First, a few announcements.
Sandra Tabac invites poetry and art submissions for an international Hands of Love anthology.

Also, The Arab Poets Forum has recently published the book “Alphabet of Pain… Letters Bleeding Meaning”, a remarkable poetic encyclopedia featuring 212 poets from around the world, presented in two volumes spanning 800 pages.

The cover artwork is created by Iraqi visual artist Nada Askar, and the cover design is by Lebanese artist Layla Beiz Al-Mashghariya. Several Synchronized Chaos contributors, including Taghrid Bou Merhi, Mirta Ramirez, Eva Petropoulou Lianou, Dildora Xojyozova, Binod Dawadi, and Kujtim R Hajdari, are published in this collection.

Now, for this month’s first issue, Where Memory Meets Tomorrow.

This issue is beautiful, rich, and international. There’s a strong throughline of memory, devotion, identity, and renewal running across continents and genres.

For this month’s first issue, we are proud to present a collection of voices that span styles and topics, each offering a meditation on what it means to live, remember, and hope.

Vo Thi Nhu Mai opens with a heartfelt tribute to her mother, honoring the quiet love and lifelong dedication of a teacher. From Uzbekistan, Orzigul Ibragimova calls her people forward with intelligence and determination, while Namozova Sarvinoz Erkin qizi explores the nation’s ongoing transformation toward an eco-friendly, energy-efficient future. Sevara Abduxalilova reflects on the legacy of Mirzo Ul’ugbek, the great Central Asian astronomer whose vision still resonates across time, as Botirova Gulsevar Muzaffar qizi honors political leader and poet Zahiriddin Muhammad Babur, known for promoting education and national development. Munisa Islomjonova celebrates her native Uzbekistan through verse.

The power of words themselves comes into focus in Harinder Cheema’s celebration of poets as messengers of peace and inspiration, echoed by Soumen Roy’s prayer to poetry as a source of healing and transcendence. Jamoliddinova Dilnozaxon Mirhojiddinovna discusses how countries and social groups form communication and speech traditions. Olimova Shahina Botirjon qizi discusses strengths and weaknesses of different methods for teaching foreign languages. Hamdamova Sevara Saidmurodovna outlines modern philological theory about the power of language beyond literal meaning. Türkan Ergör sharpens her focus to highlight the pain of a world without trust and truth. Rev. Dr. Jitender Singh speaks to human unity across race, color, nationality, or creed. Manik Chakraborty and Mesfakus Salahin and Mahbub Alam each issue urgent calls for peace, reminding us of our shared humanity in a fractured world. Graciela Noemi Villaverde depicts the pain of words felt but never sent. Christina Margeti speaks to war and childhood, what humanity destroys and what we strive to protect. Faleeha Hassan reviews Saudi directors Meshal Al-Jaser and stars Adwaa Badr and Yazeed Al-Majioul’s film “Naga” (Purity) which, through the tragedy of a betrayed and rebellious young woman, shows the weight of a society imploding upon itself as it punishes the existence of femininity. Asadullo Habibullayev brings violence down to a smaller scale, reminding us that how we treat each other at the interpersonal level matters. At the same time, poet Nilavronill decries how poets have failed to stop the world’s violence with their words.

Themes of love and devotion weave throughout the issue. Sandro Piedracita reflects on the distinction between selfless love and possessiveness, while Eva Petropoulou Lianou honors the tender, enduring bond between mother and child. Nazokat Jumaniyozova offers a moving elegy for her grandfather, and Danijela Ćuk pays tribute to Eva Petropoulou’s tireless support of fellow writers. Saparboyeva Laylo Xajibay qizi relates a folktale-like story of grief, justice, fate and renewal. Joseph Ogbonna expresses his spiritual devotion in the Easter season and his thanks for Christ’s humble sacrifice. Maqsudova Anora Alisherovna’s poem urges heartfelt sincerity and reflection when people observe Ramadan. Sarvinoz Bakhtiyorova relates the tale of a now-adult son who sacrificed his own body for his mother. Jahongir Murodov expresses his tender care and respect for his mother. Xojamurodova Nigina urges sensitive souls to continue loving and not lose heart in a brutal world as Ms. Kim Sun Young shares how longing for a lost love is persistent, like a weed in her heart and Do’sanova Dilnoza Xolmurod qizi reflects on heartbreak and regret.

