Synchronized Chaos’ First December Issue: Step Up to the Plate

Small child in a pink knit hat and white coat and flowered dress trying to open a wooden paneled door.
Image c/o Anna Langova

This month, we consider the peace, love, and joy honored during the world’s many December holiday celebrations. This issue also encourages us to take stock of where we are as human beings, physically, intellectually, and morally, and to take whatever steps are possible to rise to the next level.

Sometimes that’s going outside and getting some exercise. Brian Barbeito walks by a lake and considers the joy of simple living and natural beauty.

Mrinal Kanti Ghosh recollects a dreamy summer night. Olga Levadnaya captures the solemn stillness of midday heat. Christina Chin renders up the cold silence and calm of winter.

Aura Echeverri Uribe evokes the monumental destruction of an avalanche. Jack Galmitz speaks to how we manage and control wildness, in our neighborhoods and our bodies, and how it can reassert itself. Carrie Farrar speaks to the joy and wonder of visiting France to see the Mer de Glace glacier. Mahbub Alam speaks to a solid connection between humanity and nature, like a tree standing firm in the changing winds.

Tasneem Hossain draws on the owl as an extended metaphor for wisdom and protection. Roodly Laurore reflects on the tender and colorful beauty and diversity of nature in a piece which he intends to bring comfort in a violent and turbulent world. Maja Milojkovic encourages us to imagine a new world of gentleness and peace towards our earth and each other.

Elizabetta Bonaparte’s poetry takes a short, but strong and cogent, stand against war. Valentina Yordanova, in poetry translated by Yoana Konstantinova, laments the mindless destruction war brings to ordinary lives. Eva Petropoulou Lianou calls for genuine humanity in a world at war.

Group of East Asian people in puffy jackets and boots walking across a foot bridge that's stepping stones in a pond. Cattails and dry brown grass, sunny day.
Image c/o Peter Griffin

Samar Aldeek tenderly celebrates peace in her bilingual poetry. Dr. Perwaiz Shaharyar draws on the style of courtly romance to honor the legacy of Mexican poet, peace activist, and literary cultural worker Dr. Jeannette Tiburcio. Fernando Jose Martinez Alderete joins in the tribute to Dr. Tiburcio and also speaks of the need for peace and mutual respect.

Paul Durand warns us of dangerous currents, both in the ocean and in American politics. Bill Tope’s poem criticizes human rights abuses committed in the name of immigration enforcement. Duane Herrmann speaks to the spiritual unity of all the world’s people under Ba’hai teachings and how that serves as an antidote to racism and anti-immigrant sentiment.

Travel gives us firsthand experience with different cultures and helps us understand each other. Türkan Ergör illustrates the dislocation of travel through clever and poetic alteration of word and line breaks. Lakshmi Kant Mukul captures the exhilaration and elevated beauty of plane flight. Abdumuminova Risolabonu Nizamovna discusses how travel helps people learn practical skills, including pragmatic communication in multiple languages.

Learning foreign languages, and mastering one’s native language, helps us understand each other, whether we travel in person or through imagination and books. Shakhnoza Pulatova Makhmudjanovna offers strategies for mastering the Arabic language. Muhammadjonova O’giloy Bunyodbekov qizi offers up suggestions for learning Turkish that would be helpful for any foreign language. Abduhalilova Sevdora Xayrulla qizi highlights grammar rules surrounding modal verbs in the Uzbek language. Allaberdiyeva Farangiz outlines ways for students learning English as a foreign language to gain writing proficiency.

Xudoyberdiyeva Jasmina analyzes the linguistic phenomenon of “chatspeak” and ‘text-speak” on the Uzbek language in a piece that’s more intrigued than negative. Dinora Sodiqova discusses the importance of professional communication for aspiring young Uzbek leaders.

People can also travel through time by reading older works and studying history. Petros Kyriakou Veloudas reflects on the joy and the weight of being part of a creative heritage, even when one does not know the names of each and every ancestor. Poet Eva Petropoulou Lianou interviews poet Muhammad Shamsul Huq Babu about his literary legacy and dream of building a large book museum.

