Announcing that contributor Michael Steffen has a new book out, I Saw My Life.

About I Saw My Life: From the saying “I saw my life flash before my eyes”, the book’s title announces thresholds, things and moments of arrest and luminosity, resplendent, but also shocking as a near-death experience might be, and fleeting as any flash may be. The stars in their constellations at night glimpsed up through leaves of a tree, the drama of a scull tipped in a powerful mid-river current, a woven shopping handbag, such objects in their places and handling evoke the weights and sensations revisiting the body in reflective memory, at the heart of poetry’s deeply personal yet widely shared and recognized expressions.

It’s available for review from Lily Poetry Review’s press.

This month’s issue rides high on a wave, surging towards us with a theme of Fluidity.

Some contributors literally speak of water. Eva Lianou Petropoulou personifies the creatures of the sea as she calls for an end to litter and pollution. Xoʻjyozova Dildora discusses environmental damage to the Aral Sea and efforts to restore the ecosystem. Elaine Murray celebrates the wonder of the ocean, wishing to become a mermaid. Brian Barbeito recollects being stung by a jellyfish, resting, and turning out okay in time, comforted by natural and literary beauty. Later, he celebrates the seafaring-inspired writing of Joseph Conrad.

Others address different aspects of life that can feel fluid, such as light and vast open landscapes. Juan Vadillo’s review describes Beatriz Saavedra Gastélum’s poetry collection, “Lucid Breath of Light,” as a journey exploring light in its various forms, memories, and transformations. Mesfakus Salahin immerses himself into nature and creativity. Stephen Jarrell Williams’ serene piece evokes a feeling of gentle tranquility. JoyAnne O’Donnell meditates on a pleasant afternoon outside in a meadow. Sheikha A.’s short, lyrical pieces use vivid imagery and concise language to evoke a range of natural and serene scenes. Sayani Mukherjee celebrates the beauty and splendor of an outdoor festival. Yee Leonsoo’s poems use extreme natural places (a salt desert and a deep-sea sinkhole) to explore identity, memory, and the feeling of in-between-ness. Mark Young’s geographies creatively mutate random regions of Australia into works of art.

We can also perceive time as more fluid than linear. Chuck Taylor explores the idea of the “now” and how it can be captured in words, considering the brief moments between perception and recording. Barbaros İrdelmen’s pieces intertwine ordinary images with themes of love and loss to explore how human connection, memory, and longing persist within and against time’s flow. Kareem Abdullah speaks of love, longing, and memory. Mustafa Abdulmalek Al-Sumaidi reminds us that we are all mortal. Abdel Iatif Moubarak renders up a tale of a singer’s faded glory still piercing the darkness of night.

One’s personality and attitudes also morph and shift over the years. Sevara Matnazarova outlines how her personality and outlook on life changed as she grew older. Susie Gharib’s work addresses authenticity, self-expression, and a desire for a more compassionate and peaceful existence. John Grey’s work explores vulnerability and resilience within the human (and natural) experience. Elisa Mascia’s pieces draw upon changeable natural phenomena such as wind and butterflies to dramatize introspective and emotive explorations of love, loss, and transformation. Yeon Myung-ji’s poem uses the act of shelling beans as a rich metaphor for introspection, resilience, and the quiet, often overlooked, processes of life and growth. Duane Vorhees’ poems explore themes of love, identity, and transformation, often blurring the lines between reality and fantasy. Nattie O’ Sheggzy delves into the complexities of simple things and searches for meaning, beauty, and authenticity in a chaotic and often dissonant world.