Other contributors turn toward time, myth, and the natural world. Ananya Guha evokes deep, mythic landscapes, while Sayani Mukherjee and Lan Xin draw on the imagery of spring—its motion, memory, and rebirth. Ankica Anchie Biskupović finds unity in flowing water, and Elaine Murray immerses herself in nature’s quiet revelations. Ms. Koo Myongsook reflects in stillness on a mountain as a metaphor for life. David Kokoette’s desert journey and Duane Vorhees’ meditation on absence and longing remind us of the inner landscapes we all traverse. Maja Milojkovic laments the steady decline of her powers due to old age. Aziza Jorayeva expresses heartbreak, loneliness, and grief. Dr. Prasanna Kumar Dalai speaks to autumn, night, longing, and confession. Siyoung Doung expresses the mystery of our existence and the beauty of finding small moments of beauty and meaning. Dr. Tomasz Laczek urges us to make the most of the lives we have and live for something that matters.

This issue also engages with contemporary life and its tensions. Abdumaxamediva Gulchexra looks at the positive and negative effects of American cultural influence on traditional Uzbek culture. Patricia Doyne sharply critiques the current U.S. administration, while Bill Tope employs satire to confront its institutional excess and brutality. J.K. Durick reflects on individuals navigating vast, impersonal systems, even systems invented for fun, such as professional sports, engaged yet estranged. Peter Cherches plays the absurdist blues for us in his poem that’s equal parts exile ballad, street song, and darkly comic cabaret. Christopher Bernard kicks off the first installment of his children’s story Otherwise, with a mixture of philosophy, mystery, and middle-grade energy.

Science, education, and personal determination appear in compelling ways. Urokova Nargiza discusses ways to protect against new types of viruses. Jorakulova Gulshoda Uchqun qizi examines disease detection through the lens of blood cell analysis, while Abduhalilova Sevdora Xayrulla qizi advocates for reconnecting physical education with nature. Nabiyeva Xilolaxon Axrorjon qizi discusses how to make fuel composition less toxic and more environmentally sustainable. Choriyeva Oynur analyzes the role of music in helping students concentrate and learn. Anarboeva Madina Ulmas qizi highlights her accomplishments in the Uzbek national sport of kurash. Laylo Yo’lbarsova highlights the role of personality in determining suitability for different careers. Priyanka Neogi asserts her self-determination, strength, self-respect, and independence. Maxsudbekova Farogat Izzatbek qizi valorizes self-assurance, personal dignity, and individuality. Toshmamatov Javohir tells a story of perseverance through the journey of a computer science student, Jumayev Akmal G’ulom o’g’li discusses ways to get young people more involved in shaping the future of Uzbekistan and to help them take their place in the workplace, and Gulhayo Abduqahhorova considers the choices that shape life after college.

Artistic memory and cultural reflection round out the issue. Mark Young presents his signature altered geographies, while Brian Michael Barbeito revisits the world of hockey through personal recollection. Mykyta Ryzhykh captures the intensity of first awakenings—moments that divide life into before and after. Jacques Fleury offers a haunting vision of beauty, resilience, and power embodied in a goddess who still fades from view while he can only watch. Ms. Im Sol Nae looks at death not merely as an ending, but as a transformation, a communal aesthetic experience.

Finally, editor Cristina Deptula contributes a review of No One Dreams in Color by John Biscello, a work that meditates on consciousness, grief, the creative process, and the fragile boundary between reality and imagination.

