MY GREY DREAM

     I went looking for her, my lost baby. I did not know it would be the last time. I roamed the dry barren landscape at a dusk, no normal dusk, a dusk of broken spirits, a Dante dusk. The uneven ground was tan clay, dry and cracked from lack of sustaining rain. Any sparse vegetation that had once thrived was now brown and dead. Though I stumbled, I persisted in my search. Everything everywhere was dead. I found the building, her new home that an unreal visitor with no name had constructed from slabs of grey concrete, an economy of materials, like the vaults in which caskets are placed before being lowered into the last place they will ever be.

     The building was large, there were no curved walls, no arches. Every surface was rectilinear interrupted only by impressions from where the wood frames held the wet cement as it set into featureless, meaningless, permanent shape. I opened a grey door and stood in the vestibule with a high ceiling, also cast from cement, lit by a dim light from an unknown source. I waited and waited. I would stay there until I knew. 

     There were no colors, no photos, nor paintings on the walls, not even black and white, not even ones dulled, the images obscured from the misguided desire to protect them with non-glare glass, set within thin matte-black frames. There was nothing to break the oppressive, insistent weight of the surfaces. There was no furniture. Nothing. The staircase was entirely cast from concrete leading up to somewhere. There were no sounds at all except the tinnitus always present, even in my deaf ear. The air was still. I felt dread. I felt small. I felt insignificant. 

     Then she appeared on the stairs. “What are you doing here?”; not a question but more of an accusation. She was angry and annoyed by my presence. We had loved each other with the certain seamless love of a parent and a child. There was no trace of that now, though it was there. It would always be there because it was true and real. It was obscured and hidden by a darkness delivered by an interloper seeking only power and control over a fragile, gentle soul.

     I spoke words I did not know I could speak: “I’m here to remove all things inauthentic.”  

     There was no response. She turned in disgust and left. I looked at her back as she left, I feared forever. She continued down the dark hallway to a small, cold, grey-walled room, like a cell, with only a slit of a window that let in a dull green light from which the time of day could not be determined because the time of day was his to tell her. Time was not something she was allowed know by her own deduction. The room had been constructed specifically for her to confine her and limit any sensory input that he did not oversee and permit. It was the room prepared for her by someone or something intelligent and patient who carefully calculated her destruction and began to dismantle her piece by piece from their first encounter until she was only fragments of who she had been; bits he reassembled to construct her as he thought she should be utterly and completely under his control. He owned her thoughts; he owned her dreams, her intelligence, her creativity; her actions were within the parameters he had determined correct. He even owned her defeat, her final surrender and the permanent sadness behind her eyes. Everything that had been her was his. 

     In the grim room was a banquet table constructed from 2×4 seconds and embalmed in Vara-thane that she set with gilt-edged paper plates, plastic flatware spray-painted silver and paper napkins he had l ripped from the dispenser at McDonald’s and which she folded into delicate, yet distorted, swan-like shapes she hoped would delight her only guests; the guests who never questioned nor challenged the world in which he stored her. There, in the only space allowed her, she awaited the arrival of the days’ old crumbs from the rock-bread he had casually left uncovered because he had something else to do; crumbs he decided to toss to her when he needed to affirm his power over anything that sustained her. As per his expectation, she bowed in gratitude as she gathered the crumbs from the dull, unfinished floor. She laid them out as a banquet for the others now gathered in the room; others who had been fragmented and broken, annihilated by another dream person inflated with a impotent rage and driven to dominate and control to hide his insignificance from a terror and self-loathing beyond all reason.

     Taken from her were those who she loved and who loved her; who had supported her and nurtured her and had cuddled her and kissed away her hurts. Gone were those who ran to her aid because of their love and devotion to her. Gone were all who would protect her; all who made sure she was tucked in securely at night her soft, plush toy penguin, her pink velvet froggie, were snuggled around to assuage her fears of another darkness from another interloper. All those who loved her, she abandoned, discarded and vilified at his behest to prove her loyalty to him.

     Now everyone she had chosen to dine with shared in the illusion of a luscious banquet. All were thrilled by the meager crumbs on their plates as though they had been served a luxurious meal of foie gras and truffles, sturgeon caviar with toast points prepared by a skilled French chef. She did not yet know that even those she had found for company among the broken his fear would mandate he bring under his control, too. They would be culled as it suited him until she was totally alone hallucinating imaginary friends to comfort her, reassure her, console her as her loved ones did long ago when she was frightened, but when she was not alone. The crumbs would diminish into only an illusion of sustenance until she ceased to exist and he heard her deliver her last words: “My master, I love you” and his face slackened with the pleasure of complete conquest.

