Synchronized Chaos First March Issue: Fingering the Spines

Tunnel of Books in a Prague bookstore, c/o Petr Kratochvil

Regular contributor Bill Tope has launched a new literary magazine, Topiary, which is now accepting submissions! Please send short stories to billtopiary1950@gmail.com.

In March we will have a presence at the Association of Writing Programs conference in Baltimore which will include a free public offsite reading at Urban Reads on Friday, March 6th at 6 pm. All are welcome to attend!

So far the lineup for our reading, the Audible Browsing Experience, includes Elwin Cotman, Katrina Byrd, Terry Tierney, Terena Bell, Shakespeare Okuni, and our editor, Cristina Deptula. If there’s time, an open mic will follow.

Our Urban Reads bookstore in Baltimore

Our next issue, Mid-March 2026, will come out Sunday March 22nd.

Yucheng Tao announces the winners of his poetry competition, Steve Schwei and Mark DuCharme. We’ve invited both winners to submit their poetry to Synchronized Chaos for everyone to read!

Now, for March’s first issue! This issue, Fingering the Spines, pays homage to our annual in-person reading, the Audible Browsing Experience. It’s a visual metaphor for looking through various titles in a global bookstore or library.

Genevieve Guevara rings in the dynamic energy of the Fire Horse for Chinese New Year.

Odiljonova Mohlaroyim Iqboljon qizi celebrates the many styles of Uzbek spoken word art. Umarova Gulsevar Ubaydullo qizi highlights the rich semantic and lexical expressiveness of the Uzbek language. Shuhratova Mohinur Abbosjon qizi explores the layered meaning of “k’o’ngil” (heart) in the Uzbek language.

Image c/o Lode Van de Velde

Jesus Rafael Marcano celebrates the beauty of France, likening the nation to butterflies. Timothee Bordenave honors the beauty and majesty of Christian faith, as shown through Notre Dame. Su Yun’s abstract work reflects a meditative, spiritual sensibility. Soumen Roy describes a physical and mental journey towards spiritual inspiration.

Abdumajidova Zuhroxon Ibrohimjon qizi explores themes of hardship and endurance, destiny, faith, patriotism, and loyalty in Shuhrat’s classic Uzbek novel Oltin Zanglamas. Iroda Ibragimova explores themes of resilience and human dignity through oppression in Shukrullo’s novel Buried Without a Shroud. Bakhtiyorova Zakro Farkhod qizi speaks to the role of the short story in Uzbek literature. Ro’zimatova Madinaxon Sherzod qizi analyzes themes of strength, weakness and humanity in Abdulla Qahhor’s story “Ming bir jon.” Anvarova Mohira Sanjarbek qizi contributes a heartfelt poem from the perspective of Gulchehra, a character in O’lmas Umarbekov’s “Being Human is Hard.”

Azimov Mirsaid draws on Ray Bradbury and traditional Uzbek crafts and hospitality to illustrate the value of human warmth and imperfection. Dr. Jernail Singh Anand urges humanity to look into the words of our past and present writers and philosophers for wisdom in this age of great technological advancement. Dr. Jernail Singh Anand also expresses hope for the continuance of human creativity in the age of artificial intelligence. Daniela Chourio-Soto renders all-too-human morning sleepiness with lively humor. Eva Petropoulou Lianou explores the feelings and inspirations of emerging Greek painter Vivian Daouti.

Author Victoria Chukwuemeka discusses her creative journey towards exploring psychology and the subconscious, becoming deeper and more straightforward in her words. Kassandra Aguilera’s work mourns her speaker’s incompleteness, probing whether we need observers to fully realize ourselves. Ananya S. Guha reflects on distance, separation, and reunion, how roads can both bring us apart and together.

Image c/o Petr Kratochvil

Emeniano Somoza poetically compares creative writing and glassblowing: arts where creators shape, rather than force, their materials. Poet Su Yun collects a set of poems from children at the East-West Public School in Bangalore on the theme of “the power of the pen vs the sword.” Taylor Dibbert’s short piece is almost anti-poetry, suggesting without communicating a metaphor.

Stephen Jarrell Williams’ poetry speaks to the risks and joys of openness to emotion and experience. Komilova Parizod reminds us to make the most of our lives and appreciate the joy around us. Priyanka Neogi urges us to act with wisdom and restraint. Boymirzayeva Dilrabo highlights the importance of motivation and discipline in reaching one’s goals.

Sobirova Oydinoy Nozimjon qizi discusses symptoms and types of neurosis. Mashhura Ochilova speaks with poignance and grace of a young woman’s inner battle with depression. Graciela Noemi Villaverde speaks to gaining wisdom through life’s losses. J.J. Campbell’s voice is older, raw, bruised, with hard-won exhaustion and experience.