Together, these works form a tapestry of voices, which are urgent, reflective, and deeply human. They remind us that across distance and difference, we are united by our search for meaning, our capacity for love, and our enduring hope for renewal.

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After graduation many students take a year to travel. Some think that it would be more useful to work for a year. To what extent do you agree or disagree?

Namangan State Institute of Foreign Languages, 2nd-year student of Philology and Language Teaching (English).

Many students choose to travel for a year after graduation. Others believe that this time is better spent working. I think traveling can be useful too, but working gives more practical experience and important opportunities for the future. On the one hand, working for a year gives students real-life experience. On the job, they learn important skills such as responsibility, time management, and teamwork. In addition, by working, they can test their knowledge of their profession in practice. Another important aspect is that by working, students will also have the opportunity to save money, which will help them in their future plans.

On the other hand, traveling also broadens one’s worldview. By visiting different countries and cultures, young people gain new experiences and learn to be independent. This also greatly contributes to personal development. In conclusion, although traveling is also beneficial, I believe that working for a year is more beneficial. Because during this time, students can gain experience and create a solid foundation for their future careers.

INTEGRATING ECOTOURISM INTO PHYSICAL EDUCATION: INNOVATIVE APPROACHES FOR SUSTAINABLE DEVELOPMENT

Abduhalilova Sevdora Xayrulla qizi
Philology and Language Teaching English Language Major 25-26 group student

sevdoraabduhalilova880@gmail.com
Abstract

This article explores the innovative intersection of ecotourism and physical education (PE), proposing a shift from traditional gym-based activities to outdoor, environment-centered learning. As global trends emphasize sustainability, integrating ecological literacy with physical activity offers a dual benefit: improving student health and fostering environmental stewardship. The study examines methods such as plogging, orienteering, and eco-trekking, highlighting their physiological and psychological impacts. Practical frameworks for educators are provided to implement these strategies within the modern curriculum.

Keywords: Ecotourism, Physical Education, Sustainable Development, Plogging, Eco-pedagogy, Holistic Health.

Literature Review
The relationship between physical movement and nature has been a subject of increasing academic interest. Louv (2005) introduced the concept of “nature-deficit disorder,” arguing that the lack of outdoor activity contributes to various behavioral and health issues in youth. In my opinion, this underscores the urgent need for PE curricula to move beyond the physical boundaries of the school building.
Similarly, Higgins (2002) suggests that outdoor education provides a unique platform for experiential learning that traditional classrooms cannot replicate. This perspective is insightful as it suggests that physical exertion in natural settings enhances not only muscular strength but also cognitive adaptability. Furthermore, recent studies by Pretty et al. (2005) on “green exercise” demonstrate that physical activity in the presence of nature significantly reduces blood pressure and improves self-esteem compared to indoor exercise.
From a pedagogical perspective, the integration of ecotourism elements—such as navigation and environmental preservation—aligns with the principles of holistic education. Bunting (2006) emphasizes that the “adventure” aspect of outdoor PE fosters resilience and teamwork, essential traits for 21st-century learners.

Methodology
This study utilizes a qualitative synthesis of existing pedagogical models and a comparative analysis of traditional PE versus eco-integrated PE. The research explores the practical application of “Fijital” and “Green Fitness” concepts within a secondary education framework. Special focus is placed on the “Leave No Trace” ethical framework and its implementation during school-based trekking and orienteering sessions.

Discussion
The nature of physical education is evolving from purely athletic training to a more comprehensive lifestyle discipline. Our analysis shows that integrating ecotourism elements does more than just burn calories; it builds a bridge between personal health and the health of the planet.

Conclusion
Ecotourism and physical education are key building blocks for a sustainable future. When we move PE darslari (lessons) to natural settings, students develop a more profound connection with their environment. Our analysis shows that “Eco-Athletes”—those who train with an awareness of their surroundings—demonstrate higher levels of empathy and long-term health commitment. Modern education must embrace this shift to ensure that the next generation is not only physically fit but also environmentally conscious.

