First of all, published poet and contributor Tao Yucheng is still hosting a poetry contest, open to all readers of Synchronized Chaos Magazine.

Synchronized Chaos Poetry Contest: We seek short, powerful, imaginative, and strange poetry. While we welcome all forms of free verse and subject matter, we prefer concise work that makes an impact.

Guidelines: Submit up to five poems per person to taoyucheng921129@proton.me. Each poem should not exceed one page (ideally half a page or less). All styles and themes welcome. Deadline for submissions will be in early March.

Prizes: First Place: $50 Second Place: $10, payable via online transfer. One Honorable Mention. Selected finalists will be published in Synchronized Chaos Magazine.

Next, poet Yucheng Tao’s new chapbook, The Mirror Image of Death, has just been released from Alien Buddha Press! People can order it here.

J.J. Campbell’s new book To Live Your Dreams is also out and available to order here.

Welcome to this month’s issue, Paying Attention.

Across poetry, fiction, essays, memoir, and scholarship, this issue asks what it means to live attentively: to create honestly, remember faithfully, love fully, and choose responsibility in an impermanent world.

Jacques Fleury honors the many contributions of Black Americans to society and argues that the United States still needs to celebrate Black History Month due to their lack of knowledge of essential history and context.

Sayani Mukherjee presents spring as both gentle and haunting, reminding us that loss and regrowth are both intimate parts of our experience. Berdirahmonova Shahlo Sherzod qizi expresses poignant longing for the return of joy and love in the spring. O’giloy Kucharova celebrates the social and natural renewal of spring as Christina Chin’s haikus evoke winter’s precarity and solitude. Brian Barbeito’s work dissolves boundaries and outlines in the dark of night and the way the rain falls everywhere, inspiring an open, receptive state of mind. His next piece evokes a chilly and aesthetically under-defined winter day.

Ma Yongbo’s wintry and tough-minded poetic cycle poses the question of what it means to keep creating when permanence and perfection may be impossible. Lan Xin’s pieces honor restraint, the diversity of life, and working with the natural rhythm of life’s seasons. Mykyta Ryzhykh calls attention to how both death and rebirth in nature bring us out of our ponderings and back to the present moment. Sterling Warner draws upon fresh and salt water and psychological and physical weather Linette Rabsatt’s poems take joy in letting go of the conscious mind and listening to the natural world as a source of inspiration. Joseph Ogbonna meditates on the stillness and inspiration of an early dawn. Gezim Basha, in work translated by Marjeta Rrapaj, celebrates tender love and living an authentic life. Yo’ldosheva Zinnura writes of the need to care for and consider our impact on the environment and climate.

Mehreen Ahmed’s work explores art, creativity, complicity, and displacement. Alan Catlin’s ekphrastic poetry crafts scenes of still life interrupted by violence and chaos. Bill Tope’s short story critiques immigration enforcement violence in the United States through the terror of one wrongly targeted victim. Kelly Moyer’s absurdist, provocative video speaks to the same topic as Leticia Garcia Bradford offers a local perspective and Pat Doyne brings strident satire to the issues of the day. Umid Najjari offers a poetic tribute to those who lost their lives in the Iranian revolution. Sungrue Han’s poems evoke alienation, dislocation, and collective and individual trauma. Mahbub Alam decries human greed and the destruction of other humans and the natural world and encourages care and respect. Virginia Aronson draws attention to modern crimes committed by government agents and by international criminal gangs, suggesting a comparison.

J.J. Campbell brings his signature blend of hard-earned cynicism and exhaustion. Scott C. Holstad snatches bits of sweetness and color from complex and artificial modern life. Türkan Ergör reminds us of our mortality and vulnerability to various human struggles. Like a wanderer tiptoeing through dimly lit rooms in a house, Carl Scharwath’s poetry moves from loss to relief to conscious acceptance of stillness. Allison Grayhurst’s poetic cycle sheds, releases, and re-forms visceral emotions. Dr. Prasanna Kumar Dalai’s work carries the quiet dignity of someone who feels deeply but speaks carefully.

Mesfakus Salahin’s work addresses the alchemical transformation of formless feeling into legible thought through poetry. Shakespeare Okuni’s poem highlights the role of ritual and performance in meaning-making. Alex Johnson sets out a manifesto for artistic openness and an aesthetic that welcomes diverse sources of inspiration. Stephen Jarrell Williams evokes life, innocence, joy, and energy in his restrained pieces. Rus Khomutoff’s piece is at once overabundant, technical, and tender, perhaps more intended to be entered into than understood.