Old weathered stone steps in a descending path in an old castle. Light at the end of the tunnel, curved door.
Image c/o Vera Kratochvil

Dunia Pulungeanu highlights the lifetime intellectual and literary accomplishments of Dr. Edwin Antonio Gaona Salinas. Choriyeva Go’zal Gayratjon qizi explores the resurgence of academic and cultural interest in foundational works of Uzbek literature. Xudoyberdiyeva Mohiniso reflects on the historical significance of the Mud Battle, an early military defeat for Central Asian medieval historical figure Amir Temur.

Farzona Hoshimova celebrates the pride and beauty of the Uzbek culture. Matnazarova Munisa encourages young and old Uzbeks to remember and preserve their traditional culture. Bobonova Zulfiya sings of the pride, freedom, and beauty of her native Uzbekistan. David Woodward evokes a quest for truth through reading Krishnamurti, ultimately reconnecting himself with his family. Rahmonkulova Gulsevar Samidovna considers the cultural values implicit within Uzbek folk legends.

Muhammadjonova Ogiloy Bunyodbekovna reviews Abdulloh Abdulmutiy Huda Said Bahul’s book Qu’logim senda, qizim, which provides Islamic faith-based guidance for young girls, narrated by a loving father. Ruzimbayeva Quvonchoy also urges Uzbeks to hold onto their traditional values, including love, bravery, and respect for women.

Maja Milojkovic translates Eva Petropoulou Lianou’s tribute to hard-working women around the world from English into Serbian. Mashhura Ochilova highlights the historical respect for women in Uzbek culture and what modern Uzbek women have achieved. Jaloldinova Gulzirahon Otabek Kizi highlights women’s increasing participation in Uzbekistan’s public life.

Orifjonova Nozima Azizbek considers the prospects for preserving the Uzbek language in a time of economic and cultural globalization. Rahmonqulova Gulsevar Samid qizi analyzes the crucial father-son relationship at the heart of the Uzbek folk epic tale “Alpomish” and its centrality to Uzbek family-oriented culture. Rahimberdiyev Ozodbek outlines key elements of Uzbekistan’s heroic tales.

Rashidova Shoshanam explores the long shadows Sophocles’ Oedipus Rex has cast over human literature and psychology. Christopher Bernard reviews Cal Performances’ recent dramatization of Chicago’s Manual Cinema’s The Fourth Witch, about the after-effects of Macbeth’s violence on his victims. Paul Murgatroyd draws on Greek tragedy to poke morbid fun at humans: inwardly messy and selfish, even when outwardly clean. J.J. Campbell provides his signature dark view of human nature, full of sardonic, blunt, emotionally transparent blue-collar surrealism. John Grey picks apart human emotions in his vignettes, attempting to understand why we act as we do.

Silhouette of a person walking up stylized light blue stone stairs. They look smooth, concrete or marble, with specks of light on the walls.
Image c/o Gerd Altmann

Dr. Jernail Singh describes how Dr. K.B. Razdan diagnoses some emotional and psychological ills of modern life in his book Gather Ye Rosebuds. Sean Meggeson’s visual poetry speaks to what we gain and lose as modern society progresses. J.K. Durick waxes poetic about times when it seemed that matters were more easily understood and categorized.

Abdulhafiz Iduoze’s epic poem, layered with traditional and modern references from Benin’s culture, serves as a ritual chant and prophetic warning about colonialism and corrupt power structures. It situates recent dynamics within epic time, reminding readers that current matters are not destined to last forever.

Shikdar Mohammed Kibriah affirms the reality of his personal experience amidst the complex claims of philosophical schools. Aisha Al-Maharabi speaks with the voice of one who asserts his claim to existence, writ large on the natural and human worlds. Strider Marcus Jones speaks to reclaiming and holding onto our interior life, emotions, and connection to nature in a world of mass media and technological disruption and deception.

Many other creators explore our internal lives, what we can learn from ourselves and each other and how we can grow as human beings. Allison Grayhurst speaks to her creative and personal journey: learning to function and create through loss, to integrate pain and struggle into her process. Alan Catlin’s fanciful “anxiety dreams” play with our modern insecurities about navigating daily life. Also experiencing anxiety, Mirta Liliana Ramirez’ poetic speaker takes a bit more time before she’s ready to venture out in the world.

