Essay from Dr. Jernail S. Anand

Older South Asian man with a beard, a deep burgundy turban, coat and suit and reading glasses and red bowtie seated in a chair.
Dr. Jernail S. Anand

THE NEO-MORALITIES AND POSTMODERN TIMES

Dr. Jernail Singh Anand

“Moral values reflect the mores of a society, such as goodness,
fairness, truth etc. as in the past. Can we apply the values of the past, which no longer govern our modern society, to castigate the forward looking people of our society?”

When we mention the word ‘moral’, the ideas of goodness, honesty, fairness and righteousness, well up in our mind. These were the ideals which moved our past generations. But for the great men of
today, these words are like moral tortures. Can we call their behaviour immoral if they are just following the neo-morality of
our times which has come to stay in society?

Let us go back a bit to the root of the word ‘moral’. It has a historical connection with ‘mores’. We get moral from the Latin word ‘moralis’ which is drawn from ‘mos’ meaning ‘custom’ or ‘habit’. The derivation of ‘moral’ from ‘mores’ shows that moral values are shaped by cultural and social norms of a society. Historically, many societies have valued honesty, kindness and fairness which were reflected
in their value system. As mores evolve over time, it is natural the concept of moral values will also change.

Presently, it is thought that morality stands for goodness, fairness, honesty, and a value-based living style. In this way, immoral constitutes anything that violates the moral code of a society, the ‘mores’ which form the ‘custom’ base of a social set up. The society in which we are living, it is very difficult to say it is based on old
moral principles. When we indict this society, we are using the moral yardstick which belongs to the social mores of times which have gone by.

What are the ‘mores’ of this society? What are its ‘customs’ and what the ‘habits of the people? In other words, what type of moral culture we have created that sustains our society? If we cast a neutral look, we will be shocked to discover that ‘good’, ‘fairness’, ‘honesty’ are absconding. In their place, the ‘mores’ of our society include ‘dishonesty’ ‘unfair behaviour’ and ‘corruption’. If we go by the
formation of the word ‘moral’, then ‘these’ are the mores from which we can deduce moral values of these times.

It is a painful revelation that according to this phenomena, corruption, unfairness, dishonesty, ‘tam sam dand bhed’ are the values which create the moral stratosphere of our society. Just as in the past, the law would take care of the people who did not believe in truth and honesty, they were put behind the bars; applying the same yardstick, people who violate the canons of the post-modern society, those who do not believe in hatred, dishonesty, untruth, falsehood, lies, and unfair conduct, – are ‘dangerous’ elements, not fit to live in this
society, because they do not accept and honour its moral values. So, law will take care of such people, even if they are righteous, and their conduct is good.

The basics of good conduct in this evolved society are: you should have a compatible mind set, compromising nature, adjustable
attitude, fear God and visit shrines ostensibly, but go for evil whenever it helps you. There is nothing bad if you get
your work done with the help of money. If you grab the wealth of another person, nobody can drag you to a court of law,
because it is the morally accepted value of the society in which the apex people believe and practise.

Religion has a great role to play in the evolved set up. It blesses the people who make great offerings. From where the money comes, it is none of their business. Those who stick their head out in the name
of honesty, truth and goodness, they stand to lose it. It should not be forgotten that a religion flourishes on the strength of state
power. When state power is involved, everything is passe.

In a nutshell, the truthful, fair and the honest of past times are ‘unsocial elements’ for the postmodern society who spread immortality. The moral values of the postmodern society stand for ‘tam sam dand bhed’. Man is larger than society, do whatever you can to accumulate wealth and enjoy it the way you like. It is a free
society, where even religion and law have to lionize the style of living of the rich people and label it as morally upright. Only those films are hit which violate all sacred norms upheld by the bygone era.

While the front liners of the society believe in the neo-moralities, the poor masses are given the dose of ‘satay kathas’ from holy scriptures. There is a clash of two value systems in the name of morality. This is because major portions of society are kept
confused in the old times, while the front-liners of modern society have accepted the neo-morality of the post-modern times.