Axmedova Gulchiroyxon expresses her tender love and concern for her mother. Nurmurodova Masrura Xurshedovna honors the patient, dedicated, behind-the-scenes love of her father. Gulsanam Sherzod qizi Suyarova explicates the value of friendship and how to be a good friend. Aminova Feruza Oktamjon kizi celebrates the beauty and innocence of young love. Qozoqboyeva Husnida yearns with devotion for her soulmate’s arrival. Mesfakus Salahin falls into a reverie about a fanciful love that exists between his imagination and his memory. Prasanna Kumar Dalai smiles through a delicate and tender love. Joeb expresses his hopes for personal and global love and peace. Lan Xin celebrates transcendent union with all others and the universe, with the world as her homeland, in her fanciful dinner piece. Husanxon Odilov laments a love which he acknowledges will never return. Nicholas Gunther reflects on a high school lost love or friendship through a casual ghazal. Bill Tope and Doug Hawley present an unusual relationship arrangement that seems to make several older people happy. Masharipova Yorqinoy Ravshanbek qizi celebrates the tenderness of a mother’s love. Brian Barbeito’s gentle childlike piece creates a surreal atmosphere rich in memory and care. Orzigul Sharobiddinova Ibragimova versifies her love and longing for her Uzbek homeland.

Image c/o Kai Stachowiak

Zarifaxon Nozimjon Odilova qizi highlights the historical contributions of Uzbek statesman and humanist leader Zahriddin Muhammad Babur. Toshkentboyeva Xumora outlines the contributions of Amir Temur to modern Central Asian statecraft. Poet Lan Xin highlights the wisdom and compassion of Chinese Dongba cultural leader Wan Yilong. Abdusaidova Jasmina explicates themes of spirituality, heritage, and love in Alisher Navoiy’s writing. Abduxalilova Shoxsanamxon Azizbek qizi celebrates the benefits of reading culture for society.

Murodova Zarin Sherali qizi explicates the importance of language learning in world communication and international and intercultural relations. Khusanjonova Mukhtasarhkon Khamdamjon qizi discusses how podcasts can help those learning English as a foreign language. Turdimuradova Zulfera Sattor qizi analyzes the use of blended learning in teaching English as a foreign language. Suyunova Zuhra Oybekovna speaks to the importance of writing skills to language learning.

Olimova Marjona Ubaydullayevna celebrates the literary heritage of Zulfiya and her themes of patriotism, women’s dignity, and compassion. Munisa Yo’ldosheva highlights how Zulfiya’s life influenced her works and her contributions to supporting emerging authors. Nozigul Baxshilloyeva discusses emotional and spiritual themes within Zulfiya’s work and how they affect Uzbek readers. Sultonova Shahlo Baxtiyor qizi highlights the literary and cultural influence of Zulfiya’s poetry. Jurayeva Barchinoy does the same, while also highlighting her commitments to education and women’s rights. Nematullayeva Mukhlisa Sherali kizi relates the value of Zulfiya’s work through a narrative story. Gayratova Dilnavo highlights the enduring legacy of Zulfiya’s work, especially what it means for many Uzbek women.

Loki Nounou’s piece dramatizes a woman stripped of her individuality in a toxic marriage, becoming only a vessel to hold others’ dreams. Abigail George probes the maternal and domestic as both sacred and violent, an origin and a wound, along with critiques of colonialism and the power of self-kindness. Manik Chakraborty calls for a natural, spiritual feminine awakening. Asadullo Habibullayev warns of the dangers and social injustices young women can face in Uzbekistan, even when educated, and calls for the younger generation to respect the wisdom of their elders. Eva Petropoulou Lianou urges respect for women and for the roles women play in society, including motherhood. Maxmarajabova Durdona Ismat qizi celebrates the love and care of human mothers and the value of Mother Earth.

Image c/o Sulvia

Zamira Moldiyeva Bahodirovna analyzes what the nature motifs in Alexander Feinberg’s work reveal about his thoughts on memory and identity. Noah Berlatsky draws on trees to illustrate our shared human heritage, how we connect to each other and hold each other up. Dilafruz Muhammadjonova presents a natural and cultural tour of Uzbekistan’s Andijan province. Suyunova Fotima Oybekovna reminds us of how crucial it is to preserve the environment. O’gabek Mardiyev outlines ways to improve the efficiency of solar power generation. Shavkatova Mohinabonu Oybek qizi urges improvements in Uzbek public transit to encourage tourism as well as benefit ecosystems. Sultonaliyeva Go’zaloy Ilhomjon qizi analyzes the social, cultural, ecological and economic aspects of tourism in Central Asia. Turgunov Jonpolat discusses the ways in which media framing of climate issues affects how people address the problem. Surayyo Nosirova highlights the need for more consistent communication from journalists to the public about climate change in Uzbekistan.