     I was standing in the vestibule but I was no longer waiting. She was gone. Not a single slim thread was left connecting us. All deep bonds that had been between us he had broken. I was dead to her. I lifted a small brown bag that had not been there before. It contained imposter things disguised as the ordinary brought into our family long ago by another darkness. Things I once thought real and denied their inherent dissonance: a 1952 class photo of a smiling blonde boy with crystal blue eyes; a book of Haiku; red enameled cast iron pans. All seemed innocent but the deceptions were revealed upon closer inspection. Peering into the bag: an occasional guttural growl from the blonde boy; the pans: a bloody hammer; Haiku: a book of obscene limericks.  

     I left by the same door through which I had entered. At the top step of the crumbling concrete outdoor stairs, I saw the dead dried grass that had once grown through the cracks but no life remained in the leaves that fluttered from a light breeze that did not refresh. I had forgotten my cane and feared I would fall as I descended the stairs carrying the bag that held the unwanted truths in one hand, the inauthentic old ones I had to carry away and destroy at long last. I did not fall. I found my car. To my surprise her Dad, the dark interloper from a distant time, was sitting in the passenger seat but his visage was translucent and vague; he was disappearing. We didn’t speak. I handed him the bag; it belonged to him. I drove away for the last time. A sadness overtook me and I knew it would be there in my heart, in the place with the defect from my birth, the place on the ventricle that generates the weak beat, even today and until the end.  

2022

The Heartbeat of a Poem

In the quiet of a silent room,
Where thoughts like whispers softly bloom,
A poet’s heart begins to weave,
A tapestry of dreams, believe.

Each word a thread, each line a beam,
Woven into a vivid dream.
Emotions dance, raw and true,
In the gentle flow of ink and hue.

A poem speaks what hearts conceal,
It captures all we deeply feel.
In metaphors and similes,
It sings of life’s sweet symphonies.

The rhythm is the heartbeat strong,
That carries us through joy and wrong.
With every rhyme and cadence fine,
We find our souls in every line.

It paints with words, a world anew,
Where skies are not just simply blue.
In stanzas rich, with depth and grace,
We glimpse the beauty of a face.

A poem is a silent song
That lingers in our minds for so long.
It’s in the laughter and the tears,
A timeless echo through the years.

So let us cherish every verse,
For in its lines, our lives immerse.
In every poem, pure and bright,
We find our truth, our guiding light.

Madinaxon Meliqoʻziyeva was born in 1995 in Buvayda district of Ferghana region. She has a great passion for poetry and creativity, with many dreams and aspirations. In her free time, she writes poetry, short stories, and articles.

Vernon Frazer’s most recent poetry collection is MANTIC PANDEMIC,  a C22 publication.

C22 will publish Frazer’s Voyage in Port in July 2024. 

“In everyone’s life, at some point our inner fire goes out. It is then burst into flame by an encounter with another human being. We should all be thankful to those who rekindle our spirit.” --Albert Schweitzer

The Brink of Summer’s End: Travel Log Celebrating the Authentic Spirit of the Seasons 
By Jacques Fleury

[Originally published in Spare Change News and Fleury’s book You Are Enough: The Journey to Accepting You Authentic Self]

The noonday sun has mellowed. The laughter of children echoing in the playgrounds has dwindled. Soon, the chilly breath of winter will be upon us, fogging up car windows in the early morning and late at night. Yep, summer is practically over and for some of us, this glacial news is mighty sour. 

Now is a time to reflect on the last few months. Did you keep all the promises you made to yourself back to the beginning of summer? Did you take that vacation you’ve always wanted to take, talk to that cutie you’ve always wanted to talk to, read that book you’ve
always wanted to read, see that movie you’ve always wanted to see? 

Or did the summer days pass by you as fast as a NASCAR race car, drowning you in a smog of dust, confusion and missed opportunities? Well, you’re not alone. I did not get to do all that I wanted to do either, but I sure did as much as I could do and I don’t think it’s necessary for me to be hard on myself for the things I didn’t get to do and neither should you.

Then in late August, I decided to go on a road trip with some friends. We decided to tour some of the states of New England so that we can get to know other northern neighbors, each other and ourselves along the way. 

