Synchronized Chaos’ Second March Issue: Polyphonic Archive of Humanity

Image c/o Jacques Fleury

Duane Vorhees announces his new book Fastival, available from Hog Press.

Fastival, the latest book of poems from Duane Vorhees, reads as anything but the poet’s final word and contains multitudes of playful exploration for the restless mind.


Covering a dizzying array of themes, this substantial tome delivers an intellectual and spiritual feast. He explores dichotomies — such as sex/love, profane/holy, and life/death — that are suitable for meditation by sinner and saint, as well as by day laborer and tenured professor alike.

Vorhees, in his poem “The Importance of Word Association,” proclaims anyone can write poetry but notes, “But only a true poem can feel the sun on your face as the snow commandos parachute in behind enemy lines. A real poem contains stone syllables standing against a rain-striped horizon.” — John Stephen Howard

Yucheng Tao thanks everyone who entered his poetry contest and announces that the prizes will be paid out in April.

Christopher Bernard announces his new book The Beauty of Matter (out from Bowker Press) and invites people to read and review it. Please email us at synchchaos@gmail.com if you’re interested.

A lyrical journey into nature, spirit, and the quiet mysteries of being aliveIn this contemporary poetry collection, Christopher Bernard invites readers into a world where ordinary moments reveal extraordinary depth. With the grace of lyrical verse and the clarity of philosophical insight, these poems move through landscapes of memory, nature, beauty, and our shared human search for meaning.This is poetry for readers who crave emotional richness, mindful presence, and poetic meditations that illuminate both the fragile and the eternal. Through imagery rooted in wild earth, myth, and the intimate spaces of everyday life, the poems contemplate existence, loss, renewal, and the astonishing beauty hidden within matter itself.

A Celebration of Life in Every Grain of Being

Here are poems where the natural world speaks, where silence becomes revelation, and where spirit and earth touch.

Bernard explores mortality not with despair, but with wonder, reminding us that every breath, every shadow, every passing moment is charged with significance. Readers will find nature inspired writing that moves between tenderness and awe, between solitude and belonging, revealing how deeply our lives are shaped by the world around us and the world within us.

For Lovers of Reflective and Soulful Poetry

Perfect for readers of lyrical verse collection and philosophical poetry, this book speaks to those who seek: poems about nature and life, existential poems, meditations on life, spiritual poetic reflections, poetry about mortality and rebirth, poems about memory and meaning.

If you believe poetry can open the heart and sharpen the senses, if you are drawn to poetic meditations that deepen presence and expand awareness, this collection belongs in your hands.

Discover a voice that honors the beauty of existence and the mystery of being human.

Now, for March’s second issue, which forms a polyphonic archive of the contemporary human condition, fragmented, globalized, anxious, but full of people searching for meaning, beauty, and connection. A chorus of voices from different countries, cultures, ages, and backgrounds, all speaking to how we can remain human in a complicated age.

First, we address war, violence, and illegitimate political power. These pieces do not merely document suffering; they interrogate the structures that produce it. They ask what it means to live under systems that distort truth, normalize destruction, and erode empathy. Yet even here, amid devastation, there is an undercurrent of resistance—a refusal to accept violence and injustice as inevitable.