Reference:
Bunting, C. J. (2006). The Outdoor Education Classroom. Human Kinetics.
Higgins, P. (2002). Outdoor education as a method of teaching for environmental education. Journal of Outdoor and Environmental Education.
Louv, R. (2005). Last Child in the Woods: Saving Our Children from Nature-Deficit Disorder. Algonquin Books.
Pretty, J., et al. (2005). The mental and physical health outcomes of green exercise. International Journal of Environmental Health Research.
UNESCO. (2017). Education for Sustainable Development Goals: Learning Objectives.

Gaza

The skies were filled

with birds of steel.

Merciless leaders

with flying hatred,

sowing Hades

in cities and villages.

A stream of blood,

flowing,

for the treacherous

interests.

Empty eyes,

glow

with death.

Dreams are deserted.

Nests torn down.

The wailing is heart-rending

as the East touches

our small screens.

The fire of war.

The human race:

a curse upon creation.

At dusk,

terror lurks.

And yet—

A spark

is born timidly.

Humanity’s

resistance is defined by:

Poetry.

When it encounters horror,

it does not remain silent!

In the streets

it cries out,

a militant herald.

A thousand times

Don Quixotes,

rather than bear

complicity

and indifference!

And if we long

for the great book

of life,

having left our initials behind,

let us stand

by the defenseless,

like castles!

…..

IN THE TREE OF MY CHILDHOOD YEARS

Silently

it cast its shadow,

the ancient tree.

On its broad trunk,

children lost

in tales of magic.

It played hide-and-seek with us,

and its breath,

filled our nostrils.

On its branches,

dreams spread out,

and it—

it too

dreamed a thousand dreams with us.

It always listened,

but never betrayed

 our secrets.

Tight embraces and vows

buried in its roots.

To this tree…

To every tree…

Have we ever said thank you?

From Christina Margeti:

I was born in Athens in 1980, and from an early age interested in the relationship between culture and society. I’ve been writing as a hobby since I was a child. Writing has always been my most natural way of expressing myself and understanding the world, a constant inner need that has accompanied me at every stage of my life.

After high school, I pursued studies in the field of Information Technology, both in private and public vocational training programs, acquiring a solid technological foundation and analytical thinking skills. Later, I studied Greek Culture at the Hellenic Open University, successfully completing the History course, which deepened my interest in social and cultural structures.

Throughout my journey, I have combined work and education, adapting to the needs of each period, while maintaining my knowledge of English and German, which I always strive to refresh. At the same time, personal development and lifelong learning are fundamental elements of my journey and my goal.

I am the founder and owner of the sole proprietorship “Nea Themiskyra,” a vision that began in 2022. I financially support the publication of my book in collaboration with the publishing house AKAKIA, provide writing services, and distribute my book, as well as works by other authors, online.

I have actively participated in human rights campaigns and social initiatives in Athens. In the past, I was a member of the Rainbow Families. 

I recently added my name to the collective initiative “Her Voice – Women Writers Against Gender-Based Violence,” in support of women’s empowerment.

The inspiration for my first book, “IStis Politeies tis Gynaikas” was born in 2014, when I felt strongly that this story needed to be told and given form. In 2022, the work was printed and published for the first time in London by AKAKIA Publications. It was a small-format book with a limited print run. The second expanded edition was released in 2023 with a larger print run and in a larger format than the original. 

The third expanded edition of this book is being published this year, 2026.

In my free time, I engage in meditation, wellness, the study of social issues, and connecting with nature—I hold a second-degree Reiki certification.

Late Happiness

Dark fate knocked on the door twice in a single day: as Bayna momo laid her two beloved ones into the earth, it felt as though not only the sun of that day, but the sun of her entire life had set. The yard fell silent and desolate, the tandoor grew cold, and even the wooden platform by the door lay quiet, as if it too had lost its owner. Once, the sound of a man’s footsteps and her son’s cheerful laughter echoed through this yard. Now, Bayna momo was condemned to live among memories and restless loyalty.