Driving down the countryside almost always leaves me mesmerized. The quiet dignity of the trees; the wide majesty of the mountains; the boldness and beauty of the sunset and the docile and gleaming offering of the moon. As we drive along the highways and back roads of New England, assimilating Chinese fire drills and switching seats
with one another, we talked about things that we normally wouldn’t talk about in any other circumstances. We spoke of our hopes and aspirations, joys and pains, unrequited loves, past loves, present loves and pondered about future loves that we hope would save us all during our lifetime. Sometimes, we didn’t even speak at all. We just drove and rode in silence or listened to the radio and the music of our hearts.

We drove up to Jeffrey New Hampshire so that we can climb Mount Monadnock, purported to be the second most climbed mountain in the world, second only to Mount Fuji in Japan. Climbing the mountain was both challenging and invigorating. I saw all types of people climb, young and old. But I don’t think I saw even one other Black person climb. I suppose hiking is not “a black thing”, but I was there to challenge this stereotype. I did get some malevolent (what
are YOU doing here?) looks from some of the hikers as well as some benevolent (welcome!) smiles. I decided to concentrate on the smiles.

I was able to find some time to be alone in the woods, to hear the sound of the heart of nature and so that I can feel closer to the creator. Having some quiet time to think about my life to me is
a great luxury. I was able to think about what I’m doing right and what I’m doing wrong.

Behaviors that I need to re-evaluate and behaviors that I need to celebrate. I thought about all the people in my life who contribute to who I am and I could not help but smile. I realized then that I
have a selective group of people around me who contribute greatly to who I am and who I’m becoming. I gladly let go of toxic relationships that threaten my progress and embrace new friendships that can only strengthen me. During my vacation, I also rediscovered the power of
God in my life, which forced me to re-evaluate my spiritual path.

Getting away even for a short time from my day-to-day life taught me something. It taught me that I could find happiness outside of all the “stuff” I have back in my apartment or all the accolades I often get from my community for being a writer, performer and Television
personality. Being away from all of that, generated in me a sudden epiphany. I realized that other than my God, I’m all that I need. I am self-sufficient. I don’t really “need” someone else to make me happy. 

I don’t “need” someone else to give me what I can give to myself: respect, love and attention. I realized that all one need in life is to be comfortable, healthy and happy. How can I expect someone else to give me what I can’t or won’t give to myself? I don’t believe in the
notorious saying “I’m looking for my other half” because I think that one should be a “whole” person first and naturally, if I know anything about karma, another “whole” person will find you.

We often get stuck in our lives when we practice the same behavior but expect a different outcome. Well you may be aware of the omnipresent saying: “Insanity is doing the same thing and expecting different results.” Well, I have two things to say about that! First is “be the change that you want to see” and secondly “when you change the way you look at things, the things you look at begin to change.” 

In other words, if your wish is to see the world as a friendly place then you have to try being friendly yourself. Yes, it is that simple. Because if you choose to see the world as a friendly place then you begin to look for evidence of that. However, if you choose to
see the world as a hostile place, then you began to look for evidence of that. It’s all about the way we think about things. 

My point is this: as the Autumn leaves change colors, you too should try changing your thought patterns by being the change that you want to see, by changing the way you look at things and I promise you the universe will change with you. Remember, keep your hearts open, have good intentions and everything will most likely fall into its rightful place.

Jacques Fleury is a Haitian-American poet, author, educator and literary arts student at Harvard University online. His book “You Are Enough: The Journey to Accepting Your Authentic Self”  & other titles are available at public libraries, The Harvard Book Store, The Grolier Poetry Bookshop, Amazon etc…

Palestine Wail by Yahia Lababidi

Yahia Lababidi’s new collection of poetry Palestine Wail offers a profound and poignant exploration of human emotions, social injustices, and the resilience of the human spirit. Lababidi weaves together themes of hope, suffering, and solidarity with a keen sensitivity that resonates deeply.

This is only a sample of poems to be found in this rich collection:

In the poem “Hope,” the poet redefines hope as fragile and elusive, rather than steadfast and unwavering. The imagery of hope being “slimmer than you’d think” and “out of breath” underscores its delicate nature. This nuanced portrayal invites readers to appreciate the quiet, enduring strength of hope, despite its vulnerabilities, while “Alternative Scenario” presents a powerful, hypothetical narrative of compassion and unity in the face of conflict. The poet imagines Palestinians and Israelis coming together in mutual support and empathy, leading to an eventual end to hostilities. This poem is a poignant reminder of the potential for humanity and peace, even in the most dire circumstances.

