Synchronized Chaos’ Second February Issue: Sound and Fury, Signifying Everything

Old stylized drawing of a medieval man in a tunic with a sash and shield and a hat with feathers and striped shoes. Pastel yellow, blue, and white.
By M. and B. Skelt (publishers) – Folger Shakespeare Library Digital Image Collection http://luna.folger.edu/luna/servlet/s/r8t2ob, CC BY-SA 4.0, https://commons.wikimedia.org/w/index.php?curid=40908149
According to Shakespeare's Macbeth, 
Life "is a tale
Told by an idiot, full of sound and fury,
Signifying nothing."

First, some announcements: In February, on Saturday the 28th at 2pm, Synchronized Chaos Magazine partners with the Hayward Lit Hop to co-host the Hayward Coffee Hop.

Join with us to hear poems and sample the wares of four different local coffee shops in downtown Hayward, California (Zocalo’s, Snappy’s, Concha Dreams, and the Old City Roastery). Advance tickets required, reserve your spot here.

Green frog with black spots drinking from a steaming white mug of coffee.

In March we will have a presence at the Association of Writing Programs conference in Baltimore which will include a free public offsite reading at Urban Reads on Friday, March 6th at 6 pm. All are welcome to attend!

So far the lineup for our reading, the Audible Browsing Experience, includes Elwin Cotman, Katrina Byrd, Terry Tierney, Terena Bell, Shakespeare Okuni, and our editor, Cristina Deptula. If there’s time, an open mic will follow.

Front door of a bookstore with glass windows and bronze text and symbols painted on the window.
Urban Reads Bookstore

Poet Marin Angel, of Finland and Bulgaria, is forming a new, vast, international poetry society, the Poetic Political Party for Transparency, that will publish books and which seeks editors and writers.

Published poet and contributor Tao Yucheng is still hosting a poetry contest, open to all readers of Synchronized Chaos Magazine.

Synchronized Chaos Poetry Contest: We seek short, powerful, imaginative, and strange poetry. While we welcome all forms of free verse and subject matter, we prefer concise work that makes an impact.

Guidelines: Submit up to five poems per person to taoyucheng921129@proton.me. Each poem should not exceed one page (ideally half a page or less). All styles and themes welcome. Deadline for submissions will be in early March.

Prizes: First Place: $50 Second Place: $10, payable via online transfer. One Honorable Mention. Selected finalists will be published in Synchronized Chaos Magazine.

Brian Barbeito's poetry collection's cover. Heart carved from metal tied with a string onto what looks like a blue canvas tarp.
Screenshot

We’re also announcing the release of contributor Brian Barbeito’s new book The Book of Love and Mourning.


From Brian: These prose poems and photos are a journey that celebrate memory and colour and the near and far. Please travel along and explore both the written word and the visual narrative. The content will include but not be limited to, forest trails, meadows and skies, grasshoppers and wild clovers, electric light, and various seasons. And at times we will dream, reminisce, and wonder about the world, its form, content, and continual movement. 

The Book of Love and Mourning can be ordered here.

Now, for February’s second issue! This issue, Sound and Fury, Signifying Everything, as opposed to Macbeth’s feelings of meaninglessness, points to the importance of individual people and relationships, to ordinary settings and personal life stories.

Stylized painting of a ship with big white sails lurching in a storm. Clouds in the sky, big waves.
Image c/o Omar Sahel

Dmitriy Kogan asserts the value of ordinary words from understandable poets. Mykyta Ryzhykh’s micropoems hit on different nerves: money, guilt, tradition, speech, silence. Christopher Bernard’s first installment of Senor Despair explores the search for hope and meaning in a complex world.

Terry Trowbridge’s speakers inhabit and listen to time, rather than shouting their existences into the world. Mahbub Alam’s speaker slowly awakens from a deep sleep. On the other hand, Aurelia Preskill’s speaker desires to fully inhabit her universe and her own body. Michael Todd Steffen’s pieces concern observation: seeing our world, and the instability of what we see. Janaea Rose Lyn takes us on a poetic journey from grief to cognition to embodiment and, finally, to translucence. Taro Aizu finds gentle peace in everyday blessings and beauty. Jumanazarova Mohlaroyim Islombek qizi explicates the deep and stormy inner world behind Said Ahmad’s ironically titled novel Silence. Timothee Bordenave explores the emotional territory of pleasure, escape, rebirth, and devotion.