Alimardonova Gulsevar Sirojiddinovna explores the balance between personal dreams and duty to society in Somerset Maugham and Abdulla Qodiriy’s writing.

Rus Khomutoff’s latest poetry collection Kaos Karma, reviewed by Cristina Deptula, flows through various words and ideas, pulling us along on the wings of a slow dream. Stykes Wildee’s latest poem seems at once dreamlike and ordinary and conversational, casual thoughts within the subconscious. Mesfakus Salahin’s poetry is ghostlike, contemplative, detached as he contemplates love and death. John Doyle’s poetry harks from a variety of inspirations: everything from insects to gas stations to trains and the countryside. Arjun Razdan’s quick fictional sketch compares young women he sees to elegant fine wine.

Light gray image of ice frozen in the shape of a person's footprint, in the brown dirt full of fallen leaves.
Image c/o Petr Kratochvil

Annah Atane’s poetry elegantly traces the outlines of grief and sorrow. Abdulsamad Idris also explores tragedy and loss through a more frank and visceral voice. Graciela Noemi Villaverde finds herself lashed by the storms of loneliness and sorrow. Hanaan Abdelkader Ashour approaches loss with tenderness, offering a kind and reverent note of remembrance for departed loved ones. Marianne Jo Alves Zullas speaks openly of her mourning for her departed mother, everywhere and nowhere at once. Mykyta Ryzhykh’s poem captures the emotional emptiness of a relationship where one person loves intensely, and the other remains distant, consumed by their own habits. Marjona Eshmatova outlines various types of family system dysfunction and how to address them psychologically. Taylor Dibbert points to the ways even well-meaning people can misunderstand each other. Dilobar Maxmarejabova warns us how a person’s heart can become colder and more jaded over time.

Mohamed Rahal speaks of striving for authenticity in one’s faith and in love. Narzulloyeva Munisa Bakhromovna encourages people not to compare themselves negatively with others’ projected lives on social media. Raximberdiyeva Moxinabonu outlines the pressing mental health concern of smartphone addiction and the need to balance our phones with the real world. Moldiyeva Bahodirovna speaks to the way digital technologies have permeated our lives and how to have the Metaverse complement, rather than replace, our world. Choriyeva Xurmo urges balance in the use of digital media in preschool education. Orozboyeva Shodiyeva highlights educational social media applications and encourages her peers to use those rather than focusing just on entertainment.

Jacques Fleury reviews Boston’s Huntington Theater’s production of Alison Bechdel’s tale Fun Home, highlighting themes of intergenerational understanding, how children gradually came to make sense of their parents’ worlds. Young poet Avazova Diyora Alisher qizi offers her good wishes to her teacher in a tender poem. Fayzullayeva Shabbona Sirojiddinova shares her appreciation for her wise and caring father.

Priyanka Neogi playfully celebrates innocent, childlike love. Milana Momcilovic evokes an eternal, spiritual love. Dr. Brajesh Kumar Gupta captures an elegant romantic kiss under moonlight. Vorhees describes erotic and tender love with gentle whimsy and echoes of history. Kemal Berk contributes a graceful love poem about the merging of egos and personalities within a relationship.

Ana Elisa Medina describes a love that encourages her to become a better person. Mohan Maharana celebrates the value of small acts of kindness. Abdusaidova Jasmina shares the importance of kindness through a children’s tale involving a mouse. Balachandra Nair highlights the value of virtue by presenting positive character traits as valuable jewels on display.

Sayani Mukherjee pleads for deep, enduring joy that can withstand the world’s problems.

Image of several octagons that are pink, yellow, purple, and blue surrounded by white binary numbers and circles and blue background.
Image c/o Gerd Altmann

One way many people find joy is through engaging in various forms of creativity and knowledge gathering. Farida Tijjani draws on a wide variety of technical and natural inspirations to explore gender, creativity, and society.

Various contributors speak of advances in different fields. Uzoqova Gulzoda encourages innovative approaches to elementary school education. Nazulloyeva Feruzabonu highlights the value of science and innovation in inspiring society as well as providing material advancements.