A whole set of poems by Niall McGrath explore themes of memory, identity, social commentary, and personal struggle, often set against the backdrop of Northern Ireland. Poet Michael Todd Steffen, interviewed by Cristina Deptula about his new book I Saw My Life, explores the intersection of personal and historical memories, identity, and mortality, aiming to inspire reflection, acceptance, and a deeper appreciation for the world around us. Lan Xin highlights how holding space for wonder and gratitude can enhance our daily lives. Kandy Fontaine’s piece mixes theater and prose, celebrating artist Tricia Warden and the intersection of art, literature, and identity, particularly in the context of feminist and queer perspectives.  Christopher Bernard kicks off the next installment of his children’s story Otherwise, a mixture of cultural thought, suspense and middle-grade energy. Tanja Vučićević describes a personal journey, both physically and emotionally, as they navigate through challenges and seek solace and salvation.

Writing can play a part in personal reflection and development. J.J. Campbell uses poetry to process his own experiences and emotions and to comment on the human condition. Yongbo Ma’s poems are reflective and introspective, exploring themes of isolation, disconnection, and the search for meaning. Manik Chakraborty wakes us up with the graceful hope of a new morning and continues to seek artistic inspiration despite abandonment from a muse. Ryan Quinn Flanagan probes ordinary life with a poet’s eye, considering the significance of even mundane objects. Jacques Fleury uses rich imagery and references to mythology and literature to highlight the owl’s dualistic nature, embodying both positive and foreboding qualities. Ananya Guha creates a place where a moment of fear and the stories told about it later blend together into a lasting personal myth, half memory, half ghost story. High school English student Reilley Andre expresses a mature perspective on life, pointing out how different people see matters from various points of view, expressing grief, and showing gratitude for his caring sister.

Some love can remain steady amid the flow of time. Gulsanam Mamasiddiqova offers up words of respect and love for her father. Mubina Botirova expresses her love and gratitude for her mother. Tursunova Mehrinoz Oybek qizi pays respect to her mother’s dedication and kindness. Gulchiroy Axmedova expresses tender sentiments of motherly care. Afrose S. celebrates childhood and urges people to protect children. Prasanna Kumar Dalai evokes the tenderness and fragility of early love. Anwer Ghani depicts a steady, tender, and elegant love. Anindya Paul speaks to a profound and intimate romantic devotion that lingers after death. Daniela Chourio-Soto expresses nostalgia through the means of scent. Yongbo Ma’s playful work also encompasses themes of love and human romantic connection.

Of course, not all love stories end happily, and loss is a part of the human condition. Leon Drake’s poems of heavy nostalgia mourn words left unspoken and relationships left unexplored. Donna Dallas speaks of trauma, monstrosity, addiction, and toxic relationships. Kassandra Aguilera’s fragmented poem explores the intoxicating and often painful dynamics of infatuation. On a broader scale, Milena Pčinjski laments the weight of a troubled world, all that could be and all that will never be. Yet, vulnerability is not necessarily weakness, but a prerequisite for change and growth.

Love and caring can also encompass more than one’s own inner circle. Several contributors discuss the fluid state of societal and international relations and advocate for peace and justice. Alan Catlin’s work highlights the human cost of war and its echoes in art and the human soul. Abigail George’s melancholic, reflective poems mourn destruction in Gaza and a personal loss. Shlok Pandey’s fictional story is a poignant portrayal of the human experience during wartime. David Kokoette describes age-old power dynamics and struggles. Mark Wyatt’s fragmented pattern poetry calls out the atrocities made possible by unquestioning obedience to religious and political dictates. Patricia Doyne mocks Donald Trump’s pursuit of grandeur as Bill Tope presents another satirical take on Trump’s proposed arch. Staci Modisette reminds us to protect ourselves while speaking up for peace and justice. Eva Lianou Petropoulou’s gentle words are set to ethereal vocals and a drifting background melody, with an encore here. Аshurоvа Dinоrа Аnvаrqul qizi outlines the role of Uzbekistan’s National Center for Human Rights.