The works of primary school children in China, collected by Su Yun, reflect moments of happiness and ordinary summer fun in nature. Alan Patrick Traynor’s Irish-inspired piece becomes incantatory, mystical, inhabiting littoral and transitional zones at the ocean’s edge. Tea Russo’s spiderweb poem seeks both expansive transcendence and the peace of oblivion, melding into various aspects of nature. Turkan Ergor dreams of the permanence of the ocean’s waves. Eleanor Hill reflects on the calm strength and dignity of a whale, unbothered while creating waves and blowing bubbles. Ri Winters turns to the ocean and its kelp forests as metaphor for the deep, isolating, yet restful morass of depression.

Brian Barbeito sends up a preview of his book Of Love and Mourning, highlighting the original content and the memorials to beloved pets who have passed. Filmmaker Federico Wardal celebrates a film award for a very humane documentary about veterinary care that saved the life of a racehorse. Jerrice J. Baptiste’s piece, accompanied by gentle, colorful artwork, expresses a graceful and natural surrender to death. Sayani Mukherjee’s piece sits between devotion and restlessness, calling the sky a neighbor yet screaming at stars. Mykyta Ryzhykh crafts a fevered love elegy at the edge of war, eros, and annihilation.

Patrick Sweeney sends up a set of index cards from a memory archive. Mark Young’s altered geographies trace the outlines of innocence, memory, and rupture. John Grey’s urban character and landscape pieces show dry, unsentimental grace.

Image c/o Jacques Fleury

Duane Vorhees’ poetry meditates on time’s circularity, embracing contradictions and the past, present, and future. Ibrahim Honjo reflects that one day his home and everything he knows will fade into memory. Christopher Bernard continues exploring hope, ruin, and creative resilience in the second installment of his prose poem “Senor Despair.”

Maja Milojkovic speaks to the implacable ticking of conscience. Mahbub Alam laments the selfishness and wickedness of humanity. James Tian dramatizes the pain of being underestimated, dismissed, and misunderstood. Mark Lipman calls for greater taxes on the wealthy and for economic egalitarianism. Jacques Fleury hoists his commentary on the fragility of modern democracy on the scaffolding of an extended construction metaphor.

Rahmatullayeva Elmira Rahimjon qizi discusses how we form the value systems that guide our lives. Abduraufova Nilufar Khurshidjon qizi outlines the national values and traditions of the Uzbek people. Islomova Maxsudaxon Axrojon qizi explores ways to inculcate values into Uzbekistan’s young people in school through exposing them to the great thinkers of their heritage. Botirova Mubina looks into ways Uzbekistan’s civil society can uplift teens and prevent delinquency through communicating their national values. Abdullayeva Ezozaxon Qobuljon qizi highlights the importance of social and financial investment in education. Ismoilova Jasmina Shavkatjon qizi highlights the importance of quality education for social progress.

Axtamova Orastaxon Salimjon qizi outlines strategies to assist autistic children’s psychological development. Rajabova Nozima highlights methods of improving young students’ reading comprehension. Dildoraxon Turg’unboyeva outlines the effectiveness of play-based learning methods in education. Sevara Tolanboy Mahmudova qizi discusses educational games for preschoolers. Turgunboyeva Dilafruzxon highlights the importance of preschool education to a child’s development. Muxlisa Olimjon qizi Tursunaliyeva and Adhamova Irodaxon Akmal qizi discuss ways to help educate children with learning disabilities. Dilnora Habibullo qizi discusses interactive methods for teaching children with and without special needs. Burhonova Lobar outlines suggestions for working with children on the autism spectrum. Hikmatova Nigorakhon Hasanboy qizi discusses how to upgrade physical education and make the activities more interactive. Turg’unova O’g’iloy Ravshanbek qizi discusses ways to incorporate physical activity into children’s academic education. Shahobiddinova Sevinch explores the use of educational games in primary education. Arziqulova Adiba details various interactive strategies for engaging young children in educational activities at school. Mashhura Kamolova analyzes the limitations of examinations in terms of measuring student capabilities.

Image c/o Victoria Borodinova

Orinboyeva Zarina discusses how to help children psychologically and emotionally navigate their parents’ divorce. Botiriva Odinaxon elevates the teaching profession and calls for professional development and competence in those who educate young children. Nishonboyeva Shahnoza speaks to her wisdom and dedication towards her goal of becoming a preschool teacher.

Kadirova Feruzakhan Abdiyaminova discusses interactive games that could be useful in science education. Oroqova Nargiza outlines the rise of allergies in children and speculates on the causes. Umidjon Hasamov highlights the potential for artificial intelligence in medical diagnostics. Yunusova Sarvigul Siroj qizi highlights the importance of early screening for gastrointestinal cancer. Rajapova Muqaddas Umidbek qizi highlights the structure and function of the circulatory system.

Shohnazarov Shohjaxon highlights the impact of inflation on a nation’s economy and strategies for managing it. Mamadaliyev Kamronbek highlights the need for cybersecurity technology and cautions about cyberattacks as a weapon of war.

Dr. Jernail S. Anand calls out poets and academics whose lofty ideas don’t connect to present-day reality. While we are all capable of flights of fancy, we hope that this issue is grounded in our world and our humanity.