Abdujabborova Rayhona points out ways medical and psychological professionals can reduce unhealthy stresses for pregnant people. Durdona Sharifovna Roziboyeva highlights the success of a recent orthodontic treatment for upper airway issues.

Dinora Sodiqova outlines basic principles of modern consumer advertising. Mamarajabova Shahnoza discusses how digital technologies are transforming the field of accounting. Dianne Reeves Angel celebrates the physical and mental artistry of comedian and actor Buster Keaton.

Several pieces remind us that as we advance in our knowledge and our technical skills, we must bring our humanity along with us. Kandy Fontaine raises questions about ethics and oversight concerning how people are treated in American hospitals. Avazbekova Rayyonaxon reminds medical professionals to display professional behavior as well as knowledge.

Finally, Dr. Jernail S. Anand reminds us to occasionally step back from the clatter of daily human interaction to connect with the universe on a deeper level. We wish all of you inspiration and a chance to think, feel, and connect with the world beyond yourselves this holiday season.

Essay from Xudoyberdiyeva Mohiniso

Young Central Asian woman with dark hair and eyes and a pink collared shirt and earrings.

The Mud Battle and Its Consequences

Student of Denov Institute of Entrepreneurship and Pedagogy

Xudoyberdiyeva Mohiniso

Abstract

This article provides information about the Mud Battle (Loy Jangi). It primarily discusses the sides involved in the battle, the sequence of events, and the circumstances that led to the defeat of Amir Temur and Amir Husayn. According to historical sources, Ilyos Khoja, realizing that he could not win in a fair fight, used a yada stone with the assistance of shamans to summon a powerful rainstorm that transformed the battlefield into a swamp.

As a result, the forces of Temur and Husayn became trapped in deep mud; their weapons, clothing, and horses grew heavy with moisture, greatly limiting mobility. Although the Mongol victory resulted from this stratagem, Temur’s strategic miscalculations—particularly his inability to coordinate with Husayn—also contributed to the defeat. Historically, this battle is regarded as the only defeat of Amir Temur, occurring during the early stage of his military career. He later overcame this setback by defeating Ilyos Khoja and strengthening his power. The Mud Battle serves as an important example demonstrating the influence of natural conditions and military tactics in the warfare of Central Asia.

Keywords: Movarounnahr, Jete, Amir Husayn, Chinoz, Ilyos Khoja, Tashkent, right wing

Introduction

In the mid-14th century, Movarounnahr lacked a unified central authority and the region had fragmented into small feudal domains. The renowned historian of the Timurid era, Khofizi Abru, vividly describes this situation in his Zubdat at-Tavorikh: various amirs controlled different territories, and constant internal conflicts created instability across the region.

Taking advantage of this turmoil, the Khan of Moghulistan, Tug‘luq Temur, invaded Movarounnahr in 1360 and swiftly conquered it. The governor of Kesh fled to Khorasan, while Amir Temur, seeking to protect his homeland from plunder, pledged allegiance to Tug‘luq Temur. The khan accepted him favorably and appointed him governor of Kesh and its neighboring territories.

Over the following decade, Amir Temur gradually strengthened his political influence through personal bravery and diplomatic skill. He maintained peaceful relations with influential leaders such as Amir Husayn, the rulers of Moghulistan, and even the governor of Herat.

Main Part

The Mud Battle (Loy Jangi)

According to Nizamiddin Shami’s Zafarnama, the battle took place on 16 June 1365 (Sharafiddin Ali Yazdi dates it to 22 May 1365). The united armies of Amir Temur and Amir Husayn marched against Ilyos Khoja, the Khan of Jete. Although Temur and Husayn had numerical superiority, Ilyos Khoja resorted to an extraordinary stratagem.

Beginning of the Battle

Temur and Husayn deployed their forces along the Chirchiq River between Tashkent and Chinoz. Their army was arranged with strong commanders leading each flank and center. Ilyos Khoja approached from the direction of Konibodom with a large force.