“Starving” is a stark and sobering commentary on the use of starvation as a form of punishment. The poem draws a parallel between the disciplining of children and the severe deprivation faced by Palestinians. The rhetorical question, “When did we learn / starvation is acceptable,” challenges readers to confront the inhumanity of such acts.

In “You, Again,” Lababidi delves into the introspective journey of a solitary soul. The language is rich with metaphysical musings and the struggle to find meaning and sustenance. The imagery of a “nocturnal flower” and the “whirring of the reel” evoke a sense of timelessness and introspection, creating a deeply reflective piece.

“Ode to the Children” is a heart-wrenching tribute to the children of Palestine. The poet elevates their suffering to a sacred level, drawing connections between ancient rituals of sacrifice and the contemporary plight of these children. The poem is a powerful reminder of the sanctity of life and the enduring strength found in the face of unimaginable hardship.

“Love That Makes Devils Weep” meditates on the transformative power of unconditional love and forgiveness. The poet envisions a scenario where one side in a conflict resolves to be entirely blameless, ultimately leading to the end of animosity. The notion that such purity could “make devils weep” speaks to the profound impact of love and moral integrity.

“Walls” critiques the artificial barriers that divide humanity, both physically and emotionally. Lababidi asserts that walls cannot contain the human spirit or prevent love and hate from transcending boundaries. The poem is a call for unity and understanding, emphasizing the limitless capacity of the human heart.

Palestine Wail is a masterful blend of lyrical beauty and profound social commentary. Each poem stands as a testament to Yahia Lababidi’s ability to capture complex emotions and situations with clarity and compassion. This collection is not only a literary achievement but also a call to action, urging readers to reflect on their own roles in the broader human narrative.

Richard Modiano is a poet, artist, and influential figure in the literary community. He served as the Executive Director of Beyond Baroque Literary/Arts Center in Venice, CA from 2010 to 2019. The Huffington Post named him one of the 200 people doing the most to promote poetry in the United States. His collection of poetry and prose, The Forbidden Lunch Box, was published by Punk Hostage Press in 2022.

Yahia Lababidi’s Palestine Wail is available here.

The Majesty of Allah

In the silence of the morning dew,
Allah’s light comes breaking through.
In every dawn, a promise clear,
Of love divine, forever near.

The heavens vast, the earth below,
Allah’s grandeur in every flow.
From mountaintops to ocean deep,
His presence in our hearts we keep.

The stars that twinkle in the sky,
A testament to the Most High.
In constellations, bright and far,
We glimpse His wisdom, every star.

In the flutter of a bird in flight,
Allah’s wonders come to light.
In nature’s song, so pure and true,
His artistry in every hue.

Through every challenge, every test,
Allah’s guidance is the best.
In shadows cast and sunlight bright,
He leads us through the darkest night.

The Qur’an’s verses, rich and wise,
A beacon under open skies.
In every line, a truth profound,
In Allah’s love, we’re firmly bound.

The call to prayer, a sacred sound,
In every heart, His love is found.
We turn to Mecca, hearts aligned,
In Allah’s peace, our souls are refined.

In every act of kindness shown,
Allah’s mercy is clearly known.
In charity and humble deed,
We plant His love, a precious seed.

So let us live in faith and grace,
With Allah’s presence in every place.
In every heartbeat, every breath,
We find His love, that conquers death.

Gulsora Chiniqulova was born in Qoshiribot district, Samarkand region. She purchased a course on “Rebuilding a Relationship with Allah” in 2023, and as a result, she performed Umrah and Hajj pilgrimages for free and lived in Mecca for 4 months. She completed an SMM VIP course with a positive outcome and received a diploma. She also completed a computer and Photoshop course and she is currently working as a security guard.

Our regular contributor, prose writer Jim Meirose, invites Synchronized Chaos readers to review his two upcoming books. He will send PDFs to people who will provide at least 50-75 word blurbs in their blogs or on Amazon/Goodreads.

About his books:

Audio Bookies (Being published by LJMcD Communications)     – Audio book creators take on recording a book which begins absorbing them into its bizarre fictional world. 

Game 5 (Being published by Soyos Books)  –  Very experimental piece involving the efforts of residents to rejuvenate a community in decline. 

************************************

Now, for this month’s issue, Like a Flowing River.

This month’s contributions reflect how life may have ups and downs, smooth and rough patches, but mostly just keeps going.