Poetry from Lan Xin

A Dinner Alone

Poem by Lan Xin (Lanxin Samei)

Internationally acclaimed bilingual writer, poet and translator, member of the Chinese Writers Association. The only female inheritor of UNESCO-listed Dongba Culture, International Disseminator of Dongba Culture and practitioner of Chinese culture’s global outreach. Winner of the Italian Francesco Giampietri International Literary Award, President of Lanxin Samei Academy and Dean of Yulong Wenbi Dongba Culture Academy.

Back to this place, on the eve of the Year of the Horse

This homeland where I once lived for years

Harbored the first bud of dreams, wrapped in the warmth of attachment

Also bore the twists of fate, and the unspoken journeys of the past

Old friends have all left for their homes, the streets still familiar

I go alone for a meal, to the small shop with childhood tastes

Light clinks of bowls and chopsticks, no one by my side

No more the warm eyes I long to see

No need to force a smile, no need to echo polite greetings

Quiet thoughts run deep in my heart, only shared with myself

Filter out the false noise and entanglements of the world

This dinner is the peace of being alone, the loneliness of standing on a height

The higher you fly, the farther from the mortal world

Few appreciate the high melody, and truly understanding souls grow fewer

The wind of the higher dimension brushes my shoulders above the nine heavens

Why linger on the trivial chirps of mortal birds on the ground

Like a phoenix spreading its wings, soaring above the sea of clouds

Why pause the forward resolve for the trivialities of mortal dust

This dinner tastes the warmth and cold of human relationships

I see the world clearly, and hear the true answer of my heart

This is a dinner of pride, a calm of rising steadily

A quiet joy held fast, after seeing through the world

Let go of the bonds of the past, head for the distant mountains and seas

A dinner alone is also a completeness of one’s own

Homeland has no bounds; where the heart is at peace is home

When the heart holds the world’s mountains and rivers, every place is a blooming homeland

Blood ties are not the only way home; warmth can bloom even among strangers

Where someone understands you, cherishes you, and keeps you in their heart

That is the best haven in the world

Mountains and seas can all be crossed; a heart bond knows no distance

Even across thousands of rivers and miles, never met before

When souls know each other, we are close at hand

With love as the boundary, with the heart as the soil

The whole world is homeland, and there is the light of understanding souls everywhere on earth

Poetry from Ananya S. Guha

On the road there was

a man looked lonely

as vistas of the road

brought togetherness.

The man waited for a car

or bus. The wait, interminable.

Brought togetherness, with

childhood of days

that brought togetherness.

and recycles of lostness.

brought togetherness

the road seemed hollow

like deep within

brought togetherness.

Ananya S Guha
Shillong, INDIA.

Poetry from Patrick Sweeney


sheltered during the electrical storm
by my grandmother's freckled arm


          *


ignoring the elaborate directions
my brother the technopath


          *


zooming-in on the shoe in the street


          *


the stalled industry of clover crowns


          *


sea voyage atop the Crimson King maple


          *


the green undertow of my dysfunctional family


          *


you're a white cloud when nobody waits for your return


          *


she told the store detective the sweater wasn't even her style


          *


please continue, as long as you're not counting on being understood


          *


she knows all the birthdays of the dead


          *


the opulent life of the former bedwetter's
full underwear drawer

Poetry from students at East West Public School in Bangalore, India

Love Songs and Bloodbath

                 Std. 7 A and B

          East West Public School 

               Subramanyanagar

                  Bangalore

                      India 

            English Lab. depth. 

               Classwork activity 

                      45 mins. 

     Marathon Poetry Carpet Weaving 

“(The power of the pen vs The power of the sword) *

 The power of the sword kills the person

 It doesn’t change the world 

It leads to a valueless balance ,

Bloodshed, hatred and violence.

The sword may rule the world with fear,

The pen shows power and calls another ‘ My Dear.’

The pen shows your signature,

 The sword shows your anger 

 evilness and makes you a greedy. 

 The pen shows that you’re capable of much more,

No way less than the other.

You can erase if you make a mistake.

it’s a big success in itself.”

The sword plays a cruel game 

 it can never be successful. 

Zoya

S- word carries a ‘Special word.’ 

Sharp on edges

 it runs through

butter.

Rough as boulders

but breaks no bones.

Sweet at times laced with hemlock

Time it well by the clock.

Pen reaches the blind end with a dyslexic ‘d’

Perfect is life 

in its natural deformity. 

Black Buddha.

1. Sword wages war and another brings peace through writings.

2. There’s a line in a Kannada movie: “Give a man a gun and he’ll become a terrorist, but give him a pen and he’ll write history.”

3. A great warrior with a sword was Shivaji Maharaj, while Rabindranath Tagore wrote the Indian National Anthem with a pen, stealing our hearts.

4. Kempe Gowda won freedom with his sword on the battleground, while Rashtrakavi Kuvempu wrote the Nada Geethe, stealing every Kannadiga’s heart.