Cultural and world history might seem static, but it can also be fluid in the sense that we remember it differently, or remember different aspects of it, over time. What and how we remember can have repercussions in the present. Lan Anh, a Vietnamese economics student in Germany, illustrates the intricate web of relationships between nations, economies, and people, highlighting the invisible boundaries that connect and impact lives in unseen ways. Muhammadyusuf Kozimjonov outlines the historical and cultural development of Uzbekistan. Joseph Ogbonna revels in the intriguing cultural and political history of the island of Corsica. Nozima Gofurova describes the cultural treasures she saw during her tour of Uzbekistan’s Center for Islamic Education. Jernail S. Anand encourages us to look to wise examples from history to create the world we would like to see.

Tasneem Hossain celebrates the richness of the world’s heritage of dance. Federico Wardal highlights an upcoming star-studded event in Rome celebrating Dante Aligheri which will be attended by cinema and theater luminaries. Yatti Sadelli reviews Dr. Bashir Issa Al-Shirawi’s poetry, highlighting his theme of the inner strength and resilience of the world’s women. Emmanuel Chimezie, Nigerian poet and founder of Poets’ Workshop (Global), interviews Egyptian poet Abdel Latif Moubarak about how life in Cairo shapes poetry, delving into themes of darkness, inequality, and identity.

Language and literature are part of world culture as well as a bridge among various cultures. Nozimova Shukrona highlights the value and importance of reading as a way to learn and participate in global thought. Jernail S. Anand urges readers to nourish our minds as well as our bodies, with a well-chosen and varied diet. Tursunaliyeva Zilolaxon celebrates the value of books, literature and libraries. Joseph Nechvatal’s review of Rus Khomutoff’s poem “Kaos Karma” examines the work as an abstract machine that combines literature and chaos magick philosophy, exploring themes of multiplicity, singularity, and the relationship between poetry and passion. Yulduz Kurbоnоvа explores how courtesies embedded in the Uzbek language can get lost in translation to other tongues. Delo Isulfi pays tribute to Rohini Kumar Behera, reflecting on his poetry, highlighting Behera’s themes of peace, gratitude, and nature, and how they convey a sense of spirituality and universality.

Education serves as a vital site where tradition and innovation meet—a place where societies negotiate fluid continuity and change. Many contributors discuss best practices for teaching language and other subjects in school. Subanova Dilafruz discusses audio aids for young language learners. Charos Mansurova discusses the phenomenon of English “loan-words” in Korean. Azimova Nilufar Egamberdiyevna compares word structures in English and Uzbek. Pardayeva Yulduz outlines methods of English-Uzbek idiom translation. Abduraufova Nilufar Khurshidjon kizi highlights the need for parents and educators to work together to teach young children. Qurbana Mubinakhon Umidjon qizi discusses how parents and educators can cooperate to inculcate national values in Uzbek children. Usmonaliyeva Bahora Abduvali qizi explores the role of idioms in Uzbek literature. Ahadova Feruzakhon looks at ways to improve student vocabulary knowledge.

Abduhalilova Sevdora Xayrulla kizi asserts the importance of physical education in school. Isakova Mukhlisa Khusanboevna illuminates exercise as a stress reliever for students. Bakhromova Gulsanam discusses the importance of inclusive education for students with disabilities and practical ways to make that happen. Abdullajanova Shahnozals’hoqxon suggests ways to help shy language students feel more comfortable speaking up in class. Dildoraxon Turgunboyeva explores how to create nurturing and educational preschool environments. Abduhalilova Sevdora offers up a polylexical analysis of English language phraseology. Turdaliyeva Mohidil Baxtiyor qizi discusses classroom activities to enhance student vocabulary. Dildoraxon Turg’unboyeva highlights the value of dictionaries in education. Ahadova Feruzakhon suggests ways to work with vocabulary when teaching young students their native language. Shahnoza Amanboyeva points to 3D modeling and artificial intelligence as tools to enhance science classrooms.

One of education’s important social functions is to prepare students to join the workforce. The global economic landscape is continually in flux, as several contributors discuss. Satimboyeva Risolat Ilhomboy qizi outlines future prospects for job growth given emerging world technologies. Azamova Feruza Abduholiq qizi suggests ways to improve the service sector of Uzbekistan’s economy.