Essay from Qurolboyeva Shoxista Olimboy qizi

THE INTERCONNECTION OF FAMILY AND SOCIETY IN UZBEKISTAN


Abu Rayhan Beruni Urgench State University
Faculty of Socio-Economic Sciences
Field of Study: Jurisprudence
Group: 251
Student: Qurolboyeva Shoxista Olimboy qizi
Email: qurolboyevashoxistaa@gmail.com


ABSTRACT
This article analyzes the essence of the close and inseparable relationship between family and society in Uzbekistan, as well as its social, spiritual, and legal foundations.


Keywords: Family, society, values, sacred institution, family relations, social institution, mahalla.


INTRODUCTION
The family is the fundamental unit of society and a sacred institution. In the main document that drives the life of the country — the Constitution — special emphasis is placed on the family. The Constitution states that the family is the basic unit of society and that every family is under the protection of the state. The role of the family is extremely important in enhancing the spirituality of any state and presenting it to the world, because a person’s pure emotions and human qualities are formed and embodied within the family.


As the most important social institution of society, the family plays a significant role in human development and in the formation of national values. The research highlights the role of state policy and the mahalla institution in ensuring family stability, raising young people as well-rounded individuals, and strengthening social stability. Historically, the nature of family and marriage relations, as well as the attitudes of scholars and thinkers toward these values, have been considered highly important and of great practical significance.


The development of the system of family relations has resulted in a decrease in the number of people entering into marriage and in the establishment of stricter rules for choosing a marriage partner. One of the oldest forms of social organization in human history is the clan or tribe, which originated from a single maternal lineage and united all people descended from a matriarchal line. Essentially, such a clan
represented a matriarchal family that connected all generations descended from the mother. One surviving example of this form is the Russian “matryoshka” doll, which symbolizes the interconnected descent of maternal generations.


A historical approach to family and marriage issues is reflected in the work “Mother Right” by the Swiss scholar J. Bachofen. In addition, the American researcher L. Morgan also expressed evolutionary views on the family in his works, particularly in the book “Ancient Society.” These works demonstrate the idea that the family institution is directly connected with social development, and that the improvement of socio-economic relations in society depends on the stability of the family. It is also emphasized that these changes historically occurred in connection with relations between representatives of different genders.


Family relations are also enshrined in the Constitution and constitute a separate chapter. “The family is the basic unit of society and is under the protection of society and the state. Marriage is based on the traditional family values of the people of Uzbekistan, the voluntary consent of those entering into marriage, and their equality of rights. The state creates social, economic, legal, and other conditions for the full development of the family.” The phrase “the family is the basic unit of society” means that the foundation of
every society is the family. Without the family, neither society nor the nation can exist stably.

Therefore, the Constitution ensures the protection of the family by the state and society, meaning that the state creates conditions for strengthening families. Legal, social, and economic support for families includes benefits for women with children, protection of women, and housing programs for young families. The voluntary nature of marriage — the fact that no one can be forced to marry, and that every man and woman enters into marriage only with their own consent — is an important sign of respect for human rights
and dignity. Society consists of relatively independent but interconnected systems, often referred to in science as subsystems.

These include economic (relations in the process of material production), social (relations between social groups, strata, and classes), political (state institutions and the activities of political parties), and spiritual (moral, religious, cultural, philosophical, and scientific systems). All of these are complex phenomena that, in turn, consist of smaller and more dynamic elements.


As one of the main elements of society, the individual participates in social life as a member of various communities. In this sense, society emerges as a “community of communities.” Society can be analyzed
from different perspectives.

For example, history as a discipline is divided into various specific histories: the history of a particular country, the history of each science, the history of discoveries, the history of regions and cities within a country, the history of socio-political movements and parties, as well as the history of each society and family. Each of these reflects the chronological sequence of events experienced by its object from its emergence to the present.


Society creates all the necessary conditions for the family through education, healthcare, employment, and social protection systems, ensuring family well-being. In turn, the family contributes to social development by raising healthy, morally mature, and patriotic children. Family and society are inseparable concepts.
They complement, strengthen, and develop each other. Harmony, kindness, and mutual respect within each family ensure peace and stability throughout society. Therefore, strengthening the family and
creating a healthy environment within it is one of the most important tasks of society.


CONCLUSION
The role and importance of the family in society are invaluable. A person’s upbringing, values, and worldview are formed first and foremost within the family. As the family is, so is society. If families are strong, caring, and spiritually rich, this positively influences social stability and development. The importance of the family in society is immense because it prepares individuals for social life. Qualities such as diligence, honesty, and patriotism are instilled in children primarily within the family. For this reason, family issues occupy a special place in state policy.


