Essay from Boronova Sevinch
The hardest day I was young then. The sky was full of stars, the yard was full of dust, the water was flowing from the ponds, it was as if the darkness of the sky was disturbing me. I was in sweet sleep; at one point, a sad, quiet sound was heard from under my ear. When I slowly opened my eyes, my mother was standing in front of me, pale as if she was afraid of something. It was already late. Outside, the dogs were barking and the wind was blowing. My mother said in a sad voice: my daughter is not feeling well, my blood pressure is rising for some reason. I ignored my mother's words and continued to sleep. Even then, my poor mother would not wake me up, saying that she is tired, let my daughter sleep. When I wake up in the morning, our yard is dirty. Before, when I woke up, my mother would prepare breakfast and greet me with a sweet smile. And I didn't ask anyone where my mother was, and I wasn't even interested. I wonder why I did that. If those times were to come back again, I would not smile even a step from my mother's side. Later I found out that my mother was in the hospital. Once I found out that my mother was in the hospital; I didn't hear from mom saying how are you? One day when we were sitting with my brothers, eadam came; They said, "Go, I will take you to your mother." We were very upset by what my father said. Even though my mother was in the hospital, my father became a mother instead of my mother. They didn't say they were missing my mother and we went to the hospital. My mother was sleeping. There were many medicines on my mother's table. I started to get scared seeing these and said mother in a low voice. Then my mother opened her eyes and started stroking my head. "Mom, go, let's go home," I said, crying. At that moment, my mother closed her eyes and took her hands from my head. Then the doctors came and begged us to come out, and I said to my father; I asked if my mother would not return home. My dad; They read that your mother will definitely come home and my daughter will cook sweet food for you. In my life, I thought that my mother will not come home anymore, she will not cook us sweet food, and every day I asked God to heal my mother. Even if I stood or walked, my mother would not leave my mind. The world seems dark to my eyes. Even my mother entered and exited my dreams. One day when I came home from school, there were too many people in our house. I was scared to see them. It was as if my heart stopped, and when I ran into the house, my mother was in front of me; they said happy birthday my daughter. I couldn't believe my eyes. I was very happy to see my mother. Then I forgot that it was my birthday. After that day, I did not want to take a single step in front of my mother. These events were the hardest day of my life. I was very afraid of losing my mother. Mother means the closest friend, the best confidant. So let's protect our mothers. We should give them more love than before. Our mothers are our heaven.
Boronova Sevinch was born on November 4, 2006 in Dehkanabad district of Kashkadarya region. Currently, she is a student of the 1st stage of the Academic Lyceum of Karshi State University.
Poetry from Arikewusola Abdul Awal
After Robert Frost's The Road Not Taken For things they did not tell us: “Life is our teacher, & our tears, sighs and sweats; the levies.” Mother told me that father was a good man & I should tread the path he led. & because she was my mother, saying no was a metaphor for calling myself unfilial. I echoed the songs of his footprints, hoping to reach the shore, but yonder was his footprints echoing some faded tunes that reeked of rusty bones. There the stamps on the sand became broad & heavy; my feet, swollen. I folded my hopes into a talisman, hung it on my suprasternal notch–to drag this broken body to the shore. Yesterday, mother called me a gentle man (like father's mother had done) & I smiled. I smiled, shrouding my cries & pangs under a fake face. I knew father, too, was a hostage like me for there were tears and sweats in the wake of his footprints & yet, he died. He died like a contused chameleon, shredded off of his color to look for another at the shore, but couldn't reach the shore. But because she's my mother, I couldn't teach her that we all had sketches of our destinations. For here, we grew up, we grew up to brook the path on which life put our feet. And the courses to our own shores were the roads not taken.
Arikewusola Abdul Awal writes from Oyo state. His poems have appeared on ila magazine, willi wash, Teen Lit journals, Literary Yard, The Yellow House, Eboquills, Afrihill Press, Spillwords magazine, Thirty Shades of Roses Anthology, Broken chunks of hearts, World Voice Magazine and elsewhere.