Abbas Yusuf Alhassan’s ars poetica explores the various forms poetry takes in his mind and how inspiration hits him as an artist. Duane Vorhees probes desire, time, chance, and memory. Nurbek Norchayev meditates on nature, time, and the life of the soul. Michael Robinson’s essay is a lived testimony of fear, darkness, illness, strength, forgiveness, and survival. Maja Milojkovic speaks of her personal spirituality and closeness to God. Sarah Adeyemo also reaches for her faith for comfort and the strength to keep loving even through a time of desperation and grief. Patrick Sweeney’s one or two-line thoughts provoke head-scratching and evade easy answers. Texas Fontanella jumbles a variety of words and symbols into a static buzz. Grzegorz Wroblewski’s asemic pieces reflect a mind in motion, jumping and self-editing mid-thought from one idea to another.

Susie Gharib navigates the emotional landscape of power, voice, myth, and lived reality. Mark Young contributes a fresh set of altered technicolor Australian landscapes. Cristina Deptula observes and comments on Dianne Reeves Angel’s memoir of a creative life in film production, Every Restaurant Tells a Story. Federico Wardal celebrates the film legacy of Italian filmmaker Billy Wilder. Taylor Dibbert enjoys traveling despite occasional moments of personal embarrassment. Xo’jyozova Dildora looks to ecotourism as a way to sustainably strengthen local economies.

For travel in a more metaphorical sense, Abdugafforova Muslimaxon Akmalovna reviews Qobilon Shermatov’s fantastical children’s tale The Country Inside My Grandfather’s Stomach. This book addresses issues of personal character, as each person’s “interior” reflects who they are and how they behave.

Other authors look at individual and collective character and moral choice. Eva Petropoulou Lianou’s poems express her hopes for peace, understanding, compassion, and humanity. Gordana Saric echoes that hope, wishing for worldwide love, understanding, and reconciliation. Maftuna Sultonova reminds us of the infinite value and dignity of each person. Nigora Baxtiyorova analyzes infidelity as a theme in Uzbek literature. Xasanova Aziza Kumushbek qizi peers into even more Uzbek literature and finds a timeless warning about how one’s life and dignity matter even more than one’s reputation and fame. Journalist Elisa Mascia interviews Azerbaijani author Jakhongir Nomozov and he affirms the need for authors to master their craft and speak their truth regardless of passing fads or popularity. Solid work will stand the test of time.

Dr. Jernail S. Anand suggests that a complete education not only teaches technical skills but also how to be a decent human being. Kodirova Shakhzoda highlights the cultural importance of Uzbekistan’s cultural values of compassion, courtesy, respect for nature, and courage.

Dr. Barbaros İrdelmen mourns love lost to human and societal pettiness, and to death. Bill Tope and Doug Hawley co-present a tale of loss, guilt, and redemption. Mehrinoz Tursunova’s bittersweet love poem prepares for an impending separation. Eshmatova Marjona Kamol qizi outlines ways social service systems can intervene to support children from dysfunctional families. Nurboboyeva Dilshoda Nodir qizi evaluates the psychological effects of divorce on children and suggests ways to help them through the transition.

Dildoraxon Turg’unboyeva reflects on childhood memories and her love for her departed grandfather. Gulsevar Mirzamahmudova honors her hardworking migrant laborer father for his care and determination, reflecting on how she misses him.

Malohat Ahmadjonova expresses love and gratitude for the hard work and dedication of her parents, who made sure she dressed well and received an education. Mashrabxo’jayeva Feruzakhon offers gratitude for the steady love and care of her parents. Nurullayeva Nigora Nurmurod qizi’s poem expresses her love and care for her mother, who has given her so much. Ismoilova Sarvinoz reflects on how much her parents have loved her over time and how she wishes to return the favor as they age. Shafkat Aziz Hajam fondly remembers the freedom and wonder of childhood, made possible by his caring parents.

Islamova Dilnoza Khamidovna gives thanks for a caring and steady friend as Rukhshona Khamzayeva shares her gratitude for a dedicated teacher. Zarifaxon Holiboyeva reflects on missing her family and her classmates in a young student’s piece full of tender affection. Toshpulatova Mehribonu Sherbek qizi rejoices in the love of her sweet sister. Alisherova Hurmatoy reflects on the power of her lover’s kind words to calm her spirit. Graciela Noemi Villaverde draws on elegant nature-inspired imagery to express her love. Chinese academic Bai Gengsheng pays tribute to his loyal and hardworking wife, acknowledging that her steady support over many years made his accomplishments possible.

Aziza Xasanova compares waiting for the unfolding of love to allowing a fig tree to leaf out in its season. Lan Xin’s epic, mytho-romantic piece affirms the choice of embodied and temporal love over transcendence and divinity.

Ozodbek Narzullayev’s verse expresses adoration for his country as if it were his lover. Jahongirova Gulhayo Jahongirovna’s rhyming poem pays tribute to a man of deep loyalty, patriotism and integrity. Abduganiyev Shexrozbek discusses the inter-related nature of the Uzbek national concept, legal system, and spiritual values in shaping the culture.