REFERENCES

  1. Constitution of the Republic of Uzbekistan (2023)
  2. Vasila Karimova, Family Psychology
  3. Personality and Society (Methodological guide for AL and KNK students), 201

Poetry from Gustavo Gac-Artigas 

Young white woman with curly blonde hair, blue eyes, and a tank top seated on a couch.

In Memory of Renee Nicole Good 

In memoriam 

Gustavo Gac-Artigas 

Traducción al inglés: Priscilla Gac-Artigas

Hay días en que me avergüenzo de ser hombre, escribí alguna vez

hay días en que me avergüenzo de que el tiempo pareciera detenerse en la infamia

en el miedo 

en el dolor

en la prepotencia

Hay días en que la jauría fue soltada para cazar niños morenos

ay qué haremos

ay qué haremos

y pobre de aquel, 

de aquella 

que intente detener la cacería

las balas de ICE las dirige la ideología

más allá de la nacionalidad

más allá del color de la piel

más allá de la razón humana

las dirige la rabia

el odio

la impunidad

el desprecio por el otro ser humano

ay qué haremos

ay qué haremos

la lista crece

el manto del poder

de la mentira

protege al odio

a la mano asesina

Hay días en que me avergüenzo de ser hombre 

hoy es uno de ellos

in memoriam de Renee Nicole Good

¿in memoriam?

¡NO!

en grito 

para que nunca más

nunca más

callemos frente a las bestias

para que el miedo no nos invada

para que el odio no nos gobierne

no callaremos

enfrentaremos al chacal

eso haremos

eso haremos

Translation by Priscilla Gac-Artigas

….

In Memoriam

There are days when I am ashamed of being a man, I once wrote

there are days when I am ashamed

that time seems to stand still

in infamy

in fear

in pain

in arrogance

There are days when the pack is unleashed

to hunt brown children

oh what shall we do

oh what shall we do

and woe to the one,

to the one

who tries to stop the hunt

ICE bullets are guided by ideology

beyond nationality

beyond skin color

beyond human reason

they are guided by rage

hatred

impunity

contempt for the other human being

oh what shall we do

oh what shall we do

the list keeps growing

the mantle of power

of lies

protects hatred

the murderous hand

There are days when I am ashamed of being a man

today is one of them

in memory of Renee Nicole Good

in memory?

NO!

a cry

so that never again

never again

we remain silent before the beasts

so that fear does not invade us

so that hatred does not rule us

we will not be silent

we will face the jackal

that is what we will do

that is what we will do

..

Poetry from J.J. Campbell

Middle aged white man with a beard standing in a bedroom with posters on the walls
J.J. Campbell