When he is not writing, he is found reading or watching movies.
Poetry from Steven Croft
Seeing Desperate Lives The photos make me feel a hundred years old: Schoolroom made rubble, skeletal steel frames of desks somehow standing, withstanding the blast; exhausted fireman sitting in the living room of a burning house, admitting defeat; woman with concerned face dappled by sun through leaves of her yard's beautiful trees leaving her village house, one forearm holding a fluffy white kitten, its face buried in her shoulder. They are desperate, and I tire of mainlining their anxiety, so I look up from the phone into my rearview, at the sun-scorched asphalt -- the road beyond my yard's tree cover is molten with summer sun. I wheeled in and looked up Ukraine, like I do at least once a day, and it makes me feel a hundred years old. So, I do the only thing I can think of to forget: step out of my pick-up, take shoes off toe to heel, pull off socks, walk my pine straw and oak leaf drive onto the sizzle heat of road, and its sudden tactile feel in the flesh of my feet consumes me. And I am here, now, away from war, and soon I am young again, walking barefoot the hot paved parking lot to the state park spring that began a river in Florida, that mine and two other families caravanned to in summers, the hours of swimming, the picnics in a blanket of grass by sedges, herbs, and wildflowers at river's edge. Until -- the burn's ministry becomes too much, and I walk back onto the cool of pine straw, open the truck door for the phone, look again at the places I will never go to anymore. After Russia invaded, I talked with my Iraq vet friend David who told me of two acquaintances who went into Ukraine to rescue the in-laws of one of them, native Ukrainians, and I said I could no longer handle war psychologically: my mind hearing the ominous thump of helicopter rotors, distant artillery, pounding "danger close" seconds later, high flying planes, birds of prey dropping dots of bombs that ride gravity's slipstream to earth, plowing earthquakes that reverberate, spit heat and flame against everything natural. He tells me of the healing power of yoga, how he's started yoga teacher training. Next time we talk, I'll have to tell of walking a hot street. I look again at one of the photos. I'm well removed now, twice, through the lens of the camera, through the lens of the phone, but I remember the pain of watching starving dogs being shot by laughing Iraqi soldiers, and I wonder where the woman will take her cat. Year 2, Ukraine It was last year that the shelling first disturbed the deep time of an old village, hub for farmers and beekeepers Now tanks roll into the square again, one crushing the stone walls of a central fountain, old coins fall with the water from its heavy treads In the corner of the square, from the alley by the Armenian church, a shadow strides, moves into the square Pacing here and there erratically, palm to temple, this walking wound gathering breath to force insults in growing gasps This man whose family was killed in last year's shelling The Polish radio says his government is winning, at 10:00 and 5:00 daily He thinks the war has already gone on forever Bitterly, he thinks the war has already killed him A soldier shouts "Khokhol!" in the language of bears Waving him closer from the height of his round, iron hatch, the soldier points a pistol This dead man loads his mouth with more insults and rushes forward Into the loop of everlasting war In the sky's drizzle on his face are tears that were once salty seas Prayer for a Savior Come for your gentle people who shudder in this darkness bring your sovereign brightness unbreakable shield of goodness let misfortune, famine, disease, war, become faraway sounds make them gray at the temples, let them fade away give us a spell of warm sun, soft winds, clear rain over green valleys we know death is stronger than suffering -- may you open its horizon of strength in this living season and forgive our fragile clay, wounded hearts, that for heaven's peace can't wait.
A US Army combat veteran, Steven Croft lives happily on a barrier island off the coast of Georgia on a property lush with vegetation and home to various species of birds and animals. His poems have appeared in Liquid Imagination, The Five-Two, Misfit Magazine, Eunoia Review, Anti-Heroin Chic, Synchronized Chaos, and other places, and have been nominated for the Pushcart Prize and Best of the Net.