Turning to medicine, Mamadiyorova Durdona outlines the structure and function of the human placenta. Ashurova Parizoda explores the biological characteristics of the parasite Ascaris and its effects on the human body. Xamroyeva Shaxlo discusses the process of blood formation in the human body.

For a look at a widely discussed technology, Rahmonova Barno Kilich qizi probes the economic future of our world after the growth of artificial intelligence. Nurmatova Charosxon Pirnazar qizi also explores how artificial intelligence is reshaping education and the global economy. Toshbotirov Bekjaxon Asliddin o‘g‘li outlines useful roles for AI in the classroom. O’rinboyeva Ziynatjon Anvarbek qizi points to effects of artificial intelligence on society.

Dildora Sultonova celebrates human intelligence, singing an ode to her resplendent and resilient dreams. Eva Petropoulou Lianou interviews poet Eldar Akhadov, highlighting his optimism and respect for the next generation.

A common thread in this entire issue is the persistence of human connection in the face of change. Each contributor grapples with how individuals and communities relate to each other, to history and culture, to the natural world. Smaller scale personal narratives and larger stories intertwine as overlapping dimensions of the human story. The blending of artistic forms and styles in several works evokes the complex flowing of ideas within the creative mind, a current that dissolves rigid boundaries among ideas and cultures.

The collection suggests that while much of our lives inevitably flows and shifts with the passage of time and with cultural and technological change, the underlying human impulses to connect, to understand, and to create meaning remain constant..

Untitled

Last night the beast of burden

preyed on darkness

the sinister weaving of mind

came into distinct presence

in a hill town, as  clouds rumbled

under black skies

Were  man and animal in conflict?

Or was it just the ghost stalking 

a town in the landscape of the wind,

sky and torrents of ghostliness?

Shillong you will never change,

ever since I knew you; to run 

through your streets in the darkness

of skies and only the call of the fox;

in wilderness of strange forests,

A terror stricken solitude…

I felt your shadow following me

as I ran home with footprints 

left behind. The moon slowly 

withered into a crescent as 

the hills were comatose

Years later I heard of 

the ghost and the bowler hatted 

horseman; as horse hooves rent night skies

Do you remember how the dark

forests groaned under the toiling

radiance of your sun, as winter moved

into bursts of cloudy seas?

Ananya S Guha lives in Shillong in North East India. He has been writing and publishing his poetry for the last forty years.

Practical Analysis of Idiom Translation between English and Uzbek

Pardayeva Yulduz

                 2nd-year Master’s Student English Language and Literature       program, Faculty of Foreign Languages, Uzbekistan

             National Pedagogical university Named After Nizami

Abstract (English). This article offers a strategy-oriented practical analysis of idiom translation between English and Uzbek in both directions. The paper systematizes the procedures most frequently required in practice, including idiom-to-idiom transfer, functional substitution, paraphrase, calque, and compensation. The results show that natural idiomatic equivalence is the strongest option when available, but functional substitution is the dominant solution because image, register, and cultural framing often differ across the two languages. The article also identifies recurrent errors such as literalism, false equivalence, register mismatch, and pragmatic loss, and proposes a staged best-practice workflow for translators.

Keywords: translation strategies, idiom-to-idiom transfer, functional substitution, paraphrase, compensation, literalism, register mismatch, translation workflow

Annotatsiya (O’zbek). Ushbu maqola ingliz va o’zbek tillari o’rtasida idiomalar tarjimasining ikki yo’nalishdagi amaliy, strategiyaga yo’naltirilgan tahlilini beradi. Maqolada idiomadan idiomaga o’tkazish, funksional almashtirish, parafraz, kalka va kompensatsiya kabi amaliy jarayonda eng ko’p uchraydigan usullar tizimlashtiriladi. Natijalar tabiiy idiomatik ekvivalent eng kuchli variant ekanini, ammo obraz, uslub va madaniy ramkalash ko’pincha farq qilgani uchun funksional almashtirish ustun strategiya bo’lishini ko’rsatadi. Shuningdek, maqolada literalizm, soxta ekvivalentlik, uslubiy nomuvofiqlik va pragmatik yo’qotish kabi xatolar aniqlanib, tarjimonlar uchun bosqichma-bosqich ish jarayoni taklif etiladi.