——————————————————————————

up from the floor

i wanna leave

most of my

memories

in the ocean,

somewhere away

from the plastic

in tedious moments,

i bite my nails and

wonder why i didn’t

die when i was young

this woman swears

she loves me

won’t give me her

address or any hope

that this is something

more than real

we’ll probably be

married in a year

why does all the

crazy shit with death

happen in minnesota

you try helping your

disabled mother up

from the floor with

a bad back

these are the nights

drugs were invented

for

piss stained pants

in the wash

a night nurse telling

war stories in the

living room

scribbling madness

on paper is child’s

play

—————————————————-

the latest year of death

a few snowflakes

in the cold sunshine

the last few days of

the latest year of death

can masturbation cause

carpal tunnel

four out of five dentists

agree

of course, some beautiful

woman wants to save you

as long as you are willing

to become the man she

changes you into

why resist, where has this

perfect creature got you

still think toiling away

in obscurity is noble,

makes you cool or

something even better

not often someone brags

about being a better piece

of shit

sure, there may be gold

in that turd but no one

ever wants to give it

a taste

rejoice, the end is near

a new beginning if you

truly want it to be

but that is just some

mumbo jumbo out of

some self help book

written long before you

were a stain in the sheets

———————————————-

die alone

pretend we are

the only souls

left

your soft skin

resting on what

is left of me

seventeen years

is one hell of

a gap

but you brighten

this darkness

let me know

that the light

isn’t always

a train

one day it will

be your chance

to prove to the

world you were

always what i

was missing

it’s not a test

but a plea for

help

not that i’m

afraid to die

alone

just don’t

want to

that subtle difference

doesn’t mean shit to

many, but hopefully

just enough to whom

it is meant for

——————————————————–

i mumbled something

a strapless neon dress

and all the reasons i

never liked going to

strip clubs

sitting at the bar,

just drinking

the bartender asked

what i was looking

for tonight

i mumbled something

i’ll never find here

she realized it was

a lost cause

never got a lap dance

though i did buy my

buddy one

he liked this smoking

hot black chick and i

never minded someone

else having a good time

looking back on it

i still can’t figure out

how these twenty plus

years have flown by

so damn fast

the tornado hit that

strip club years ago

i suppose they had

different dancers

by then

——————————————————

nothing but sunday drivers

an uncomfortable

silence in the rain

a two lane road

in the sticks

of course, nothing

but sunday drivers

on a thursday

afternoon

it’s a lonely glass

of scotch and the

memory of an old

lover that died

years ago

your life has become

the lyrics of the songs

you grew up on

too bad the songs

about death are the

only ones you can

remember all the

lyrics to

the subtle embrace

of your last hope

she has no clue to

the misery she has

stepped into

and while that baggage

will never be hers to

deal with

she will gladly accept

the challenge

accept what little

faith is still left

J.J. Campbell (1976 – ?) is trapped in suburbia, sadly accepting his fate. He’s been widely published over the last 30 years, most recently at Night Owl Narrative, Disturb the Universe Magazine, The Beatnik Cowboy, Crossroads Magazine and The Rye Whiskey Review. His latest book, to live your dreams, has been published by Whiskey City Press and is available on Amazon.com (please buy a copy or two). He still has his blog, although taking care of his disabled mother takes up the majority of his time. (https://evildelights.blogspot.com)

Poetry from Priyanka Neogi

Young South Asian woman in a crown, red dress, and pageant sash

Silence 

The heart to heart talks silently. 

A feverish morning waiting for the evening, 

Whispering, fish-colored gasps, running and laughing, 

The new bud on the new path is everyone’s eye. 

The talk goes on saying that you should be quiet. 

Time will give some answers. 

To retreat silently to the last position, 

To feel the attitude of behavior and continue work. 

In the composition of silent situations & words, 

without words are expressed in the sea, 

Illusory imagination floats in the world of the mind. 

Magh comes to Paush to compose sentences. 

The witness remains in the quiet room of the understanding mind. 

Answers play a silent role in the passage of time. 

Reflection takes place in silent discourse as causality. 

Insistence comes to the new creator, 

providing words without words, 

Silence wins in the dawn.

Short biography: Amb. Dr. Priyanka Neogi from Coochbehar. She is an administrative Controller of United Nations PAF, librarian, CEO of Lio Messi International Property & Land Consultancy, international literacy worker, sports & peace promoter, dancer, singer, reciter, live telecaster, writer, editor, researcher, literary journalist, host, beauty queen, international coordinator of the Vijay Mission of Community Welfare Foundation of India.

Synchronized Chaos First of January 2026: What Makes Us Human

Silhouette of an adult person out at night near some pine trees with a view of the Milky Way
Image c/o Gerard Lipold

First, an announcement: published poet and contributor Tao Yucheng would like to host and judge a poetry contest open to all readers of Synchronized Chaos Magazine.

Synchronized Chaos Poetry Contest

We seek short, powerful, imaginative, and strange poetry. While we welcome all forms of free verse and subject matter, we prefer concise work that makes an impact.

Guidelines: Submit up to five poems per person to taoyucheng921129@proton.me. Each poem should not exceed one page (ideally half a page or less). All styles and themes welcome. Deadline for submissions will be in early March.

Prizes: First Place: $50 Second Place: $10, payable via online transfer. One Honorable Mention. Selected finalists will be published in Synchronized Chaos Magazine.

A second announcement: poet and regular contributor J.J. Campbell has a new book out, to live your dreams.

From the back of the book: J.J. Campbell’s work is an unflinching look into a life spent alone with the bottle and the page readily at hand. It is raw, honest, and uncompromising in every sense of the word. You are keyed into the fact that this is a writer who doesn’t sugarcoat a single line to ever soften the blow. Campbell’s work is perfect in that sense, and in this newest collection, you are getting a writer at the top of his form.