Poetry from Ergash Masharipov
Mother I get it when it's full of flowers scent I can't find a single scent I can't distinguish my mother From a thousand tosser Mercy is a river, my pure-hearted mother I have only one value To be alive for my child Eat our sorrow day and night He gave me a white wash Until adulthood I will see my child's happiness Give us a lifetime.
Poetry from Texas Fontanella
I'm just concerned about your emotional warfare, and putting the Charlie in Baudelaire Not racist, heaps border fears Bought their ears That's why your night's in arrears As for the secret weapon, it's in our pocket Not timeless, just rock it bored of years I turn on the tele just for a fix of fears Here they have the barkeep glitch our beers Don't snitch on peers No, put snitches on piers Treading on thin nice try, left swipe I don't want to live in a sci fi Haven't moved in a year, these things moving up me, they say it's not divine The main attraction, but still got sidekicked So fishy they had to more real than reel us in You can call me a wit, man, cos I lilac You can call me a Whitlam, cos it's time To get kicked out by the CIA I mean CI Gay, but don't tell my wifi I do skylines thru the eyes, chemtrails, clouds Walk in, all the fems loud Get the train rail off all its routes Now when we need it, they just cough up the doubt We don't smoke green, jist chop up the louts Can't help, we already shot up the Galts Why do you think we look so young for? I've got power you can point at, but you can't dock yours I've only got six mull in my sock drawer I only look so I can drop jaws I won't robocop to you any more I won't drop you any flaws Except the price one A word to the high rise can't be undone No batman bout the raves, but you can say I'm Robin Like you don't underline what these dreams be costing I'm getting plaid by Ryan Gosling So it's myself on the red Carpet I'm accosting So few memories I chuck myself out the pub was getting too rowdy Pack up my things say howdy Order up a beer relight the bounty kindle my ounces and single my prouder Movements out on TV Units back from Jon doe ray me Jumped from hand into my mode de vie And from there, into my ode to me And my shadows are irritable again Can't understand I'm not my friend sallows my cheeks, second elderhood But the youth I'm shooting says there's hell to prove Only rules I like the ones the dead flout So I guess that's why you had me at get the fuck out Queen of Odds So close to me like the cure So closed to me like the future Closer it gets the looser the thread we cut the loser instead - that me Choose you over life; you make me happy When skies are out of service And the winds are getting blabby Just as we do, and did last night Are you sure we didn't do this in a past life? We ask nice and the ocean lets us surfers Float instead of sink somehow shear the shore winks to make us go wow try to make clouds treetops won't kowtow Everything about you is pow wow bow wow Just flowers me thinking, like, our souls're grouse foul you be my perso climate change Get me glitching all the whys away With greenhouse gas lines We need replace, but Resources're lacking, time too Sick coal still too powerful Must est there; bower's full Hours neither heat nor cool now lost compass meaningless, sour flip flops clip clop on the way home from the drowse I'm deconstructed away from you Remodernist me, babe Frack modest Tee it up - you truly, madly, deeply think these rhymes are proper gay But so are you - I got you, bae And without warning, the coffee plate spins out of control absent of intervention And we console ourselves with what? Yawning indecision? Bring bring listenings no bring bring listen Oh, it's Sly? Tell em I said die Like the weather changes. Concrete's quicksand Whooshes the kitchen back to us Some kind of catalyst to see what matters to me Say can't cap a way free But actually, if you and me…. Bloodbath valley, guts to rally, no dilly dally, gashed up alley, one cashed up sally, who taking the tally? But sometimes, just sometimes, you can be a wee illuminasty Shut up and farm me Am I a terrorist for planting heroin in the president's office? For insulting old codgers with my eloquent doctrines? For inviting riots to decry it all the president's options? I'm intelligent often, I'm the resident boffin, I'm selling your coffins, inventive a god send me down to change the face of rap (crap), now whenever we play they claptrap back to the clawing, bored and faded the drawing board was always awesome jaded I'm bold and brain-dead Sold out and tasteless Must have the language virus Eating up an anguished iris I'm very good at dissection Highly likely I will die sectioned On the outside in We let the bouncers Spin them away from daggitude You don't have to do with it a dagger, dude Looks like crazy Pfft, you should see the streets that staged me