J.J. Campbell depicts the debris of soul damage from a long and weary life, but continues living, as he has little choice. Mahbub Alam evokes the solemn weariness of insomnia in an elegant poem. Taylor Dibbert reflects on turning points in a relationship that went south. John Edward Culp’s work quietly dares without becoming showy, as a person eases into the risk of loving and being loved. Kalipada Ghosh celebrates a gentle and inspiring love. Dr. Fernando Martinez Alderete presents the comfort and care of a steady, long-term love. Lan Xin’s love poetry carries a spiritual bent, drawing on metaphors of angels and ancient Chinese temples. Cai Zhenyuan ties love into universal compassion and making moral choices.

Alexa Grospe speaks to the visceral pain of someone struggling to be seen and loved in their ordinary humanness. Jacques Fleury advises readers to become comfortable and at home in their own identities and bodies. Eva Lianou Petropoulou reminds humans not to lose sight of our hearts and creativity in the age of artificial intelligence.

Bill Tope and Doug Hawley contribute a co-written bleak, funny, and tender short story that highlights the humanity not only of disabled people, but all those who age and change with time. Noah Berlatsky comments with humor on physical aging. Dilafro’z Sultanova aspires to health and wellness in her advertising jingle to the Central Asian health drink Beleever. Diyora Abduolimova and Jurayeva Aziza Rakhmatovna discusses the importance of and methods for inclusive education for children with disabilities.

Closeup of a tree's wooden rings.
Image c/o Petr Kratochvil

Shoshana Vegh speaks to a mythical love that endures through time. Mesfakus Salahin promises his commitment to his loved one throughout his life journey. Jamal Garougar affirms a quiet, humble love. Mandy Pistikou’s poetry outlines a romantic relationship that grows and deepens with time. Sabo Jurayeva urges people to marry for the right reasons, building strong families on love and commitment rather than infatuation.

Iroda Abdusamiyeva pays tribute to her kind, tenderhearted mother as Ibodimova Lobar Muzzafar qizi mourns the loss of her loving mother. Eshmatova Charos offers her love and respect to her mother through a prayer. Akramova Sarvinoz pays tribute to the love and strength of her parents. Dildorakhon Tursunboyeva tenderly expresses her love for her dear mother.

Jerrice J. Baptiste’s colorful artwork celebrates the joy of female friendship and sisterhood. Graciela Noemi Villaverde highlights the transformative power of both friendship and love. Sayani Mukherjee explores interpersonal love through the lenses of memory, religion, myth, and culture. Hanaan Abdelkader Ashour honors the love she shared with those who are departed and feels their continued presence.

Safarqulova Iroda and Maja Milojkovic celebrates the beauty of their heritages and mother tongues. Abdusaidova Jasmina expresses her pure joy and pride in her Uzbek homeland. Isaac Dominion Aju’s personal essay describes his journey towards accepting, creating, and claiming his identity as a Black African man. Normuminova Charos Shamshoshodovna looks deep in her heart and soul to find the meaning of “homeland.”

Halilova Rukshona Abdufattohovna honors the scientific and philosophical legacy of ancient scholar Abu Nasr al-Farabi. Sevara Jo’raqulova highlights the love for Uzbek heritage, nature, and culture in Alexander Faynberg’s poetry.

Orange Volkswagen bus with peace signs painted onto its side and lots of succulent plants in little pots next to it.
Image c/o Rheo Gauthier

Duane Vorhees also addresses nature as a theme, speaking to spring’s regrowth in a natural, unsentimental way. Aziza Xazamova shares fun and colorful winter memories. Christina Chin celebrates the clear, pure beauty of winter. Ananya S. Guha’s poetry speaks to natural cycles and resilience, places that keep a hold on people even after they leave. Yongbo Ma constructs an interior landscape built through a variety of objects, places and natural creatures: rocks, tadpoles, frogs, a person’s hometown.

Brian Michael Barbeito’s nature-based prose is quietly luminous, reflective, and tender, reminding us to see the grace in the everyday. Soumen Roy compares the ebbs and flows of relationships to waves at sea. Dr. Jernail S. Anand’s essay highlights the cosmic and natural power balances of the universe.

G’afforova Hadichaxon Abduhamid qizi also writes from a wide perspective, addressing the importance of addressing air pollution on systemic as well as individual levels. Jalolova Charos weighs various sustainable design models for our world’s growing cities. Mamatraimova Khadicha Eshali qizi discusses toponymy, the science of naming places and landforms, in a certain area of Uzbekistan. Dildora Xo’jyozova appreciates Uzbekistan’s rich and multilayered history and culture. Shahnoza Ochildiyeva celebrates the literary legacy of Uzbek writer and social theorist Chol’pon.