Kudratova Nozima Bahromovna explores the narrative style of Uzbek writer To’gay Murod. Madina Jorayeva’s essay highlights the contributions of translator and critic Ozod Sharafiddinov to Uzbek and world heritage and literature. Shahnoza Ochildiyeva translates Ozod Sharafiddinov’s essay celebrating and analyzing the literary value of poet and translator Abdulhamid Sulaymon og‘li Cho‘lpon’s contributions to Uzbek literature. Nargiza Masharipova celebrates the cultural interchanges made possible by the migration of the world’s peoples. Sultonaliyeva Go’zaloy outlines some of the factors encouraging and driving migration. Ubaydullayeva Saodat celebrates the literary artistry and truth-telling of one of Uzbekistan’s greatest poets, Alexander Feinberg. Xayrullayeva Zahro suggests ways to preserve the high literary quality of the Uzbek language and not lose it to abbreviations and modernisms. Rizoqulova Parvina Ramzovna analyzes the relation between language and culture.

Munavvar Tlewbaeva speaks of the comfort she finds by reading books by authors who understand and write of her feelings. Odinaxon Qodirova highlights ways to encourage young people to read. Yusupboyeva Madina rejoices in the persistence of reading culture among young people. Turgunova Kh. suggests strategies for teachers to effectively communicate with young Generation Z students.

Karimova Navbaxar Mahmudjanovna suggests strategies for encouraging creative thinking in children. Jorabek Muhammadolimov raises awareness of how too much scrolling and flipping online can lead to difficulty concentrating. Choriyeva Oynur warns of the consequences of overuse of smartphones and the Internet. Roziboyeva Asilakhon speaks against digital surveillance and fear-driven self-censorship.

Isroilova Sarvinoz Maxmud qizi discusses how to use educational tools to teach young children mathematical concepts. Barnoxon Baxtiyorjon Yoqubova considers strategies for integrating physical play with learning arithmetic. Amirqulova Gulsevar discusses digital innovations in education. Daminova Sevinch Tuychi qizi highlights the enlightened wisdom and teaching of Uzbek children’s educator Abdulla Avloni. Lazokat Ortigaliyevna Pirmatova relates how participating in competitive mental arithmetic helped her to develop confidence and the ability to think on her feet.

Nilufar Ibroximova suggests how new Uzbek textbooks could be crafted and used to help young children develop critical thinking. Norquolova Madina highlights the value of learning a second language. Haydarova Mehribon outlines various methods for learning the Mandarin Chinese language, coupled with history and background of the tongue. Mansurova Shahnoza parses the finer points of verb conjugation in French as Xurramova Farangiz compares the process in French and Uzbek. Masharipova Sayyora compares proverbs in French and Uzbek and how they reveal cultural values. Nilufar Mo’ydinova outlines techniques for learning German through approaches from the field of translation. Najmiddinova Mekhrigul Najmiddin qizi delves into the intricacies of language translation. Abdurahimova Anora’s essay considers the impact of one’s first language on the process of learning a second language. Mengboyeva Baxtiniso Mamatqobilovna highlights the value of language teachers’ maintaining a culture of competence in spoken language.

Several contributors work and research in the language of other academic and professional disciplines. Lutfullayeva Shaxrizoda Faruxjon qizi outlines the current state of pneumonia diagnosis and treatment in young children. Mansurov Abdulaziz Abdullox ugli highlights the importance of preventive dental care in children. Fahriddin Akramov’s essay describes treatment for a variety of neurological conditions. Mamatqulova Mukarram Nuriddin qizi speaks to the life and academic stresses students endure and how to protect their mental health. Nasulloyeva Feruzabonu Akmalovna discusses the nature of scientific innovation and how to encourage it in Central Asia. Durdona Sharifovna Roziboyeva discusses the effects of the Herbst dental appliance on the upper airway.

Eshmurodova Sevinch explicates methods of improving deposit mobilization policies in commercial banks. Iroda Sobirova outlines basic principles of supply and demand in a market economy. Sobirova Iroda Abdulaziz qizi highlights strategies to foster innovative entrepreneurship. Mamadaliyeva O’giloy asserts her power and determination to become successful in academics and business.

Baxshilloyeva Nigina Bahodir qizi offers inspiration to young women seeking to live their dreams. Axmetova Dilnura Po’lat qizi outlines the historical and contemporary role of women in Central Asian societies. Sevinch Farxodova highlights the importance of gender equality and initiatives to that extent in Uzbekistan.

Shahnoza Pulatova Makhmudjanovna outlines and describes how Uzbek society is modernizing politically, economically, and socially. Dilafruz Muhammadjonova expresses fervent pride in and hope for Uzbekistan and the desire for the nation’s youth to rise up and take their place. Priyanka Neogi outlines ways to overcome depression and apathy and keep working towards one’s goals. Ziyoda Murodilova highlights the importance of internal motivation and determination for students to achieve their goals. https://synchchaos.com/essay-from-orzigul-sherova-4/Orzigul Sherova presents, in a similar vein, her secrets to success through passion and hard work.

We hope that this issue inspires you to create your place in the world with intention and joy.