Image c/o Kai Stachowiak

Patricia Doyne lambasts the United States’ blowing up a girls’ school during the war in Iran. Stephen Jarrell Williams laments the coldness and human tragedy that leads to war. Ibrahim Honjo calls for peace by cursing those who wish for war. Bhagirath Choudhary’s poem, translated to French by Samar Al-Deek, also critiques war through the dramatization of violence against women and children. Poet Billy Bin celebrates women and laments war and human rights violations. Mykyta Ryzhykh’s work comments on human fragility and the internal and external destruction caused by vaulting ambition and greed for power. Farzaneh Dorri laments the war and the current government of Iran while recollecting the nation’s vast cultural heritage. Molly Joseph’s piece presents the tragedy of war through a clever piece that hides its profundity in a childlike style. Ri Hossain critiques war by showing the absurdity of having to kill strangers. Bill Tope’s short story presents a tragicomic farce that reveals itself as a lament for those lost to the recent Iranian war. Dessy Tsvetkova joins the chorus of those who call for peace as Hadaa Sendoo presents a child’s song for peace with nature and with themselves as well as in the world. Gulhayo Egamberganova creates a tale of a wise king with the welfare of his people in mind. Dianne Reeves Angel’s political poem describes how callous leadership can lead to internal, structural damage to our shared “house,” even when we don’t see outright collapse. Yuray Tolentino Hevia asserts his freedom of thought and personal dignity even in a wounded homeland. Imma Schiema presents the flag of peace as strong, but stiff, unnatural, and difficult to maintain. Peace takes maintenance and care.

Some contributors explore how systems of power, or our cultural vantage points and perceptions, shape how we think and view the world. Rich Murphy’s work explores how power and hierarchy can distort reality and get in the way of critical thinking. Dr. Jernail Singh Anand lampoons the hypocrisy of those who seek to bury their own misdeeds among those of celebrities. Stephen Schwei’s clever work meditates on how we assign meanings to things and aspects of the universe. Wan Yilong dramatizes the absurdity of a world full of technology but with no soul. Mark Young’s speaker assembles meaning from fractured cultural debris, his mind moving through fragments. Ag Davis’ poetry blurs the guidelines of semantics to generate meaning through pattern recognition rather than text. S.C. Flynn explores different ways we disconnect from the fully intense human experience to make it more manageable, whether through pills or screens.

Türkan Ergör’s piece breaks apart language and puts it back together, questioning whether reason can adequately explain human experience. Maja Milojkovic explores the tension between imagination and reality in her reflective poem on making a wish. Mark DuCharme’s poem explores thirst and desire that twists and morphs but is never quite satiated. J.J. Campbell’s poems read like cigarette smoke in a dim room, unfiltered, bitter, and honest. Patrick Sweeney’s work explores memory, shame, art, invention, nature, and tenderness as the Chinese elementary school students’ works, compiled by Su Yun, show a developing poetic consciousness as they address nature and dreams.

Image c/o Petr Kratochvil

Dr. Jernail S. Anand considers how much we as humans project our own failings onto other creatures through our concept of natural law. Sevinch Rustamova explores human projection, lamenting the loss of a no longer idealized unfaithful love. James Tian reflects on how we choose to speak of our dead can say as much about us as the living as it does about the deceased. Nirasha D’Almeida speaks to memory, reflection, power, and class and ethnic tensions. In Emeniano Acain Somoza Jr.’s elegiac poem, time continues to move, even as the speaker remains within memory. Sheryl Bize-Boutte’s poem and short story excerpt highlight how connection can persist even when we reject it. Qo’narova Yulduz mourns and regrets the loss of her loved one and of her life to grief.

Some writers highlight resilience and personal growth, the journey to become who we are, all that we could become. Nazokat Jumaniyozova traces a character’s personal growth and development. Danijela Ćuk encourages people to believe in themselves and persevere through hard times. Zilola Qutlimurotva calls out the role of challenges in building strong character. Priyanka Neogi urges people who seek to achieve something in life to keep their priorities straight. Ruxshona Shahobiddinova shares how she learned to achieve for her own sake and not compare herself to others. Rashidova Shakhrizoda’s short story celebrates a brave kitten who becomes a hero of the forest. Muslimbek Abdurakhimov reminds us that anyone can act with integrity, regardless of nationality. Zilola Qutlimurotva points out reactions one may receive to developing self-respect. Juraeva Aziza Rakhmatovna urges people to persevere towards their goals even through obstacles. Gabriel T. Saah encourages us to stay humble, stay kind and make the most of our lives.