Egamberdiyeva Diloromxon highlights the importance of Uzbeks’ understanding their nation’s constitution. Jumayev Sanjar Ilyos ogli also explores the wisdom and importance of the Uzbek constitution in shaping the country. Bai Gengsheng’s poetry, translated by Lan Xin, highlights the enduring power of fortitude and wisdom in China’s cultural heritage. Zubayda Tursunboyeva illuminates themes in Uzbek poetess Zulfiya’s work: love, family, patriotism, and peace. Shermamatova Kamola Azizbek qizi discusses ways to incorporate epic world literature into the classroom.

Razzokova Feruza’s essay discusses how language and culture influence emotional expression. Mahmudjonova Rushonabonu outlines the global importance of the English language. Qobiljonova Hurixon compares advantages of blended and traditional education for those learning English as a second language. Sultonova Shahlo Baxtiyor qizi discusses ways to overcome cognitive and psychological barriers to language learning. Nazarova Gulbaxor Azimjon qizi discusses the impact of bilingualism on personality.

Stylized image of pink, orange, yellow, and blue people facing each other with thought bubbles over their heads.
Image c/o Nicky Pe

Sultonmurodova Aqida identifies and offers solutions to problems students face with learning foreign languages. Shodiqulova Dilorom Niymatulla qizi highlights the value of teachers’ classroom preparation and evaluation tasks in helping students learn languages and other subjects. Mahamqulova Ruhshona Rustam qizi discusses the cultural and psychological benefits of joint educational programs, where a student may receive academic credit from institutions in different countries. Mominova Nozimakhon highlights the many ways education benefits society at large.

Xolmurotova Gulzoda outlines roles of digital platforms in language learning. Jumanazarova Nafisa discusses roles for artificial intelligence in learning English. Mamatova Mahbuba Abdulboqi qizi addresses the proper pedagogical conditions for using project-based technology in teaching literature. To’g’ilova Dinora shows how mobile apps can help students learn the Korean language. Abduhamidova Nihola shares methodological foundations for multimedia tools in language lessons. Madinaxon Tu’ychiyeva explores the efficacy of digitally based learning. Olimova Marjona Ubaydullayevna discusses how artificial intelligence can help with language learning.

To’laganova Muxlisa G’ulomovna discusses the role of artificial intelligence in teaching critical thinking skills. Ne’matullayeva Mukhlisa Sherali kizi outlines ways college professors can encourage students to develop their critical thinking skills. Zamira Moldiyeva Bahodirovna highlights the importance of teaching critical thinking skills in higher education.

Erkinov Dilmurod Adham o’g’li points out linguistic conventions in scientific writing. Azamova Kumushoy Akramjon qizi highlights the role of scientific research in modern society. Bafoyev Mirzabek Mirvohidovich reflects on how medical diagnostics has advanced and become more refined with time.

Saida Turdiboyeva reflects on how artificial intelligence is changing our lives. Azimov Mirsaid Salimovich highlights the growing importance of computer code in global infrastructure. Nematova Zarina Ochilboyevna points to the emerging trend of digitization in the labor market. Toshbekova Nozima offers suggestions to address youth unemployment. Abdiyeva Mahbuba Rahmiddinova advocates for increased attention to women’s entrepreneurship as a pathway to economic development and empowerment. Zarina Yorboboyeva discusses ways to improve strategic management in business enterprises in Central Asia. Shonazarov Shohjaxon outlines advantages and disadvantages of modern consumer credit.

Image of a white robot with yellow eyes holding a white card.
Image c/o Gerd Altmann

J.K. Durick’s pieces speak to automation and modern life, the slow erasure of the self. Bozorboyeva Nasiba Ergashboy qizi urges wisdom and foresight in the development and rollout of artificial intelligence technology. Mo’minova Rukhshona highlights how science should not be separated from ethics.

Gaurav Ojha encourages revolutionaries and activists to keep up their spirit and idealism. Norman J. Olson’s drawing conveys the current atmosphere of Minneapolis. Patricia Doyne highlights inconsistencies in American public policy regarding firearms and cultural violence. Kujtim Hajdari laments the destruction and sorrow war causes.

Mauro Montacchiesi highlights themes of moral and psychological choices in the here and now in Dr. Jernail Singh’s book Beyond Heaven, Beyond Hell. James Tian excoriates religion enforced through fear and moral blackmail. Mohammad Sedigh Haghighi reminds us that meaning cannot be outsourced, we are all tasked with a long and personal quest to find what matters.