Now, for our first issue of 2026. This issue explores what makes us who we are, physically and psychologically, as individuals and as communities and nations.

Young light skinned man doing the breaststroke or butterfly stroke in a pool on a sunny day
Image c/o Vera Kratochvil

Nicholas Gunther explores what makes him human, where in his body his consciousness might be located. Kassandra Aguilera also speculates about her consciousness, considering what makes her feel alive.

Xudoyberdiyeva Mohiniso explores some Eastern and Western philosophical conceptions of what it means to live a conscious human life. Morley Cacoethes’ haikus also explore where and how we find inner wisdom and knowledge. Nilufar Mo’ydinova outlines themes of free will and the search for truth through experience in Goethe’s Faust.

Brian Michael Barbeito crafts a lyrical winter meditation on a person’s holding onto nature and his identity in an alienating new world. Satimboyeva Risolat echoes the importance of maintaining one’s personal values. Mahbub Alam urges people to draw on the wisdom they possess to make the world more just and healthier. Türkan Ergör considers the unpredictable nature of our lives and the need to choose kindness. Zeki Celic reminds us to make the most of the limited time we each have on earth as Stephen Jarrell Williams depicts characters choosing freedom, peace, and love.

Aliyeva Aziza Utkirovna points to the eyes as a place where humans reveal their inner feelings. Nurbek Norchayev’s evocative piece celebrates the power of poetry to convey emotion and sensibility. Aliyeva Zulaykho highlights the role of breath in vocal expression while reading texts.

Chloe Schoenfeld delves into Walter Gramatte’s painting of German artist, art historian, and social activist Rosa Schapire. She wonders how much of the craft of creating a likeness is about the subject and how much is about the associations the artist draws on to help them imagine and understand the person.

Painting of a gray haired woman seated in a wooden chair with necklaces and a white buttoned coat.
By Walter Gramatté

Shomurodova Dilafro’z Bahodir qizi explores approaches to Uzbek linguistics that focus more on the people creating texts rather than merely on the texts as isolated objects. Fayziyeva Hafiza Alisher qizi also looks at human life and culture’s influence upon languages.

J.K. Durick reflects on the seasons of life where we are observers, contemplating those around us or what has happened. Taylor Dibbert‘s poetic speaker considers his own role in the dissolution of his marriage. Bill Tope’s short story depicts family pulled apart, then back together, then apart again.

Dr. Jernail Singh urges parents to let their young adult children learn and work for their own dreams in life. Also, he reminds us to consider the legacies we leave behind for the rest of the world once we become successful enough to care for ourselves and our families. Tolqinova Marifatoi Shavkatjon qizi outlines research into approaches to social and vocational training for young adults.

Lan Qyqalla recollects his romance with his late wife as Adalat Eroglu versifies about a tender romance and Özcan İşler urges his love to remember him. Nasser Alshaikh Ahmed Arabia’s poetic mind wanders through the jasmine-scented depths and alleyways of love. Ramona Yolanda-Montiel considers an old and warm poncho as a sign of her family’s love. J.J. Campbell writes his way through another lonely, disillusioned holiday, wishing he had love and a close family.

Aleksandra Soltysiak wonders at gentle miracles at Christmas, within nature and within families. Gabriel Bates reflects on the ways he distracts and enjoys himself during holiday celebrations. S. Afrose sings of the joys of the Christmas season. Til Kumari Sharma highlights the beauty and value of the Christian faith at Christmas as Maja Milojkovic expresses gratitude to the archangel Michael. Kalipada Ghosh celebrates life, faith, love, and joy at the holiday season. Sardar Makhmudova’s short story shares how a little girl’s brave adventure lets her discover the meaning of the season, sharing love with others. Dr. Prasanna Kumar Dalai goes into poetic rapture about romantic love, world peace, and personal stillness.

Light skinned 30 something year old man in jeans and a gray sweater seated on a windowsill looking out at trees and the moon at night.
Image c/o Mahmoud Mohammed Hassan

Ahmed Miqdad laments the cold winter endured by Palestinian refugees in a call for global peace and justice. Pat Doyne reflects on the United States’ gun violence epidemic and the lack of progress to tackle it. Also, she speaks to the political chaos in America and its negative effects on consumer prices. Giulia Mozzati Zacco mourns the deaths of children in school shootings through the ancient form of the ghazal. Ziyoda Muradilova reflects on cultural pressures that social media has placed on the craft of journalism, to be fast, interactive, and appealing to readers, and how that poses challenges to the task of delivering truth.