Others discuss education, youth, and the future. Rakhmonova Gulzoda Sodiq qizi discusses how to help depressed young students. Daminova Sevinch highlights the importance of childhood to personal development. Choriyeva Oynur discusses the importance of sleep in personal health and academic performance. Dildora Xo’jyozova remembers earning recognition and a laptop in an Uzbek academic competition and reflects on the importance of encouraging the world’s youth. Ibragimova Orzigul Sharobiddinova’s poem celebrates her university and its educational opportunities. Alimqulova Munisa Abdurayimovna discusses how students can best prepare themselves for international scholarship competition. Bekturdiyeva Nargizabonu and Xayitova Mehribon discuss positive and negative impacts of social media in young people’s lives.

Image c/o Andrea Stockel

Several contributors apply their intellects to the real world, science, mathematics, economics, and medicine. Oroqova Nargiza outlines roles for artificial intelligence in health care. Tadjiboyeva Marxaboxon Sherzodbek qizi discusses diagnosis and treatment of chronic heart failure. Inomova Kamola discusses diagnosis and treatment of breast cancer. Durdona Shafqatullayeva Olimqizi outlines the structure and function of the human skeleton. Dr. Jitender Singh dispels embarrassment and shame surrounding menstruation and promotes hygiene. Sardorjon Ahmadjon o’g’li Ergashev discusses various ways of analyzing and interpreting statistics. Mamatkulova Muklisa outlines opportunities and risks within the maturing microcredit industry. Tuychiyeva Odinaxon Ahmadjon qizi outlines ways to standardize the preparation of graphical documents in school drafting classes.

Who we are, in large part, comes from our family and cultural heritage. Yulduz Niyazova highlights the history and meaning of Uzbekistan’s Nawruz spring celebration. Jacques Fleury’s photographs capture the spirit and energy of Boston’s St. Patrick’s Day celebration. Sardorjon Nabiyev remembers a tale of singing for neighbors at Ramadan that ended with his father’s tender love. Begijonova Marjonabonu shares a tender thought for her mother. Eshmatova Charos speaks of her gratitude to her caring mother and father. Turg’unov Alisher Yordamali o’g’li expresses his respect for his hardworking mother. Ahmadov Bekzodjon Obidjon ogli highlights the literary and cultural importance of Uzbek writer and philosopher Chol’pon. Damilova Sevinch Tuychi qizi highlights the cultural and dramatic contributions of historical Uzbek writer Abdulla Avloni. Halilova Ruxshona Abdufattohovna provides an overview of the scientific work of Abu Nasr al-Farabi, an Uzbek thinker who espoused rational inquiry and built upon Greek thought. Sottiyeva Gulshan celebrates the Uzbek constitution’s protections of liberty. Marvaridabonu Abdumalikov discusses Uzbekistan’s current environmental initiatives, including a vast program to plant tree seedlings and civic waste sorting and recycling efforts. Otamurodova Asal highlights the role of strong families in building a strong culture in Uzbekistan. Kholbekov Ozodbek Makhammatovich’s poem celebrates the sacred and worthy heritage of Uzbekistan’s national heroes and scholars.

Sitora Siroj qizi Usmonova looks at the use of emojis in text messages and social media as a case study of Uzbek linguistic evolution in real time. Jerome Berglund’s stream of consciousness poems illuminate how things hidden – people, truth, meaning – don’t disappear, but wait to be seen. Joey Whitton’s poems move across very different terrains, such as mysticism, memory, existential philosophy, and political satire, but they’re unified by a restless, searching voice. Alan Catlin builds a poetic cathedral of collapse, a symphonic logic of accumulation. Duane Vorhees contributes a symphony of voices that find a way to hang together.