Angelina Muniz Huberman reviews Beatriz Saavedra Gastelum’s new book Alfonso Reyes: Cartography of the Spirit and the Word, which dramatizes estrangement and exile. Shammah Jeddypaul’s piece evokes the dislocation of trauma through a narrator whose situation we gradually begin to grasp. David Kokoette’s raw, furious, and wounded poetry looks at systemic and personal violation and invasion.

Luis Cuauhtemoc Berriozabal’s work probes spaces where meaning becomes unreliable and sensory overload collapses into numbness. Grzegorz Wroblewski’s asemic scrawls reflect intuitive thought maps or emotional streams of consciousness. Mark Young’s pieces feel geometric, like a meditation on latency. Rus Khomutoff contributes a chant, a waking dream, a data-streamed prayer. Poet Yongbo Ma interviews writer Jeffrey Cyphers Wright about his fun, freeflowing, and experimental poetry craft.

Image of purple light and paint patterns on a black background.
Image c/o Piotr Siedlecki

Ruziyeva Nigina Sanat kizi delves into the moral and spiritual aspects of O’tkir Hoshimov’s work. Jakhongir Nomozov interviews Azerbaijani poet, translator, and journalist Aysel Khanlargizi Safarli on beauty, meaning, and spiritual understanding in her work.

Sevinch Botirjonova explicates the power of words in an increasingly connected world. Stephen Jarrell Williams speaks to memory, faith, and history. Nozima Gofurova highlights the thoughtful literary criticism of Ozod Sharafiddinov and how he examined literature as a force to mold and inspire society as well as elegant entertainment. Jumayev Sanjar Ilyos ogli celebrates the many roles of Uzbekistan’s young people in shaping the country’s future.

Dustmurodova Marjona Doniyorovna illuminates the value of lifelong learning as Türkan Ergör urges us to forget past sorrows and grudges and Opeyemi Oluwayomi asserts his steady belief in the value and beauty of tomorrow.

We hope that this issue helps you keep growing, thinking, and believing in our shared future.

Essay from Shodiqulova Dilorom Niymatulla qizi

Young Central Asian woman with long straight black hair, small earrings, and a white collared shirt.

TEACHER’S MANAGEMENT ACTIVITIES IN THE EDUCATIONAL
PROCESS OF PRIMARY SCHOOL


The participant is a preschool teacher at State Preschool Education Institution No9 the Department of Preschool and Primary Education of Jizzakh City

Shodiqulova Dilorom Niymatulla qizi


Abstract: This article examines the role and importance of the teacher’s management activities in organizing the educational process in primary school.
The main management functions of the teacher-planning, organizing,
motivating, controlling, and analyzing-are analyzed from a pedagogical and theoretical perspective. The effectiveness of these activities in improving the quality of education and supporting pupils’ personal development is highlighted.


Keywords: primary education, teacher, management activity, educational process, pedagogical competence, motivation.

Introduction
Primary education plays a crucial role in shaping a child’s personality and learning abilities. At this stage, the teacher acts not only as a source of knowledge but also as a manager of the educational process. The effectiveness of teaching largely depends on the teacher’s ability to properly organize and manage classroom activities, taking into account the age-related and individual
characteristics of pupils.

Main Part

  1. The Concept of Teacher’s Management Activity

Teacher’s management activity refers to a set of pedagogical actions aimed at planning, organizing, directing, and controlling the educational process. In primary school, the teacher must manage learning activities in a way that ensures pupils’ active participation and supports their cognitive, emotional, and social development.

  1. Planning and Organization

Planning is one of the key components of effective management. A primary school teacher should clearly define lesson objectives, select appropriate teaching methods, and use suitable educational tools. Proper organization of the lesson helps create a positive learning environment and increases pupils’ engagement and interest in learning.

3. Motivation and Encouragement

Motivation is a significant factor in primary education. Teachers should apply various motivational strategies, such as praise, encouragement, and positive feedback, to maintain pupils’ interest in learning. A supportive and friendly classroom atmosphere enhances pupils’ self-confidence and promotes active learning.

Control and Analysis

Control is an essential part of managing the educational process. Through continuous assessment and observation, the teacher identifies pupils’ learning achievements and difficulties. Analyzing these results allows the teacher to make timely adjustments to teaching strategies and improve overall educational outcomes.