Eva Petropoulou Lianou reminds us that true freedom is a society where people can live safely together, not merely the chance to serve ourselves at others’ expense. Dr. Jernail Singh reminds us that what goes around, comes around, both in terms of the legal system and the religious concept of karma. Duane Vorhees points out that concepts such as justice and poetry and perception should not remain purely abstract but carry practical meanings in the real world.

Abdulrazaq Godwin Omeiza considers how formal education taught him the facts of history, but poetry showed him how to survive it. Ruqaya Mehran, interviewed by poet Eva Petropoulou Lianou, discusses her work as a museum guide, influencer, and historian of ancient Egypt. Dylan Lloyd speaks to the emerging, burgeoning magic of creativity. Taro Hokkyo’s short story illustrates the power of self-belief in overcoming oppression and obstacles. Zaxina Tohirova highlights the lessons we can learn from failure and perseverance. Aziza Xasamova urges us through piercing prose not to give up, whatever happens in our lives.

Ahmed Farooq Baidoon revels in togetherness and merriment at the New Year. Kujtim Hajdari expresses high hopes and dreams for the New Year as Imran Khan moves forward into 2026 with optimism and Jacques Fleury tosses in his New Year wishes for all of our readers. Bruce Roberts contributes a splash of whimsy in his Wacky New Year poem. Valentina Yordanova’s poetry, translated by Yoana Konstantinova, reflects on the joy of Christmas and the self-reflection encouraged in the New Year as Dr. Ratan Bhattacharjee marches forth into 2026 with hope and strength. JoyAnne O’Donnell renews her hopes and dreams as time marches forward. Argentinian poet Graciela Noemi Villaverde takes joy in her December 21st birthday, the summer solstice where she lives, and Fernando Jose Martinez Alderete reflects on nature’s rest and preparation for regrowth during winter.

Synchronized Chaos contributor Jacques Fleury, a young Black man in a black suit and red tie and dark sunglasses, on a golden Christmas ornament with red and green decor, on a Christmas tree.
Image c/o Jacques Fleury

Elza Hansen celebrates the maternal and paternal love at the heart of the Christmas holiday. Abu Rayhan Beruni connects the importance of strong families to a strong nation.

Dildora Khojyozova highlights the cultural renaissance of the nation of Uzbekistan as Diyorbek Elmirzayev looks at Uzbekistan’s increasing government debt as an outgrowth of economic growth and investments in modernization. Lolaxon Sodiqxonova highlights the importance of gender equality and initiatives to empower Uzbek women in economics and education. Dilshoda Nodir qizi Nurboboyeva presents strategies for educating and raising children without gender stereotypes. Priyanka Neogi urges women around the world to move forward with self-respect, creativity, and independence. Ashraf Al-Mismar provides a literary analysis of gender, identity, and migration in his novel Soul Shards.

Communication is integral to intercultural understanding and migration. Shaxriniso Savranboyeva outlines various approaches to translating idioms across languages and cultures. Saminjon Khakimov points to how language instructors can harness the phenomenon of code-switching, reverting to one’s native tongue, in the classroom. Abdurashidova Sabina Eldarovna highlights teen code-switching, from normal language to chat-speak and slang. Eshpo’latova Xilola highlights the role of audiovisual teaching aids in enhancing students’ foreign language acquisition. Ruziyeva Sitora outlines why and how English is still considered a global language as Ubaydullayeva Saodat discusses the role of English in international travel.

Abdullayeva Feruza suggests visual activities that help accentuate young children’s learning. Yusupov Otajon Ulug’bek ogli outlines various creative approaches to teaching and learning foreign languages. Gulsevar Amirqulova encourages teachers to practice and develop their own creativity as part of professional development. Jo’ranazova Dilobar Dilmurod qizi highlights different ways to teach young children their mother tongue. Nasulloyeva Feruzabonu expounds on the value of science and technology education for society in ways that go above and beyond the practical. Dr. Jernail Singh Anand urges society and our educational system to teach wisdom and the humanities rather than simply focusing on speeding up students’ financial success. Bahora Akmalova considers approaches to teaching preschool children social skills in a classroom setting. Rupa Rao interviews writing mentor Balachandran Nair about his work with emerging authors.

