name of service

What is this torture?

Feel so proud of

What makes your belly?

You speak too much

Pretend to perform nicely

The vanity appears to

Master of all trades

How unflinching!

The man went away, saying.

Chapainawabganj, Bangladesh

07/04/2020

A Beast of Burden

The load on the head is too heavy to carry on

Not fixed on time and place

A beast of burden

Every moment, day and night

My head and heart dismayed

Cracks the body

Feel the nerves hazy bouncing the ball to the batsman

Dims down the eye sight

In this dying despair

Groveling to you, my Savior

Though spring smiles on the leafs and flowers

The sacks loaded on in this encircled barrier

What a confusing fathomed world!

I live and die

O Merciful

Please drench us all in your blessed rainfalls.

Chapainawabganj, Bangladesh

09/04/2020

Love in Paradox

The world is raging so fast

What does it sand for ‘dismal life ‘?

No escape of love

No escape of death

This love and death – a plus the sign test

Man howls and bowls to fit for

Man cries and prays to live in the world

Man dreams that turns into a nightmare

Counting the moment the unexpected time of death

Then what the Love stands for?

Chapainawabganj, Bangladesh

09/04/2020

The Drowsy World

The world is now drowsing

We all living far and near undergo this condition

Floating on the river of forgetfulness

In the moonlit night

Bored to stand on the deck all the time

Our journey has not reached the goal yet

Sometimes the sky is firing on the head

The scorching sun

Others meeting with the challenges

To get out of the nervousness

People are waiting silent

Some stretching their loving hands

Some grooving in the darkness

We look through the screens the dead bodies

Counting thousands or lakhs crossing limits of patience

The world is filled in the love line of the swans

We see and get asleep

Rise again with the breaking news of deaths

Always facing the challenge

To reach at least near the harbor a silent tiptoe

The world is now seriously drowsing.

Chapainawabganj, Bangladesh

10/04/2020

Poetry from Daniel Ezeokeke

dance of gods

A boy who smelled of fear and gore visited a grave of

mummified gods on the bay of the Nile in search for

 elixirs, doses of nostrums that could heal wounds of

sorrows and grief inflicted on his kind by ruins of war

and plagues

He had seen zygotes of dreams which formed in the

fertile womb of hope exhumed, served as victuals to

men who laugh and defecate bombs and missiles

on civilizations

He had watched as the python of healing on the aged

staff of Asclepius, the Greek god of health, got strangled

by an unnamed disease, he had also witnessed the

ruthless lynching of Eirene on the highest peak of the

pyramids, how her body was replaced by Medusa,

the magus of the east who turns forces of good and

great into stones

I heard him say quietly in his native language “i better find this”_

but after long hours of search, all he saw were craniums of

dead men throwing parties, some dreaming and hoping for a

time when splinters of their bones will metamorphose into

molecules of actualities.

TASTE OF WITS II

On a voyage to world’s end, we met a boy in the northern

pyramids of the Sahara cloaked in greyish rag of dust and dearth

His wits were a breed of Socrates nous, an annex of Solomon’s

connoisseur, unveiling to us several conundrums which dated

back to medieval climes.

We watched him dissect rusted cadavers of enigma, exhuming

secrets behind downfalls of puissant kings, the slight trueness

in Delilah’s facade of love, the tint of folly in Ahitophel’s wit and

several mercies hidden in Hitler’s armageddon.

He was a prodigy, a dexter in his profession, illustrating with

grandiose gestures how sagacity was exorcised from craniums

of celibate ghosts martyred on stakes by a noxious disease during

the great plagues.

Lastly he awed us with a display of magic, he turned snores of a

voyager who had been bored by his lecture into notes, f-majors,

similar to the noise engines make after long hours of work.

Short bio

Daniel Ezeokeke is a writer who hails from the

ancient city of Anambra State, Nigeria.

He sees poetry as a means of escapism from

a society undergoing decay and degradation.

He is currently a graduate from a Nigerian

university and loves philosophy, Jewish writings

and history.