Mahkamov Mahmudjan’s piece gives us our title. Mahkamov reminds us that life is like a flowing river, where we have influence but don’t control everything.

Jessica Barnabas Joseph reminds us that becoming who we are can be a journey. Mashhura Ziyovaddinova illustrates that the journey of life matters as much as our destinations. Wazed Abdullah presents a rhythmical ode to the constant ticking of time.

Alex Johnson’s poetry collection Flowers of Doom, reviewed by Cristina Deptula, explores times of change with a mixture of awe and repulsion.

Hillol Ray describes the stability and comfort he finds in his personal and intimate spirituality and how it’s developed and informed by his mixed-race heritage. Michael Robinson speaks to the solace he has found in his faith over many years. Stephen Jarrell Williams’ work addresses being lost and found again through faith and the love of family.

Muslima Rakhmonova reflects on the support and encouragement she receives from her family and on how families can both keep children secure and empower them to build their futures. Abdamutova Shahinabonu’s short story reflects the deep love and respect between fathers and their children, even as the children become young adults and leave to pursue their dreams.

Rizwan Islam evokes the joyful spirit of family celebrations of his birthday. Nigar Nurulla Khalilova offers up a son’s lament over separation from his mother. Habibullayeva Madinabonu grieves over the passing of her mother. Abrieva Umida expresses deep respect and caring for her mother. Amimova Zebiniso rejoices in the love of her family. O’roqboyeva O’roloy G’ulomovna expresses her tender love for her mother.

Brian Barbeito finds mythic beauty in Mother Nature, in industrial areas and even a truck collision, as well as in spring flowers and colorful fungi. Naeem Aziz outlines the life cycle, diet, and ecology of the praying mantis. Turdaliyeva Muxarram conveys the simple and colorful joy of flowers. Azimjon Toshpulatov laments the passing of the warm and flower-strewn spring. Aliyeva Matluba fashions images out of natural seeds and materials while Abdulazizov Dovudbek’s home economics paper reminds us when we should let go of stored food. Daniel De Culla crafts a myth about the creation of fish and the constellation Pisces.

Tuyet Van Do’s haiku points to the uncanny mysteries of nature and the paranormal. Nahyean Taronno continues his ghostly tale of trapped spirits and children in a haunted manor. Audrija Paul illuminates the destructive power of rain during a flood and crop-destroying storm. Praise Danjuma evokes the wildness and majesty of nature with a piece on a large and scary night-flying bird. Avery Brown presents a moment of narrative tension as futuristic cowboy characters in his novel Blood and Loyalty skirt one potential conflict to race towards another.

Lidia Popa’s piece reminds us of the mystery and wonder of poetry. Dilnura Rakhmanova poetizes about love, writing, and tulips. Kylian Cubilla Gomez’ photography captures moments of color, surprise, and interactions with the natural world. Isabel Gomez de Diego’s photography draws on themes of nature, history, and the wonder of childhood. Kande Danjuma reclaims the joy and wonder of her childhood. J.D. Nelson peers at life like a child glancing up at labels they can’t quite make out on a top shelf in his monostich poetry. Emeniano Somoza likens the moon to a lonely child drifting through the treacherous school hallways of space.

Luis Berriozabal speaks to loneliness, aging, and the power of words in his poetry. Duane Vorhees’ poetry probes themes of sensuality, romance, writers’ block and the timeless Mideast conflict.

Dilnoza Xusanova outlines the literary contributions of Erkin Vahidov to Central Asian and world literature. Abdunazarova Khushroy poetizes on the beauty of the Uzbek language. Ibrohim Saidakbar highlights the humane spirit and literary legacy of Central Asian writer Gafur Gulam. Otaboyeva Ominakhon examines Mark Twain’s use of satire in his literary works. Noah Berlatsky spoofs errors in proofreading in a humorous piece.

Ziyoyeva Irodakhon reviews the contributions of great Uzbek teacher and writer Abdulla Avloni to Central Asian and world scholarship and pedagogy. Salomova Dilfuza makes suggestions to help people optimize their learning. Guli Bekturdiyeva offers best practices for how educators can design syllabi. Abdusamatova Odinaxon offers recommendations on the best use of interviews as a tool for sociological research. Burikulova Shakhnoza remembers an inspirational teacher who motivated her to set high goals and work towards them. Sobirjonova Rayhona praises the dedication of her favorite teacher.