Image c/o George Hodan

Art, literature, and culture are integral parts of our heritage, and many people look into how we understand stories and art. Christopher Bernard discusses poignant themes of masculinity, love, aggression, and redemption in Beauty and the Beast and the somewhat awkward presentation in Opera Parallele’s live stage remix of the Jean Cocteau film. Maxmasharifova Shodiyabegim looks at the theme of fear in Abdulla Qahhor’s short story Dakshat as a way of critiquing governmental and social oppression. Abdugʻaniyeva Muhlisa Abdunabi qizi analyzes Jack London’s winter wilderness survival tale Love of Life in terms of literary motifs and themes of free will and individual struggle in harsh conditions. J.T. Whitehead reviews Margaret Randall’s Letters That Breathe Fire, an anthology of literary correspondence among the editors who submitted to the journal El Corno Emplumado (The Plumed Horn) in the 1960s. He views the work as a crucial cultural artifact documenting poetry’s becoming more democratic and international. Alexander Klujev outlines various ways to understand music: as a venue for spiritual contemplation, as an abstract study in sound, or as direct participation in the sounds and rhythms of nature. Dennis Vannatta reflects on a life shaped and punctuated by music. Virginia Aronson celebrates the complex work and life of Japanese visual artist Yayoi Kusama.

Art and culture can lead us to a lyrical, restorative place, where we consider love, nature, and the human spirit. Eva Lianou Petropoulou affirms the largeness and vastness of the human spirit, much larger than any attempt by society to contain it. JoyAnne O’Donnell takes joy in poetry on World Poetry Day. Eva also urges humans not to abandon empathy for and relationships with each other. Slava Božičevic celebrates poetry and encourages poets to write to bring love into the world. Prasanna Kumar’s poetry reflects how he needs love to make sense of existence. Abigail George’s work shows characters choosing love, kindness, and forgiveness, even when they are not strong enough to stop trauma and violence. Mahbub Alam contributes a piece on waiting, restraint, and the persistence of the inner light of love as Su Yun encourages a young child to grow and develop courage and embrace a world of love.

Genevieve Guevara presents a poetic manifesto about ending violence against women. Sherdonayeva Ozoda Mahmarajab qizi’s short story highlights the obstacles facing women leaving abusive relationships. Lan Xin also honors International Women’s Day, softly and gently urging women to value and take care of themselves. Mahmoud Said Kawash outlines the political and cultural history of International Women’s Day. Dr. Jitender Singh celebrates the virtues of many women he admires. Dr. Ahmed Al-Qaisi evokes the poetic beauty of a woman’s tender love. Tasneem Hossain discusses the historical and cultural meanings of flowers as gifts and urges people to consider flowers as an International Women’s Day gift for women.

Image c/o Brian Barbeito

Brian Barbeito revels in the mystical and thoughtful connection he has built with the land he regularly visits, how time alone in nature invites contemplation. Adham Boghdady celebrates the beauty of a forest lake through his contemplative persona poem. Soumen Roy rejoices with the hope of a fresh spring season. Ananya Guha’s incantatory poem claws out hope from the starkness of winter.

Sometimes a small sensation, image, or moment counts for everything. Mohira Mirzayeva celebrates the joys of silent reading from a physical book. Bonu Jurayeva reminds us of the sensory pleasures of physical books. Noah Berlatsky celebrates the wealth of love that he finds in his affectionate cat and dog. David Sapp contributes gentle, pensive moments of family and domesticity. Christina Chin’s haikus transport us to the sounds and feel of summer. Tammy Higgins’ photographs present life as surprising, highlighting disparate elements and unusual colors and perspectives. Jacques Fleury’s poem travels between the worlds of belonging and isolation, wealth and poverty, anchored by the recurring image of ships. Nuraini Usman’s photos capture moments of mystery: dim light, and a foot stepping into the unknown. In Sayani Mukherjee’s poem, rain, letters, memory, and love all blend together into one immersive experience. Graciela Noemi Villaverde welcomes the autumn to her Argentinian home with lush, atmospheric prose about transitions. Elaine Murray finds connection across millennia with humans and other creatures who have walked the same beach.