Conclusion

In conclusion, the success of the educational process in primary school largely depends on the teacher’s management activities. Effective planning, organization, motivation, and control contribute to high-quality education and the comprehensive development of pupils. Therefore, developing teachers’ management competencies is an important task in modern primary education.

References

  1. Darling-Hammond, L. (2017). Teaching for Quality Learning. San Francisco: Jossey-Bass.
  2. Hoy, W. K., & Miskel, C. G. (2013). Educational Administration: Theory, Research and Practice. New York: McGraw-Hill.
  3. Slavin, R. E. (2018). Educational Psychology: Theory and Practice. Boston: Pearson Education. Woolfolk, A. (2020). Educational Psychology. London: Pearson.
  4. UNESCO. (2015). Rethinking Education: Towards a Global Common Good? Paris: UNESCO Publishing Biography

Poetry from John Edward Culp

+


I'll wet my Ankles &
   Slip in
      To my knees 

A pool has my Heart.
   Moonlight shattered 
     in the 
       Reflected shimmer.
A mouth of a fish thinks I'm 
   dropping bait
    or just, 
  Says Hello.

I don't talk fish tonight.
  I'll just be careful because 
   there are more
       than fish in this pool.

The Air Laughs 
           at my arrogance
by Brushing
  the leaves above my sight. 

A star needs for nothing, 
         sufficient of itself.
I volunteer for an
   adventure before 
     even knowing what it
            is.
I cannot leave my Heart behind. 
                   .....................................


Written February 3, 2026
  Tuesday Morning 
by  John Edward Culp

 All Rights Reserved 




+



Essay from Egamberdiyeva Diloromxon

Young Central Asian woman with a white headscarf and outfit wearing a medal around her neck and posing next to a certificate and flag.

The great Eastern sage Abu Ali ibn Sina, when asked, “Why is there so much evil in the world?”, replied: “The cause is you and us. By abandoning the struggle against evil due to ignorance or incompetence, we ourselves open the way for the widespread growth of evil.” Indeed, ignorance and indifference are among the greatest obstacles to the development of society. Therefore, in preventing such vices, it is of paramount importance first and foremost to thoroughly study the Constitution and to comprehend its essence and meaning.

The Constitution is the most important political and legal document of every state and the juridical expression of the will of the people. It reflects everything from the foundations that define the structure of the state, the form of governance, the principle of separation of powers, and the guarantees of human and civil rights and freedoms, to the general criteria that ensure social stability. The Constitution of the Republic of Uzbekistan is of particular significance because it embodies the ideas of building a democratic state governed by the rule of law, forming a free civil society, and prioritizing human interests. For this reason, it is recognized as a solid foundation of freedom, justice, and prosperity.

The term “Constitution” is derived from the Latin word constitutio, meaning “establishment” or “structure.” That is, the Constitution is the fundamental document that defines the structure of society and the state, the form, principles of operation, and powers of authorities and administrative bodies, as well as the basic rights and duties of citizens. The fact that all laws, codes, decisions, and decrees in the country are adopted in accordance with the Constitution is clear evidence of its supreme legal force.

The Constitution directly influences all spheres of social life—political, economic, spiritual and moral, domestic, and labor relations. The following words of President Shavkat Mirziyoyev vividly express the invaluable role of the Constitution: “It can be said with full confidence that the Constitution of the Republic of Uzbekistan is a high example of our people’s political and legal thought. It has been and continues to be a legal guarantee of living freely and independently, peacefully and securely, and in prosperity, without dependence on anyone. It serves as a solid foundation for building a legal democratic state based on market relations and a strong civil society.”

The significance of studying the foundations of constitutional law lies in the fact that a citizen clearly understands his or her rights and obligations, distinguishes between actions permitted and prohibited by law, and becomes aware of the ways and means of protecting legitimate interests. Most importantly, such knowledge instills firm confidence that justice can be achieved by observing the law.

In conclusion, the Constitution of the Republic of Uzbekistan is a noble document that regulates the life of the state and society, ensures the legal protection of every individual, and lays the foundation for a prosperous and just life.

Egamberdiyeva Diloromxon,

2nd-year student, Group 24-04,

Department of Philology, Uzbek Language.

Essay from Safarqulova Iroda

Young Central Asian woman with dark hair up in a bun and a dark coat over a dark top.

“My Mother Tongue – The Pride of the Nation”

Mother tongue is the most beautiful melody that comes from the heart of a people, the most sacred word. Every person first understands the world through their mother tongue, begins to speak with their mother’s lullaby, and feels life through this language. Therefore, mother tongue is an invaluable heritage for every nation, the most sacred wealth left by ancestors.