Axmatova Shakzoda outlines the unique opportunities and hardships of student life. Aziza Karimjonova Sherzodovna highlights the accomplishments of Uzbek students and scholars and the greatness of the nation.

Adiba Shuxratovna reviews Hossein Javid’s drama “Amir Temur” and outlines how the play highlights the nation-building work of Amir Temur through depicting both political and domestic moments of his life. Aziza Saparbaeva depicts a dramatic moment in the life of medieval Central Asian leader Tamerlane. Marjona Kholikova outlines the accomplishments of various historical Central Asian military and political leaders.

Adiba Shuxratovna’s poetry extols the virtues of the new Uzbek constitution and its respect for human rights. Mamadaliyeva Aziza celebrates Uzbekistan’s rich history and its present and future promise. Eshbekova Xurshida Anorboyevna evokes the mythical beauty and grandeur of Samarkand while Dr. Reda Abdel Rahim reminds the world of the archaeological treasure of Egypt’s Royal Tombs of Tanis and encourages us to preserve and study them. Graciela Noemi Villaverde expresses her pride in Argentina’s history and flag.

Ruxzara Adilqizi’s poetry celebrates her love for nature, her partner, her country, and her heritage. Mahbub Alam flies into the sky at sunrise on the wings of love. Elmaya Jabbarova draws on classical references to convey the intense experience of having a lover stare into one’s eyes. Maja Milojkovic finds gentle and poetic love in a garden. Mesfakus Salahin speaks to the emotional and spiritual union of a couple in love.

Lilian Dipasupil Kunimasa speaks to the futility of hiding one’s emotions. Usmonova O’giloy whispers poetry about the gentle grace of her dreams. Paul Tristram crafts vignettes of human experience from a large-hearted and compassionate place. Taylor Dibbert’s poetic speaker points out a detail that speaks to the depth of his mourning for his departed dog and thus the depth of the love they shared.

Alan Catlin’s poetry reflects the fragmented thoughts of memory and grief. Vernon Frazer adorns paper with shapes and shades of color and words in various fonts at precarious angles. Mark Young’s images play with shape and color and seem to almost represent various objects.

Nosirova Gavhar relates how music can serve as medicine for the human spirit. Sayani Mukherjee describes the sensations and images she experiences listening to classical music.

Joe Byrd’s new novel Monet and Oscar: The Essence of Light, excerpted this month in Synchronized Chaos, gives us a look at the groundbreaking Impressionist artist through the eyes of his gardener.

Sterling Warner evokes atmosphere, time, place, and memory with his poems on the Midwest, fungi, flora, and fauna, and the overzealous self-diagnosis made possible through pharmaceutical commercials.

Christopher Bernard critiques neoliberal philosophy for breaking down social order with its emphasis on one’s rights to the exclusion of one’s responsibilities to respect others.

Dr. Jernail S. Anand urges us to set aside extravagant philosophizing and simply live our lives. Santiago Burdon satirizes those who carry their principles beyond the point of reason with his piece on a vegan vulture.

Heather Sager takes joy in gentle, quiet moments of middle age, even as she feels off kilter and knows her body and life are slowing. Roberta Beach Jacobson’s haiku expresses observations on human nature taken from ordinary and surprising moments of everyday life.

Hillol Ray wonders about the future of humanity, if our compassion and solidarity can grow and develop alongside our technology. Mashhura Usmonova decries people who obsess over their phones to the detriment of flesh and blood relationships.

Faleeha Hassan urges others to recognize her common humanity although she’s in a traditional Muslim head covering. Bill Tope’s essay traces the changing attitudes towards the LGBTQ community in America over the past 60 years. Z.I. Mahmud outlines how Amrita Pari illustrates the isolation and longing of a queer woman in a modern city in her novel Kari. Jacques Fleury reviews a production of “Witch” at Boston’s Huntington Theater and reflects on how witches can represent those treated as “others” by modern society for various reasons.

Mykyta Ryzhykh speaks to the horrors of war and the destruction of innocence and the environment. Gozalkhan Samandarova highlights the indiscriminate destruction often caused by war and urges humans to work for peace. Bill Tope’s story highlights the senseless terror of a school shooting by portraying an incident from a child’s perspective.

Ana Bogosavljevic reminds us that even great pain and evil will not last forever and can be outlasted with patient goodness. Shaxzoda Abdullayeva takes joy in her current life and her hopes for the future, as David A. Douglas celebrates the power of community and kindness to overcome despair.