Realizing he would not prevail in open combat, Ilyos Khoja turned to the yadachi—shamans skilled in weather manipulation. With the yada stone, believed in ancient Mongol and Turkic tradition to summon rain or storms, they called forth a torrential downpour. This caused the battlefield to turn rapidly into deep mud.

Shami writes:

“The field became so muddy that neither horsemen nor infantry could move. Their clothes and weapons became soaked and unbearably heavy.”

Outcome of the Battle

The unified army of Temur and Husayn became separated due to the mud. Confusion spread; many soldiers lost mobility, and horses sank into the mire. Ilyos Khoja’s troops, protected from the rain with felt coverings, reorganized themselves and launched a powerful counterattack.

More than 10,000 soldiers were lost, forcing Temur and Husayn to retreat toward Kesh (Shahrisabz). Although Temur displayed great bravery and even managed to break several enemy lines, the conditions of nature and the lack of coordination with Husayn resulted in defeat.

Historical Significance

Shami characterizes the battle as a “difficult trial” for Temur. Yazdi similarly emphasizes that the event served as an early lesson that shaped Temur’s later military brilliance. The battle also marked one of the first serious rifts between Temur and Husayn, contributing to their eventual political separation.

After this victory, Ilyos Khoja captured Khujand and Jizzakh and advanced toward Samarkand. Although there was no large army in the city, the people defended Samarkand fiercely. This uprising later became known as the Sarbador Movement, a prominent event in Central Asian resistance history.

Conclusion

The Mud Battle highlights both the influence of natural forces (rain and mud) and strategic decisions (Temur’s conflict with his ally Husayn) on the outcome of medieval wars. Despite this defeat, Temur learned from the experience, eventually overcoming Ilyos Khoja and establishing a strong empire. Historical sources such as Nizamiddin Shami’s and Sharafiddin Ali Yazdi’s Zafarnama provide important insights into this event. The battle of 1365, fought near Tashkent, remains significant not only for its military aspects but also for its political and social implications, influencing regional power dynamics and governance.

References

Omonullo Bo‘riev. Temuriylar davri yozma manbalarida Markaziy Osiyo. Tashkent, 1997.

Sharafiddin Ali Yazdi. Zafarnama. Tashkent, 1994.

Nizamiddin Shami. Zafarnama. Tashkent, 1996.

Dadaboyev H. Amir Temurning harbiy mahorati. Tashkent, 1996.

History of Moghulistan — Academic publications of Kazakhstan and Kyrgyzstan.

“Jangi Loy” — Encyclopedic sources and historical accounts.

Xudoyberdiyeva Mohiniso was born on May 22, 2006, in Denov district, Surxondaryo region. She is currently a second-year student at the Faculty of History, Denov Institute of Entrepreneurship and Pedagogy.

Essay from Ruzimbayeva Quvonchoy

Young Central Asian woman with long straight dark hair, a white top, and pink and purple pastel vest.

National Values — The Heart of the Nation

Every nation has a heart. As long as that heart beats, the nation lives, awakens, and endures.

For the people of Uzbekistan, that heart is our national values.

Values unite the people, bring them back to their roots, and awaken pride and love in their hearts.

In today’s rapidly changing world, preserving and remaining faithful to national values means safeguarding spiritual independence.

National values embody a people’s history, language, religion, customs, beliefs, and way of life.

Main Part

National values are the spiritual roots of a nation.

Just as a tree cannot survive without roots, a person cannot live without values.

The values of the Uzbek people have endured through centuries and never disappeared.

In every era and generation, they have acquired new meanings and served as a mirror of our nation’s spirit.

From ancient times, our people have lived by the belief:

“The homeland is sacred, parents are dear, and the guest is a blessing.”

Traditions such as weddings, holidays, hashar (community work), Navruz, and Ramadan all teach kindness, compassion, and respect for one another.

These customs reflect our people’s moral world, dignity, and love.

National values are not just historical heritage — they are a living part of our everyday lives.

For example, greeting our parents every morning, beginning a meal with bismillah, and treating guests with honor — these simple acts represent the living expression of our culture, formed over centuries.

In the era of globalization, some young people are influenced by foreign cultures and tend to forget their own values.

However, modernity must never contradict national identity.