Kalit so’zlar: tarjima strategiyalari, idiomadan idiomaga o’tkazish, funksional almashtirish, parafraz, kompensatsiya, literalizm, uslubiy nomuvofiqlik, tarjima ish jarayoni

Introduction

A practical analysis of idiom translation must move beyond abstract theory and examine how translators actually solve problems when direct phraseological equivalence is unavailable. In English-Uzbek translation, the challenge is not only to preserve meaning, but also to decide whether image, tone, cultural reference, or discourse function should be prioritized in a given context [1; 2; 3].

The dissertation’s practical chapter shows that translators routinely work with a limited but flexible strategy set: idiom-to-idiom transfer, functional substitution, paraphrase, calque, and compensation. The success of each method depends on genre, target audience, and the interaction between semantic adequacy and pragmatic naturalness [4; 5].

The aim of this article is to summarize the dominant practical strategies and to identify the most recurrent errors that reduce translation quality in English-Uzbek and Uzbek-English idiom transfer.

Methods

The study uses comparative qualitative analysis of representative idiom pairs discussed in the dissertation and its appendices. Each solution is interpreted through a strategy lens and evaluated according to semantic adequacy, pragmatic adequacy, idiomatic naturalness, and register compatibility [1; 2; 5].

A second layer of analysis focuses on error patterns. Special attention is paid to literalism, false equivalence, proverbization, excessive colloquialization, and the loss of politeness, irony, or humor, because these errors often make idiom translation sound unnatural even when the basic meaning is recognizable [3; 6; 7].

Results

The first result is that idiom-to-idiom transfer remains the strongest solution whenever a natural counterpart exists. Pairs such as to hit the nail on the head – mixni boshiga urmoq, or tishini tishiga qo’yib chidamoq – to grit one’s teeth, preserve both rhetorical compactness and figurative energy [1; 7].

The second result is that functional substitution is the dominant practical strategy. Very often the source image is not conventional in the target language, so translators preserve the communicative effect through another idiom: when pigs fly becomes hech qachon or tuyaning dumi yerga tekkanda, and qovun tushirmoq becomes to put one’s foot in it [2; 4].

The third result is that paraphrase is necessary under non-equivalence but risky when overused. Descriptive translation protects clarity for culture-bound items such as carry coals to Newcastle or some proverb-like Uzbek idioms, yet repeated paraphrase flattens style and reduces the idiomatic density of the text; for this reason, compensation is often needed in neighboring sentences or passages [5].

The fourth result is that the most common practical errors are predictable: literal translation of non-conventional images, false equivalence based on superficial similarity, register mismatch, and pragmatic loss. In dialogue, these mistakes can distort character voice; in argumentative prose, they can weaken irony, criticism, or politeness [3; 6; 7; 8].

Discussion

The results suggest that idiom translation should follow a staged workflow: detect idiomaticity, interpret meaning in context, choose the most appropriate strategy, check the target expression for naturalness and register, and revise for consistency. This procedure is more reliable than the simple opposition between ‘literal’ and ‘free’ translation [1; 2; 4].

A second implication is that direction matters. Uzbek-English translation often needs stronger register control because proverb-like authority that sounds natural in Uzbek may sound overly didactic in modern English prose, while English-Uzbek translation often needs stronger politeness adaptation in hierarchical or evaluative contexts [3; 6].

Finally, the study shows that high-quality idiom translation depends on systematic checking rather than intuition alone. Translators need phraseological awareness, sensitivity to discourse function, and readiness to use compensation when a single local equivalent cannot preserve all layers of meaning [5; 7].