Dhruva 7A

S- word carries a ‘Special word.’ 

Sharp on edges

 it runs through

butter.

Rough as boulders

but breaks no bones.

Sweet at times laced with hemlock

Time it well by the clock.

Pen reaches the blind end with a dyslexic ‘d’

Perfect is life 

in its natural deformity. 

Black Buddha.

  Sword harm people and it can even kill  

The pen is used to change the world and even our future 

Chaitanya. C Reddy 

“Pen is with ink, sword is with blood

Pen gives us education, sword gives us bravery

Many battles have sword with blood, but pen is only with different inks

Pen is beautiful but sword is dangerous

Pen brings people together but sword eliminates people”

Prajitha 7B

S- word carries a ‘Special word.’ 

Sharp on edges

 it runs through

butter.

Rough as boulders

but breaks no bones.

Sweet at times laced with hemlock

Time it well by the clock.

Pen reaches the blind end with a dyslexic ‘d’

Perfect is life 

in its natural deformity. 

Black Buddha.

“A pen can write for a person and ‘kill’ their problems.

What can kill many people in one shot? A sword.

Kings had both- favourite swords to kill, Wise quill pens to write their will. 

A pen can bring many people together to write.

A sword is a great ‘ chopper’,

A pen makes a person a topper.”

Charan.

S- word carries a ‘Special word.’ 

Sharp on edges

 it runs through

butter.

Rough as boulders

but breaks no bones.

Sweet at times laced with hemlock

Time it well by the clock.

Pen reaches the blind end with a dyslexic ‘d’

Perfect is life 

in its natural deformity. 

Black Buddha.

A pen’s power goes beyond writing ✍️

Rana Pratap’s sword claim to fame . Guru Nanak’s words, Calms the brain. 

Pen’s subtle, sword’s the brave 

Pen’s for thinkers, sword’s the action 

Might of ideas vs. might of blade 

Dasharath.

S- word carries a ‘Special word.’ 

Sharp on edges

 it runs through

butter.

Rough as boulders

but breaks no bones.

Sweet at times laced with hemlock

Time it well by the clock.

Pen reaches the blind end with a dyslexic ‘d’

Perfect is life 

in its natural deformity. 

Black Buddha.

Pens will build society but swords destroy society The pens lead a Person’s life smartly,         

  where as swords lead the person’s life foolishly.   

 Dhanyatha

S- word carries a ‘Special word.’ 

Sharp on edges

 it runs through

butter.

Rough as boulders

but breaks no bones.

Sweet at times laced with hemlock

Time it well by the clock.

Pen reaches the blind end with a dyslexic ‘d’

Perfect is life 

in its natural deformity. 

Black Buddha.

……….

“Pen is mightier than the sword”

Pen, oh my pen, you helped me discover

Pen, oh my pen, you are so powerful

Pen, oh my pen, you’ll help me still

You’ll be alive

Pen, oh my pen, you’re helping me get a good place in society

Pen, oh my pen, the education you’re giving me is wonderful

Sword, oh my sword, you helped me in war

Sword, oh my sword, you are very scary

Sword, oh my sword, you helped me, though the war has ended

Sword, oh my sword, you helped me be a good warrior

Sword, oh my sword, the help you gave saved my life in war

……

Madan

S- word carries a ‘Special word.’ 

Sharp on edges

 it runs through

butter.

Rough as boulders

but breaks no bones.

Sweet at times laced with hemlock

Time it well by the clock.

Pen reaches the blind end with a dyslexic ‘d’

Perfect is life 

in its natural deformity. 

Black Buddha.

……

There is a saying that ‘ a pen is mightier than the sword.’

A knight comes with a sword but a writer conquers with a pen. 

One for destruction ,the other for construction.  

The sword spills blood but the pen spreads divine energy. 

DHRUTHI. 

S- word carries a ‘Special word.’ 

Sharp on edges

 it runs through

butter.

Rough as boulders

but breaks no bones.

Sweet at times laced with hemlock

Time it well by the clock.

Pen reaches the blind end with a dyslexic ‘d’

Perfect is life 

in its natural deformity. 

Black Buddha.

– A pen is not just an object; it is the object that changes our life.

– A sword is not only for killing; it showcases our skills, personality, bravery, and fearlessness.

Parikshith

S- word carries a ‘Special word.’ 

Sharp on edges

 it runs through

butter.

Rough as boulders

but breaks no bones.

Sweet at times laced with hemlock

Time it well by the clock.

Pen reaches the blind end with a dyslexic ‘d’

Perfect is life 

in its natural deformity. 

Black Buddha.

– A sword defends us in war and helps us win, but a pen fights with letters and creates a beautiful poem.

– A pen decides an author, and a sword decides a king.

– A pen attracts us to write, and a sword forces us to fight.

– A pen designs something, and a sword destroys something.

– A pen is a letter of love, and a sword is a letter of of doom.