English poetic adaptation (song-style):
I carry all my sorrow in my heart,
I take my longing everywhere I go.
When I hear your voice, my soul still shakes,
Please don’t cry from missing me, my mom.
If I hide my love deep down inside,
If I fail to say how much I care,
Please don’t say, “My child has me forgot,”
Please don’t cry from longing, mom, my dear.
If I spread my pain before your eyes,
I know your heart could never bear it all.
That is why I keep it locked inside,
Please don’t cry for me at all, my mom.
For me you gave up everything you had,
Knowing this, my conscience won’t stay still.
Far away, I carry all your pride,
Please don’t think of me so much, my mom.
Think of yourself, at least just once or two,
Your whole life’s been “my child” night and day.
I know I am the heartbeat in your chest,
But please, just once, think of yourself… my mom.

Nigora Nurullayeva has actively participated in numerous competitions, contests, projects, and webinars to date. She is the proud recipient of multiple local and international certificates, reflecting her dedication, initiative, and commitment to continuous learning. I often write some poems and stories.

I will not shed my tears, believe me, not a day,

My painful wounds will fade and drift away.

Until my final breath, I will not cry,

If once you say to me: “Do not, my dear.”

My heart is dressed in happiness alone,

No crowns or thrones before my eyes are shown.

You do not know—these moments are my bliss,

If once you whisper softly: “Do not cry.”

My tears will dry at once within my sight,

My sorrow will be chased away that night.

The scent of joy will rise from deep inside,

If once you gently say: “Do not cry.”

Perhaps you do not love me as I do,

But please, remember this—do not undo.

No world of countless realms could feel such cheer,

If once you tell my heart: “Do not cry.”

My name is Alisherova Hurmatoy. I was born on October 21, 2007, in Toshloq district of Fergana region, Republic of Uzbekistan. I graduated from Secondary School No. 4 in the same district with a GPA of 4.82. In 2024, I was recommended for admission to Fergana State University, majoring in Primary Education, on a state-funded (grant) basis.

In 2025, I became the holder of a 100% proficiency certificate in the Uzbek Language and Literature. Currently, I am both a student and a teacher, teaching native language and mathematics to students.

My life motto is: “Stopping for one day is equal to losing years.”

Speaking about my creative journey, I am a student of the poet Abdulla Boqiy Kenjaboyev, and I have been writing poetry since the age of 7–8. It has been ten years since I started writing poems. At present, I am working on publishing a book of my own authorship.

Behind every poem I write lie my mother’s prayers, my teachers’ trust, and a great deal of my own effort. A person does not become a poet by chance; it is said that poetic talent is a gift granted only to the chosen ones. I am truly happy to be among those chosen, and through this talent, I continuously strive to raise the name of Uzbekistan to even greater heights.

“TIME ITSELF IS THE FAIREST EDITOR”

Today’s guest is the distinguished young Uzbek poet, journalist, and translator Jakhongir Nomozov — a member of the Azerbaijan Journalists’ Union and the World Union of Young Poets, the Uzbekistan correspondent for Azerbaijan’s “Butov Azerbaijan” newspaper, a recipient of numerous international literary awards, and a devoted promoter of literature and cultural dialogue.

E. M: Esteemed Jakhongir, do you tell us about the beginning of your passion for the literary arts and where your first inspirations originated?

J. N: I believe that every human has an innate inclination and inner need for literature and art. For some, this need awakens early; for others, it emerges through certain life trials. For me, love for literature was strong from childhood. Nature, goodness, love — these are my main sources of inspiration. Rivers, sometimes calm, sometimes rushing; the infinite sky — all of these turned into poetry in my soul. Innocent childhood memories, the highs and lows of life, joys and pains — all shaped me not only as a poet but also as a human. Poetry is not a chosen profession for me, but an inner necessity, a spiritual need.

E. M: Is literature becoming a closed system where the “original voice” matters less than the right connections?

J. N: A very painful yet important question… Unfortunately, history shows that true talents are not always appreciated in their time. Many great creators were ignored during their lives, and their worth was recognized only after death. This bitter truth remains relevant today. In contemporary literary circles, sometimes a work’s inner power, artistic depth, or spiritual weight is overshadowed by the author’s family name, status, or connections. This makes the path harder for talented creators without influential support, slowing their voice. Yet, I still believe in the justice of words. True words withstand the test of time. A work unrecognized today will find its reader tomorrow. Literature is a marathon, not a sprint. The most important thing for a poet or writer is conscience and sincerity. Connections may give temporary advantage, but talent is eternal.

E.M: Is literature becoming a closed system where the “original voice” matters less than the right connections?

J. N: Partially, unfortunately, yes. Today, in some literary spaces, it seems that who opens the door matters more than the voice itself. This contradicts literature’s natural laws, as literature has never thrived in isolation — it always feeds on the hearts of the people. 