Poetry from Steve Brisendine
Recurrent I: Walking to New Mexico in My Sleep It takes nearly no time at all, this quick jaunt along the Oklahoma Panhandle, so long as I don’t stop to admire huge temples of fossil fuels: white miles of pipes bending upon themselves, bathed in a sort of perpetual just-past-dusk not-quite-light, all clean and humming with no one around (at least, their acres of well-lit parking are unoccupied.) I say nearly no time at all, but it is more true to say There is no time to take; it is always three in the morning, so that I am eternally up late but never running behind. I can never get past Clayton when I go this way, although I am not sure whether I am supposed to, so perhaps it all works out. The hotel there is far too big for a small town; I suspect this is by design. Otherwise, how could there be these ingeniously (maddeningly) laid-out hallways, too narrow to turn around in, purporting to lead to my room but instead spiraling ever inward for nonexistent miles and hours? Someone is waiting for me here. If I can only remember who, perhaps I will be allowed to arrive. I would check my watch, but I already know the time. Kansas City Which is Also Overland Park, Kansas: Dream I It takes a while to place this stretch of street (or rather streets), with its red-brick antique stores, its hair salons, its bakery and gallery and anachronous travel agency. Someone, it seems, has folded the map so as to overlay 45th Street east of State Line and 80th west of Metcalf, then set it down on a steepish slope, east at the bottom. Two small white houses, one on each side, sit atop the street. They are in slight need of paint, but not so badly as to get letters from either city or both. This street exists nearly perpetually in early evening; on rare occasions, you might catch it on a sleepy Saturday morning. It is always sometime between late May and early July, and the air often smells of hidden roses and imminent warm rain. The sidewalks are empty, but there is a sun-faded red pickup – a round-fendered Chevy, something that rolled off the line in Truman’s only full term – parked halfway up the hill on the south side. Whatever might lie to the west, beyond the hill’s crest, I have not seen it. I am not sure that anyone has, aside from whoever lives in those white houses. Sometimes, dark songless birds fly over from that direction. No matter what time it is, the businesses all closed five minutes ago. I will have to come back tomorrow. Third Floor of My Office Building Which is Also the Rec Room in My Old House: Dream I It all started downstairs, an offhand Nerf ball dunk on an eight-foot plastic rim; I hung in the air just long enough to estimate the gap from soles to floor. Now, with an audience and a high ceiling, I have decided to give this new ability a full workout. First rising to tiptoe, as men in my family always do in times of urgency or strong emotion, I bounce twice on the balls of my feet, then swing arms back forward up and rise – less a true leap than pushing off from the bottom of a pool, letting buoyancy do the work. I latch on to a rafter by my fingertips, swaying in the faint breeze of fans electric and human. A high-pitched sound in my ear; somehow I know – an instinct born in my late middle age – that this is not the ringing born of jamming my head into my favorite bar band’s speakers back when that sort of thing made Coors-Light-and-idiocy-fueled sense. This is the song of air in my lungs, air lighter than itself, and when I release it all and take in new breath, I will be floorbound again, and old, and ordinary. My landing is slow, soft; I inhale deeply, prepare for another takeoff, but all novelty has worn off. My colleagues disperse, reoccupied by meetings and deadlines. I should go to lunch soon, I suppose – but first, let me rise one last time, be more than what reality allows. (Just one more last time.) Perhaps I can master a sort of hovering swim, shoot a game of eight-ball against myself without ever touching the floor. Slop counts, or at least until I get the hang of hanging at the proper height. What else is one to do on a Friday, the codes of dress and gravity both suspended with pay?