Pratigna

…………….

S- word carries a ‘Special word.’ 

Sharp on edges

 it runs through

butter.

Rough as boulders

but breaks no bones.

Sweet at times laced with hemlock

Time it well by the clock.

Pen reaches the blind end with a dyslexic ‘d’

Perfect is life 

in its natural deformity. 

Black Buddha.

The sword v/s the pen The power of sword can kill hurt and create fear in many but a pen as the power to change the story of your imagination

Adi

S- word carries a ‘Special word.’ 

Sharp on edges

 it runs through

butter.

Rough as boulders

but breaks no bones.

Sweet at times laced with hemlock

Time it well by the clock.

Pen reaches the blind end with a dyslexic ‘d’

Perfect is life 

in its natural deformity. 

Black Buddha.

Pen can open the eyes of the world

A sword can close them forever.

A pen can open up a heart but the sword shuts it down. 

Pen can change history and the sword too can change it too. 

Sword brings sorrow pens bring joy. 

Pen can build a new future for us and the Sword builds new kingdoms. 

Krithika.  

S- word carries a ‘Special word.’ 

Sharp on edges

 it runs through

butter.

Rough as boulders

but breaks no bones.

Sweet at times laced with hemlock

Time it well by the clock.

Pen reaches the blind end with a dyslexic ‘d’

Perfect is life 

in its natural deformity. 

Black Buddha.

A pen carries ink in itself and can splash it on paper

A sword has nothing , it drinks blood and vomits. 

Vivian

S- word carries a ‘Special word.’ 

Sharp on edges

 it runs through

butter.

Rough as boulders

but breaks no bones.

Sweet at times laced with hemlock

Time it well by the clock.

Pen reaches the blind end with a dyslexic ‘d’

Perfect is life 

in its natural deformity. 

Black Buddha.

The power of pen decides our future

Swords may decide life in a wrong way. 

A pen gives life. 

A sword takes life. 

Srishkand.

S- word carries a ‘Special word.’ 

Sharp on edges

 it runs through

butter.

Rough as boulders

but breaks no bones.

Sweet at times laced with hemlock

Time it well by the clock.

Pen reaches the blind end with a dyslexic ‘d’

Perfect is life 

in its natural deformity. 

Black Buddha.

Pen can design beauty 

Sword hunts for blood. 

Surag.

S- word carries a ‘Special word.’ 

Sharp on edges

 it runs through

butter.

Rough as boulders

but breaks no bones.

Sweet at times laced with hemlock

Time it well by the clock.

Pen reaches the blind end with a dyslexic ‘d’

Perfect is life 

in its natural deformity. 

Black Buddha.

Power of pen vs Power of sword

The power of pen and the power of sword are equal but there is just one difference.It is that the sword is powerful in reality and a pen is powerful in imagination.A pen is a signal of love and sword is a signal of mayhem 

Sricharan K.Y.

S- word carries a ‘Special word.’ 

Sharp on edges

 it runs through

butter.

Rough as boulders

but breaks no bones.

Sweet at times laced with hemlock

Time it well by the clock.

Pen reaches the blind end with a dyslexic ‘d’

Perfect is life 

in its natural deformity. 

Black Buddha.

 If we give a pen to a person it is a gift but if we give a sword to a person it is a weapon.

 A sword will create pain in a person ‘s heart but a pen will create hope in a person ‘s heart.

A sword kills people but the pen writes beautiful stories of lives. A sword sends a letter of horror and sorrow but a pen writes a letters love and joy.

Hasini

S- word carries a ‘Special word.’ 

Sharp on edges

 it runs through

butter.

Rough as boulders

but breaks no bones.

Sweet at times laced with hemlock

Time it well by the clock.

Pen reaches the blind end with a dyslexic ‘d’

Perfect is life 

in its natural deformity. 

Black Buddha.

– A pen can create an author, and a sword can make a king.

– A pen is filled with ink, while a sword is stained with blood.

– A pen helps us write, but a sword helps us win battles.

– A pen writes ink on paper, and a sword spills blood on the ground.

– Pens come in different colors, but a sword’s color is just one – blood.

©️ Yashitha GR

S- word carries a ‘Special word.’ 

Sharp on edges

 it runs through

butter.

Rough as boulders

but breaks no bones.

Sweet at times laced with hemlock

Time it well by the clock.

Pen reaches the blind end with a dyslexic ‘d’

Perfect is life 

in its natural deformity. 

Black Buddha.

For project 

Youth and 

POETRY EAST WEST PUBLIC SCHOOL ACADEMIC ADVISER INT.ISA COORDINATOR 

GRACE SITHARAMAN

Essay from Sultonova Shahlo Baxtiyor qizi

The Enduring Literary Legacy of Zulfiya in Uzbek National Culture

Sultonova Shahlo Baxtiyor qizi

UZSWLU, Student

Abstract

This article explores the literary legacy of Zulfiya and her profound influence on Uzbek literature and cultural identity. The study analyzes the thematic richness of her poetry, her representation of women, and her historical significance within twentieth-century Uzbek literary development. Through a qualitative review of literary scholarship, this paper argues that Zulfiya’s works remain a moral and artistic foundation for contemporary Uzbek writers.