The final pieces return us to the act of creation itself. They ask what responsibility the artist bears in a world marked by injustice and fragmentation. If we can imagine, can we also rebuild? If we can name what is broken, can we help to mend it? These are not questions with easy answers, but they are questions that must be asked.

Image c/o Kai Stachowiak

Christopher Bernard’s final installment of Senor Despair ends with an affirmation of a creator’s radical responsibility. Jose Luis Alderete’s work suggests the possibility of rebuilding society through intentional acts of human creativity. Tokhtaboyeva Nilufar Nomonjon qizi urges her fellow Uzbeks to move forward with courage to build up their newly independent country. Mesfakus Salahin speaks to the hope of global renewal through love and insight. Hanaan Abdelkader affirms her determination to find hope in a world full of injustice, yet leafy and sunlit.

What emerges from this collection is not resolution, but recognition. We hope that you recognize yourselves somewhere in the issue.

Essay from Bonu Jurayeva

Books – The Source of Knowledge

It is no secret today that the world can only be conquered through knowledge. The key to acquiring deep knowledge is simple—reading books.

We say, “Books are the source of knowledge.” This is an undeniable truth that requires no proof. A person gains knowledge through books, and their upbringing is shaped by them as well. When we young people read literary works, our worldview expands, our speech develops, and our imagination grows.

Indeed, books are the light of the heart and the wings of thought. In our culture, there are numerous proverbs about achieving great things through reading books.

However, in today’s world, almost no one reads books anymore. Everyone is busy with their phones…

A large portion of books nowadays consists of e-books. However, the unique pleasant smell that books give off cannot be found in electronic versions. Moreover, it is hard to replicate the mysterious rustling of a physical book in its digital counterpart. In my opinion, it is better to print more physical books.

So, tell me, which version of books do you consider to be better?

Bonu Jurayeva was born in 2011 in the Bukhara region of Uzbekistan. She has a keen interest in reading books and performing poetry. Her articles have been published in international journals, and she continues to explore various literary genres and contribute to the world of writing.

Poetry from Duane Vorhees

COMEDIA

Leopard, lion, and bitch-wolf

hunger for my soul. Virgil

saves me and takes me to Hell.

lovers, poets, craps players,

roisterers, and blasphemers

are assigned vicious circles.

Many of my friends are there.

They greet me with tears and prayers

and swear to elect me mayor

when I move to their precinct.

And we huddle over drinks

and brag about past high jinks.

And Virgil grows quite distraught.

He regrets what he has wrought,

and he checks his sundial watch.

“Come,” he says, “it’s time to go!”

I agree to leave, just so

I’ll be back some tomorrow.

SUN RA, NIGHT

The passion becomes precision,

silent organs suddenly articulate,

our jazz exact,

universe complete.

An ingenious engine,

gladly self-winding,

perpetrator of Being–

sex is that loving violence

that screws time’s ingedients

(wasiswillbe)

into a Reality

that’s the matheme of poetry:

the science of intimacy with

the alchemy of Romance-myth.

And of existence–

we are the masterpieces!

The electric youandme

moves together gloriously,

excalibur-in-stone machinery

that’s the index of our style,

the evidence of our skill.

Amply blest,

an amethyst,

we are the levee

against the tsunami’s

approaching closing fists–

isn’t there enough madness left?

The solution is more sex!

BODIES WE LOVE

Is that thumbsup we hold in trust

actually just a making-the-fig?

Which vistas shall we later see

as caricatures,

which oaths are mere gestures?

The withinness of the present

obscures tomorrow’s withoutnesses.

The hidden shall be open then

and the bodies we love, no longers

(and no longer even memories).

Yesterdays are the only forevers.

RELOCATING?

Della Street’s behind me,

need a new address.

Lois Lane? Is it Etta Place?

No service road can be an I-.