Yet, I firmly believe that literature’s true domain can never be fully closed. It finds its voice through invisible paths. Even if platforms are closed today, time is the most just editor. A creator with a true voice will eventually be heard, because fake connections crumble, but genuine words endure.

E.M: How can an emerging author, lacking establishment support, break the wall of editorial indifference?

J.N: First of all, a young writer must not lose their inner independence. Editorial indifference is often not due to lack of talent, but fear of a bold voice, since new ideas always disrupt comfort. A new creator must understand that every rejection is not a stop sign but a direction marker. If one door closes, find another. Today, digital space, translations, international platforms, and independent publishing exist. 

E. M: Is there a risk that this familiarity will lead to a homologation of style, punishing those who dare to innovate?

J. N: Certainly, the danger exists. In environments dominated by connections, courage is punished and flatterers rewarded. Consequently, literature can become a mechanical organism instead of a living being. Yet, history shows that the greatest literary breakthroughs came precisely from “incompatible,” “unsuitable,” and “uncomfortable” voices.

Stylistic uniformity may create temporary calm, but innovation always breaks through that calm. I believe true creators fear neither punishment nor recognition; their courage is measured by inner truth.

E. M: Why is art often seen today as a “hobby” and not as a profession that requires sacrifice?

J. N: Today, the world measures productivity by speed and value by profit. Art, especially literature, is seen as less “serious” because it does not immediately generate financial gain. Yet art is one of the most complex and responsible forms of human labor. Behind every line of a poet are years of accumulated knowledge, spiritual struggle, inner conflict, and moral responsibility. History shows us: Dostoevsky lived in debt, Kafka’s works went largely unnoticed in his lifetime, Van Gogh sold only one painting. They treated art not as a hobby, but as a matter of life and death. Today, the question “How do you earn?” shows a lack of understanding, not a denial of art.

E.M: In a world of “quick numbers,” have we lost the ability to recognize slow talent, the one that takes time to understand?

J.N: Unfortunately, yes. Today, talent is often measured by visibility: views, likes, quick spread. True talent does not always appear instantly; it often matures in silence.

 Literary history gives many examples: Navoiy’s works were not written for a single day’s hype, Kafka and Borges were not overnight successes. Understanding their works requires time, preparation, and inner maturity. Today’s “fast-number” culture sidelines complex, slowly digested works. As a result, society is accustomed to quick consumption, which dulls discernment. Recognizing talent is not algorithmic; it’s a matter of cultural literacy.

E. M: What is the impact of digital gratuity on the perception of the value of literary work?

J.N: Digital free distribution is a double-edged sword. On one hand, it democratizes access: a young poet in a remote area can share their voice globally. That is positive. On the other hand, “everything is free” devalues literary labor. Texts become mere consumable content, read and forgotten. The work of a creator over years can feel equal to a single post. Literature demands not speed, but contemplation. If society forgets the value of time and effort, art becomes shallow.

E.M: Can a society call itself civilized if it doesn’t invest in less commercial but more visionary creative minds?

J.N: No, such a society cannot be called cultured. Culture is not today’s profit, but tomorrow’s future. If society supports only quickly consumable products, it trades its future for short-term gain.

E. M: The creative today must also be a “marketing expert”: how much does this take away from pure creation?

J.N: Creativity requires inner calm and concentration. If a poet or writer thinks about “how many likes” rather than their own words, their creative world becomes conditional and artificial. Shakespeare never worried about audience numbers; his world was linked to characters, words, and spirit. Today, algorithms favor short, digestible, viral content, pressuring creators to bypass their inner voice. The result: artistic depth declines, spiritual sincerity weakens. Yet, if a creator remains true to their voice, marketing is only a tool, not a master.

E. M: Is social media really atrophying the public’s ability to read complex works like novels or poetry collections?

J.N: Yes, social networks can weaken the ability to read complex works like novels or poetry collections. They encourage rapid consumption, shifting attention to short blocks. 

Multi-layered works demand attention, patience, and internal rhythm, which social media reduces. Yet, these platforms can also attract new audiences. A young reader may discover a full book after seeing a short excerpt online. Thus, social media can both empower and weaken, depending on conscious engagement.

M. E: Is the algorithm the new literary critic?

How does it influence what we write?

J.N: Yes, algorithms have become an “uncertain critic,” shaping literary taste. They favor short, easily read, and widely spread texts. Creators may lose their personal voice, adapting to algorithmic rules. Instagram poems or Twitter micro-thoughts gain visibility, but complex philosophical works appear lower. This creates internal pressure: “what should I write?” An algorithm is not a critic; it is an interest gauge. True literary critique depends on time, philosophy, context, and depth. Adapting to algorithms increases visibility, not artistic truth.

E. M: Digital Ego Fragility: How Does Like Addiction Undermine Writers’ Resilience?

J.N: Likes, reposts, follows are stimulants for today’s creators but make the ego fragile. If a writer ties their value to external approval, rejection triggers depression, doubt, and creative blocks. 