True progress is achieved by relying on one’s national values while striving for innovation.

As President Shavkat Mirziyoyev stated:

“National values are the soul of the people, and preserving them is our sacred duty.”

Indeed, our people’s hospitality, patience, tolerance, respect for women, and trust in youth all express our national pride.

National values are also vividly reflected in folk art:

love in our fairy tales, bravery in our epics, and life lessons in our proverbs.

Sayings such as “He who is one with his people will be honored by them” and “Serve your people as you would honor your father” have long called our nation to unity.

Today, national values play a vital role in the education of youth.

Because today’s youth are tomorrow’s leaders, scholars, teachers, and farmers — the future of the country.

If they know and cherish their national values, they will never fall under alien influences.

They will be proud of their land, language, and flag, and see service to their motherland as their sacred duty.

Therefore, every educational institution and family should plant the seeds of values in young hearts.

National values unite and strengthen a nation — they are the spiritual chain that binds generations together.

By preserving and harmonizing our values with modern life, we can elevate our nation to new heights.

Each value carries within it our people’s historical memory, dreams, and honor.

The heart of a nation beats within its values.

If that heart stops, the nation loses its identity.

Therefore, we — the youth — must love, protect, and pass down our national values in their purest form to future generations.

National values are not only the memory of the past — they are the pride of today and the foundation of tomorrow.

As long as they live, our nation’s heart will continue to beat — strong, proud, and eternal.

Ruzimbayeva Quvonchoy Jamoladdin qizi was born February 8, 2007, in Urgench District, Khorezm Region, Respublic of Uzbekistan. The participant of the regional subject Olympiad in the 2023-2024 academic year.Currently, a student of Urgench State University.

Cristina Deptula reviews Rus Khomutoff’s new collection Kaos Karma

Dark red hand with a hole in the middle forming an eye with a white sun for an iris and pupil. Dark black background.

In Rus Khomutoff’s Kaos Karma, meaning shimmers just out of sight, on the edge of a colorful, nebulous atmosphere. 

The book contains a collection of under 20 poems, each presented entirely in bold capital letters. Each word thus carries equal weight and all come together to create a sonic and imagistic impression. 

Certain themes and phrases recur throughout the book. We see words like “chaos” (or “kaos”), “ghostflesh,” “technoromance,” “love,” and “sacrifice” in multiple poems. This pulls out motifs of the collection: spirituality and the odd/paranormal, imagination and dreaming, emotions and the quest for human connection. 

The title, Kaos Karma subverts the concept of logical cause and effect and consequences of one’s actions. Instead of tracing one’s present circumstances or future destiny to one’s own choices, human experience seems much less linear.

Yet, chaos does not imply a nihilistic void, empty of all reason or meaning. The mathematical concept of chaos theory involves self-organizing natural systems whose development seems random but which may well be tied to initial conditions we do not fully understand. 

In a similar vein, Rus Khomutoff’s Kaos Karma is built around motifs that permeate its atmosphere. These suggest layers of feelings and impressions that approach meanings while intriguing and tantalizing the senses. 

Worth a read. 

Rus Khomutoff’s Kaos Karma will be published soon from C22 Press. https://c22press.wordpress.com/open-editions/

Book may be ordered here.

Poetry from Taylor Dibbert

The Tenant

He’s left his
Basement apartment

To pick up

A small package

From Amazon

On the porch

Of the main house

And he grabs 

The package and

Right after that

A dude who’s

Standing in the sidewalk

Asks him

If he’s John’s tenant

And he tells the dude

Yes

And the guy says

Cool and 

As he reenters 

His apartment

He realizes 

That that’s probably 

The first time

That someone’s asked him

If he’s stealing 

An Amazon package

Off someone’s porch.

Taylor Dibbert is a poet in Washington, DC. He’s author of, most recently, “On the Rocks.”

Poetry from Shikdar Mohammed Kibriah

Older South Asian man with grey hair and a gray dress jacket on a mockup magazine cover. He's got reading glasses and a white dress shirt.

Being and Non-being

Is existence corporeal or incorporeal?

Does existence precede

Or succeed essence?

Existentialist Sartre says –

” Existence precedes essence “.