Keywords: Zulfiya, Uzbek literature, women in poetry, national identity, lyrical poetry

Uzbek literature has produced many influential poets whose works shaped the intellectual and emotional life of the nation. Among them, Zulfiya occupies a special and respected position. As a poet, public intellectual, and cultural symbol, she contributed significantly to the formation of modern Uzbek literary consciousness in the twentieth century.

Born in 1915 in Tashkent, Zulfiya emerged as a literary voice during a period of social and political transformation. Her poetry reflected both personal emotion and collective experience. Unlike purely romantic poets, she combined lyrical tenderness with civic responsibility. This unique balance established her as one of the most important figures in Uzbek poetry.

This article examines three major aspects of her legacy: thematic depth, representation of women, and national-cultural influence.

Historical and Literary Context

The twentieth century was a period of ideological change and modernization in Central Asia. Literature was expected to reflect social ideals while preserving national traditions. According to the National Encyclopedia of Uzbekistan (2000), Zulfiya became one of the poets who successfully integrated traditional Uzbek poetic imagery with contemporary social themes.

Her early works focused on youth, hope, and love for the homeland. Over time, her poetry matured, expressing philosophical reflection and emotional resilience. Literary historians argue that her ability to maintain sincerity under ideological pressure demonstrates her artistic strength (Karimov, 2015).

Thematic Richness in Zulfiya’s Poetry

One of the most distinctive features of Zulfiya’s творчество is its thematic diversity. Her poems explore:

 • Love and devotion

 • Patriotism and national pride

 • Friendship and loyalty

 • Nature and beauty

 • Moral strength and patience

Unlike many poets of her time, Zulfiya’s patriotic poetry was not abstract or rhetorical. Instead, it was deeply emotional. She presented the homeland not as a political concept but as a living, spiritual reality connected to family, memory, and language.

Nature imagery plays an essential role in her poetry. Flowers, seasons, rivers, and gardens are not merely decorative elements; they symbolize renewal, hope, and continuity. Scholars emphasize that her use of natural metaphors connects personal emotion with collective identity (Rasulov, 2018).

Furthermore, her poetry often conveys optimism. Even when addressing loss or hardship, she maintains a tone of dignity and faith in the future. This optimistic realism became one of her defining characteristics.

The Image of Women in Her Works

Zulfiya’s contribution to women’s representation in Uzbek literature is especially significant. In many traditional literary texts, women were portrayed primarily as romantic figures. However, Zulfiya expanded this image.

According to Rasulov (2018), her lyrical heroines are emotionally sensitive yet intellectually strong. They demonstrate patience, moral courage, and independence. Through her poems, Zulfiya challenged stereotypes and presented women as active participants in social and cultural life.

Her personal biography also strengthened her symbolic role.

After the tragic death of her husband, poet Hamid Olimjon, she continued her literary work with resilience and dignity. This personal strength influenced her poetic voice and public image.

Today, the Zulfiya State Prize is awarded annually to talented young women in Uzbekistan, reinforcing her legacy as a symbol of female excellence and intellectual achievement (National Encyclopedia of Uzbekistan, 2000).

Stylistic Features and Artistic Technique

Zulfiya’s style can be described as lyrical, clear, and emotionally expressive. She avoided overly complex structures and preferred clarity of language. However, simplicity in her poetry does not mean lack of depth. Her lines often contain philosophical meaning beneath accessible vocabulary.

Her artistic techniques include:

 • Symbolism (flowers, spring, light)

 • Emotional contrast (hope vs. sorrow)

 • Gentle rhythm and musicality

 • Personal voice combined with collective experience

Karimov (2015) argues that her ability to blend individual feeling with national spirit places her among the central figures of modern Uzbek lyric poetry.

Cultural and National Significance

Zulfiya’s influence extends beyond literature. She became a cultural symbol of dignity, intelligence, and patriotism. Schools, institutions, and awards bearing her name demonstrate the institutional recognition of her impact.

In post-independence Uzbekistan, her poetry gained renewed attention as part of national identity reconstruction. Her works are studied in schools and universities, ensuring that younger generations remain connected to their literary heritage.

Moreover, her emphasis on moral values — honesty, loyalty, kindness — remains relevant in contemporary society. In an era of globalization, her poetry reminds readers of the importance of cultural roots and ethical responsibility.

In conclusion, Zulfiya’s literary legacy is multidimensional. She was not only a talented poet but also a cultural figure who shaped national consciousness and elevated the role of women in literature. Her thematic richness, stylistic clarity, and moral strength continue to inspire scholars and young writers.