A young poet expecting 1000 likes but receiving 100 may feel inadequate. Motivation then becomes artificial, prioritizing likes over genuine voice.

E. M: Imposter Syndrome: How Much Does Comparison Affect the (Often Apparent) Success of Others?

J.N: Imposter syndrome forces creators to undervalue themselves. Comparing to famous writers can intensify internal critique, blocking creative flow. Creators must follow their own path and voice.

E. M: Does hyper-connection prevent us from finding the inner silence necessary for great writing?

J.N: Constant connectivity and rapid information flow disrupt inner calm, necessary for great literature. Complex philosophical works require deep thought and concentration.

E. M: Are fear of offending or “cancel culture” limiting the authors’ sincerity?

J. N: Yes, fear of offending or “cancel culture” limits sincerity. Creators restrict themselves, weakening creative honesty. True literature must remain free; self-censorship makes it artificial.

E.M: What impact have organizations like “World Talents” and “World Union of Young Turkish Writers” had on its growth?

J. N: These organizations not only provided a platform, but also expanded my spiritual space.

 Every creator gains energy from attention, recognition, and encouragement; I too was inspired. Such external support fuels my future successes. Creativity cannot be measured by awards or membership; it is measured by the rise of thought, imagination, worldview, and finding one’s full voice. These experiences enriched my work, broadened my perspective, and shaped my voice.

E. M: What differences do you have between your role for “Butov Azerbaycan” and the Turkish magazine “SIIR SARNICI”?

J.N: Both serve the same goal: strengthening literary ties, promoting intercultural harmony and friendship — the main mission of my creative life. Through this, not only do connections form, but each creator finds a chance to share their voice globally.

E. M: Which of her many journalistic and literary affiliations was the most significant to her?

J.N: Each of my journalistic and literary roles opened a door to my heart. Most importantly, international projects allowed me to engage with people sincerely as a poet and journalist. Creativity and journalism exist not in solitude but as bridges between humans. This feeling makes all my roles meaningful.

E. M: He has received prestigious awards such as the “Abay” Medal and the “Guzel Alania Award”. Which of these has the deepest meaning for her?

J.N: Among prestigious awards, the “Abay” medal holds the deepest spiritual meaning. Abay symbolizes humanity, knowledge, philosophy, and literature. This award reminds me: creativity is not merely wordcraft, but enriching the human spirit. The “Guzel Alania Award” honors international recognition and dialogue, making both important, yet the Abay medal touches the heart most deeply.

E. M: How did your vision influence the “Amir Temur Fund Commemorative Badge”?

J.N: The “Amir Temur Memorial” inspired me profoundly. Temur represents not just empire-building, but a center of culture and spirit. This award is not just recognition, but dialogue with history and values. I aim to remain a creator true to myself, inspired but not imitating historical figures.

E.M: Tell us about his books: “Rebels in My Heart,” “Sacred Space,” and “Song of Awakening.” What themes unite them?

J. N: My books share themes of love, humanity, spiritual awakening, and the pure voice of the heart. 

They are guides in the journey of self-discovery, not mere stories.

E. M: Does he change his creative approach between poetry, journalism and translation?

J.N: Poetry, journalism, and translation complement each other. Poetry expresses inner states; journalism develops observation and analysis; translation opens doors to other hearts, building bridges between languages and cultures. 

The principle is always the same: sincerity and fidelity to one’s inner voice.

E. M: If he had to choose only one field of action for the rest of his life, which one would he choose?

J.N: If I had to choose one path for life, I would choose poetry. Poetry is the purest, truest, most beautiful expression of the human heart. Journalism and translation are valuable tools, but poetry awakens the soul and nourishes the heart. A single line can contain a whole world, history, and future aspiration.

E.M: His connection to Azerbaijan and patriotism: how does this theme shape his work?

J.N: Though I never lived in Azerbaijan, I feel close to its history, culture, literature, and people. Patriotism in my work coexists with universal human values. Literature and love know no borders.

E. M: At the end of this dialogue, what advice and messages would Jakhongir like to leave to those who read his thoughts, so that they can be welcomed as seeds of peace in the soul?

J.N: I want to tell readers: every word can plant a seed in the heart. Plant it with love, sincerity, and honesty. If seeds of peace, love, and conscience grow, the world responds in kind. Each person’s inner world is a garden. Nurture it with books, poetry, art, and sincere dialogue. Most importantly, preserve humanity; spread love and let your inner voice always remain true. Through that voice, humanity preserves its peace, culture, and future.