I KNOW MY PLACE

The metropolis and the ghost town,

the ecosystem and the city:

My world is a paradox of orthodox and strange,

an environment of blend

that reconciles divides.

The academy and the stockyard,

The industrial plant and the garden

share their universe

with quarks and galaxies.

They bridge chaos and constitution,

balance ocean mountain desert plain

glacier volcano,

combine/contain actions and emotions,

reconcile all us doubters and cowards.

The legislature and the prison,

the gymnasium and the ashram

have equal weight and heft.

They refine and define,

blur boundaries,

apportion my lot in space.

ON RETURNING HOME ANEW AFTER HALF A CENTURY

where ghosts and memories forever reign

everything/nothing is still the same

strange faces on familiar names

changed functions for famous frames

remembering unremembered chimes

but the sky! the sky remains

Essay from Sevinch Rustamova

Dark clouds cover my sky,

As if my heart has shattered into pieces.

It waited for you, hoping you would return,

But you will not come back.

Proud, graceful gazelle,

Those gazelle-like eyes once enchanted me.

Tell me now, what should I call you?

A cruel, unfaithful, heartless one?

Your lashes like sharp spears,

Your brows dark as the night,

Those cherry-like eyes of yours—

Thoughts of you

Never leave my mind.

I love you,

Yet it means nothing now.

You are you, and I am me,

Our paths have long been separated.

The pain of separation never fades,

The fiery flame of love burns my heart.

A trembling has covered my whole being;

My heart has stopped—

It no longer beats.

In my veins, it feels as though

Not blood but emptiness flows.

This world has become too narrow for my eyes.

The sky belongs to the stars,

The tree to its roots—

But for me…

Nothing truly matters.

No, it does matter.

My heart longs for a cure.

Otherwise, what use are

All these riches and possessions,

All desires and ambitions?

I only wish to be loved.

Yet you left me.

Still, despite everything,

I will wait for you.

Even if you are not mine,

Just be happy.

You have forgotten me—

My gazelle-eyed one, my sweet-spoken one.

Until my very last breath,

I will love you.

And for your happiness,

I will keep living and fighting.

Sevinch Rustamova Shukhrat qizi was born on October 13, 2005, Kashkadarya region, Uzbekistan. She is currently a third-year student of the Faculty of Medicine (Med-01U group) at Kimyo International University in Tashkent.

She has participated in several international Olympiads and has a strong interest in poetry and literature. Her poems and creative works have been published in international anthologies in Egypt and Qatar.

In addition, in 2025 she took part in an International Anthology in Turkey, where she presented her creative works and delivered a speech on an international platform.

Furthermore, her scientific articles and theses have been published in a number of high-level academic journals. She also actively participates in national conferences and scientific forums, contributing to academic and literary discussions.

Poetry from Ibragimova Orzigul Sharobiddinovna

MY AGRARIAN UNIVERSITY

Around it lie the hills and gentle plains,
Gardens and orchards spreading like domains.
Far mountains seem so close, within our sight,
In this fair land stands Agrarian bright.

Professors and lecturers teach with care,
Guiding students to knowledge rich and rare.
From Mother Earth they gather harvests grand,
My Agrarian that trains the farmers’ hand.

Supplying people food both pure and clean,
Devoting lives to this profession keen.
Healing the animals from illness and pain,
My Agrarian where zooengineers gain.

In every herb they seek a healing art,
From nature’s gifts they guard the human heart.
Descendants of Avicenna’s wisdom sure,
My Agrarian where biologists mature.

Reaching out hands in friendship far and wide,
With Hungary in joint education tied.
Its fame has reached the Ministry above,
My Agrarian that welcomes you with love.

My name is Ibragimova Orzigul Sharobiddinovna. I was born on January 5, 1990, in Uchko‘prik district of Fergana region. Currently, I am a first-year student in the Zooengineering program at the Agrarian Joint Faculty of Fergana State University.