Then,the existence of my departed soul

Reasonably irrelevant.

If truth is temporal,and relative

Then,in the context of life and existence

Why would it be relevant?

“Sensory experience is the basis

Of knowledge that finds truth”

As said the Empiricists Berkeley

And others.

Hearing this my passe wife cried

As she is inevitably irrelevant now!

Similarly irrelevant spiritual values

And moral categories – humanity,

Nobility and honesty,

The forms of truth, goodness and beauty.

But life and the world practically exist

In the overall standard of truth,

Goodness, and beauty,where

Youth and past-youth emerge

As the shape of aesthetic feelings

In the context of generosity.

It is only a variation in the feeling;

A particular feeling of existentialism

In the same essence, my lover

In fact, remains truly existent.

Therefore, even in this old age,

I love my wife.

Brief Biography: Shikdar Mohammed Kibriah from Bangladesh, is a globally published, awarded and translated world-renowned poet, versatile writer, translator, editor, peace ambassador and philosopher. He is the president of the Poetry and Literature World Vision. His published books so far 21 on poetry, prose and story. He is the editor of encyclopedic anthology volumes World Contemporary Poets. He is published in world reputed anthologies, magazines, newspapers, journals, channels, TV and radio, and translated in 55 languages of the world. He is featured and awarded as a Global Poet, Elite Diamond Writer, Golden Eagle, White Eagle, Golden Heart, World best personality etc.

Poetry from Samar Aldeek

Middle aged light skinned woman with blonde hair, brown eyes, and a floral top and dangly earrings.

Peace Is a Quiet Flame
*******************

Peace is not the silence of empty streets,
nor the pause between two wars.

It is the breath of a child
who dreams without fear,
the hand of a mother
that opens the door without trembling.

Peace is the river
that carries no blood,
only reflections of sky
and the laughter of trees.

It is the courage of voices
that rise against injustice,
not with weapons,
but with the steady rhythm of truth.

Peace is fragile,
like glass held in the sun,
yet it is stronger
than the walls we build
and the borders we draw.

It begins in the smallest gesture—
a smile offered to a stranger,
a word of kindness
that travels farther than bullets.

Peace is not a destination,
but a way of walking,
a way of remembering
that every soul
is a mirror of our own.
********************************Samar Aldeek – France /Syrie

Peace Is a Quiet Flame

السلام شعلة هادئة

Peace is not the silence of empty streets,
nor the pause between two wars.

السلام ليس صمتَ الشوارع الخالية،

ولا الفراغَ بين حربين.

It is the breath of a child
who dreams without fear,
the hand of a mother
that opens the door without trembling.

إنه أنفاسُ طفلٍ

يحلم بلا خوف،

ويدُ أمٍّ

تفتحُ البابَ بلا ارتجاف.

Peace is the river
that carries no blood,
only reflections of sky
and the laughter of trees.

السلام هو النهرُ

الذي لا يحملُ دمًا،

بل انعكاسَ السماء

وضحكاتِ الأشجار.

It is the courage of voices
that rise against injustice,
not with weapons,
but with the steady rhythm of truth.

هو شجاعةُ الأصوات

حين تنهضُ ضدَّ الظلم،

لا بالسلاح،

بل بإيقاعِ الحقِّ الثابت.

Peace is fragile,
like glass held in the sun,
yet it is stronger
than the walls we build
and the borders we draw.

السلام هشٌّ

كزجاجٍ في قبضةِ الشمس،

ومع ذلك أقوى

من الجدرانِ التي نبنيها

والحدودِ التي نرسمها.

It begins in the smallest gesture—
a smile offered to a stranger,
a word of kindness
that travels farther than bullets.

يبدأ في أبسطِ إيماءة—

ابتسامةٍ تُهدى لغريب،

وكلمةِ لطفٍ

تسافرُ أبعدَ من الرصاص.

Peace is not a destination,
but a way of walking,
a way of remembering
that every soul
is a mirror of our own.

السلام ليسَ غايةً،

بل طريقةَ سيرٍ،

وطريقةَ تذكّرٍ

أن كلَّ روحٍ

مرآةٌ لذاتِنا.