Interview conducted by: Elisa Mascia

National Idea, Fundamentals of Spirituality, and Legal Education: Three Pillars of New Uzbekistan’s Development

Author: Abdug’aniyev Shexrozbek
Email: abduganiyevshexroz8@gmail.com
ORCID: 0009-0000-8960-4350
University: Andijan State University, Faculty of Law and Economics
Specialization: Fundamentals of National Idea, Spirituality, and Legal Education, Group 101

Abstract: This article analyzes the role and significance of the national idea, fundamentals of spirituality, and legal education in the development of New Uzbekistan. The study examines the interrelation of these three pillars in shaping personal development, civic consciousness, and building a democratic and lawful state. Based on the analysis of scientific literature, normative-legal documents, and ongoing reforms, it is determined that the national idea serves as an ideological foundation uniting society, spirituality fosters social responsibility and moral values, and legal education is a crucial factor in enhancing citizens’ legal culture. The findings demonstrate that the integrated development of these three pillars is essential for ensuring sustainable development and progress in New Uzbekistan.

Keywords: national idea, spirituality, legal education, New Uzbekistan, development

Introduction

In the current era of globalization and rapid reforms, ensuring the development of New Uzbekistan requires a profound and systematic approach in all spheres of social life. In this process, the national idea, fundamentals of spirituality, and legal education emerge as key factors for sustainable development of society. In particular, fostering loyalty to national values, high moral qualities, and legal culture among the younger generation remains one of the priority directions of state policy.

During the nation-building process, enhancing citizens’ social activity, legal consciousness, and spiritual awareness plays a crucial role in strengthening democratic principles. While the national idea serves as an ideological foundation uniting society, spirituality ensures the moral and ethical development of the individual. Legal education, in turn, is a critical tool for promoting the rule of law, understanding citizens’ rights and freedoms, and developing compliance skills.

Purpose of the study: To scientifically analyze the interrelation of the national idea, fundamentals of spirituality, and legal education in the development of New Uzbekistan and their impact on societal progress.

 Research Methodology

This study focuses on the role and interconnection of the national idea, fundamentals of spirituality, and legal education in the development of New Uzbekistan.

Methods:

• General and specific scientific methods of cognition (analysis, synthesis, induction-deduction)
• Comparative-analytical method for reviewing approaches in national and international sources
• Analysis of normative-legal acts, state programs, and conceptual documents
• Systemic approach to view the national idea, spirituality, and legal education as interconnected components of a unified social system

 Results

1. National Idea
The national idea in the context of New Uzbekistan acts as a dynamic ideological foundation that unites society around modern, democratic, and economic development goals. It provides a meaningful basis for shaping civic morality and legal consciousness.

2. Fundamentals of Spirituality
Spirituality serves as a foundation for stability and social cohesion. During reforms, maintaining the integrity of the moral-ethical system alongside economic and institutional changes is crucial. National and spiritual values—such as diligence, justice, family values, tolerance, and patriotism—enrich an individual’s inner world while fostering social responsibility and respect for the law.

3. Legal Education
Legal education goes beyond teaching knowledge of laws; it develops legal culture—understanding the rule of law, respect for individual rights, legal responsibility, and practical application. Legal literacy transforms citizens into socially active participants in governance, thus ensuring the implementation of democratic and lawful principles of the national idea.

4. Interrelation and Synergistic Effect
The three pillars—national idea, spirituality, and legal education—form a mutually reinforcing system:

• The national idea provides content and purpose for spirituality and legal education.
• Spirituality fosters loyalty to the national idea and internal acceptance of legal requirements.
• Legal education expresses and protects democratic principles and societal norms in a legal framework.

The practical result of this integration is the formation of citizens with moral-legal awareness, loyalty to the homeland, and the ability to harmonize democratic values—key actors in New Uzbekistan’s sustainable development.

 Discussion

Analysis shows that the national idea, spirituality, and legal education complement and strengthen each other, contributing significantly to the stable development of society. The integrated development of these three pillars is crucial for ensuring the democratic, legal, and spiritual stability of New Uzbekistan.

Practical Recommendations:

• Develop curricula that integrate the national idea, spirituality, and legal education from school to higher education.
• Promote public awareness programs highlighting the interconnection of these three factors.
• Implement projects to enhance youth’s legal and spiritual literacy in collaboration with civil society institutions.
• Direct legal education programs not only towards knowledge of laws but also towards understanding their moral, ethical, and social significance.

5. Conclusion

The national idea, fundamentals of spirituality, and legal education constitute inseparable pillars of New Uzbekistan’s development. They play a vital role in ensuring societal stability and raising civic consciousness. The study demonstrates that integrated development of these three factors significantly contributes to the progress of the Republic of Uzbekistan.

References

1. Abduxoliqov, J. (2023). National Idea and Social Development in Uzbekistan. Tashkent: Uzbekistan National Publishing.
2. Karimov, I. (2017). High Values and Spirituality as a Foundation of Society. Tashkent: Academy of Sciences Press.
3. Mamatqulov, S., & Ergashev, B. (2021). Legal Education and Rule of Law in Modern States. Journal of Legal Studies, 12(3), 45–62.
4. Mirzaev, T. (2022). Spirituality, Legal Culture and Youth Development. Andijan: Andijan State University Press.
5. Nazarov, A. (2020). Civic Consciousness and Democratic Reforms in Uzbekistan. Central Asian Journal of Social Sciences, 8(1), 78–95.
6. O‘zbekiston Respublikasi Konstitutsiyasi. (2019). Tashkent: Huquqiy axborot markazi.
7. O‘zbekiston Respublikasi Prezidentining 2020-yil 5-martdagi PF-5955-son Farmoni “Yangi O‘zbekiston strategiyasi to‘g‘risida”.