The Uzbek language is a language that embodies ancient history, rich culture, and high spirituality. Each of its expressions conveys the spirit, love, honor and dignity of our people. When a person hears words like “Love,” “Homeland,” “Mother,” “Friendship,” feelings of pride and honor awaken in their soul. Through these words, we understand our identity and our roots.

Alisher Navoi said, “A people who know their language will be a people, a people who do not know their language will not be a people.” There is deep meaning in these words. Because a nation without a language is like a tree whose roots have been cut. We must justify the trust of our ancestors by preserving, loving and cherishing our language.

Today, the Uzbek language, as the state language, is taking its place in all spheres of our country’s life. This is a source of pride and honor for us. As the younger generation, we must enrich our language further, and justify the trust of our ancestors by loving and cherishing it.

Language is a bridge. It connects the past and the future, the dreams of our forefathers with our noble goals. Therefore, whoever preserves their language actually preserves the history, honor, and pride of their people.

Let us also speak our mother tongue with love in every word, with pride in every sentence. Because “My mother tongue – the pride of the nation” is not just a slogan, but an eternal truth that lives in our hearts.

Termiz State University 

Faculty of Physics and Mathematics, 

Mathematics Department,

 1st year student – Safarqulova Iroda

Poetry from Jacques Fleury

Young white man with no shirt and white shorts bends down at the beach near a cruise ship and pier. His back is to us.

Self-Focused Workshop


Workshop happens on a continuous basis

1. Foundation and identity Validation:

Who the heck are you and what do you bring to the ball?

2. Getting yourself around and getting yourself chosen:

While making your rounds If you wanna get chosen first choose yourself

3. Managing your quirks neuroses while accentuating your positive traits:

Carefully calculate risks versus reward but not at the expense of not being YOU first

4.  Daily functionality and internal stock management:

Identify what works and let go of the rest 

Haiku: Let it Float Away

Let it all float away

Like the boats and the stray leaves

On a moonlit bay…–

Young adult Black man with short shaved hair, a big smile, and a suit and purple tie.
Jacques Fleury

Jacques Fleury is a Boston Globe featured Haitian American Poet, Educator, Author of four books and literary arts student at Harvard University online. His latest publication “You Are Enough: The Journey to Accepting Your Authentic Self” & other titles are available at all Boston Public Libraries, the University of Massachusetts Healey Library, University of Wyoming, Askews and Holts Library Services in the United Kingdom, The Harvard Book Store, The Grolier Poetry Bookshop, Amazon etc… He has been published in prestigious publications such as Spirit of Change Magazine, Wilderness House Literary Review, Muddy River Poetry Review, Litterateur Redefining World anthologies out of India, Poets Reading the News, the Cornell University Press anthology Class Lives: Stories from Our Economic Divide, Boston Area Small Press and Poetry Scene among others…Visit him at:  http://www.authorsden.com/jacquesfleury.–

Silhouetted figure leaping off into the unknown with hand and leg raised. Bushes and tree in the foreground, mountains ahead. Book is green and yellow with black text and title.
Jacques Fleury’s book You Are Enough: The Journey Towards Understanding Your Authentic Self

Poetry from Mesfakus Salahin

South Asian man with reading glasses and red shoulder length hair. He's got a red collared shirt on.
Mesfakus Salahin

Thirst for Love

‎I will leave this city

‎           I won’l leave you

‎Give me some time

‎           I will find myself.

‎I will leave this air

‎           I won’t leave your scent

‎The scent will intoxicate

‎           My ignorant little soul.

‎I will leave the water of this river

‎           I won’t leave your face

‎I will be alone day and night

‎           A loving poet in the words of poetry.

‎I will leave this sky

‎               I won’t leave your house

‎My sky is huge

‎       The storm of heart will stop there.

‎I will leave the love of the earth

‎                       I won’t leave your path

‎I will walk with the stars

‎                I will definitely look for you.

‎I will leave this body

‎          l won’t escape your touch

‎I will wait in the grave

‎           Where you will be true.

‎ No one can stop me

‎               In the way of love

‎Boat will arrive in the river of time

‎             To take me away.

‎We will meet in a garden

‎              Like flowers on the same stem

‎Becoming the water of a river

‎                  We will wet both banks.

‎Look at this chest

‎               In the sword of your love

‎My love is alive     

‎          In the truth of your Love.