Conclusion

In practical English-Uzbek idiom translation, natural idiomatic equivalence is ideal but limited, functional substitution is the dominant solution, and paraphrase remains necessary under strong non-equivalence. The most effective professional habit is a revision-oriented workflow that tests every idiom against meaning, tone, register, and communicative effect before the translation is finalized [1; 3; 5].

References

[1] Baker, M. In Other Words: A Coursebook on Translation. 2nd ed. London/New York: Routledge, 2011.

[2] Newmark, P. A Textbook of Translation. London: Prentice Hall, 1988.

[3] House, J. Translation Quality Assessment: A Model Revisited. Tubingen: Gunter Narr, 1997.

[4] Toury, G. Descriptive Translation Studies and Beyond. Amsterdam/Philadelphia: John Benjamins, 1995.

[5] Hervey, S., & Higgins, I. Thinking Translation. 2nd ed. London/New York: Routledge, 2002.

[6] Brown, P., & Levinson, S. Politeness: Some Universals in Language Usage. Cambridge: Cambridge University Press, 1987.

[7] Moon, R. Fixed Expressions and Idioms in English: A Corpus-Based Approach. Oxford: Clarendon Press, 1998.

[8] Nida, E. A. Toward a Science of Translating. Leiden: E. J. Brill, 1964.

Mother — The Light of My Life

The most sacred and dearest person in my life is my mother. A mother is kindness, patience, and the symbol of endless love. We meet many people in this world, but it is hard to find someone who loves as selflessly as a mother.

My mother is the one who brought me into this world and held me in her arms for the first time. Even when I understood nothing, she felt every cry of mine and found joy in every smile. She stayed awake at night by my side, and when I was sick, she stroked my head and prayed for me. Only as I grow older do I begin to truly understand the value of all this.

My mother’s hands have become rough from hard work, yet those same hands feel like the softest comfort to me. Even when she is tired, she never shows it. For my happiness, she is ready to sacrifice her own. Sometimes I wonder: why is a mother so kind? Because a mother’s heart lives with her child.

Now I am growing up and taking steps toward my dreams. Maybe one day I will go far away, but my mother’s prayers will always follow me. Because a mother’s prayer is the greatest strength and the strongest protection.

Everything in this world can be replaced, but no one can take a mother’s place. That is why we must cherish, respect, and show love to our mothers while we can—so that one day, unspoken words and undone kindness do not turn into regret.

Mother is the light of my life. As long as she is there, the world is bright. As long as she is there, my heart is full of hope. For me, the greatest happiness is to see my mother smile.

My name is Mubina, and my surname is Botirova. I was born on June 20, 2008. I am from Qiziltepa village, Oltiariq district, Fergana region. I am currently studying at School No. 29.

A Mother’s Prayer

For the sleepless nights I’ve lived through,

For the restless days I’ve carried through,

For the words I held back, unspoken and true,

Oh my God, let my child not suffer pain,

Grant healing too — for everything, my thanks remain.

I endure… I have always endured, it’s true,

Don’t frighten me — I might grow weak too,

Patience isn’t enough for all three at once, it’s true,

Oh my God, let my child not suffer pain,

I became a good mother — for that, I thank You again.

When I care for one, another begins to cry,

As I soothe this one, the other stands nearby,

I’m tired, so tired — that’s the honest truth I can’t deny,

Oh my God, give me strength, give me patience to hold,

And thanks to my mother, who bore me so strong and bold.

Gulchiroy Axmedova (born August 8, 1996) is a second-year student at Kokand State University, majoring in Primary and Technological Education.

The Power of Books: How Reading Shapes Our Minds

Books are more than just words on pages—they open doors to new worlds, ideas, and experiences. From the moment we learn to read, books begin to shape our minds, expand our imagination, and help us understand the world. Every story teaches us something about people, cultures, and emotions. Reading encourages curiosity, empathy, and broader thinking.