Ecotourism as a Tool for Sustainable Development: Environmental, Social, and Economic Perspectives

Ecotourism has emerged as one of the most effective approaches to achieving sustainable development in the tourism sector. Unlike mass tourism, ecotourism emphasizes environmental conservation, community participation, and cultural preservation. This article explores the role of ecotourism as a tool for sustainable development, analyzing its environmental, social, and economic impacts. Special attention is given to developing countries, where ecotourism serves as a mechanism for poverty reduction, biodiversity protection, and regional development.

The study highlights both the opportunities and challenges associated with ecotourism and proposes recommendations for its effective implementation. Tourism is one of the fastest-growing sectors of the global economy, contributing significantly to employment, income generation, and cultural exchange. However, conventional mass tourism often leads to environmental degradation, cultural commodification, and unequal economic benefits. In response to these challenges, ecotourism has gained global recognition as a sustainable alternative.

Ecotourism is defined as responsible travel to natural areas that conserves the environment, sustains the well-being of local people, and involves interpretation and education. Over the past decades, ecotourism has become an important topic in geography, environmental studies, and development economics. This article aims to examine ecotourism as a tool for sustainable development and evaluate its environmental, social, and economic dimensions. One of the primary objectives of ecotourism is environmental conservation.

Natural ecosystems such as forests, wetlands, mountains, and coastal zones form the foundation of ecotourism activities. By assigning economic value to natural resources, ecotourism encourages their protection rather than exploitation. Protected areas supported by ecotourism revenues often benefit from improved management, biodiversity monitoring, and conservation programs. Entrance fees, guided tours, and eco-lodges generate funds that can be reinvested into environmental protection.

Furthermore, ecotourism promotes environmental awareness among tourists, fostering responsible behavior and appreciation for nature. However, poorly managed ecotourism can also result in environmental pressure, including waste generation, habitat disturbance, and overuse of fragile ecosystems. Therefore, strict environmental regulations and sustainable planning are essential to ensure that ecotourism fulfills its conservation goals.

Ecotourism plays a vital role in strengthening local communities. Unlike mass tourism, which is often controlled by external investors, ecotourism prioritizes community participation and local ownership. This approach empowers local residents by providing employment opportunities and supporting traditional livelihoods.

Cultural heritage, local customs, and indigenous knowledge are integral components of ecotourism experiences. Tourists engage with local communities through cultural tours, handicrafts, traditional cuisine, and storytelling. As a result, ecotourism contributes to cultural preservation and intercultural understanding. Nevertheless, challenges such as cultural commodification and unequal benefit distribution may arise.

To address these issues, inclusive governance, capacity building, and fair revenue-sharing mechanisms are necessary. From an economic perspective, ecotourism contributes to diversified income sources, especially in rural and remote regions. It stimulates local entrepreneurship through small-scale businesses such as guesthouses, guiding services, transportation, and food production. In developing countries, ecotourism has proven effective in poverty alleviation and regional development.

By attracting environmentally conscious travelers, destinations can generate stable income while minimizing negative impacts. Moreover, ecotourism enhances the image of destinations on the international stage, promoting sustainable branding and competitiveness. Despite its benefits, ecotourism requires initial investments in infrastructure, education, and marketing. Without proper planning, economic leakage may occur, reducing benefits for local communities.

While ecotourism offers numerous advantages, several challenges hinder its sustainable implementation. These include lack of clear definitions, weak regulatory frameworks, insufficient professional training, and limited awareness among stakeholders. Climate change poses an additional threat, affecting natural attractions and biodiversity. Extreme weather events, ecosystem degradation, and water scarcity may reduce the attractiveness of ecotourism destinations. Therefore, climate adaptation strategies must be integrated into ecotourism planning.

Recommendations for Sustainable Ecotourism

To maximize the positive impacts of ecotourism, the following measures are recommended:

Development of clear national and regional ecotourism strategies

Strengthening environmental regulations and monitoring systems

Enhancing local community participation and ownership

Investing in education, training, and environmental awareness.

These measures can ensure that ecotourism remains a viable and responsible development pathway. Ecotourism represents a powerful tool for achieving sustainable development by balancing environmental protection, social equity, and economic growth. When properly planned and managed, it contributes to biodiversity conservation, community empowerment, and regional development.

However, the success of ecotourism depends on effective governance, stakeholder collaboration, and long-term sustainability strategies. In the context of global environmental challenges, ecotourism offers a promising model for responsible tourism development. Future research should focus on measuring its long-term impacts and developing innovative approaches to enhance sustainability in diverse geographical contexts.