People came and went, offering words of comfort, and then dispersed, each returning to their own concerns. Bayna momo was left alone, face to face with her solitude. At times, she would sit by the hearth, gazing far into the distance, as if waiting for someone from the past to return.

Zamon the horse keeper still walked about the village with pride. Not a trace of regret could be seen in his eyes. Yet in the hearts of the people, heavy words toward him were ripening; all the elderly women of the village cursed him silently from within. Before long, Zamon’s affairs began to fail: all his horses died in a single day, his trade collapsed, and his reputation fell to the ground. People turned away from him. It was as if an invisible curse followed him wherever he went.

One day, Bayna momo went to the market. There, she noticed a young man working as a cart driver. There was a calmness in his face, mixed with a quiet sorrow.

“Thank you, my child,” she said involuntarily.

“Your voice… your gentle voice and your words reminded me of my mother…” he replied, his eyes filling with tears.

From that day on, the yard came back to life. Tea would boil on the platform, the smell of fresh bread would rise from the tandoor, and in the evenings, the quiet conversations of two souls would fill the courtyard. Bayna momo straightened her back, and light returned to her eyes. She no longer thought of the past, but began to think of tomorrow.

The wind blew again. But this time, it was not destructive—it was a warm breeze circling the yard.

Bayna momo finally understood: a human life is made of trials. Some fall while standing against the wind, while others rise again after it passes. Meaning had returned to her life—the happiness of being a mother once more.

Saparboyeva Laylo Xajibay qizi (born in 2010) is a student of the Ogahiy School of Creativity and a young writer.

She began her creative journey in primary school by writing poetry. After a certain break, she returned to literature and is currently working in the field of prose. Her dedication piece titled “I live in Your Heart” was published in the newspaper “Xiva Tongi”.

Laylo actively participates in scientific and practical conferences, where she expresses her ideas and perspectives on literature and creative thinking. In addition, she writes short stories and fanfiction, which she shares on online platforms.

Her works mainly focus on human emotions, inner experiences, and observations of life. In the future, she aims to further develop her creative potential and become an internationally recognized writer.

Tulip

My tulip’s heart is filled with blood,

Its world is shattered, ruined.

Those cowards it once believed in,

Strangers who spoke only lies.

My gentle one, my delicate soul,

Forget the burdens of this world.

Among these cowards,

Do not bow your head—stand proud.

Many are drunk on the wine

Of this fleeting world.

But for the pain called love,

There is no one who has not been defeated.

Xo’jamurodova Nigina 

Uzbekistan 

The White Dove

Wiith a  bag of verses on my back

I was searching for Peace on a lonely track

I saw a small hut and went inside 

Hoping to find someone who could guide

A sage was sitting with closed eyes

I felt I was in paradise 

“What do you seek” ? He questioned without looking at me 

Politely, I replied, “Peace and Serenity”.

“Are you ready to renounce the world” ? he enquired asking me to sit

To which I replied,” No your holiness, I want to transform it”.

After seeking his blessings I came back 

Walking bravely the same lonely track

I realised I had a different goal

I don’t fit into a sage’s role

God has made me a bard

To spread positivity through my art

Poetry for me is a “white dove”

Spreading messages of peace and love.

Harinder Cheema is an internationally renowned, award-winning poet, novelist, author, editor, anchor, and a motivational speaker. A Naji Naaman Laureate, she stands among distinguished global literary voices and has been featured in 50 Memorable Women, Asia by the Stockholm Project. Her work has also been featured in the prestigious Farsala Academy, Greece, and Café Philo, New Delhi. Her poems have been translated into many national and international languages. She is a motivational speaker and has been invited by many colleges and Universities of India as a guest speaker. She has also graced various national and international literature festivals and events as a distinguished guest.