Eva Petropoulou Lianou interviews Dr. Reda Abdel Rahim, inspector of Egyptian antiquities at the Ministry of Tourism and Antiquities, about his work with artifacts of his nation’s past. Jeffrey Spahr-Summers’ digitally altered photographs glimpse a more recent past, giving homes and street scenes a hazy, nostalgic feel.

Artistically altered and hazy image of a yellow skyscraper bank building. Blue awning below for a Ben and Jerry's.
Image c/o Jeffrey Spahr Summers

Sayani Mukherjee’s imagistic work explores nature, love, loss, and the concept of home. Natasha Leung draws on oceans and canoes as a metaphor for a couple who are separated all too often. Eleanor Hazel Hill reflects on physical mementos of summer fun. Yusufjonova O’gilxon revels in the chill pleasantries of winter. Soumen Roy looks to a river metaphor to express consistent flow, purpose, humility and resilience. Dr. Byeong-Cheol Kang evokes the resoluteness and strength of an eagle. Kujtim Hajdari highlights ecological themes in his review of Eva Petropoulou’s poetry. Axmadqulova Sapuraxon shares ideas for educating preschool children about the environment. A group of youth in China submits various short poems inspired by natural scenes. Alan Catlin patters out imagistic pieces inspired by various Japanese words for rain as O’rinboyeva Zarina speculates on life on a planet where rain is a rarity. Robert Beckvall reflects on his life’s winding path and how it deposited him on the lush big island of Hawaii. Mesfakus Salahin looks to the longer-lasting natural world for absolution from his complex memories. Riley Winters laments human exploitation of animals and the wilderness.

Mykyta Ryzhykh evokes the inextricable natures of life and death. Alyssa Trivett graphically renders the aftermath of a car accident. Nilufar Yoldoshova outlines similarities and differences between Uzbek and Korean funeral customs. Tea Russo’s work dramatizes the soul-killing effects of grief, loneliness, and shame. Gabriel Kang’s work exposes exploitation disguised as progress and love. Robin Beernaert outlines the psychological impact of a griever’s journey through poetry and prose.

Jessica Vanderwall composes an emotionally complex love letter to herself. Daniela Chourio-Soto reflects on the power of dreams to express and warn us about feelings in our waking lives. Joshua Obirija paints a lower-case portrait of the grief and lostness driving his writing.

Adrina Esparas-Hope crafts a graphic image of visceral love that could be a metaphor for creative pursuits. Brian Barbeito lets go of the need to understand everything before he can experience beauty and mystery. Texas Fontanella’s work revels in color and improvisation, reminiscent of jazz and electronica. Mark Young artistically alters geographical maps of checkerboards and Australian regions. Grant Guy intentionally erases parts of painted and typed texts as an artistic experiment. Zamira Moldiyeva Bahodirovna encourages readers and students to take up a refreshing and creative hobby. Federico Wardal explores the career and casting decisions of artists’ manager Adriano Aragozzini.

More practical fields can be creative as well. Shahlo Rustamova explores the role of discrete mathematics, particularly combinatorics, in understanding biological structures. Farangiz Musurmonova urges Uzbek accounting frameworks to match those of international professional standards. Medical student O’roqova Nargiza outlines the importance of salivary glands in the human body. Normurodova Salina Saitkulovna discusses how the medical field prepares for pandemics. Ahmedova Dilorom Mahmudovna highlights the progress of medical therapies for cancers caused by human papillomavirus.

We hope that this issue will inspire your creativity!

Poetry from Sayani Mukherjee

Home

A stately home of decorated lamps
The wall blew of homegrown facts
A limerick of two penced walls
A mark on the wall, a safeguard of rubbles
A thick mossed cottage, a writing on home
Homegrown homesickness around my gaze
The sea shore of shattered lamps a pain in my left bruise
I know not yonder thee a maverick lost canopy
Molten raindrops abound thy skin 
The flower grew among starlit bones 
It asks for home too 
A nihilist pain staking twofold grimace
A soft paced milkywave to land my moonwalled trance.