Books also develop creativity and critical thinking. While reading, we imagine scenes, interpret meanings, and connect ideas. Reading also improves vocabulary and helps us express thoughts clearly. In today’s fast-paced information age, books provide a space for deep thinking and reflection that short messages or headlines cannot replace.

Reading affects not only personal growth but also society. Readers tend to be open-minded, empathetic, and more understanding of other cultures. Knowledge gained from books helps individuals contribute more thoughtfully to their communities.

In conclusion, reading enriches our minds, hearts, and lives. It opens doors to knowledge, nurtures empathy, and strengthens creativity and critical thinking. Books are not just a form of entertainment—they are a powerful force shaping personal and social development.

My name is Nozimova Shukrona, and I was born on January 31, 2011, in Oltiariq district of the Fergana region. Currently, I am a 9th-grade student at the Fergana branch of the specialized school named after Muhammad al-Khwarizmi.

Despite my young age, I have a strong interest in science and creativity. Since my early school years, I have actively participated in various academic competitions. For example, in grades 5–7, I took part in the Hippo English Olympiad and the Kangaroo Mathematics competition, where I had the opportunity to test and improve my knowledge.

In 8th grade, while studying at Specialized School No. 4 in Oltiariq, I was also a member of the “Zakovat” intellectual team, and together with my team, we achieved 4th place in the district competition. During the same year, I ranked among the top 10 in the district stage of the Al-Khwarizmi Olympiad. I have also taken part in many subject Olympiads and achieved high results.

Currently, I am participating in the provincial stage of the History Olympiad, where I continue to demonstrate my knowledge and abilities. In addition, I am a member of my school’s “Zakovat” intellectual team, and we are competing at the provincial level. Recently, I achieved a B+ level in the National Certificate exam in Uzbek Language and Literature. I am also interested in sports. When I was younger, I practiced gymnastics and won several competitions.

I actively participate in different initiatives and projects, where I not only show my eagerness to learn but also develop my leadership skills. I have clear goals for the future, and my dreams are high.

Plague vs Blessing

We praise our dragonfly, a blade of light,
It skims the ponds and thins the whining swarm
We curse the mosquito that hunts the night.

One feeds on pests, a mercy in our sight,
The other drinks from us to keep it alive and warm
We praise the dragonfly, its edge of light.

We bless what helps us sleep a little tight,
And damn what leaves our blood and bodies torn
We curse the mosquito that hunts the night.

Names come easy when the scale feels right
Boon for our comfort, pest by what it harms;
We praise the dragonfly, a spear against blight.

So ask of us, beneath history’s Ivory light:
For those who come after, what name is sworn
Were we the boon that held the future tight,
Or the pest that spreads a plague through the night?

Smokey Ash    

In every dream I see you in fire.
It wasn’t fate yet I fed the flame after the fire

My grief was silent, not like the public choir.
Each voice professed your silent under the ashes.
Of the fire

A thief of my desire
I wore you borrowed silk, its strands on fire

Shame returned as I walked by the pyre.
I was desperate, to, this time, save you from that fire.

You brought forth a truth I couldn’t acquire
We are the ash that lingers, after the fire.

Guardian

A Guardian is a protector someone with a shield
Let me tell you about my guardian
And the sword she wields.

My protector is a fighter
I have no worry about her prowess as a healer.
For me she is invulnerable as a suit of armor.
Yet even the most royal archetype can have a flaw.

I got a mirror that let me travel through time.
To see that berserker in her weakest design.
Here she was worried about her mistakes.
That she keeps making with no escape.

I showed her a photo of her family looking strong
Does that look like you’ve been doing it wrong
It looks like love patient and true
And for that love we thank you.

Thank you my dear sister
May you remain that caring guardian forever

Reilly Andre is currently in his senior year at St. Benedict’s Prep in Newark, NJ.