Studying Zulfiya today is not merely an academic task; it is a way of understanding the spiritual foundations of Uzbek culture. Her poetry remains a living testimony to the power of sincerity, resilience, and artistic devotion.

References

1.Karimov, A. (2015). Twentieth-Century Uzbek Poetry and National Identity. Tashkent: Literature Press.

2.National Encyclopedia of Uzbekistan. (2000). Entry on Zulfiya. Tashkent: State Scientific Publishing House.

3.Rasulov, B. (2018). The Image of Women in Modern Uzbek Literature. Journal of Central Asian Studies, 12(2), 45–53.

4.Olimova, D. (2012). Women’s Voices in Central Asian Literature. Central Asian Literary Review, 8(1), 22–37.

Shahlo Sultonova was born on August 3, 2005, in the Khorezm region of Uzbekistan. She is currently a second-year student at the Uzbekistan State World Languages University (UzSWLU).

As a university student, Shahlo is known for her responsibility, dedication, and strong interest in learning. She actively works on improving her academic knowledge and developing professional skills related to her field of study. Shahlo values self-development and strives to combine theoretical knowledge with practical experience.

Her main goal is to become a highly qualified specialist in the future and to contribute positively to the development of society through her profession.

Essay from Masharipova Yorqinoy Ravshanbek qizi

Masharipova Yorqinoy Ravshanbek qizi. Student of the Urgench State Pedagogical University, Philology Department.

SYMBOL OF COMPASSION

There is such a being in this world that no matter how much one writes or speaks about her, it will never be enough; there will always remain words left unsaid. Because a mother is not something that can be fully described by words — she is a sacred presence understood by the heart, felt through emotion, and measured by a lifetime. A mother is the beginning of life and the continuation of humanity. As long as she exists, we are never alone; as long as she exists, humanity remains whole. Even before we come into this world, our mother lives together with us. The nine months during which she carries us beneath her heart are not merely a biological process, but a school of spiritual connection, patience, and self-sacrifice. Throughout these months, a mother swallows both her joy and her pain. From that very moment, she begins to live for a child not yet born. She gives up everything that could pose a danger to the life growing within her. The warmth and affection we feel from the very moment of our birth belong to our mother. Perhaps that is why our love for mothers has always been different from all other loves.

When speaking of the purest love in human life, nothing can compare to a mother’s love for her child. Her compassion and affection are so pure that they are free of conditions and calculations. She never expects a reward for everything she does for us from birth until maturity. Seeing her children happy is the greatest happiness for a mother. In this world, the only person who believes we deserve a better life than the one she herself lives is our mother.

It is truly difficult to imagine life without a mother. She loves us more than anyone else. When the time comes, she is ready to risk even her life for us and strives to never let us lack anything. She always offers us the best of everything: food, clothing, words, and love. Even if she wears old clothes herself, she considers the best worthy only of her children. Have you ever noticed that when food on the table is scarce, a mother’s stomach is always “full”?

According to research, the strongest pain in the world is the pain a mother experiences while giving birth. And she endures it. As infants, we cry at night due to natural processes, and she endures that too. When we fall ill, her soul suffers even more than ours. As if that were not enough, she spends sleepless nights caring for us, forgetting rest and even herself — and she endures all of this for her children. But what about us? What have we done, and what are we doing, to repay those sleepless nights? We simply claim that we are not understood. Yet did she not understand us when we were infants and unable to speak? Was it not she who sensed our hunger and restlessness without a single word? Sometimes knowingly, sometimes unknowingly, we hurt her feelings, yet she is a mother — would she ever truly resent her child?

We often consider ourselves people of high self-worth. Let me explain this with an example. Imagine that we take care of a domestic animal, say, a puppy. We feed it, play with it, and when our affection overflows, we might even bathe it. Time passes, and it grows into a large dog. One day, it starts barking at us and, having learned from stray dogs, even tries to attack us. Naturally, we would beat it or chase it away, trying not to let ourselves be harmed. Now think about it: is a mother, who has suffered, forgotten her own dreams, and devoted the most beautiful years of her life to raising her child, truly deserving of harsh words or complaints from her children over trivial matters? What should we call the fact that she faces such situations not once but many times, swallowing her pain each time and continuing to give love as if nothing happened?

A mother is the only being whose patience knows no limits and whose love is unconditional. She endures pain, adapts to sleepless nights, passes every harsh word from her child through her heart, yet continues to give love. But this silence and endurance are not signs of weakness — they are signs of greatness.

We have no right to think that a mother’s patience is infinite. Every swallowed sorrow, every unspoken pain leaves a trace in her heart. A mother does not expect perfection from us; she expects humanity — a kind word, a moment of attention, and a respect that lasts a lifetime.

Therefore, let us value our mothers not after losing them, but while they are still alive. For success achieved without a mother’s blessing is empty, and a path walked without her prayers is barren. As long as a mother exists, there is a mountain standing behind us. Before that mountain collapses, recognizing its value is our greatest human duty.