I am married and I have three sons. My achievements today are largely due to the great support of my father Sharobiddin, my mother Muxabbatxon, and my husband Zafarjon. My family members and close relatives have always been my support and encouragement. Since my childhood, I have been writing poetry, and I sincerely express my gratitude to my teachers who have helped me grow and develop on this creative path. I would also like to express my special thanks to the Dean of our faculty, Sh. Mamajonov, the Deputy Dean for Spiritual and Educational Affairs, Sh. Mamurov, my scientific supervisor B. Boboyev, the Deputy Dean for Women’s Affairs, M. Yusupova, and our tutors for their constant support and guidance.

Poetry from Mark Young

Stacked chairs & a regime change

Shirley Temple once said “I’ve 

led three lives,” a phrase not

to be confused with the story

of the FBI agent who joined 

the communists. Is said that

it was the FBI who funded the

U.S. Communist Party because 

there were so many agents 

signed up — 1500 out of 10,000 

at one point — & because they

were actually employed by the

Feds, they regularly paid their

dues. I can’t find anything Miss

Temple had to say about that.

In vain

I am spending my days — & nights —

either reading books, journals, & news-

papers, or watching free-to-air tv plus

everyone of the streaming services we

subscribe to, searching for an ending 

that I can pilfer. Certainly some of the

things I come across set off a certain 

frisson, but the ancillary requirements

tend to negate them as possibilities. As

example, I do not have five centuries

to get myself into the state of being that

is deemed necessary to reach Nirvana.

Meaning I’ll be going to bed hungry 

until the middle of next week at least.

The wars of the Hoecks & the Cabbeljaws

The dead woman appeared un-

harmed. Two young children 

wrapped in plastic were also at 

the home. A recording from the 

driver’s own car was taken into 

protective custody & confirmed 

that the suspect, renowned for 

playing complex women on the 

stage, faces an extortion charge. 

randomized eccentricities

Orbital eccentricities roam the

streets on foggy nights to see 

what the latest fashions displayed 

in shop windows are. But since

Rome wasn’t built in a day, they

are still there the next night, like

cats caught in a blackberry patch.

Late-stage excitation often results.

A line from George Lucas

The term “race records” was coined in 1922.

Policy disputes play on. Energy costs are

a significant concern. It’s my first time in

therapy, & we are very pigeonholed. If you 

don’t fit in that box, then it’s time to flip the

script. Politicians have scapegoated hand-

made artisans for decades. Record labels no

longer view music as a vital creative force 

& offer such shifty deals these days that art-

ists will never be able to make money from 

them. Backing bands are now made to stand, 

remove their headwear, refrain from talking. 

Photography from Jacques Fleury

Photos c/o Jacques Fleury

Young adult Black man with short shaved hair, a big smile, and a suit and purple tie.
Jacques Fleury

Jacques Fleury is a Boston Globe featured Haitian American Poet, Educator, Author of four books and literary arts student at Harvard University online. His latest publication “You Are Enough: The Journey to Accepting Your Authentic Self” & other titles are available at all Boston Public Libraries, the University of Massachusetts Healey Library, University of Wyoming, Askews and Holts Library Services in the United Kingdom, The Harvard Book Store, The Grolier Poetry Bookshop, Amazon etc… He has been published in prestigious publications such as Spirit of Change Magazine, Wilderness House Literary Review, Muddy River Poetry Review, Litterateur Redefining World anthologies out of India, Poets Reading the News, the Cornell University Press anthology Class Lives: Stories from Our Economic Divide, Boston Area Small Press and Poetry Scene among others…Visit him at:  http://www.authorsden.com/jacquesfleury.–

Silhouetted figure leaping off into the unknown with hand and leg raised. Bushes and tree in the foreground, mountains ahead. Book is green and yellow with black text and title.
Jacques Fleury’s book You Are Enough: The Journey Towards Understanding Your Authentic Self